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#Abraham Lure
francoisl-artblog · 9 months
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Commission for AbetoShrykull I made weeks ago.
They've asked me to draw Abe and the iconic Shrykull from Abe's Oddyssey. It was really nice to draw, one, because it's been so long since I've drew anything Oddworld related, and also because I had to play around with lighting effect ! It was a nice change of rhythm from what I'm working on at the moment. (I just want to finish theses Oddswitch Idea I've started now..)
Oddworld (c) Oddworld Inhabitants Artwork made by me.
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mable-stitchpunk · 4 months
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Alas, I cannot draw. But I make do.
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Story: Abe's not adjusting to this whole world-shattering multiverse thing, so Marionette, Sun, and 5 (who is coming to terms with suddenly becoming human-sized for some reason) take him on a road trip to show him that the new world is not so bad.
Little do they know, but Molluck has teamed up with Fazbear Entertainment to hunt down our plucky heroes. Will the power of friendship help them pull through, or are they on the road to disaster?
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angstycloud · 9 months
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Hey look Its that Abe guy! but in anime style... MY style!!!
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zapvendo · 2 years
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pride. yippeeee!!!
[ID: A digital drawing of Toby, Abe and Munch drawn like tbh creature. They all have big heads, big black eyed and stand on all fours. There's red sparkles around them and background is a faded autism flag. End ID]
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sweetiefayce · 1 year
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Oddworld: The Promised Neverland homage (pt.1)
‘Kay, so I’ve fallen down the rabbit hole that is Oddworld lore…and I was *already* a big fan of the whole concept thanks to “The Promised Neverland.”
Surely this has been done before, but I couldn’t help paying some homages to the series—especially because it fits so damn well for obvious reasons!
And honestly…this is the most fun that I’ve had with my art for a long, long time. It’s like I remembered what I love about creating, and even *how* to do it. I remember loving symbolism and the significance of imagery…like here? I loved having the plates act as a kind of sick, ironic commodity: like the Glukkons absolutely would sell off “authentic” style dish wares with which to serve their workforce up on.
And even though I’ve only been able to play both the New n’ Tasty re-release and Soulstorm, I had a lot of fun trying to kind of reconcile the designs some for Abe and Alf? Alf especially; I liked the idea of him wearing his overalls down 90’s-ish style because it kind of acts reminiscent of his old loincloth, but still keeps him as visually distinct as Abe or Toby.
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spoocyshrub · 2 years
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Spoocy back with more concepts taken from Today's Discodd podcast's discord channel. Dropped by both nathan and lorne himself. It covers Abe's job as a midwife to the cattle.
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p1nk13p13f4n · 4 months
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Abe A Go-Go
Posted using PostyBirb
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vogue-valentine · 1 year
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I just realised if glukkon!Abe and Lulu from Munch’s Oddysee ever met they’d probably be best friends.
Why is that so true tho-
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princess-josie-riki · 2 years
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Year of the Alice Day 277
This is my first (and hopefully only) one-year project (which will be only 365 days) and this one is Alice's Adventures in Wonderland-themed.
In this pic, Abraham "Abe" Lure is pouring himself a cup of tea because it's teatime.
Made with Microsoft Paint.
Enjoy! ♠️♥️♣️♦️
Alice's Adventures in Wonderland (c) Lewis Carroll
Oddworld (c) Lorne Lanning and Oddworld Inhabitants
Idea and artwork (c) me
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One thing I’ve grown to appreciate about the “Red Dead Redemption” series now that I’m older is that you can tell Rockstar approached this project as an anti-western. It lures you in with the promise of Wild West, yeehaw goodness, but when you actually play the games, you get hit with the brutal reality of this world.
Examples of what I mean:
1) The Mexican Revolution arc isn’t romanticized. At first, you think it’s a simple tale of the evil fascist government fighting against the heroic rebellion. But then you meet the rebel leader and he turns out to be just as bad as the government. It’s a true “both sides are in the wrong” situation and, unfortunately, the ones who truly suffer are the peasants (such as Luisa Fortuna).
2) Frontier life isn’t just shooting and action. It was also watching over animals, building farms and ranches, and trading with towns. The games really make you feel the monotony of doing chores and yard work, especially when John was in his Jim Milton phase.
3) Outlaw life isn’t romanticized either. Although you start off as a happy family, it eventually devolved into backstabbing, despair, and self-destruction. Even before then, your group aren’t the greatest of people, especially with the whole robbing people at gunpoint and shooting up towns.
4) Good guys don’t always get a happy ending. Also, every action has a consequence. John Marston had to learn that the hard way.
5) The racism. I feel like a lot of Western-themed media tries to skirt around this issue, or even avoid the topic (such as the 2016 remake of Magnificent Seven, which had a diverse group of fighters). Red Dead doesn’t pull back its punches. You have the Ivy League professor who treated Native Americans as subjects for his racist research. Abraham Reyes straight up calls Chinese people an inferior race. Then there’s the Blackwater short film playfully talking about the massacre of Native American tribes.
6) Along the same lines as point 5, the sexism. For example, there was the propaganda short film about opposing the women’s suffrage movement. And, of course, Sadie Adler not wanting to be relegated to cooking for the group since she can shoot.
7) This is more for RDR2. You actually have to pay attention to the maintenance of the horses and the guns. I’ve never seen this in a Wild West movie/TV show, and yet it’s integral to someone whose life revolves around horseback riding and shooting people!
8) Not skirting around the issue of disease, especially when healthcare wasn’t as advanced as it is nowadays. You can see that especially with Arthur and Abigail.
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lol-jackles · 1 day
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I know its beens awhile but what did you think of S15 as a whole?
As a whole I think season 15 was an above-average season due to below-average execution and ended with a stellar series finale that added rewatch value not just for season 15 but also all of 15 seasons.
Season 15 started and ended with callbacks to previous seasons; from season 1's woman in white and Sam's goal of returning to a normal life, to season 5's Dean's time in hell as Alastair's apprentice and bringing closure to Adam Milligan, to season 8's endgames for Sam and Dean.
The first half of the season 15 was about free will vs determinism, with Sam representing the former and Dean representing the latter.  Sam and Dean’s confrontation with God parallels how they've reacted to family and authority their entire lives: Sam challenged God’s Divine decree over His Creation while Dean accused God of abandoning His Creation.  When Abraham spoke with his heart and mind to God over His plan to destroy Sodom & Gomorrah, it led to Abraham transcending himself, leading the way for God, and becoming the father of faith. Metaphorically it's all about lessons in honest, meaningful relationships with our fellow human beings.   People often suppress their true selves and principles for the sake of avoiding conflict instead of taking the relationship a step further into a place of sincerity.   From season 11 to 14, Sam and Dean spoke their hearts and minds to God and the brothers' relationship became at its strongest, never wavering even when occasional arguments sprouts up because they were honest with each other.
Sam and God became connected through Sam's hope which manifested in their identical wounds. Secular-based hope is about anticipating something good to come in the future.  Sam has hope in a better future, so Chuck showed him a bleak future to make his lose that hope.  Once Sam lost his hope, God leaves.  That’s pretty much what happens to people in real life, when they lose hope, they feel there is no God or God abandoned them. Another physical manifestation of a bleak future is Dean's old friend who retired from hunting, Lee, who became so corrupted that Dean is forced to kill him.
The return of Sam and Dean's half-brother, Adam, brings welcome closure.  Adam is not out for revenge as he acknowledged his own culpability for agreeing to vessel-ship in the first place.  Him and Michael only having each other for 10 years in the Cage led to their codependent-symbiotic-ish relationship that parallels Sam and Dean to some extent.  
I like to call the second half of season 15 the "Dean redemption tour" where side characters were used to address Dean's unresolved issues in order for him to be good enough for Sam in their eternal afterlife. Normally whenever Dean interacted with side characters it is about the side characters, not Dean (see example here and here). But when the formula is reversed, it becomes a bit disjointed, and the audience picked up on it. The final redemption act target Dean's anger issues that both Amara and Chuck discussed.
Chuck: This is my ending.  My real ending. 
Very next scene: *Dean pulls a gun on Sam*
Dean’s been so obsessed with having free will that he’s actually following Chuck’s writing.  As usual Sam broke through to Dean, in effect breaking Chuck’s influence. Then a very mad mad Chuck shows up.
Chuck:  “Are you kidding me? After all that, you did it again!”
Then 15x18 happened. Ignoring the hilarity of that scene, the speech was supposed to remind the general audience that Dean is A HERO before he dies two episodes later. By 15x19, free will vs determinism comes to a conclusion.   Michael and Lucifer betrayed the Winchesters and succumb to determinism, fulfilling their destiny to destroy each other.  Sam and Dean manipulated Michael to lure Chuck into a trap to replace him with a new God, Jack. Chuck is left only with human frailties and for the first time Chuck has no idea what happens next, bringing the free will theme to a full circle.  
Due to interactions with Sam, Rowena became the new queen of Hell while Jack becomes the new God of Heaven. Jack promises Sam that He will have a hands-off approach and people don’t need to pray or sacrifice to Him. Jack’s perception of humanity is distilled down to, “When people have to be their best, they can be.” 
Before the story ends, the protagonist is supposed to accomplish their primary goal that had kept them driven and move the story forward.  Sam’s goal was attaining normal life, it was never about eradicating monsters to extinction or avenging his mother’s death.  In fiction it always seems like the main character want many things, but there is always a primary goal.  Harry Potter gets dragged into many subplots such as conflicts with his best friends, romantic misfires, and incidents with secondary characters, however his main goal was always to defeat Voldemort and that's what the audience is holding out to see.  Sam Winchester’s journey is flipped from Harry Potter’s; Sam gets dragged into many subplots of saving the world, defeating the Big Baddies, and conflicts with his brother, however his main goal was always to have a chance at a normal life. But this can't happen while Dean is still alive.
Dean has everything he wanted: Sam and hunting.  Dean is a complete person; he doesn’t need anything else. But Sam had given up just about everything so that Dean wouldn’t be alone. 15x16 reminded the audience that Sam wanted out of the hunting life since he was a child. Sure, Sam is very good at his job and even became a leader, but they always made sure to show that Sam doesn’t have passion for the family business other than saving people’s lives.  Claire Novak shows way more enthusiasm for the job. But Dean would never retire from the hunting life.  Even when Michael gave Dean a fantasy life, Dean still conjured up monsters so he can fight and kill them.  As long as Dean is alive, Sam will never be free to pursue a normal life.  Think back to Dean's speech in season 8 telling Sam to pursue his normal life only after Dean dies with a gun in his hand and a smile on his face.
The pivotal barn scene in the 15x20 finale was genius, bringing the series to full circle with callback to the pilot, fleshing it out, adding backstory to Dean’s pov that brings his fear, need, relief, and love to stark relief.  It hurt like hell, and at the same time, cathartic because Dean was honest.   The way Dean said, “Come here. Let me look at you. There he is!”  That’s Dean in dad mode, the parental figure to Sam.  The show reminded the audience in 15x18 that Dean raised his little brother.  Still in dad mode, Dean then tells Sam that he is proud of him.  It’s what every son wants to hear from their dad.
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Dean then goes into brother mode and tells Sam he admires his strength even when they were children.  Sam’s strength is such that Dean was afraid that Sam doesn’t need him. Fearing rejection, he stood outside of Sam’s dorm for hours before finally going to Sam because it’s always been Sam and Dean, and Dean can’t comprehend if he didn’t have Sam. 
From there Dean gives Sam his blessing to keep living his life.  “I love you so much, my baby brother”. Sam’s reaction was pure and raw, he has always been honest about his wants and needs but craves Dean’s approval to pursue them, and now he has it.  Sam’s faith in Dean went answered with Dean saying how proud he is of Sam, how much he admired Sam’s strength so that Sam knows he is strong enough to go on living without Dean.  
Another reason why the barn scene is genius is the pilot callback sets up Sam and Dean’s reunion in New Heaven as pilot 2.0.  From there they will build their relationship just as Sam and Dean.  They are at peace without monsters disrupting their lives, without vindictive angels disrupting their afterlives, and without childhood angsts weighing them down.  They have both freedom and peace.
This applies to all of the hunters.  Jack’s New Heaven is like a retirement home for hunters where they can enjoy their peace and socialize with their friends and loved ones and even upgrade themselves to the people they were meant to be on earth.
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mable-stitchpunk · 9 months
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Fanfiction Link: https://www.fanfiction.net/s/13892650/23/Within-Reach
Hiding out after their close call escaping Vykker's Labs, the little group of mismatched miscreants attempt to get to know each other a little better. Though these efforts go downhill when Abe makes a startling realization about what he saw back at the labs.
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jacobs-judge · 5 months
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✦ The Subtle Design of Joseph Seed ✦
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I’ve been playing Far Cry 5 since 2019, I love this game and can honestly recite half of the dialogue by memory at this point… but how is it that I never clocked a specific design choice of Joseph’s?
Specifically that he wears an inverted version of a Priest’s Collar and Shirt?
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Visually it serves as a way to distinguish himself from Catholic priests, as we know The Project at Eden’s Gate doesn’t follow a distinct religion - it’s simply grasping at different areas of Abrahamic faiths - so I doubt he’d want to seem like an ‘ordinary’ Clergy member.
It also separates The Project and Joseph from the only other Clergyman in the game, Pastor Jerome Jeffries. Joseph is the clear visual, spiritual and physical opposite of Jerome - which further distances Eden’s Gate from the usual Christian-based religious narrative and teachings.
It sets up a narrative of A Father vs The Father, Clergyman vs Prophet and it’s done through subtle design differences and obvious religious differences.
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[This part may be a stretch, but stick it out!]
You can also make the connection that Joseph wearing an inverted version of a Catholic garment is a visual representation of corruption in the church.
The white collar, specifically the white part is most likely linked to purity and how a Priest is one of God’s holiest followers.
An inversion of that, to have the collar suddenly turn to black, could represent corruption and sin.
The white collar hidden in a black shirt could represent purity shining through the cloak of shadow and sin, something that almost everyone houses inside of them.
Whereas a black collar hidden in a white shirt could represent sin being cloaked and shielded behind the guise of purity, luring wayward souls into believing their sins will be cleansed - when in reality they’re simply being hidden behind a superficial mask of purity.
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[I’ve probably given Ubisoft a little too much credit here, but this analysis wouldn’t leave my head - so I’m burdening you with it!
Enjoy my reawakened Far Cry 5 hyperfixation and coffee-fuelled design theory!]
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zapvendo · 2 years
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screaming and throwing up about them
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sweetiefayce · 1 year
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Oddworld: The Promised Neverland homage (pt 3)
Yet another in my latest little series of homages…my god these are fun to do! At the rate I’m going I’ll have enough to put together a little animatic to the tune of “Identity,” haha!
This one was definitely the most challenging to try to compose, but the most fun to play with. While I knew putting Molluck where Isabella originally sat would bring a more cynical tone to the piece, I wasn’t expecting to truly appreciate how damn oppressive a figure he can be. Using the smoke in place of shadow was intentional; I wanted the Mudokons to come across as generic and faceless as the Glukkons no doubt see them, but also lean into the double meaning of how the brew is designed to fog up their minds and keep them under control.
Also, Procreate’s light pens are so much fun to play with!
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spoocyshrub · 1 year
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Oddworld Inhabitants posted this as well as a blank base for Abe's hand tattoos over on twitter.
As someone who struggles to find some decent references for Abe's tattoos even when taking screencaps from the soulstorm game, this was a nice gift.
A gift I will be sharing with those who do not frequent twitter.
These are the tattoos he obtained from the Scrabania and Paramonia trials. The ones that allowed him to harness the shrykull in New n Tasty/Oddysee.
still kinda chuckling that Abe's skin shade is much more vibrant on his playable model compared to the cutscenes.
Also my god the amount of scars and surgical ones on this poor guy's hands.
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