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atomic-chronoscaph · 2 years

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MTV (1980s)

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charlottan · 3 months

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The Cure

#charlottes webs #The Cure #Depeche Mode #The Smiths #a-ha #Blur #Talking Heads #Tears For Fears #new wave #post-punk #shoegaze #slowcore #indie pop #dance rock

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theshippirate22 · 1 year

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i keep seeing videos of joe playing his guitar and it’s giving me Thoughts™️ so congrats (slightly NSFW- Minors DNI)

“Alright, alright!” Eddie calls. It’s getting late, the crowd is getting a little more rowdy (or maybe just more drunk) but this is important. He decided he was going to do it a while ago and he’s finally going to commit, reputation be damned.

Especially when he sees who’s looking up at him from the front row.

“I’ve got something to confess.” He starts. “Baby, you listening?”

Steve cocks an eyebrow suspiciously.

Eddie doesn’t say anything for a minute, lets the crowd get uncomfortably quiet. Watches Steve’s expression go from amusingly confused to… concerned almost. His eyebrows get tight and Eddie wants to kiss the tense spot between them so badly.

“Stevie…” He breathes. The mic makes it sound more uncomfortable than he means it to. “I lied to you.”

Steve tips his head, and thank God, he doesn’t get that pale, shattered look he used to get when Eddie let a joke go on too long and his insecurities got the best of him. Now he looks apprehensive; he’s waiting for the punchline because he knows Eddie and he knows it’s coming.

“Remember when you found that A-Ha tape in my car?” Eddie adds, and it’s followed by a little strained laugh consensus from the crowd. But Steve, God, But Steve, bursts into the biggest grin.

“It’s not El’s.” He finishes, and he can’t keep a straight face anymore, letting the laugh split his face in half when Steve mouths back “I know.”

“Oh do you? You sneaky little…” He rolls his eyes, but the smile won’t leave his face for a second, he knows that. “Then I guess you know what’s coming next.”

Jeff starts it, the little duhduhduhduh-duhduh-duhduhduhduhduh of Take On Me and Gareth leaps in the third time around with a little heavier drumbeat than the original.

And Eddie? He’s leaned over the edge of the stage, trying to keep his pitch right so he can hit the high notes later on, holding out his hand to help pull up his boyfriend, who’s still beaming like he’s won a million dollars.

The audience, unsurprisingly, is having the time of their lives. Steve always makes a cameo in the shows, they’d be disappointed if he didn’t, but this is something else altogether.

Eddie’s halfway through the chorus before Steve is actually up there next to him (It’s harder than you’d think) and Grant passes over a mic- the one they’d gotten specifically for this purpose- and Steve is singing.

Eddie thought he’d get over it eventually, the soft shyness of Steve’s voice, but he hasn’t before and now is not the time either. Especially when he’s trying to focus on the stupid pop chords and Steve is right there behind him, hand snaking across his waist. Hooking his chin around Eddie’s shoulder and getting so close that for a minute, it’s the mic taped to his face that’s picking up Steve’s voice. Reaching up under his arm and over his chest to pull down the collar of his shirt and bite his neck in the .2 seconds between the second verse and the chorus.

In retaliation, Eddie joins in, almost trying to shadow out his voice because he can get his own infinitely deeper, but it doesn’t work; they meld together like hot butter and there’s a colossal cheer of approval from the long-neglected dark.

And as soon as he was there, invading every inch of sanity Eddie has left, Steve is gone, has half-crossed the stage to return the mic to the stand and then he’s dancing over to Jeff in his skin-tight jeans and he’s showing off, actually. He has to be. No one is that perfect without trying.

Not to be outdone, Eddie throws in a little improv at the bridge, glancing over at Steve when his hands don’t demand his attention, and it’s very obvious that him and Jeff are talking. On stage. About God knows what.

Before he can even question it, he’s barely finished his own peacocking, Steve has Jeff’s guitar and is picking out the perfect, high, electric melody.

duhduhduhduh-duhduh- duhduhduhduh- duhduhduhduh

And obviously Eddie’s not going to pop a boner on stage- he’s not sixteen- but my god, how is supposed to be normal about this?

Steve has barely enough to time to finish his set of riffs, get the strap over his head, and put the guitar back in Jeff’s hands before Eddie’s got him by the belt loops and he is going to kiss him right now, he has to…

And that cheeky bastard pushes his face away, keeps hold of his chin to stop him from fighting, so he can grab the mic stand and finish out the chorus.

(Before he’s even done, Eddie’s already licking at the corner of his mouth.)

The last chorus goes completely forgotten, Eddie’s hands shifting along Steve’s belt and up under the hem of his polo to drag him impossibly closer, Steve locking his fingers into Eddie’s tangled hair, and if Eddie’s mic picks up a few of their soft moans, well, that’s the business of them, the band, and the 8,000 people watching them make out.

(Not that the audience minds. They’ve been chanting “Steve! Steve! Steve!” since he first started singing)

(The band minds. Ew. Those two are menaces to society)

#steddie #steve harrington #eddie munson #rockstar eddie munson #just a dude steve harrington #stranger things #steddie fic #stranger things fic #80s music #take on me #a-ha

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totheroses · 7 months

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a-ha - "Take On Me" (1985) directed by Steve Barron

#a-ha #take on me #1985 #morten harket #bunty bailey #magne furuholmen #paul waaktaar-savoy #steve barron #music video #eighties #synth-pop #80s music #80s synth-pop #80s pop #1980s #80s gifs #music gifs

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best-overplayed-song · 10 months

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fun facts

when asked what the inspiration for "Africa" was, David Paich said: "I would see UNICEF commercials on TV, way back in the day, and I was a big reader of National Geographic. I’ve just always kind of been fascinated with Africa. I just kind of romanticized this story about a social worker that was over there, that falls in love and can’t — is having kind of a paradox, trying to tear himself away from Africa to actually have a life."

Toto drummer Jeff Porcaro added: "… a white boy is trying to write a song on Africa, but since he’s never been there, he can only tell what he’s seen on TV or remembers in the past."

#best overplayed song bracket #tumblr bracket #tournament poll #polls #toto #a-ha

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80sheaven · 1 month

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a-ha poster from Blue Jeans magazine (1987)

#a-ha #morten harket #magne furuholmen #paul waaktaar savoy #80s fashion #80s pop

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cosmonautroger · 8 months

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Family Guy (A-ha, Take On Me)

#a-ha

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80sdaily · 2 years

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Take on Me by a-ha, directed by Steve Barron (1985)

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80s-music-tourney · 3 months

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youtube

#80s music tourney #a-ha #take on me #nena #99 luftballons #80s music #polls #Youtube

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wintoplane · 6 months

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A-Ha - Morten Harket

#a-ha #morten harket

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autismsupersoldier · 27 days

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i made a cover for my gender playlist* and i think it came out pretty nice

current tracklist under cut, though i will be expanding it and welcome suggestions!

*a playlist that i think encapsulates what i want my gender to be :-)

🪩

Stayin Alive by Bee Gees

You Should Be Dancing by Bee Gees

Hot Cop by Village People

Love Machine by Wham!

Take on Me by a-ha

Down Under by Men At Work

Working for the Weekend by Loverboy

👢

Big Iron by Marty Robbins

The Devil Wears a Suit and Tie by Colter Wall

Sleeping on the Blacktop by Colter Wall

God's Gonna Cut You Down by Johnny Cash

Daddy Sang Bass by Johnny Cash

Folsom Prison Blues by Johnny Cash

Sixteen Tons by Johnny Cash

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voguefashion · 6 months

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Morten Harket with Béatrice Dalle on the set of a-ha's "Move to Memphis" music video, 1991.

#morten harket #beatrice dalle #a-ha #move to memphis #1991 #music video #1990s

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hit-song-showdown · 11 months

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Year-End Poll #36: 1985

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Wham!, Madonna, Wham!, Foreigner, Chaka Khan, Daryl Hall & John Oates, Tears for Fears, Dire Straits, Madonna, a-Ha. End description]

More information about this blog here

1985 showcases many significant moments in pop music history. For one, this was the year of Live Aid and We Are the World -- two high profile instances of the charity single and the benefit concert. Today's poll also features one of the first uses of computer-animated human characters with Dire Straits' Money for Nothing. The team behind the video, Gavin Blair and Ian Pearson, continued working in the field of computer animation. Under their new company, Mainframe Entertainment, they also created the animated TV series, Reboot. With their extremely prolific work in computer animation, there have been some accounts that they're not thrilled being reduced to just "the Money or Nothing guys". They reference the music video in an episode of Reboot.

But one of the biggest things to mention here in my opinion is the presence of Madonna. While her first singles were released earlier in the decade, 1984 and 1985 is really when we see her moment take off. In 1984, Madonna performed Like a Virgin at the MTV VMAs and the number culminated in her rolling around on stage in a wedding dress. The performance was controversial and there were those who saw it was career suicide, but the backlash wasn't enough to stop her upward momentum. If anything, the backlash made her more of an icon in the public eye. Like Michael Jackson and Prince, the decade doesn't make sense without considering her influence, both in music and in aesthetic.

Speaking of Prince, his presence on the charts is once again featured on this poll with the inclusion of Chaka Khan's I Feel for You. The song was originally performed by Prince in 1979 and he returns to provide vocals and instrumentation to Chaka Khan's cover. However, I'm bringing it up to draw attention to the music video. As I mentioned in my way-too-long 1973 ramble, hip-hop and rap have already been in existence for a while (by this poll, the subculture has been around for over a decade) and has found some significant success. I've resisted the urge to ramble about The Message and Rapper's Delight, since those songs didn't get as much Billboard pop success and I try (oh god do I try) to keep these posts focused. However, the 1980's is when we start to see more mainstream audiences forming for the genre. It will be a while until we see rap itself find its place on these polls, but by this point, the movement was recognizable enough to the general public.

And, of course, there is another notable music moment that happened this year. I am of course talking about the release of post-punk band Nick Cave and the Bad Seeds' second studio album, The Firstborn is Dead.

#billboard poll #billboard music #tumblr poll #music poll #1980s #1980s music #1985 #wham #george michael #madonna #foreigner #chaka khan #hall and oates #tears for fears #dire straits #a-ha

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jayaxer · 11 months

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