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#30's
amatesura · 5 months
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x-ray images, 1916-1931
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k-i-l-l-e-r-b-e-e-6-9 · 7 months
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allgarbo · 3 months
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Greta Garbo as Mata Hari (1931)
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hollywoodlady · 1 month
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Jean Harlow and Robert Taylor for 'Personal Property' (1937).
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fripperiesandfobs · 11 months
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"Hall of Mirrors” by Elsa Schiaparelli, fall/winter 1938-39
From Kerry Taylor Auctions
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oldnewyorklandia · 1 year
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Eliot Elisofon. Fire Escape Abstraction, c. 1937.  
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🫧
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pazzesco · 8 months
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Joséphine Baker
Colorization by Klimbim
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Josephine Baker in a Paris nightclub ca. 1927.
Born in Saint Louis, Missouri, Josephine Baker (1906-1975) would go on to become one of the first African-American women celebrities in France and in Europe more broadly in the 1920s, gaining notoriety for her beauty and innovative performance style but also for her contributions to the French Resistance movement.
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Josephine Baker in Zouzou (1934)
At the outbreak of World War II and the Nazi occupation of France, Baker became a member of the French Resistance movement. Performing for and socializing with members of the German military, Baker used her celebrity to gain confidential information about Nazi strategy and passed this back to the Deuxième Bureau, the French counterintelligence unit.
Additionally, her status as a travelling performer provided cover for her travel to the United Kingdom, where she carried notes about German military operations written in invisible ink on her sheet music to the British authorities. After the war, she returned to global stages with bolstered success. Although she remained in France, Baker was an outspoken activist in the American Civil Rights Movement, often refusing to perform in segregated venues and appearing at demonstrations in Washington, most notably alongside Martin Luther King, Jr. at the 1963 March on Washington. Though some American activists criticized her involvement in the movement, arguing that her lifetime in France had made her disconnected from the contemporary political issues in the United States, Baker argued that her social status in France and experience of relative racial equality in Europe had made her even more aware of and engaged with the fight for equal rights. Josephine Baker continued to be an outspoken advocate for civil rights in appearances around the world up until her death in 1975.
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In 1951, the NAACP named her “Outstanding Woman of the Year.”
Baker was highly supportive of the civil rights movement and she spoke directly before Martin Luther King Jr. gave his “I Have a Dream” speech in 1963.
"I have walked into the palaces of kings and queens and into the houses of presidents. And much more. But I could not walk into a hotel in America and get a cup of coffee, and that made me mad."
Following King’s death in 1968, his widow, Coretta Scott King, asked Baker if she would be open to taking the minister’s place in the Movement. She declined, citing concerns for her young children. (she had 2 children & adopted 10 more).
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For her wartime contribution, she was awarded ​​ the Croix de Guerre, the Rosette de la Résistance and was made a Knight of the Legion of Honor by Gen. Charles de Gaulle himself.
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crumbargento · 1 year
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30’s French vintage erotica film
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andreapasson · 1 month
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Flawless [ mother ]
© Andrea Passon / www.andreapasson.it
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keres-salos · 1 year
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"In Cuba, my husband forbade me to dance. So... I chose to dance. I left for Singapore, where Prince Abdel Aman had proposed me marriage. Alas! I was divorced, but the law of Lahore forbids princes to marry divorced women. I returned to Paris, I was hired by the Folies Bergère for its corps de ballet, until the day when I was proposed to replace the star Yvette Ménard.
How can you dance, I mean, how can you externalize something that is within yourself, and at the same time think of the camera, the limits of the shot, the makeup, the censorship? The cinema was not made for me." - Chelo Alonso
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amatesura · 1 year
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Tuusulanjärvi, Finland, 1930′s
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allgarbo · 7 months
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Greta Garbo in Mata Hari (1931)
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hollywoodlady · 5 months
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Vivien Leigh in 'Gone With The Wind' (1939).
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fripperiesandfobs · 1 year
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“Zodiac” by Schiaparelli, fall/winter 1938-9
From Tessier-Sarou
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