Thinking about how people who only (or primarily) understand Mike’s arc through a “hes queer and coming to accept it / struggling with heteronormativity/will get his happy ending when he gets with Will” lens are missing at least half of what defines his arc in the wider context / themes of the show.
Forewarning: long post (& also maybe an unpopular opinion)
Even as a queer person myself, I know that his arc isn’t solely about embracing his queerness (though it’s inherently interlinked). In Mike, you have a character who is being radically challenged by both external circumstances and his own decisions through a journey away from all kinds of forced conformity (social, familial, romantic & heteronormative) and into someone self actualized enough to live how they want…while also being strong enough to accept that they made mistakes along the way. Someone who is learning to be brave enough to say “this is who I am, what I enjoy, and what/who I love…and while it took me a lot of time to figure it out, now I can exist in the world embracing that even though it will take consistently resisting the tendency to accommodate people who think it’s unacceptable.”
Like. Even from a time before puberty (see: S3) Mike wants a life that stands apart from what’s expected of him in every area, not just in choosing a romantic relationship with another guy. He wants to continue to be a nerd and “child at heart” even though something else is repeatedly demanded of him by everyone from his parents to El in his romantic relationship. He wants to be a writer and someone who takes those nerdy interests into his adult life (cue aggressive gesturing toward the duffers themselves) and grates against all that’s been constructed for him even when he’s not (yet) brave enough to challenge it directly. Mike liking boys/loving Will is just “the final nail in the coffin” of his social and societal nonconformity—not the first (or the last) aspect of what makes him different from Hawkins or the life he was made to believe would suit him best.
Even the fact that Mike has a desire to be “normal” comes from an insecurity and fear that choosing what he truly wants will lead to him being outcasted and losing the people he cares for entirely—which is partially motivated by his queerness yes, but that also has a basis in his general interests and personality…which becomes especially obvious when you realize we are repeatedly shown that he is punished/has his wishes ignored in all areas he doesn’t conform, even long before we get into a plot where it’s clearer he likes boys.
We see it in how his parents have already started to demand he put boundaries on the time he spends playing his “childhood games” the very first scene of season one, how they demand social acceptable emotions from him when Will is missing, and how Karen & Ted want him to give up toys in S2 when he’s showing signs of depression (because they think the issue is him growing up, not that he’s struggling with loss or guilt for what happened to El).
We see it in how his own father comments about taking his CA trip away from him after calling Hellfire being a group for “dropouts” in S4 (implying that he is failing on an academic and social level that matters to wheelers—and that Nancy is good at).
We even see it in the way everyone from his bullies to his own girlfriend threaten and take things away from him when he doesn’t conform to social expectations...from Troy telling him to jump off the cliff to save Dustin in S1 (as punishment for the one time Mike stands up for himself in the gymnasium) to El jumping straight into breaking up with him and spying on him when he doesn’t do exactly what she wants him to in Season 3.
All of these moments are critical to understanding Mike as a person because they show us that, even without addressing his queerness, Mike’s desire to conform to socialized expectations involves but is not solely about him moving out of heteronormativity—it’s about him moving against everything that WASP, patriarchal, heteronormative and capitalistic and performative “wholesome American” values…and how he is learning to move past the fear of what will happen if he steps outside the lines in general, even though he already knows he hates those standards.
Mike’s “coming of age” arc is about finding the strength to choose the “path less traveled” in all areas of his life—even when it means (potentially) losing the support of the people he cares about. It’s about starting from a place of privilege and becoming okay with being outcasted from it in a way your insecurities never let you be before (which is inherently different than Will, who has always been shown to have some kind of support not just for his queerness but his artistic endeavors as well). Mike’s lack of support is why he starts from a place of deep insecurity, yes—but it’s also why him learning power of choosing to be himself, even if it means “losing” people when he’s honest about who (& what) he is will be universally powerful.
You don’t need to be queer to understand the power of what it means to know you will be okay even if people leave you. You don’t need to be queer to understand the power of stepping outside social expectations or your family’s way of raising you. You don’t even need to be queer to understand the weight of breaking up with someone you were only with to satisfy what you thought you should do, rather than be with who you want to.
The power of being strong enough to overcome your insecurities in order to “step out of line” and live and love as you want to is universal, and a stunningly brave choice no matter what or why you chose to do so. The fact that Will will be there waiting to love him in that honesty with himself is beautiful, yes—but it’s not the only lesson to be learned for Mike’s character.
Mike starting out with everything the world (or, at least America) tells would make you happy, realizing he is not happy with those things and rejecting them knowing it might have consequences is what makes his arc powerful, because he is learning (exactly like his sister Nancy) to be brave enough to accept those consequences (which for him are getting dumped, and feeling like he’s being left behind by some of his friends) to follow his own heart.
Even though The Duffers aren’t writing this into a tragic ending (aka: he’s not going to die or be left alone, because the duffers writing is inherently designed ro champion the outcast), these are the things that have (and will) make him relatable even to an audience that doesn’t know queerness. Erasing the fact that his lesson is the bravery it takes to follow your heart solely to talk about him liking guys (even Will) is to undermine his humanity, and the lessons to be learned from him by even the most general an audience.
TL:DR - the heteronormative aspect of Mike’s character is not the sole or even inherent issue within Mike, though heteronormativity is inherently built into his struggle.
There are deep dives on how his arc is also about a war against toxic patriarchy, toxic masculinity, emphasis on capitalistic and academic accomplishments over artistic ones, and even conformist relationships (whether they’re queer or not) that should be explored for his character—and I for one like him too much not to move out of just “this boy is queer because xyz” and into “let’s talk about Mike in terms of the wider scope of his cultural context and upbringing.” 🤷🏽♀️😂
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Im going to be completely frank with you all... and admit that I read these options and wasn't sure how to take this chart,,, so uh. Under the cut is Another Version. I'd apologize but I've given you the option to keep scrolling ¯\_(・・)_/¯
(If you notice characters missing on Kim's side, I probably figured she doesn't know who they are lol)
For the record,,, if they *wanted* me to pull their hair-- *is shot several times before I can continue*
Uhh Matthew is here because I have been converted fully on he/him or enby lesbian Matthew I think. He lives in my brain rent free now, very gender. I'd pull his hair but also I think he mostly just deserves to have it played with nicely.
And Scott's here because 1) I enjoy trans Scott, 2) Kim Pine Brain Rot possibly, 3) idk he's like,, the exception. God damnit, I've fallen for the inexplicable Scott Pilgrim Effect. What the fuck--
I did think about doing this chart like everyone was actually applicable to my tastes, but even if they were I think the ones I didn't put up would have to fall on the caress side bc I just don't feel that way abt them lol.
Again, not to say that's the case for the gals over on that side,,, I just think I would want to be gentle w them shxkdjsdhbd with the exception for Lynette who probably deserves to have her hair pulled, but again I fear she would Hurt Me,,, but maybe in a fun way,,,
Anyway No One Look At Me....
(,, also,,, Ramona is so far over bc I think she would enjoy it,, otherwise she'd be closer to Kim in that section. Same thing w Roxie)
If anyone actually looks at this version, I'm not opposed to doing a version like this for Kim btw! Just ask for it so I feel like I'm not just Dropping This and scurrying away
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TADLER AU where the bond doesn’t dissolve
She’s sitting in Mothertongue translating the word rope when she sees her hang. She can smell the fire of torches, hear the chants of villagers, and see General Alder’s sister. And then she’s feeling an unbearable rage and sadness and she’s screaming. Then she’s being shaken and Raelle is looking at her. Raelle doesn’t say anything, but she can see the question in her eyes.
The next time she’s with Abigail in training then she’s leading a group of witches in colonial dresses in a parade. She’s watching people clap and scream the war is over. Then she’s being hit with an apple core and told to go home by a town’s person who tells her she’s still not an American. Next, Abigail hands her a tissue for the nose bleed that she didn’t cause and class is over.
This continues again and again until she see’s all of the pain. She feels the crippling of her spirit, of her skin. She’s paper thin when she talks to her knowing teacher about books about seeing into the past. Then she’s reading pages so old she can’t tell if cut comes from the paper or watching Alder write draft after draft of letters to fight for funding for injured soldiers.
Then one day she’s talking to Anacostia and seeing her look up, physically and metaphorically, to Alder while talking to her past Alder’s office. Tally walks into a wall and laughs until she can’t breathe.
“You’re fighting for me, all of me, potentially the last witch of her line, but also the part of me that one who holds you to the promises you made for a better future. I want to be part of that, so badly, it literally hurts”, she says wiggling her fingers after the healer sets her bones.
“Your loss doesn’t excuse your actions, but I understand them and I want you to keep fighting.” And because Alder acknowledges someone has felt her pain, that someone has truly SEEN her, then Tally is healed. Idk the end I just wanted to put this out there where bc we acknowledge pain we can share it with others and change.
no no keep going i'm just going to put my head through drywall about this actually 🥲
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bc I've watched a couple videos about weird time signatures in videogame music recently. youtube recommended me a video titled something like "Songs in 5/4 Time" and the thing is THE THING IS. 2-D GORILLAZ IS ON THE THUMBNAIL (alongside I think Taylor Swift and some other fucking pop musicians idk). So IMMEDIATLY I'm like oh shit there's a gorillaz song in-
oh my god.
oh my FUCKING GOD.
See.. I took it as personal challenge, I stuck the video in my Watch Later and have spent the day trying to figure out for myself which Gorillaz song is in 5/4, been listening to all their singles / well known tracks cus I figured it would be one of those to get mentioned in a video like that that was clearly about pop music, and every. single. song. is so clearly and aggressively in perfect, pure 4/4 time
but the thing is
I thought "I'm familiar with Gorillaz' entire catalogue, I should be able to guess! :)"
BUT I'M NOT.
I don't like their DEBUT ALBUM very much so I haven't listened to it in YEARS
I FORGOT THERE'S A FUCKING TRACK CALLED 5/4
edit: I just noticed today's date is 5/4 in my country's format. this is completely coincidental. swear to god those numbers are haunting me
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