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muppetydyke · 4 months
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At the Jim Henson exhibit they had a screen playing the ballroom scene from Labyrinth right beside where the costumes for the scene were showcased (SO FUCKING COOL BTW) and there was this woman with her baby (had to be younger than a year old) and she was holding the baby up to the screen and said “this is your favorite movie.” Such a queen oh my god
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silhouettecrow · 7 months
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365 Days of Writing Prompts: Day 267
Adjective: Fair
Noun: Hair
Definitions for those who need/want them:
Fair: impartial and just, without favoritism or discrimination; just or appropriate in the circumstances; (archaic) (of a means or procedure) gentle, or not violent; (baseball) (of a batted ball) within the field of play marked by the first and third baselines; (baseball) pertaining to the fair part of the field; (of hair or complexion) light, or blond; (of a person) having a light complexion or blond hair; considerable though not outstanding in size or amount; moderately good though not outstandingly so; (of weather) fine and dry; (of the wind) favorable; (archaic) beautiful, or attractive; (of words, a speech, or a promise) false, despite being initially attractive or pleasing, or specious
Hair: any of the fine threadlike strands growing from the skin of humans, mammals, and some other animals; a fine threadlike strand growing from the epidermis of a plant, or forming part of a living cell; hairs collectively, especially those growing on a person's head; a very small quantity or extent
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Why Do People Like Yanderes?
Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.
TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.
Introduction
If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).
It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.
Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?
Hybristophilia
‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):
“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”
In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.
However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:
Call Me Bob the Builder Because I Can Fix Them
If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.
Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.
(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)
After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”
But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.
Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.
The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.
The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.
Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?
The Allure of Obsession, or ‘Til Death Do Us Part (Literally)
It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.
PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.
But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.
In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   
Attractiveness, or Okay but Have You Considered That They’re Hot Though?
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I mean what am I supposed to say here? They’re hot, what do you want from me?
No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.
This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.
So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.
When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.
While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.
Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     
Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)
Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.
In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?
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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”
Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.
Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.
Conclusion
In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.
Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below
REFERENCES
Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406
Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191
DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545
Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123
Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212
Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture
Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.
Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf
Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092
Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.
Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101
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riality-check · 1 year
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cw: discussions of body image
After everything, Steve gets softer.
Eddie spends so much time around him that he doesn't even realize it's happening, not until he's looking through his version of the photo album Jonathan put together toward the end of summer '86 so he could give it to Nancy and Robin and everyone else before the graduating class headed their separate ways.
He looks at it on an August day in 1987, about a year or so after Jonathan shyly handed them out. It's hot as balls outside, and while the AC in the trailer makes a lot of noise, it doesn't make a lot of cold, so it's hot as balls inside, too. Eddie ties his hair up with a purple scrunchie he stole from Nancy last week, and as he's looking at a page in the photo album, he stops.
It's a picture of Steve lounging by the pool, sunglasses on, blissfully unaware of Max and Erica in matching blue bathing suits standing behind him, poised to dump a bucket of water on him. Eddie remembers how Steve chased them down after, soaking wet, and threw them both into the pool without a single shred of hesitation.
He remembers Nancy's knowing look as he flushed from his face all the way down to his chest, thinking very not-PG thoughts about Steve being so strong, and he remembers shaking his soaking wet hair at her to make her shriek.
But, obviously, he didn't remember how Steve looked then. He's been superimposing the version of Steve he knows now onto the one that existed then. Casualty of spending nearly every day with him after the Spring Break from Hell.
Steve, in the summer of 1986, was so skinny.
Not rail thin like Eddie was. Not even close. He's always been broad, always muscular, but in that picture of him lounging on the chair with his arms above his head, shirtless and wearing a pair of swim trunks with the periodic table on them - a gag gift from Dustin that he actually ended up using - Eddie can see the definition of his stomach, his arms, his chest.
He looks good in the photo, but, then again, Steve could wear a potato sack and roll around in a pig sty, and Eddie would still think he looks good.
"What are you looking at?" a voice says from the doorway.
Eddie looks up to see Steve, 1987 Steve, the Steve he knows now.
He's got his arms crossed around his chest, looking at Eddie with a fond sort of smile. His glasses - which he refused to get until Robin dragged him to the optometrist - are perched on his nose, and he's barefoot and shirtless, having just thrown on a pair of shorts after getting out of the shower.
And Eddie realizes that Steve now, in the year since, has gotten softer.
He remembers reading, once, that really strong people don't have super defined muscles. Whatever book he found that in acknowledged that it was counterintuitive, but that fat supports muscle. The two have to exist, side by side, and a muscular body without fat is a body under stress.
Steve in 1986 was under stress. Eddie realizes, and a sort of warm relief floods his chest when he does, that Steve in 1987 isn't under stress anymore.
He's still strong and broad. Always has been, probably always will be. But where there was definition in his stomach last year, there's a little bit of squish now. His biceps have gotten bigger, too, as have his thighs.
Eddie is torn between wanting to bite him and wanting to squeeze him and never let him go.
"Jon's photo album," he says instead, and Steve traverses the general clutter of clothes, music sheets, and cables on the floor of Eddie's room to get to his bed.
He sits down next to Eddie, and Eddie can't resist wrapping an arm around his waist and squeezing, pulling him into his side.
Steve, as always, complies.
Eddie doesn't flip the page in the book. He lets Steve look at the page of pictures from Max's birthday, then watches as his eyes land on the picture of him.
Eddie watches him frown and decides that, nope, they're not doing that today.
Steve has told him, vaguely, about some of the stuff he was pressured into doing for sports. About cutting calories and vigorous exercise, about how soreness and hunger were viewed as prizes instead of pain.
He mentioned, once, how he was glad he never did wrestling because he was pretty sure it would have made it all a hell of a lot worse.
And to think Eddie used to hate jocks before dating Steve.
"You're hotter now," he says without any preamble, and while he probably should have started this conversation differently, it's worth the surprised laugh Steve lets out.
"You're just saying that," he says, and Eddie can't let that stand.
He puts the photo album on the bed and climbs into Steve's lap, holding his face in his hands.
"I'm not," he says seriously. "You're hot all the time. Probably always have been, definitely always will be."
It's true. Eddie's miserable crush on Steve during his first senior year, when Steve had that awful haircut was the subject of much good-natured bullying from Gareth, Jeff, and Archie, as well as bonafide proof that, unfortunately, he could not choose who to have a crush on.
"But I love whatever version of you I have in front of me the most," Eddie continues. "So, you're hotter now."
Steve smiles. it's a timid smile, one that Eddie thinks doesn't suit his face. Steve is a confident guy at his core. Timid smiles look like he's trying on a too-small Halloween costume.
"You mean it?" he asks.
"Of course I do," Eddie says, kissing him once on the forehead. "You're always warm, you're strong as hell, you give amazing hugs, and you make me feel safe."
"Safe?"
"Yeah. You feel safe. Like home."
Steve's face breaks out into a grin, one that's more confident, one that suits his face better, and he kisses Eddie once, slow and sweet.
And if Eddie loves holding and being held by Steve, well, that's no one's business but theirs.
And if Eddie's favorite place to be is laying with his head in Steve's lap, cheek pressed to his stomach as he falls asleep, well, they don't need to say anything about it.
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schrijverr · 1 year
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Honestly, I'm a bit in tears, thinking about Jonathan going on to be a famous photographer, bringing out a book of his early work (late 80s/early 90s) in, like, the 2010s or something and it's just full of queer joy and the queerplatonic family they all made together with the Upside Down gang.
Like it starts with Steve giving Robin a piggy back ride, both laughing their asses off. It's 1989, they had just moved to the big city bc most of the kids had graduated. It's late at night and they went to a Rocky Horror screening. Robin is dressed as Brad, Steve as Janet.
There's a full spread of Eddie on stage, he's shirtless save for a leather harness, sweaty and alive, hankerchief hanging out of his pocket. The next page is him with Steve is his normal clothes in his lap, the rest of the band and Robin around them, all stuffed in a booth in a diner. Nancy and Argyle hadn't been able to make it, but that's okay. It was Coroded Coffin's first big gig.
Argyle has a page dedicaded to him, most of them in the early mornings, sharing the bed with Nancy, the place where Jonathan is supposed to be obvious.
One is Jonathan's favorite, Eddie and Argyle are sharing a joint. They're on the roof, Eddie is gesturing with one hand, holding the joint Argyle is taking a hit from in his other hand. They often had these late nights on the roof, before their lives took off, when insomnia got too band and company was needed.
Nancy and Robin are pictured, they're kissing. They had a short fling in 1987, before Nancy got back with Jonathan and Argyle, and Robin found her current wife.
The wife, back then a girlfriend, is more femme than Robin and there are pictures of their 'wedding'. It wasn't legal, but they didn't care. Robin wore a suit, her wife a dress. There is one page dedicated to the most traditional wedding pictures they took as a joke.
Then the following pictures are more like them, posing with their collection of garden gnomes and taking goofy pictures with everyone, as well as more serious ones.
Jonathan's favorites are the one where Steve is dancing with Robin, her second dance, both having been disowned by their parents. It's obvious they're both crying. The other one is Robin covered in lipstickstains, both her and her wife grinning like madmen, clearly a little tipsy.
There are also pictures from that first summer after Hawkins split open. Nancy on Argyle's shoulders, Steve's on Eddie's, the four of them fighting in the quarry. Robin floating nearby on a floaty along with Max. In the background the boys are jumping down, only held in posed in the air like that by El, who had taken an interest in photography after she realized how easy it was to forget.
There is also thanksgiving at the Hopper-Byers, 1986. Murray is there as well and they're all pushed together on the table, far more people than they thought would survive. Everyone is laughing, because Jonathan is sprawled over Agryle, having tripped in his haste to get seated for the timer.
It's the intimate domesticity that Jonathan has gotten good at capturing that makes the book pop.
Steve, dead asleep, head resting on Eddie's chest, legs thrown over Robin's lap. Eddie is pressing a kiss onto his forehead, Robin is holding his hand. The photo is called: Nightmares
A picture taken by El is in there as well, properly credited. It was taken when visiting Nancy, Argyle and Jonathan in 1991, the three of them are all half asleep, sitting at the table, all wrapped up together, but doing their own thing. Nancy is making notes on a notepad, Jonathan is rolling film and Argyle is doing the crossword in the paper.
There is also one of Coroded Coffin sitting around, crammed into the tiny apartment Eddie, Robin and Steve shared when they first moved out to the big city. They're writing lyrics, obviously mid argument about something. What is noteble is Steve in the background, leaning against the doorframe, looking very fond, dishtowel slung over his shoulders.
Naturally there is also one with all the kids around the table, dice scattered about, Eddie in the midst of a dramatic narration, seemingly oblivious to Steve, smiling dopily and nearly sleep, from where he is draped over Eddie's lap.
There are also pictures of Robin painting Steve's nails, because while Steve knew he'd had to take it off before work, he likes the way it looks.
As well as Steve doing Eddie's eyeliner, because Eddie used to be baby about it, before he got used to doing it before shows.
Will is also in there, alseep in the backseat with Mike, draped over the other guy. They're both in the remnants of cosplay, on the way back from a convention.
All the kids are, though they feature less, having been younger and in different phases of life.
There is a picture of Max and El asleep in Max's dorm when she went to college. Her skateboard is leaning against the wall along with her crutches. Max's hands are in El's hair, it's half braided like they fell asleep before finishing it.
Lucas is pictured with Steve, sweating on a basketball court, what is more obvious is Eddie and Max in the foreground. They're both leaning on their knees, oggling the two players. Max's eyes peer out through thick lenses, but that doesn't hide the moon eyed expression that matches Eddie's.
Another intimate moment that Jonathan captured was Steve, Eddie and Dustin, the three of them in front of a mirror, shaving. Eddie is just dry shaving, but Steve and Dustin both have foam beards, by the looks of it, Steve is teaching Dustin how to shave.
There are also just a few pages dedicated to cheek kisses, both platonic and romatic. They have big grins, soft looks, tears and blood in them. All of them look meant.
One double page is Argyle, Eddie, Nancy, Robin and Steve painting protest signs. There is laughter, but a somber atmosphere too. A heartbreaking point in history to be alive.
The next page is Eddie, Steve and Nancy, the three of them black eyes, Steve even missing a tooth. They're on the steps of a police station, Eddie is giving it the finger, his other arm slung around Steve. Nancy is getting checked over by Agryle, looking determined. Robin is running towards Steve.
Furthermore, it's filled to the brim with pictures of them doing dishes, playing games, backstage with Eddie, Nancy interviewing leather daddies at pride, hands twined together on the dashboard.
Nancy has provided the writing, telling their stories of those times. They might not be able to say it all, but they can say more than back then and their stories deserve a space too. Their interlinked dynamics, their ups, their downs. The family they built together.
Just Jonathan's queer photography of the late 80s/early 90s y'all.
On AO3
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matchingbatbites · 1 year
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2112 Days | Ao3 link
tw: memory loss
When Steve wakes up in the morning, he doesn't know where he is. The last thing he remembers from the night before is the party all piled up in his living room, everyone too anxious to sleep, and now he's in a bedroom that he has absolutely no memory of.
He looks around the unfamiliar room, tries to get a sense of what the fuck is going on, and on the nightstand next to him, he finds a tape recorder sitting on top of a photo album. On the tape recorder is a sticky note, with the words 'play me' written across the yellow paper in scratchy handwriting.
Steve is so confused and frustrated, he doesn't have time for this, they have a plan to carry out. But something deep inside him keeps him in place. Tells him to play it. He picks up the device and sees another note on the album, this one reading 'open me', and he presses play on the tape recorder before grabbing the book. 
There's a little bit of sound fuzz before a voice says "Good morning, Stevie!" and Steve blinks, because that's Eddie's voice. 
"Today is Saturday, August 29th, 1992, and it's been 5 years, 9 months, and 12 days since we killed Vecna and closed the gates permanently." 
Steve's hand jerks out and stops the tape, his breathing picks up because what the fuck? That can't be right, they're supposed to fight Vecna today. That's why they all stayed at Steve's house. One more sleepover, one more chance to be there for each other before they have to split up, before they have to finish the job.
He takes a moment to just breathe, lets the words sink in as he opens the photo album. It takes him a second to realize it, but the first picture is of himself, in a hospital bed, bandages wrapped around his head and a tube down his throat. He looks bad, and he doesn't remember a single second of it. 
There's more of that scratchy writing just below it. ‘November 20, 1986. Taken by one of Owen’s guys.’ The next page has a doctor's report, and Steve sees the words 'brain injury' and 'short term memory loss' before he continues. 
He flips through the album, sees more pictures of himself that he doesn't remember being taken. Each one has a date next to it, and some have a little description to give him context. There are photos of him with the party, with Robin and Eddie and Nancy, and there are news articles scattered amongst them, important things he should remember, that make his head hurt when he tries too hard to do so.
There are pictures of Nancy and Robin's graduation from college, Wayne's wedding to some woman named Cynthia, the grand opening of Jonathan and Argyle's pizza shop.
A photo of him and Eddie, wearing tacky sweaters and kissing under mistletoe, with the description '1987, Our first Christmas together', and oh, that's something that sends tingles up his spine. He'd had more than a crush on Eddie before their second run in with Vecna, but he hadn't had the courage to do anything about it before they ran head first into danger, again.
Are he and Eddie together now? Like, together together? 
The answer seems to be yes, because the next few pages are just more photos of him and Eddie, most taken by Eddie himself, his arm stretching out to capture the moment. Pictures of their first apartment, multiple anniversaries, the day they got their cat (Lucy is written next to this one in Steve’s handwriting, along with a little heart).
And then a photo that makes Steve's heart stop. It's them again, standing on a beach, hand in hand as they face each other. They're both barefoot, wearing slacks and nice shirts, Eddie's a deep, wine red, and Steve's a soft baby blue, and the love on their faces is blinding.
The description says 'June 15, 1991, Our wedding. Not legal, but very, very real.'
And Steve looks at his hand, for the first time sees the gold ring on his finger, like it's perfectly happy at home there, and he thinks he might start crying.
On the bottom of the page is his own handwriting, a small addition that just says 'play the tape.' Steve glances over, presses play again with a shaky hand, and Eddie's voice starts up once more.
"You got pretty banged up during the fight, and your many knocks to the head finally caught up with you. You have some extensive brain trauma, and your short term memory is basically non-existent.
"It's okay, though. You're not alone, you've got tons of people that care about you, baby. The Upside Down stuff is all over, there haven't been any blips on the radar or anything. The kids are all okay - scattered to the wind, but okay.
"Robin's in town today, we're meeting her for lunch at noon, but you've got plenty of time before then. Finish looking through the album, and as soon as you're ready, come find me in the house. Just follow the sound of music, baby. I love you."
The tape ends, and Steve takes a minute to process. He flips through the rest of the album, pictures dated all the way up to a month ago, when he and Eddie had apparently visited Nancy in New York.
It hits him that this is real, this is his reality. He looks at the tape recorder, thinks that this must be an everyday thing for Eddie, and he's suddenly overcome with emotion for the other man.
He climbs out of bed and grabs the tape recorder before he heads out of the room, hears music coming from somewhere, and follows it to a kitchen. 
And there's Eddie, with his hair pulled up into a messy bun, wearing sweatpants and humming along to the tape that's playing on a nearby stereo. There are more tattoos inked into his skin, more piercings in his ears, and Steve can see that yeah, he has aged a little. 
"Eddie?" he says softly, and the older man turns to look at him with a bright smile. 
"Morning, Stevie. How are you feeling today?"
Overwhelmed, Steve thinks, but he swallows hard and holds up the tape recorder. "Do you record these for me every day?" 
Eddie's smile softens at the question and he motions Steve closer. "You ask me that too often, like you just can't believe I'd do something like that for you."
Steve goes over to him, sets the device on the counter as one of Eddie's hands settles on Steve's waist, the other moving up to cup his cheek. "I can't believe it, it's so-" Kind? Selfless? 
Steve doesn't have the proper word to describe it, and it only adds to that overwhelmed feeling. Eddie's thumb strokes over his cheekbone and he hums softly.
"It's worth it for you, sweetheart. After all the shit we’ve been though, that you’ve been through, you deserve a normal life, and I swore do everything in my fucking power to make sure that happens."
And Steve is definitely crying now. The fact that Eddie has been doing this for almost six years, that he's stayed by Steve through it and hasn't given up on him? The effort he’s put into helping Steve feel somewhat normal? It's too much for Steve to comprehend, and Eddie pulls him into a tight hug, mutters softly softly into his ear as he starts to sob.
"I know, baby. It's okay." 
They stay like that for a while, until Steve's tears slow, then stop, and he's able to breathe normally again. "Sorry," he mutters and scrubs a hand over his face, and Eddie shakes his head. 
"Don't apologize, Steve. This happens sometimes, and it's perfectly okay. It's a lot to process all at once, and we just take it a day at a time, yeah?"
"Yeah, okay," Steve says, and takes another deep breath. He thinks back to the album, to the photos of him and Eddie, and he knows exactly what he wants in this moment. "Will you kiss me, please?" 
And Eddie smiles, says "Of course, honey." 
It feels right when Eddie kisses him, and it's weird, because he doesn't remember ever kissing Eddie before now, but it's like his body does, like it knows all of the steps to this dance that his brain can't remember. 
They stay in the kitchen for a while just kissing and talking, Eddie answering all of Steve's questions with such patience, until it's time to go meet Robin.
-
Later that night, just as Steve is dozing off, he feels Eddie pull away before getting out of the bed. 
"Where 're you goin'?" he mutters, and Eddie cards a hand through his hair. 
"Gotta go record your tape for tomorrow. Just go back to sleep, baby." 
Steve hums his disapproval and hears Eddie chuckle, before a kiss is pressed to his forehead. "I'll see you in the morning, gorgeous."
-
When Steve wakes up in the morning, he doesn't know where he is.
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longwuzhere · 10 months
Text
Some cool Easter eggs I caught watching My Adventures with Superman that I want to show to people so they can be in on it with comic book readers pt2
Episode 1 of My Adventures with Superman Easter Eggs and references is here
Episode 3 of My Adventures with Superman Easter Eggs and references is here
Episode 4 of My Adventures with Superman Easter Eggs and references is here
Episode 5 of My Adventures with Superman Easter Eggs and references is here
Episode 6 of My Adventures with Superman Easter Eggs and references is here
Episode 7 of My Adventures with Superman Easter Eggs and references is here and here
Episode 8 of My Adventures with Superman Easter Eggs and references is here
Episode 9 of My Adventure with Superman Easter Eggs and references is here
Episode 10 of My Adventures with Superman Easter Eggs and references is here
(SPOILERS obviously):
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An obvious one, but a classic, the "up in the sky! It's a bird! It's a plane! It's Superman!" line reference. This one never gets old.
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Jimmy next name drops Flamebird. in the comics Nightwing and Flamebird were Kryptonian superheroes adopting their names from a species of Kryptonian birds. This is where Dick Grayson gets his Nightwing identity from. The page here is from Who's Who: The Definitive Directory of the DC Universe #17 (1986) drawn by Curt Swan and Karl Kesel.
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At the climatic battle of part 2 of Adventures of a Normal Man, we see Leslie Willis become blue and look more like her traditional Livewire look. Her first appearance was in Superman the Animated Series, season 2 episode 5 "Livewire" where she was voiced by Lori Petty, a.k.a. Tank Girl. In the show Leslie was a shock jock radio DJ slinging hot takes live on air knocking down Superman a peg or two
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Obviously MAwS took Leslie in a whole different direction, design choice, and occupation change, but I am excited to see what happens next for her.
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Before we see Clark battle Leslie we see this guy. White hair, wears orange and black, its Slade Wilson a.k.a. Deathstroke. This fool here in like 20 to 25 years will have his life spiral out of control and get his ass kicked by a bunch of colorfully dressed teenagers.
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Deathstroke makes his first appearance in New Teen Titans #2 (1980) (W: Marv Wolfman and George Perez, P: George Perez, I: Romeo Tanghal, C: Adrienne Roy, L: Ben Oda) where he is hired by H.I.V.E. to kill the Teen Titans. In the comics he's a major piece of shit, but a damn good assassin.
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After the fight we see Supes clean up and he picks up a billboard that reads Amazotech.
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This is a good reference to Professor Anthony Ivo, a mad scientist of the DC Universe who built the Amazo robot who could adapt and replicate any power that the Justice League has and weaknesses. Both Ivo and the Amazo robot make their first appearances here in Brave and the Bold #30 (1960) with the cover art done by Mike Sekowsky and Murphy Anderson.
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At the end of the episode Slade name drops Task Force X better known as the Suicide Squad. The name "Suicide Squad" is from the Brave and the Bold #25 where it was the name of Rick Flag's unit in the military. The Suicide Squad pop culture knows first debuted in Legends #3 (1987) as seen below (W: John Ostrander and Len Wein, P: John Byrne, I: Karl Kesel, C: Tom Ziuko, L: Steve Haynie).
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The team at this time was composed of Rick Flag, Bronze Tiger, Captain Boomerang, Deadshot, Enchantress, and Blockbuster. The team members have changed out with each new Task Force X/Suicide Squad iteration.
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Behind Slade, here is Amanda Waller, the most fearsome woman in the DC universe. She's ruthless, politically powerful, and will not hesitate to blow up anyone in the Suicide Squad if they screw up. She makes her first appearance in Legends #1 (1987) same comic series in the previous picture. Very excited to see where My Adventures with Superman goes with this cuz you don't see Superman interact with Deathstroke or Suicide Squad all the often.
Link to Episode 1 of My Adventures of Superman Easter Eggs and references is here
Link to Episode 3 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 4 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 5 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 6 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 7 of My Adventures with Superman Easter Eggs and references is here and here
Link to Episode 8 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 9 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 10 of My Adventures with Superman Easter Eggs and references is here
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thatsrightice · 7 months
Text
Ok so you probably know this already, but there’s a behind the scenes documentary of Top Gun (1986) and it features nearly all of the actors and Tony Scott and others discussing the making of the film. See Part 1 and Part 2 on YouTube, the videos are by link only.
In part 1 of the documentary, Tony Scott mentions that a big inspiration for the overall look of movie came from a book of photography by a man named Bruce Weber. And Tony Scott specifies this picture below as a big part of his vision because one of the models looked just like Val Kilmer, one looked just like Tom Cruise, and the last one was a jock-Rick Rossovich type.
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And I just want to say that everything makes much more sense knowing this fact like—
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Okay so shirtless, hot, fit men. Checks out. Looks good—
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Look at these besties hanging out! You ever have have a slumber party with your bros?
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Woah— Is it getting hot in here or is it just them???
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Nope. Definitely them.
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steviewashere · 2 months
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Perfect Timing
Rating: General CW: References to Sex Tags: Established Relationship, Eddie Munson is a Sweetheart, Steve Harrington is a Sweetheart, Steve Harrington Loves Eddie Munson, Eddie Munson Loves Steve Harrington, Marriage Proposals, Fluff, Tooth-Rotting Fluff, Domestic Fluff, Future Fic, Dialogue Heavy
For the @steddielovemonth prompt: "Love is having hope for the future together."
💕—————💕
Steve was sitting at the dining table, hands spread out on the surface, staring down at a piece of mail when he heard Eddie clamber through the front door. Based on the string of things being dropped and Eddie not reacting negatively, just sighing a little bit and picking things up, must mean he was having a good day.
It’s funny, Steve thinks, that he knows the way in which Eddie’s emotions express when he comes through the front door of their shared space. They began renting an apartment in Chicago just a year or so after getting together. Tail end of 1986 meant sharing a bed and house by August of 1987. And it’s theirs. Filled with miscellaneous clutter—a bookshelf brimmed with books, coffee table layered with Sports Illustrated and Heavy Metal magazines, dice and keys and Topps baseball cards, and picture frames they dust and drawings from Eddie’s sketchbooks and ‘failed’ art projects of Steve’s that Eddie thought were masterpieces. Point is, they’ve made it their home. And they started their lives with a breath of fresh air.
And now it’s 1995, depending on one another’s reactions, this all may just crumble at their feet.
See, Eddie was out playing a demo tape for a small record company based here in Chicago. A little indie place that’s been looking to expand their music catalogue from contemporary to a broader lick of alternative genres. Which, it turns out, includes thrash and heavy metal. Which, Steve adores, Eddie is amazing at performing.
But, Steve? He’s been anxiously waiting all day for the mail to arrive. Biting down on his fingernails, chewing them up so much they bleed and he has to run his fingertips under lukewarm water. Pacing the carpet of the living room. Pushing down and peering through the eggshell blinds. Biting his fingernails, again. And then it came and now he’s at their dining table and now he’s waiting for Eddie to careen around the corner and kiss his hair and ask in his greeting Steve voice, “What’s this, baby?”
“What’s this, baby?” Steve hears from above him. He jumps a little bit. Maybe he should have put on music or something, try to get himself to stay grounded in the present. “Stevie?” Eddie calls.
“Oh, uh,” Steve stutters. “It’s a letter I got in the mail, but I—I wanna hear about your demo tape.” Eddie gives him a sidelong glance. A little furrow to his eyebrows, a frown. “The letter isn’t anything bad, I read it already. But I don’t know how you’ll feel about it.”
Eddie hums, nodding in slow understanding. He slides into the dining seat across from Steve. Mirroring his position. Then, he realizes, based on whatever face Steve makes, that it’s only anxiety inducing. He sets his chin in his right palm, stretching the other onto the table for Steve to take. Waiting patiently. And says, when Steve actually grabs back, “It went really well, sweetheart. They offered me a contract.”
“That’s great news, Eds! What did—Did you sign it? Please tell me you signed it.”
Then, Eddie sighs. And Steve shrinks a little. “I did,” he tells slowly, as if testing the words for the first time. “I signed it. They’re keeping me based here. I’ll start recording next Saturday.” He squeezes at Steve’s hand.
“What’s the long face for, then?”
“I’m not making a face,” Eddie feebly argues.
“You are!” And Steve mocks him. Frowning, eyes distant to the surface of the table, bunching his eyebrows impossibly farther down his face. His shoulders slump. “That’s what you did! What happened? Were they pieces of shit to you or something? Did they like—Are they underselling your music prowess or something? Do I need to kick their—“
Eddie chuckles. His laughter like honey. “Babe, breathe for me,” he whispers. “My only issue is that—“ But he cuts himself off there. He leans in across the table. Eyes down at the letter in front of Steve. “That’s a letter from the community college, isn’t it?”
Steve pulls his hands back, laying them palm down on the paper. He swallows thickly. “It is. Why?”
“Did you get in?”
“I’m not telling you until you tell me what’s wrong.”
“You telling me determines whether or not I have a genuine problem. So…Did you get into the college that you’ve been looking at forlorn every time we drive by it? Or did you not and I need to go kick some old people ass?” His eyes are large in earnest. Grinning like the Cheshire Cat. His hair curtaining his face, making his facial features impossibly darker, shadowed by something tricky.
Steve chews on his lip. “I got in,” he mutters. “I got into their English literature program. And once I’m done with that, I transfer. And once I transfer, I start classes at a four year. I’ll be studying English literature and secondary education,” he rambles. His fingers tap over the letter. “Is that…Does that ruin your whole music dream? I don’t want to be the reason that you chase something else.”
For a moment, the room goes scary still and silent. Eddie’s facial features soften. And Steve’s heart rabbits against his ribcage. Hard enough that he slides a palm over his t-shirt, massaging at the rapid beating, hoping that he doesn’t have a heart attack on the third floor of their complex. That would suck, he thinks bitterly. And my future would be done for.
He sits back in his chair. Anxiety thrumming under his skin when Eddie still doesn’t say anything. Just keeps looking at him like he’s…Like he’s planning an entire five lifetimes with Steve. Like he’s about to sweep Steve off his feet, chuck him over the side of their mattress, give him hickeys until he’s a mottled lovesick mess, and then get down on one knee and surrender his heart to Steve’s hands. Like he’s gonna propose something wonderful like marriage. And, maybe, Steve lets himself believe something crazy like that.
“Remember when I told you that I consider marriage as a possibility?” Eddie asks abruptly.
And, goddamnit, if Eddie does something crazy and stupid like propose right now, Steve may just throw up out of excitement. How embarrassing, he thinks. And he chuckles despite that.
“I do,” he finds himself whispering. “What does this—“
“And I considered it with you. And I held you close and you cried against my lips and we made love like we were the only people in the universe? Remember all the times that you’d lay on top of me out of contentment? All the times I’d hold you close to my chest? All the times you kissed over my heart, like it was the only thing keeping us tethered to the moment?”
Nervously, Steve laughs. “Yes, Eddie. Yes, I remember all that. What is your point with—“
“Fucking margarita nights. You’re a sweet drunk, d’you know that? Like almost unbearably sweet.” Eddie scoots his chair around the table. Setting it next to Steve, on his left. And his hands come into Steve’s field of view. Gathering Steve’s palms in his, squeezing and caressing the skin. “All the times in which we thought that this apartment was all that we had.” He shakes his head, smirking, snickering like this intense reaction he’s having is something funny to Steve.
Fact of the matter, Steve is scared shitless right now. What if this is his way of breaking up, he can’t help himself from wondering. Cruel. He swallows against the lump in his throat. Words escaping him.
“I want to marry you so bad,” Eddie swears. “Wanna do the whole ceremony. And the paper signing. And the honeymoon, but in some little cabin on a mountain. Where we load the fireplace with wood and we huddle in for warmth and we sip at rich cups of Uncle Wayne’s hot chocolate. And then, in a few years time, when we’ve financially recovered from the wedding, we’ll buy a house.
“We’ll buy a house and paint it yellow,” he promises. Steve begins to cry, something silent, but can’t pinch his nose to stop himself. “It’ll be yellow because that’s your favorite color. With white shutters. And a big backyard for a dog or two. Wrap around porch so that we can sit and watch the sunrises and sunsets.” He takes a deep breath that sounds a little nasally. “I’ll make you breakfast every morning,” he continues, “serve you a fresh bowl of strawberries, ones that you grow under the big front window of our house. I’ll kiss you all over the face, like I do now, and you’ll grumble that it’s too early and then you’ll smell the bacon and you’ll give me your stupid sleepy smile that makes my heart do funny little flips and you’ll kiss me on the mouth and it’ll be disgusting because you haven’t brushed your teeth.
“And I’ll be a very happy man.” Eddie’s breath trembles in his chest. He swallows hard. Steve wonders if he can hear his own shaky breath. Or if he’s too involved in whatever this is. “I’ll be so happy,” he whispers, “And I’ll find myself thinking, how did I ever get so lucky? But it isn’t luck. And it isn’t fate. It was trauma that forced us together and I’ll laugh about it. But then I’ll sigh because who the fuck cares how we started all of this?
“You’ll be a funky middle school English teacher. With your nicely done hair and a sweater vest and some khakis. I’ll be a musician, hopefully. But, every day you’ll have a small lunch; an orange that I made you peel but I removed the pulp from, a tuna salad sandwich because you’re my fish loving dork, and a bottle of water. I’ll leave you a note everyday telling you how proud I am because I’ve never stopped being proud of you.
“I’m proud of you, Steve, d’you know that? So much.” He laughs wetly. His eyes staring down at their interlocked hands. “All this to say that I’m proud of you. That I’m happy. We’ve got a future, sweetheart. And I want to be your husband. Will you—“ He swallows once more, thick and heavy and almost painful looking. Can love hurt when it’s this sweet?
Eddie finally looks up. His eyes glistening and his cheeks wet and his skin tinted pink. His eyelashes stuck together. Nose dripping only slightly. He’s a messy crier, but Steve doesn’t fare any better. “Will you marry me, Steve? Stay by my side and we’ll accomplish our dreams together?” His voice is soft. Enamored.
Unbelievable, Steve swallows back. Because how did he get somebody like Eddie in his life? How did he manage to find love and have it promised back at him?
“Yes, Eddie,” he gasps out. “God, holy shit.” He drops his hands from Eddie’s hold, instead wrapping them around his torso. Muffled into Eddie’s shoulder, “All this just because I’m finally figuring my shit out? God.”
Eddie cackles, burying his own face in Steve’s hair. They sway a little. “I just—“ Eddie begins whispering. “I don’t know. I’ve been meaning to ask you for a while. Every time seemed right, but this one? Baby, this one was perfect.”
Steve sighs into the embrace. Content to not say anything else. Except, “I’m proud of you, too, honey. I love you so much and I’m so proud of you.”
“I love you too, love bug. God, Steve, I love you, too.”
For the first time since 1983, Steve allows himself to truly settle in for a future. A future, he knows, he’ll be especially proud of.
💕—————💕 Fun fact, I accidentally deleted this whole ficlet when I was copying and pasting. Hit the spacebar and watched it disappear in front of my eyes. But I figured out how to get it back, not before almost throwing up on myself out of anger. Love y'all <3
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anewstartrekfan · 3 months
Text
Reading an old Star Trek book and to my surprise Jim Kirk has always had Daddy issues
So the only Star Trek book I’ve read was the one explaining how the tribbles episode was made and the aftermath, so trying to read Enterprise (1986) with some basic knowledge of trek post 2009 is fascinating. Cuz you see where the breadcrumbs of some of the characterization and even backstory come from.
In chapter 2, Sam Kirk and Kirk’s mom show up to Kirk’s ceremony where he takes command of the enterprise. They talk about George Kirk Sr. being in Starfleet, (he’s dead here too) something that I don’t think was in any of the episodes or movies. And how he was always distant and away. And they’re clearly going for some parallels/dramatic irony with the Wrath of Khan when it comes to Kirk not believing he could’ve developed a relationship with his father as an adult. And it plays into the tragic aspect I love about Kirk.
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Upon reflection he’s happy that Carol rejected him (he proposed to her in chapter 1) because he doesn’t want to leave anyone behind while on the job, only returning for sparse visits the way his father did. But at the same time, Jim craves companionship. And he can’t get it in his current job because as captain, it is not ethical for him to date anyone else on the Enterprise.
Anyway the long and short is if we take this book into account, Kirk has always had daddy issues. It’s just in TOS EU it was abandonment issues whereas in 2009 it was dad sacrificed himself so high expectations issues.
The little details like the mom’s name getting carried over into the aos movies are a good touch, but then seeing George Kirk being a Starfleet officer actually get incorporated into the 2009 movie as an important plot point, and then also using his absence in Kirk’s life but just in a different way as part of Kirk’s backstory is so cool to me.
A difference though is unlike fanfic tropes, Winona is actually a good mom and wants Jim to succeed in his career where his father failed in his Starfleet career. Unfortunately though Jim appears to be falling into the same pitfalls. As in lack of communication and unwillingness to play workplace politics.
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That last burn from Winona tho… like damn girl I felt that.
Another thing I want to backtrack to, Sam Kirk. Sam being the alleged chosen child, the one that was supposed to follow in George Kirk’s footsteps but didn’t, and then Jim strolled in and did even more than what Sam was supposed to do, and Sam and George never reconciled. Like dudes this book is almost 40 years old and this stuff was in strange new worlds last year. Tho xenobiology appears to have morphed into xenoanthropology (tho according to the fan wiki he’s still a biologist so idk what the deal is)
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For the record Sam’s characterization isn’t remotely the same here. Likely the choice to keep him out of Starfleet all together removed any sort of resentment of Jim potential like he has in SNW. There’s still tension though, as Sam tries to force Jim to confront why he’s reacting like this to his first mission for the enterprise being an escort job for a flying horse.
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Shifting gears back to Jim needing to learn how to play workplace politics. The assumed reason for Pike leaving the enterprise. While SNW is doing the whole, Pike knows he won’t fly the enterprise forever and about the disfigurement and is cool with it, I find if fascinating that he’s more, sad about it here and that he got promoted out of the way for pushing too many buttons. It would be a sad ending but I wonder if SNW would incorporate that into its eventual ending. Hell I wonder if that’s what happened to Kirk between TOS and TMP.
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Anyway big picture is this book is a fascinating time capsule and it’s fun seeing just how much has stuck around over the years both in fandom and in the franchise itself. Whether or not that’s the book’s doing is questionable but still. Fun to think about.
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blushweddinggowns · 1 month
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A Deep Dive into the Munson Marriage: Just Who is Steve Harrington?
By Fredricka Keith
The world has somehow been sleeping on the end of an era. The notorious bachelor Eddie Munson is married. But how did it happen? Who did he fall for? Surprisingly enough, those questions were very hard to answer, despite Munson’s past predilection to be an open book. 
He has been uncharacteristically tight-lipped about his new beau. Tight enough for the majority of his fans to be just as shocked as the general public at the new announcement. Even so, Steve Harrington hasn’t managed to stay completely out of the public eye.
The thirty-three year old has a dismal social media presence, but lucky enough for us, his husband and sister are much more giving. Though Eddie’s Instagram and Twitter mentions of his husband were quickly found to be useless in getting to know the man, despite the number of posts associated with his name. It probably shouldn’t have been surprising, considering how they were nearly all nonsensical compliments, written straight from his stream of consciousness. 
His sister, Robin Buckley, was better, especially considering that she’s been using the same Instagram account since 2012. Through her, we received a little more insight on the man. He had a penance for camping and exercise, often ready and able to drag both his sister and husband with him. According to a Birthday celebration post in 2017 it was mentioned his favorite movie is The Thing (1986) and his favorite cake flavor was southern caramel. 
As for his own career, Robin’s BrotherBartender hashtag was of some use, at the least showing us that the man was capable of creating gorgeous drinks, with a long past career in bartending. But that was it, the only information that was up for grabs.
While the newly Steve Munson has been to a number of events with his husband, he still remains an enigma. The only thing his red carpet showings have proved was that the former Harrington was a master at directing attention away from himself, and his husband was incredibly protective of his privacy. There have been many interviews cut short due to questions he found unacceptable, which was a brand new behavior for the star. His days of being an open book are officially finished. 
But the plot thickens. 
While neither Steve nor Eddie are open for insight, a thorough background check did reveal some interesting information. Surprisingly enough, marrying a rockstar was not Mr. Buckley-Munson’s first experience with the upper echelon. 
Through anonymous inside sources we were able to find that the Harrington last name was familiar for a reason, outside of Steve. His parents, celebrity lawyer Richard Harrington, along with his estranged ex-wife, Adriana Harrington, made headlines in 2012 due to their contentious divorce.
For those not in the know, the two C-list celebrities are most well-known for their continued campaigns against the LGBTQ community, as well as Richard Harrington’s unsavory choice of clients. Harvey Weinstein, Jeffery Epstein, Mitch McConnell, along with his earlier aid work on the OJ Simpson trial. 
His mother, Adriana, while not directly working with some of the most despised men in the country, is famous in her own right. The fifty-one year old has nearly two hundred followers on Instagram, her posts consistently centering around the sanctity of marriage, pro-life advocacy, and bible quotes. 
With this in mind, it is extremely hard to see how their son ended up in not only a gay marriage, but with someone who is flagantly against every single thing they stand for. Though after reaching out to his parents for comment, the picture of how they came together becomes more clear. 
Richard Harrington initially denied all allegations of having any children with his previous wife, despite direct evidence to the contrary. That was until Adriana Harrington settled the score, posting a series of photos of what appeared to be a young Steve Harrington alongside his father. Along with a caption reading: It doesn't surprise me that a liar would lie about his own son. But unfortunately, yes, Steve Harrington was ours. 
Though when asked for clarification on her own relationship with their son, she did not hesitate to reiterate that she had no regrets regarding how their relationship ended. 
“While I wish Steven had taken the tough love he was given to improve himself, I can not say that I’m surprised that he has turned out this way. It’s unfortunate that his deviant behavior has escalated to the level of making a mockery out of the institution of marriage, but that is out of my control. All I can do is rest easy knowing I tried to give him the best life possible. Him throwing that chance away is not of my concern.”
It was an odd choice of phrasing, considering how “throwing” his life away equated to marrying a multi-millionaire. When asked just what tough love she was referring to, she clarified: 
“Steven was given a choice to get help for his affliction or be completely on his own. He chose to be completely on his own. Whatever happened after that choice is a reflection on him. Not me.”
Though when further pressed on just when Steven was given this “choice” she only mentioned that he was “of age” but admitted he was still a teenager at the time of his disownment. 
When asked for comment after Adriana’s claims, the Harrington firm provided the following information:
“Richard Harrington has not spoken to his alleged son, Steven Harrington, legal name Steve Buckley-Munson for nearly fifteen years. While his name is present on Mr. Munson’s birth certificate, the biological relationship between the two has never been confirmed. Considering Adriana Harrington’s past history of infidelity, it is quite likely that there is no actual relation between the two men.
With that acknowledged, Mr. Harrignton would like to reiterate that he has no ties to Steve Buckley-Munson, Edward Munson, Corroded Coffin, or their label Virgin Records. He is a dedicated family man whose loyalties lie with his new wife, his two beautiful young children, and his clients. Those areas are where his focus will always be, first and foremost.”
It is a wonder that such a well-matched duo could ever end in divorce. But their answers only led to more questions. How could Steve Buckley-Munson have a sister if he was disowned as a teenager?
From the last chapter of this (finished) fic!
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shinyzango · 15 days
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Just curious, opinions on the different nutcrackers that you know of from all kinds of media and stuff?
Sorry if anyone asked this before I wouldn't know
Love your art and characters by the way keep it up!
Hohohohohohohoho, we be opening the Pandora Box here. Not that I'm complaining~
So, this is going to be a very long post as I've seen a lot of the movies. I also have a couple books which I can give my opinion, and I'm familiar with various apparitions in videogames and such. So yeah this is going to be a loooooooong post.
So buckle up, grab a drink and enjoy the ride into my personal madness o7
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[ CAREFUL, VERY LONG POST UNDER THE CUT ]
So, let's start with movies as those are easier to grab and talk about for me. I'm gonna go with their year of release ot keep things organized.
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Shchelkunchik (1973)
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Small silly dramatic guy, I like him! The animators did a great job animating his design and make him incredibly appealing. As for his human appearance, eeeeeh I don't really care for him. Definitely a shock the first time you see it lol But yes, adorable silly guy
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Nutcracker Fantasy (1979)
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Li'l guy. It is Sanrio so it's bound to be on the cute side. The Nutcracker itself doesn't do much in the movie, but as for Fritz himself, I... honestly don't care about him. He looks pretty, but personality wise he needs to work on it pff Idk he just comes out as plain and a little arrogant... Still a fine fellow, though.
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Nutcracker: The Motion Picture (1986)
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One of the two ballet-based movies I've seen, and definitely the better one of the two imo. And good lord I love this guy. He may look terrifying but good lord if he's silly. And I actually don't mind his human appearance as simple as it is. Silly man, this one.
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The Nutcracker Prince (1990)
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HIM. MY BELOVED. THE GOOD LAD. Definitely my favorite, and not because this was my most beloved childhood movie. He is such a sweetheart with a hint of awkwardness but who can still kick your ass. And the final scene in the castle in the Italian dub is just *chef kiss* 10/10 lad.
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The Nutcracker (1993)
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The other ballet-based movie... it's just Macaulay Culkin. And his nutcracker costume looks hideous lol. Nothign to say. Surprisingly, he's not the worst one.
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The Nuttiest Nutcracker (1999)
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Ripoff Ken. He is incredibly dumb, and a tiny bit of a freak, but could be worse honestly kdjng They did Barbie before Barbie did it lol that's p much it.
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Barbie in the Nutcracker (2001)
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THE OTHER GOOD LAD. I love Eric so much he's such a sweetheart wanting to fix his mistakes. It's so easy to root for him. As for his human appearance... he's just Ken skjngf 10/10 lad #2
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The Nutcracker and the MouseKing (2004)
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Oh boy what to say about this one. Very hateful in the first half. At least he learns and becomes bearable at the last third of the movie. But I do like the nutcracker form, they made the blocky design work as well, like later on it's actually very nice to see him move. Still, horrible personality. Needs a slap in the face.
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Nutcracker in 3D / Nutcracker: The Untold Story (2010)
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Hellspawn. Nightmare fuel. Abomination. Who the hell approved to that design?? And why did they pitch up his voice like that?? At least the kid playing human NC is not as bad, but good lord. 0/10 Just burn that puppet with fire, please.
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The Nutcracker and the Four Realms (2018)
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This one just pisses me off. This one had so much potential, and the actor is actually good. It's just the way his character was written that is dog awful. They made him basically a dumb side character who barely does anything despite everyone in the movie treating him like he's a big shot. And the the fact that this was made by Disney just makes this worse. Just so much lost potential.
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The Nutcracker (???)
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I actually don't know who made this movie or in which year, but I do like this one. The movie is comedic so he's a bit silly, but he's still quite enjoyable. And for some reason he reminds me of Waluigi.... Still, silly guy.
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That's all for the movies. There are a bunch more that I've missed or that I can't find anymore so my list of opinions on them is not complete. But one day...
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As for other medias, hm... I have a couple books that are just the original story by Hoffman and the retell by Duman (of which I don't have much to say) and the graphic novel by Natalie Andrewson.
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He's just a li'l guy, silly kid but enjoyable.
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Lastly, while there are no actual nutcracker based games, I do want to mention a few skins and characters I am aware of for the hell of it. I'm pretty sure I will be forgetting some but eh.
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Terraria
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Silly guy that speeeens. I wish I didn't have to kill them skgjfn.
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Overwatch
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As much as I now despise Overwatch for many reasons, I still love Zenyatta's nutcracker skin to death. Look at this silly guy. Definitely my favorite skin in the game.
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Saints Row IV
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SR4 had a Christmas themed DLC, and among all the xmas reskins of the enemies, one was the terminator-like enemies being turned into Nutcrackers. And their design look so sick.
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Fortnite
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I don't play Fortnite, but I do have to admit that the nutcracker guy looks neat. The crazy look fits the look quite well. If I would ever get in there (I doubt it but still), that would definitely be the skin I would use.
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Lethal Company
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I don't play LC neither but I've seen videos of the nutcracker enemy in action, and yeah he looks silly. I love how he moves around.
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That's all of the apparitions that I can think of. I'm also aware of the point-and-click game made by Big Fish Games, but I have not played it myself. I really should do that one day...
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Aaaaaand that's a wrap. I'm definitely forgetting a nutboi or two somewhere but these are all the ones I can think of at the top of my head that are officially published and all.
If we start talking about folks in social medias I've come to know over the years... I'm gonna be here for 3 months trying to talk about them dkjfgn
Well, hope you enjoyed this personal spiraling into nut madness :V
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usafphantom2 · 1 month
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🔥Each flight was equipped with 16 shots of TEB. It was the TEB triethylborane that caused the fuel to temporarily Flair up. 🔥
The NTSB lists Triethylborane [TEB] as the most dangerous material, one step below fissionable nuclear material,’ Former SR-71 Blackbird pilot David Peters.
Taken by Stuart Freer at RAF Mildenhall in 1986, the impressive photo in this post features an SR-71 Blackbird Mach 3 spy plane creating spectacular fireballs while performing at the Air Fete Air Show.
Former Blackbird RSO, Lt. Col. Doug Soifer, recalls in Richard H. Graham’s book SR-71 Revealed The Inside Story.
‘During that pass, we [Soifer and Mike Smith, the pilot] had “13 fireballs” come out of the plane’s exhaust. It looked beautiful, and people wanted to know if it could be done again. They used the picture of us with the flames coming out for the next year’s Air Fete poster. Mike and I became known as the “Fireball Twins.” The maintenance people figured it was the TEB [triethylborane] shooting out of its container and igniting the JP-7. With that start, we had an exciting six weeks in England.’
The SR-71 burned JP-7 fuel. A one-of-a-kind fuel that used an additive to raise its flash point so the fuel would not break down at extreme temperatures
The high flashpoint brings up another problem. Most jet engines use igniter plugs, nothing more than a hot spark plug. Using these igniter plugs they used with the JP-7 and drowns it out, it won’t ignite. Kelly [Johnson] put his engineers to work, and he said, ‘OK, gentlemen, how are we going to start this?’ They came up with a very unique way. Triethylborane – TEB for short. Each engine has a one-and-a-quarter pint. If I had it in a squirt gun and squirted it into the atmosphere, it would go Kaboom! – it explodes with contact with the atmosphere. And that’s how we started the engines. As the engines rotate, at the right time, it spray this amount of TEB into the turbine section, which goes kaboom, which in turn lights the engine. When you take the throttles up into the afterburner, it puts this metered amount of TEB in that lights up the JP-7. You get 16 shots for each engine.’ As far as I know, no pilot ran out of TEB on a flight, but during a long flight (12 hours ), they came close; if anyone knows of a story of when they ran out of TEB, please let me know.
Also, there was a way that my experts told me to ignite the fuel by using something other than TEB in the SR 71. Can anyone fill me in on what that was?
Linda Sheffield
@Habubrats71 via X
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Broadway Divas Tournament: Round 2A
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Christine Baranski (1952) "CHRISTINE BARANSKI (Charlotte) last appeared in the Playwrights Horizon’s workshop production of Stephen Sondheim’s Sunday in the Park with George. Just prior to that she appeared in the New York Shakespeare Festiva’s production of A Midsummer Night’s Dream for which she received an Obie Award. She also recently completed filming Louis Malle’s new movie Crackers in which she co-stars with Donald Sutherland. Other New York credits include Sally and Marsha with Bernadette Peters at the Manhattan Theatre Club; The Undefeated Rhumba Champ at the Ensemble Studio Theatre and Coming Attractions at Playwrights Horizons. Her films include Playing for Time with Vanessa Redgrave, Lovesick, and Soup for One. She has worked at Center Stage in Baltimore, Chicago’s Goodman Theatre and the McCarter Theatre in Princeton as well as the American Shakespeare Festival in Stratford, Connecticut. Christine is a graduate of the Julliard School and is the happy bride of actor Matthew Cowles.” – Playbill bio from The Real Thing, May 1984
Judy Kuhn (1958) “JUDY KUHN (Alice/Succuba/Citizen/Miss Isabel Yearsley) is making her Broadway debut in Drood and was a member of the original company in Central Park last summer. Off-Broadway she received critical praise for her performance in the Jewish Repertory Theatre’s production of Pearls. Before that she was seen with Yul Brynner’s farewell tour of The King and I. Roles in stock productions include Maria in West Side Story, Julie in Carousel, Rosamund in The Robber Bridegroom. Judy is a graduate of the Oberlin Conservatory of Music and studies acting with John Stix.” – Playbill bio from The Mystery of Edwin Drood, April 1986.
NEW PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE
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"With the devastating elimination of Patti LuPone, Christine Baranski may well be our reigning *Diva* in the most literal sense of the word. Are you truly worthy of the title if you don't inspire drag egos? Go on, close your eyes right now and picture a living Broadway Diva. Baranski is going to be on that list every time."
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"Four-time Tony loser Judy Kuhn is a sad sentence to type. But hey, at least she's in good company with Elaine Stritch. Judy doesn't need a fancy trophy to prove how talented she is. She's booked and busy, and aren't we glad for it?"
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cypressure · 21 days
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Have you got any recommendations for dinosaur nonfiction books?
Your art makes me so happy 🥺
hey thank you, i appreciate your saying so (and also giving me the opportunity to talk about dinosaur books)! under the cut for length--
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starting off with an overview before getting down to specific topics, my first recommendation is Dinosaurs: How They Lived and Evolved by Darren Naish & Paul Barrett. this was first published in 2017, but the third edition was just released with plenty of updates to reflect new discoveries and hypotheses. it's very thorough and accessible, and takes you through all the major clades of dinosaurs and everything we know about their evolution and ecology. this is definitely the best starting point for getting up-to-date with dinosaur science.
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the end-Cretaceous extinction has been getting lots of popular attention lately (thanks to DePalma and the Tanis site I suspect), so if you'd like to learn more on this subject, I love The Last Day of the Dinosaurs by Riley Black, also from 2022. this is the scariest dinosaur book i've ever read--she paints an incredibly vivid and horrifying picture of the aftermath of the meteor impact, and of how the animals which survived the event managed to live on.
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if you want to read about how exactly we know all these things about dinosaurs, I just recently picked up Dave Hone's How Fast Did T. rex Run? (titled The Future of Dinosaurs in the UK i think), published in 2022. he delves into what we know from the fossil record and how paleontologists work to figure these things out, as well as what we don't know yet and what we probably will never know, and the difference between those two. i suggest it for learning about paleontology as a scientific process, and it's a very interesting read.
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so far, all of these books have been about dinosaurs as a whole; if you are looking for popular publications about specific groups, there are not as many options unfortunately (for some reason there isn't a huge audience for 200-page books about obscure thyreophorans. sighs disappointedly). most of what we get is about the large, more familiar clades; you will see books on tyrannosaurs, and there's a few field guide-style books about Mesozoic birds (which tend to be very beautifully illustrated but kind of technical; see below for titles). my pick for clade-specific books is The Sauropod Dinosaurs: Life in the Age of Giants, by Mark Hallett and Matthew Wedel, from 2016. this one goes into serious detail about every conceivable aspect of sauropod paleobiology, which as you can imagine is a huge and fascinating topic, and all the artwork is gorgeous. caveat: it being 8 years old means there's some science in there which will be outdated by now, but as far as i can remember it's still worth checking out.
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and finally, as a paleoartist, i have to mention paleoart books! if you're interested in the science behind the choices paleoartists make when reconstructing extinct animals, especially for your own practice, i cannot recommend enough Mark Witton's The Paleoartist's Handbook, from 2018. he thoroughly explains how to interpret fossil evidence and paleontological research from an artist's perspective, and covers about everything from soft tissues to composing a scene. this is one of less than a handful of books on this particular topic, and it's definitely the most in-depth.
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with any scientific subject you have to be careful with older books; this is especially true with paleontology since the discipline has accelerated so much over the past few decades and shows no signs of slowing down. i would even hesitate to recommend anything published more than 10 years ago, since new discoveries and technology have made so many questions and hypotheses moot (and in turn created new and more interesting ones)! the only exception to this is a recommendation for historical significance: Robert Bakker's 1986 The Dinosaur Heresies is essential to understanding what modern paleontologists call the Dinosaur Renaissance, or how our perception of dinosaurs changed from lizardlike evolutionary dead-ends into the active, successful bird ancestors we see in reconstructions now. this book kickstarted that change, and it's easy to see how: it's a very engaging read, Bakker argues his points very effectively, plus there are cute dinosaur cartoons. (i also love a lot of older works for their personal significance, but gushing about formative dinosaur books is something for another post.)
finally, thanks to the wonders of the internet, books are not the only way to learn about current dinosaur science! the best way is always by reading paleontology papers, where scientists directly describe and illustrate new discoveries or hypotheses. however, i know jumping straight into the technical literature may be overwhelming: fortunately a lot of paleontologists have social media, blogs, and/or podcasts where they write about their work and new developments in the field. the heyday of science blogs is kind of past, but there are still a few very good ones out there: this list on Feedly has a good selection to browse. being just self-published material, all of these don't have the benefits of peer review that papers and books do, so always be willing to take things with a grain of salt and do your own research.
of course this is a non-exhaustive list, especially limiting myself to both works recently published and which i have actually read. i've certainly forgotten or missed out on many new paleontology books (Dean Lomax's Locked in Time is one of these which i still haven't gotten ahold of yet, but which im very excited to get to); i welcome any additional recommendations or thoughts from the rest of paleoblr!
i hope this was helpful and i wish you luck in your reading :)
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the-common-cowgirl · 7 months
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It’s Only Forever, Not Long at All…
Chapter 1: Into the Labyrinth
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Labyrinth AU Mini-Series. Each Chapter based on the chronological soundtrack of the cult classic film, Labyrinth (1986).
Goblin King!Aemond Targaryen x Fem!Reader
Rating: Ch. 1 is General
Summary: Life at home is not fair, your only escape is your beloved fairytale novel, The Labyrinth. However, everything is about to change when you make a heat-of-the-moment mistake, causing you to strike an unfair deal with the one and only, Goblin King.
Warnings: teenage angst
Word Count: 2960
A/N: I know chapter 1 doesn’t delve too far from the original story, however, it’s pivotal for the remainder of the story so I kept it closely canon and will start separating in chapter 2.
Series Masterlist
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Thunder rumbles distantly as you make your way across the park. The skies are gloomy overhead but you pay no attention. No, your mind isn’t stuck in the present. It dances to a realm where a handsome king holds you in his arms as you stare deeply into his eyes: in love. You clutch the fairytale novel, The Labyrinth, close to your home-made, hand sewn corset you made all by yourself after becoming infatuated with this book nearly four years ago. Now at eighteen, your childish obsession has somewhat taken over your life.
Your bedroom was covered in “Labyrinth” memorabilia. You had learned to sew garments that fit the fantasy world you pictured in your mind, creating an extensive array of different pieces. Your step-mother had a music box crafted for your sixteenth birthday, as a way of trying to grow closer to you. It was a miniature version of yourself in a big, white, puffy fantasy wedding gown and hair done up in pearls and beads in an intricate way. You loved that version of you in that music box so much that you had set out to remake the gown, it had taken two years but it was nearly finished and you couldn’t wait to put it on.
Your stepmother’s attempt at becoming friendly with you had worked, until it didn't. She had merely suggested one night recently that you should pursue a degree in fashion after you graduated since you loved sewing garments so much. The suggestion infuriated you, for she had been so close to understanding what fueled your passion for creating things, yet so far. You only created and learned to sew because of your love of reading, specifically your love of this book. How could she be so blind to not see that? That night a verbal fight had ensued between your step-mother, father and yourself. A fight so bad, your step-mother picked up your baby sister, you baby half-sister, and left the room.
The residual feelings of unease still lingered in the home, weeks after the fight. Which led to now, in the park, you reciting the main character’s words to the Goblin King and the air around you as a way to escape your home-life and reality, if only for a short while.
“Give me the child. Through dangers untold and hardships unnumbered, I have fought my way here to the castle beyond the Goblin City to take back the child that you have stolen. For my will is as strong as yours, and my kingdom is great,” your mind trails off as you try to remember the next line.
“Ugh,” you groan and hit the book in your hand to your head, maybe a little too hard as it stings slightly “ I can never remember that line!” It’s true, you couldn’t, but you were also in the middle of trying to memorize the entire book so you should’ve given yourself more grace. You open the book to the page and passage in which you are trying to recite. Reading the words on the page aloud to yourself, “You have no power over me.”
As suddenly as you read the line, a large, snowy white owl swoops overhead, capturing your attention to the sky and a single raindrop falls onto your cheek as you head is cast upward to the rapidly darkening sky.
Which reminds you that you probably need to be back home by now. Your father had asked you to babysit your sister so he and your step-mother could go to a local fundraising gala and socialize the night away. The rain starts to come down harder now and you make your way back toward your home, running over the park’s bridge, right by the gazebo. Then when you reach the street, the clouds let loose and the downpour begins. You’re showered with water as you spring down the street, across a neighbor’s backyard and when you finally reach the back porch of your home that you found refuge from the wet in, you realize that not only are your garment’s soaked, so is your favorite book.
Grumbling angrily to yourself as you step into the house, past the kitchen and dining room and into the receiving room as you head up the stairs. Your self pity is stopped abruptly in your tracks as your stepmother calls from the bottom of the stairs, appearing from thin air.
“You’re late,” she called and you turned around halfway up the steps, “and you’re drenched!” She shrieks and turns to your father who is just out of sight, “Paul! Please explain to your daughter about punctuality and being presentable!” Her hair is in an updo as she puts on her earring. Her dress is a beautiful pale, satin pink; she’s the epitome of punctual and presentable.
Your father appears from the other room, “Y/N, you were not supposed to leave the house without our permission. Do you not remember that you're grounded?” His voice is stern but softer than your step-mother’s.
“I’m eighteen dad, you can’t ground me!” You stomp, childishly on the stair you’re standing on above them, water droplets falling with your action.
Your father brings up his pointer finger in warning, “As long as you live under my roof, I can still ground you. Now,” he raises his finger and points above you to the second floor, “Please take good care of Sarah tonight.”
“She’s already down for the night,” your step-mother adds as your father walks into the other room, “But if she wakes, just-”
“I know, I know,” you cut her off, “rock her to sleep and sing her her favorite songs and while I’m at it, why don’t I just give her my favorite things?” You raise your arms in a dramatic shrug.
Your step-mother sighs and grabs the baluster of the staircase, “Y/N, please do not disrespect me,” she says with a soft-sternness too familiar to you from her mouth; a plea. “I’m trying Y/N, but you’re making it,” you roll your eyes and start to walk further up the stairs, “so hard!” Her last two words are yelled to you as you go to your room, slam the door, and fall face-first onto your bed trying to drown out her yelling from downstairs.
They make you angry, both of them. They didn’t understand you or your interests. But, your father at least had the good sense not to bug you about what he didn’t understand; she didn’t. She’d constantly ask you about the book, about your projects, about the different characters, all to only ask once more, as if she didn’t store away information so important to you in her mind. You’d assumed if she truly wanted to know you, she’d make an effort. The nicest thing she had done was getting you that music box but even then, she made it more about your hobby of sewing than your passion for the fantasy element.
After some time, you heard the front door slam and that seemed to wake Sarah. You took a deep sigh, internally cursing them for waking your sister, half-sister. Pulling yourself from the bed, you made your way across the hall in the direction of the screaming to your father and step-mother’s room where Sarah had been sleeping. As you opened the door, the screaming intensified and you covered your ears as you approached the crying toddler in her pink-striped pajamas. You picked the toddler up as she continued to scream, not soothed by your presence in the slightest. You bounced her trying to sing against her wails, pacing around the room hap-hazardly as Sarah’s screams only seemed to worsen. As you passed her cradle for the third time, you recognized a stuffed animal she had been sleeping with to soothe her; your stuffed animal toy. The one your mother had given you when you were a baby.
Of course they’d give Sarah your things, she was your replacement with your father’s new wife. She was their precious girl, you were just a product of his last marriage to them, an inconvenience. You thought bitterly about how your step-mother wanted you out of the house, away at university and out of her hair and then she could play “perfect” family with her perfect daughter and no more. Just the three of them, the way it was meant to be.
And in that moment, all your anger seemed to snap.
You raised Sarah up in the air, still screaming and recited the fateful words, the words no one should say, yet…you did.
“I can bear no longer!” Tears streamed down Sarah’s face, “I wish, I wish…Goblin King! Goblin King! Wherever you may be, take this child of mine far away from me!” The wind rattled against the windows, making your heart skip a beat, wondering if somehow this chant had in fact, worked. But when you looked outside, you had just realized the sky was dark and the sun had set. You turn your attention back to Sarah as she continues to scream. “Ugh, Sarah,” you were impatient but now more relaxed as you let off steam. Laying her down, still crying, you grabbed the stuffed animal from her crib as she reached for it and walked back to your room briskly, to where it belonged. As you made your way across the hall, back toward the room Sarah was in, you heard her screaming abruptly stop. Your hand lingered above the handle of the door, wary as to why Sarah had stopped crying.
Opening the door, you called out, “Sarah?” Looking at her crib, you could see movements beneath the blanket but you couldn’t see her face. As you neared the crib, it moved sporadically, not in the way Sarah would move if she had fallen asleep. “Sarah?” You reached for the blanket to pull it from her face to make certain she was alright but the blanket moved again and you heard mischievous laughing from beneath. Your heartbeat quickened as you snatched the blanket from the crib to reveal nothing; Sarah was not there.
Behind you, you heard shuffling along the floor, then laughing as you turned, seeing a figure go underneath the queen bed skirt. Bending down in search of Sarah, you lifted the bed skirt to see nothing. “Sarah?” Your heart beat was quickening as you looked for your baby sister. “Sarah, this is not funny.” Something touched your leg and you jumped, looking down to see nothing. Shuffling was heard across the room and laughing from three different places were heard. You looked all around you in a panic, shadowy figures that resembled cats were hiding and peeking out from all around the room. You screeched as the creatures slowly emerged.
Suddenly behind you, the windows burst open with a warm gust of air and you quickly turned to be flooded with the white feathers of an owl. Covering your face so to not get scratched you shouted in fear. Then, the air was gone, the noise was gone, it was still. Slowly lowering your arms from your face, you were met with a towering, silver haired figure in a long coat, tight pants, knee high boots and an eye-patch….staring at you with a mischievous glint in his remaining eye.
And you knew.
“You’re him aren't you? You’re the Goblin King!” You accused, stepping back in fright. “I want my sister back, please, if it’s all the same.”
The corners of his mouth quirked, “What’s said is said.” His stern voice held finality.
“But I didn’t mean it,” you pleaded.
His smile grew from your words, “Oh you didn’t?” Raising a single brow.
A creature, a goblin, ran from behind you, frightening you into another shriek, between your legs and behind the King who waved his hands in front of each other and procured a glass-looking ball from what seemed thin air, like a magic trick. “I’ve brought you,” the orb danced across his fingertips as he transferred it from one hand to the other, “a gift.”
You felt inclined to take a step toward him but refused that feeling, “What is it?”
“It’s a crystal, nothing more. But, if you turn it this way and look into it,” he turned the crystal closer toward you, “it will show you your dreams. But it is not a gift for an ordinary girl who takes care of a screaming baby.” He looked down to the crystal and his smile turned upside down as he looked up to you mischievously and threw the crystal at you, turning into a snake midair and landing on your chest. You screamed in terror as the snake fell to your feet and spun in tight circles, turning into a goblin and who laughed up at you.
When you raised your head to look at the king and you were suddenly in a new place, a realm of some sort, his realm. It was a dusty landscape and he stood above you, a warm wind blowing his silver locks across the tall black collar of his dust jacket. He raised a hand aside himself and procured an image of an ornate, golden grandfather clock whose hands spun sporadically. “You have twelve hours in which to solve the Labyrinth before your baby sister becomes one of us, forever.” He grinned devilishly, “At the center of the Labyrinth lies the Goblin City, and, my castle. You will find us there, waiting.” He pointed out beyond you.
You looked behind you to the massive maze in which you had to make it through in order to save your baby sister. At the center, far off in the distance, sitting atop a hill was a large castle: your destination.
“Turn back, turn back before it’s too late,” his voice rang behind you. As you turned you realized he had gotten closer, strangely close to you.
“I can’t,” you professed. “Don’t you know why I can't?”
He laughed deeply as he stepped backwards and began to disappear, “Such a pity.” His voice echoed around you, taunting you, encouraging you to fail.
You took a deep breath, stilling your mind and readied yourself for the task at hand. Turning, you set off and hurried down the hill to the tall, light dusty stone walls of the Labyrinth. Beginning your adventure into the world you had loved from pages for so long, that had now somehow, become your worst nightmare. You had to save your sister. You had to undo what you had caused. You had to solve the Labyrinth.
As you reached the towering walls you looked for an entrance into the maze and found there was none in sight, so you ran along the walls one way till you were nearly out of breath. Not seeing an end in sight, you turned and ran back the way you came and past that, until you were sorely out of breath. There was no entrance in sight, nothing but high stone walls that went on forever.
Feeling defeated and angry, you fell to the ground on your bottom, yelling, “It’s not fair!” Picking up a rock and throwing it to the wall without it to bounce back, rather, going through the wall. This puzzled you and you tilted your head.
“Life’s not fair,” a gravelly voice sounded behind you, causing you to startle. You saw a strange looking goblin walking about, spraying fairies and paying no mind to you.
“Hey! Don’t hurt them,” you reach out to scoop up an injured fairy that had been sprayed by this goblin. It looked at you with its little eyes and cute wings. You wondered why he had sprayed a thing so innocent and minding itself.
Then you felt a sharp sting in your hand and dropped the fairy, “Ow! It bit me!” Holding your hand to your mouth to stop the small pain.
“What did you expect a fairy to do?” He grogged and turned toward you as if we were dull.
“I don’t know…nice things like granting wishes?”
The goblin rolled his eyes, “Shows what you know, don’t it?” He returned to spraying the fairies but you had an idea.
Jumping up, “Hey, you live here don’t you? Why don’t you show me how to get into this place?” You put your hands on your hips with renewed hope.
The goblin and his sprayer turned, “Well, have you tried to get in?”
You furrowed your brow in confusion, “I’ve looked but there doesn't seem to be an entrance-”
“Just go through it,” he replied hastily, bored with your presence.
This puzzled you further. “Go through it?” You echoed and he merely nodded his head.
To get in you just walk in.” He spoke as if it were the plainest answer possible, the impossible.
Intrigued by his suggestion and oddly believing this goblin despite what help he offered to be very impossible, you decided to try it. So, you turned and walked to the stone wall with trepidation, hands raised. As you neared the wall, your hands slowly disappeared, then your arms, then you were on the other side of the wall, in the Labyrinth.
Elated, you returned back to the outside to thank this helpful goblin. “Wow, I just go through it!” He only rolled his eyes and returned to spraying the fairies. “Thank you, uh,” you hadn’t gotten his name.
“Hoggle,” he offered while paying you minimal attention.
“Thank you, Hoggle!” Excited, you slipped back into the maze. Turning around, you looked at the high walls before you and exhaled a deep sigh. Into the Labyrinth you went in search of your sister, to right your wrong, to defeat the Goblin King.
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