do you ever think about how Wyll's like second ever camp event is him getting tortured (put through The Torment Of The Hells?? drastic physical changes he did not consent to??) on screen in front of the whole camp and he tries to act like that was an okay and deserved thing for Mizora to do to him
During that scene with Karlach's confrontation, Wyll already knew that was something bad going to happen to him if he let her live. That's why he tries to rationalize it at first--"You served [Zariel]. That's enough to damn you."--and he still hesitates after--"You're asking me to trust a devil." But he saw the tadpole vision too, he knows Karlach is just a tiefling. He's been misled once again; he doesn't want to believe it, but the evidence is right there and he cannot deny that.
The thing is - he didn't know that he'll only get transformed. As far as warlock pacts go, he should have died or got sent straight to hell as punishment for disobeying orders. Fully knowing that possibility of dying or worse, Wyll saves Karlach anyway. Because it's the right thing to do.
In a way, I don't think Wyll thinks he deserves his punishment. His first line when you talk to him after is "Gods damn her straight back to Hells." and "I did what was right. And Mizora made me pay for it."
He has some awareness that he doesn't deserve what happened, but at the end of the day, he's still pacted, so he just takes whatever Mizora dishes out on him while trying to make the best out of it that he can.
Wyll also says, "It was worth the sacrifice," and that's pretty much the sum of his character. To be self-sacrificing time and time again. And maybe he thinks it's a sacrifice that he consciously makes instead of something that's thrust upon him without giving him a choice. Just like his pact, and just like everything else in his life. If he rationalizes it as a choice he makes, then he's not a victim, he's not abused or exploited. He's a hero, and heroes just have to make sacrifices for the greater good sometimes.
(Contrary to this, he does have a choice and it's a choice he keeps making, which is to do good things with his powers, rather than just succumbing to Mizora's evil influence. With his pact, he could've easily ran away and left the city to burn, and with Karlach, he could've easily followed Mizora's orders and killed her. But in both cases, he doesn't. Standing up to the devil on his shoulder is something that takes great strength.)
174 notes
·
View notes
In my opinion, the reason the reunion scene was skipped was because the author couldn’t figure out a way to write it non-romantically and gave up after a while
honestly. i kinda agree with you nonnie.
it just. the set up to the scene is sooooo romantic. you have lloyd being absolutely devastated at the thought he's not going to see any of his loved ones ever again and that he's been dropped back into his terrible life, to the place he admitted he'd rather die than go back to,,, and then someone knocks at the door and when he opens it this is the sight that greets him:
his best friend, the person he's closest to, the one he's spent years with, the one he promised a peaceful life at his side, the one he wanted to grow old with, the one he sacrificed everything for, the one he effectively gave his life to save, the one he thought he'd never see again, standing at his door, having crossed literal dimensional barriers to get to him, a soft and teary smile on his face as he tells him "i missed you"
like. c'mon.
i'm all for platonic interpretations, i'm aroace, i love me a good best friendship as much as the next guy, but,,,, isn't this,,, like,,, really fucking romantic??? extremely so??? am i??? reading too much into it?? because it feels really, really romantic to me.
and like you say. where do you go from there. what response could lloyd give that doesn't involve throwing himself at javier and clinging to him with all of his strength. what conversation could these two have that doesn't involve them seeing how truly devoted they are to each other. what resolution does their arc together have that isn't them spending the rest of their lives together, at each other's side, like they so dearly wanted to.
but. alas. that wasn't the story bk moon wanted to tell. and that's very much his right. i just think that if he didn't want me to assume there's no in-character and narratively satisfying version of that conversation that doesn't end with them kissing he should've at least tried to give us something. and not completely skipped it lol
but that's just my opinion too :]
112 notes
·
View notes
Hi, I love your blog and your edits. I was wondering if you could do a tutorial on how you combine multiple gifs into one in the first gif of yours MIKELOGAN’s 5K FOLLOWER CELEBRATION || GET TO KNOW ME MEMEFAVORITE ACTORS [2/10]Colin Firth (September 10, 1960) set? Thank you for reading this and helping me.
thank you so much, that's so kind!! this is the post in question (which was inspired by this gorgeous set) and i'll break down how to do it step by step below the cut!
i ended up saving this gif as a psd because i remember it taking me so long and being really frustrating, i just wasn't sure why. for reference, i posted that set back in september, just over four months ago. looking at the psd, i can see just how far i've grown as a gifmaker bc that thing is a hot mess. i made it about 3x more complicated than it needed to be, so let's do this the right way lol
note: i was still using 0.07 frame rate at this point. i have since switched to 0.05 for smoother, quicker gifs.
what we're going to do is create all of these gifs separately and put them together at the end. in total, there are 6 individual gifs. let's start with harry.
i gif by importing video frames to layers, but if you prefer to screencap, load those in instead. because this ends up being a pretty large gif, both in size and length, i kept it to 20 frames per clip.
once you're satisfied with the frames you've chosen, crop your canvas to 540px x 540px. this is what i'm left with
this is when i sharpen my gifs. everyone's process is a little different. i created my own sharpening action, which converts my frames to video timeline and then sharpens.
the next step is to color your gif. if you're going for the overall look in mine, here were my layers:
a brightness/contrast layer with brightness set to 31 and contrast to 5. this will depend on the scene you're working with
a levels layer using the black and white eyedroppers. the top one is your black eyedropper. to use it, click it and select the blackest part of your gif. do the same with the white eyedropper and select the lightest part of your gif. you may need to play around with selecting different points depending on your scene and the original coloring
finally, a simple black & white gradient map layer on top
now we're going to add the thin rectangular border in the middle of the gif. i use the rectangle shape tool for this (press U on your keyboard) and these are my settings (x and y coordinates don't matter):
to center it perfectly, i use ctrl+T and drag it until it snaps into place with both the vertical and horizontal guides.
next, let's add the "choose your gentleman" text that goes at the top of the border. here is the font i chose and its settings:
once again, press ctrl+t and drag this to the vertical center of your gif and to the center of the top of the border. you should feel and see it snap into place. this is what we have now:
now, we're going to use a layer mask on the border so we can read the text. select the rectangle layer and click the layer mask button
with the layer mask selected (as shown in the second image), use the rectangular marquee tool (M on your keyboard) to draw a rectangle around your text, taking care to keep it just a little larger
as you can see, you'll know when you're perfectly centered through your text layer and vertically on the entire canvas. select your brush tool without deselecting this rectangle (B on your keyboard) and paint the selection with a black brush. this masks that part of the border!
let's add the small square gif that goes at the bottom of the border now. i think the easiest way of doing this is to use the rectangular shape tool (U) again. the size of this gif is 110x110, so create a black square of that size with no stroke. Use ctrl+T to drag it to the center of the bottom of the border (the x and y coordinates don't matter):
now duplicate your original gif layer (ctrl+J) and drag it to the top of the layer panel. right click on it and create clipping mask. this will make it so the gif only appears within the confines of the square we just created. resize your gif by using ctrl+T and, making sure the proportions are locked, drag the corners to the edges of the square.
this gif is not colored at all as we only duplicated the gif itself and not the coloring layers. i duplicated those as well and dragged them on top of our small gif, but it's important to make sure those are using the clipping mask as well. you can click this on the properties layer of each adjustment layer to make sure they do.
you'll know you've been successful when you see the small arrow next to each of your coloring layers. this keeps them from affecting the coloring of the larger, main gif.
we're going to change the gradient map adjustment layer from black & white to black & lime green (or the color of your choosing). click on that layer and then on the map. this will bring up the gradient editor. click on the small white color stop at the far right end of the gradient and then on the color picker, choose a new color.
the hex code i used for the lime green is #00ff0c
our last steps are the angle brackets on either side of the gif and harry's name in the center. here are the settings i used for those (angle brackets on the left and harry on the right):
the layer styles for harry's name (double click on the text layer to call up this menu OR right click > blending options):
and for the angle brackets:
by now, you know how to utilize ctrl+T to move these layers where you'd like them. harry's name is centered horizontally and vertically and rotated at a bit of an angle and the angle brackets are centered horizontally and i just eyeballed where to put them in relation to the space between the border and the edge of the gif.
this is the complete first gif. what i would do for your own sanity since you have two more of these two create is 1) save it as a psd just in case something crashes and 2) don't convert it to a smart object until you have all 3 gifs completed and are ready to put them together.
the nice part about having the first one done is you've ultimately done the hard part. create your two other gifs, but you'll be using at least roughly the same coloring and all the same text, just with the colors adjusted, so you can drag those layers from your completed first gif to your others as you work on them.
once you have all 3 gifs completed and still on 3 separate canvases (and saved as psds bc this is adobe friggin photoshop and shit breaks all the time), convert all layers on all the gifs to smart objects. this will simplify the final gif and make things much easier.
then, bring gif #2 and gif #3 both onto gif #1's canvas. this is what it will look like at first on the timeline and in your layer panel:
(full disclosure, i'm not making the other two lmao, i'm lazy and i already did it once in a way harder way 😂)
to get the gifs to play after one another rather than simultaneously, you just have to drag them after one another on the timeline!
a little bit hard to show the actual process, but you're just clicking the bertie layer and dragging it down to harry's line after the harry layer. then do the same with the jamie layer, dragging it down to the harry layer after bertie. when you're done, it should look like this:
btw, the little slider i circled is what enlarges or shrinks the timeline view, so if you need to see something broken down a bit more/slower, drag it to the right. if you need to zoom out, drag it to the left.
and that's it! export and save your gif!
if you have any questions or anything is at all unclear about this, please let me know! i'm happy to help!
88 notes
·
View notes
Why did you do so little to promote fics or, really, the whole Sandman big bang that you ran? You kept promoting Merlin fic fest while Sandman big bang was running. And yet you barely did anything for it! If you lost interest, why not relegate it to somebody else? There are a number of wonderful fic writers and fanartists who did not get even a fraction of the recognition they deserve because of your own shoddy organisation. And yes, I do know we all do this in all our free time blah blah, but you created this event, and promptly ditched it in favour of another fandom. This is bad fandom ethics, and I think you need to know it.
oh careful babe don't choke on that bitterness you're gurgling there.
real talk for a second because usually I don't answer this kind of shit but let's go there for a moment:
I did reblog SO much sandman bang promo, the round up posts, the masterlist several times even. I did not reblog every individual fic because, and this might be shocking to your sense of entitlement, but even as a mod, I do not read every single fic. i'm not obligated to; you can start paying me if you want to, then we can come back to that point and I'll read whatever you put in front of me. until then, I will keep my preferences while doing my hobby, thank you very much.
The Rare Pair Fest only started up during, like, the last week of the Bang. I've been running that bang for half a year. And i don't know what makes you think that one fest's promo would take away from another fandom's fest posting but ????? it does not. Also people can be multifandon. I get that might be complicated to integrate in such a narrow perspective on fandom, but idk how to explain to you that people can have multiple interest beyond like. touch some grass honey?
Lastly, we did, in fact, promote every single collaboration on the blog and in the server. Individually, again in round up posts, and again in a masterlist. I don't know where you get the idea that we didn't. I don't know where you get the idea that we lost interest, or organized things shoddily. Bangs, and fests in general, don't guarantee you recognition. No one fucking owes you recognition, in fact, not me, not a fandom, no one. And whenever you manage to take a moment away from being an irritating fucking nuisance in other people's inbox, maybe you should rethink your approach to fandom as a whole because you're clearly having issues, and I don't mean this as a burn but as a genuine "this clearly does not bring you joy and maybe you should find things that make you happy instead." You're welcome.
And yes, I do in fact do these things in my free time. Meanwhile you don't even have the courage to put your name to your lil bitch fit. Get better soon.
21 notes
·
View notes
hii ari !! abt the second timeline where adriana was the protagonist .. i remember ur carrd saying that she was in a relationship w luna in that timeline too — would u imagine it being different in any way , compared to the third timeline ? would there be a case where one of them may remember parts of their relationship from the second, or have a 'gut feeling' / 'intuition' that was rly memories from the timeline before ? i hope this all makes sense LOL
Oh!!! This absolutely does make sense; thank you so much for such an intriguing question!
Hmm.. I think that it would be at least a little bit different, by virtue of the fact that in the second timeline, Adriana fully took the role of the player as seen in-game, with no-one else surviving Grandview Station. So, as a result, while I do think that she and Luna would fall in love in the same way - Luna’s feelings appearing quite suddenly after Adri saves Gardevoir and later herself from the sanctum, which was midway through Adri’s own attraction rising slowly over time since meeting her - I also think that Adriana wouldn’t have been able to spend quite as much time with Luna as she had wanted, because she had more responsibilities as the spearhead of the movement to take down Team Meteor. As a result, it’s plausible to say that while we were definitely still close, it was not to as much of an extent (or at least had not developed to that extent yet).
Conversely, in the third/current timeline, Adri doesn’t have to be there for every single event, because there is now someone else travelling the region (in the form of the player), whom she is now mirroring by continuing to collect badges but doesn’t have to constantly be glued to. So, for example, she can spend more time with Luna after returning to Reborn City by not having to go through the Devon Corp raid. By the time the player has done that + defeated Adrienn + explored potentially the entirety of Tourmaline Desert (which is massive) + gone all the way through Titania’s gym, all that Adriana has to do in the same timeframe is just defeat Adrienn, fly from Beryl Ward to the top of Mirage Tower (to pick up Corybantia), then continue north to Never After - because she catches up with the player right before they battle Titania, at least if they’re on Reshiram Route. This (and other examples throughout the story, which I’ll admit I haven’t fully come up with yet) gives her much more downtime compared to the player.
What I haven’t considered as much as I could have is the last part of what you were saying, about feelings and memories of the previous timeline poking through. And I think that is a VERY fun concept to play with - the game sort of touches on it right at the end, but not really to much of an extent. In fact, something that I was considering was saying that Adriana’s experience - so, the second timeline - was closer to Episode 18 than it was to Episode 19, because the game itself was still only on Episode 18 when I myself first played it. This allows for some fun moments in terms of things like Adriana being surprised to hear the name Borealis so early, or being apprehensive to enter Agate until Cain and the player arrive, or suddenly feeling a lot less sure of things after defeating Hardy (because E18 only went up to his Gym battle even though Adri herself did actually get all the way to the end of maingame), or - to bring it back to an F/O-focused perspective - being even more shocked than everyone else that Elias tries to shave off Luna’s hair.
I think that Adriana would be the only one to really have these moments of.. I suppose you could call them anamnesis, but she isn’t necessarily remembering the previous timeline, just getting vague intuitions of things. This is because she’s the only one to have more explicitly been brought back in from the previous timeline - and brought back from her fate in that timeline - because of Anna’s feelings of guilt causing her to intervene more. If she hadn’t intervened beyond the point of a simple reset, it wouldn’t have been guaranteed that Adri still travelled out to Reborn (because she wasn’t the chosen hero for this timeline), defeating the main point of bringing her back - which was to make sure enough people would be present to power Anna’s wish if the new chosen hero, the player, had to be saved like that as she was. I do think there is potential for her to eventually become more anamnestic, certainly moreso than Fern, but that may not actually occur until.. maybe the Giratina quest. Which is late into postgame.
..I think it’s safe to say that I could ramble on about this for ages considering how much I’ve already written here in one go. So, thank you very much for such a question, friend - I am very grateful to have been asked it and it’s given me a LOT to think about!!
6 notes
·
View notes