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#...... what no im definitely not wishing that that was me he was doing that to hahahahaha SHUT UP 😳
chococolte · 1 day
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Your sagau zhongli is my fave! Devotion is soooo good he's so good!! If he were offered a reward, what would he ask for? He definitely deserves good things for being such a dedicated worshipper
word count. 1.6k
୨୧ — ꒰ cw. yandere, unhealthy relationships, possessive & obsessive thoughts/behaviors, sagau + cult au shit, religious themes, g/n reader.
୨୧ — ꒰ a/n. hi guys......... sorry i took so long to write this, and im so happy you like my characterization of him!!!! it means so much to me!!!
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Your praise.
Zhongli has rarely ever wanted. 
When he was young, still arrogant and born of war, Zhongli didn't want— he took. He had no need of envy or desire. What he could not have, he would get in time. Immortality comes with an infinite patience. 
If he was still that god, flippant and self-important, maybe he would demand some sort of compensation. Some sort of recompense for past agony.
For as long as Zhongli's lived, he has never wanted; not in the way a mortal yearns for their lover, or the way a dog longs for its owner until it whines. Never in any way that mattered, never before he met you.
Zhongli has had eons to become used to the loneliness that so often encompasses him. And now, knowing that you breathe the same air as him, he's become rather acquainted with the ever consuming desire to nestle close to you, like ink caressing every pore of canvas. 
His desire runs through him— barking and loud, rapid and frantic— but when faced with you, a whisper, whimpering in the dark crevices of his ribs. At times, he comes close to asking you to hold him, but decorum and propriety keep him in place, tight and tense.
Liyue was built knowing your gaze followed him. Its foundations set, earth molded, and its rivers bent, hoping they would be fit to your liking. His every breath spent chasing after your favor, desiring to be remade in your image, to be exactly what you want him to be. Afraid that, when finally met with you, you will not like what you see.
Zhongli has rarely ever wanted, and rarer still, has he ever feared.
It's a mortal's fear. The fear of their lord displeased with their harvest. A boyish fear, made up of desperation and the fear of disapproval; one he shouldn't feel, one he should feel no familiarity with. One he suspects many have felt when within his own presence.
When you ask him what he would like in return for all of his efforts— a reward, you say— Zhongli feels his breath seized from him.
Zhongli lived much of his early life against you. At every opportunity, he rebelled at what he thought was a cruel god. Imperious and charged with Guizhong’s death, he would have demanded answers. 
For him to have lived while those he cared for perished without a moment's repose, for him to have survived every moment of cruel war when each breath was like a whip against his lungs— he deserved to know, if you were as real as Guizhong so staunchly believed, why he had lived in her place.
Yet, despite centuries of tempered rage, Zhongli has become content to live as nothing more than your servant. 
He tells you he wants for nothing. That all he desires now is the simplicity of being beside you; the escape of your laughter, where there's no need to concern himself with anything other than you. He tells you he only wishes to know how to take care of you better, how to align himself with your tastes and desires.
"I insist," you say, and Zhongli realizes it's a command. His mouth turns dry, and every word settles on his tongue like heavy weights, dead and still.
You stare, and his breath hitches, his heart a swell in his chest. Zhongli thinks of every answer, how your reaction to any could either breathe life into him, or leave him broken. How, for a moment, he amuses himself with the idea of asking for your touch— the cusp of your palm on his cheek, your fingers against his spine; how he could ask, and how you might favor him enough to do so. 
He then thinks of asking you for reassurance. For affirmation of forgiveness for the actions in his youth. To finally have the certainty that he hasn’t failed you, and maybe, the confirmation that you may care for him.
“Forgive me for my impropriety, Your Grace,” Zhongli begins, voice light and breathy. His hand rests on his chest, fighting the urge to dig into his skin, hoping to calm the pounding of his heart. “But… if I may, I was wondering if I had done right by you?”
You sit inertly in silence for a moment, and Zhongli wonders if it’s on purpose, some sort of punishment for daring to ask such a thing. You had no reason to reward him, and he had been blessed enough to hold your attention for longer than a moment. He had no right to ask for your thoughts, not so directly.
He thought he knew that. It was why he followed you, why he made sure your every request was completed to the highest standard. If you mentioned the taste of your tea being too bitter, or sweet, or that you’d rather he prepare something else for you entirely, he would rush to follow your word. Even if he had been the one to brew it, even if it was him who cultivated the leaves, even if he thought it would be to your liking.
All he needed was to be helpful. All he needed was you. Within you, was his salvation— within you, was love itself. Without you, the once great Lord of Geo was but a fragmented elemental wisp of energy, only ever calling your name.
A spike of adrenaline rushes through him, fear and anxiety denying any sense of hope. All he hears is the solitary sound of his heart in his ears. 
“You have only ever done good by me.”
Zhongli’s heart lurches, heat rippling through his body. You say it like it's the most obvious thing in the world, and his mind feels dizzy at the implication. The ground sways, and his feet feel light. 
“You deserve more than that, I think.” You step forward, and Zhongli is so lost within his own thoughts, he takes no notice of your sudden increase in proximity— but his breath still quickens, and red still coats the apples of his cheeks. 
“Kneel,” you whisper, and though you say it so softly, it's as though the sky had been torn asunder with the speed he responds. Zhongli’s mind still feels far away, but he hears your orders as if spoken directly into his ear.
He drops to his knees, no care for whether he does so elegantly enough. All he can focus on is the weight of your gaze, and the way he's the only thing under it.
“Do you want me to praise you?” You trace his jawline with your finger, still speaking in a soft, unhurried tone. “Do you want me to tell you how much of a good boy you are?”
Zhongli inhales sharply, fighting every thought that screams at him to eagerly lean into your hand. He stares up at you, russet lashes fluttering and amber eyes swallowed by adoration and worship. 
“Yes, Your Grace,” he whispers hoarsely. 
Your thumb swipes over his lower lip, and a whine rises to the back of his throat. 
“My good boy.” Zhongli’s entire body shudders, his chest heaving. A shaky breath escapes him. “You've been waiting to hear that for so long, haven't you?”
He whimpers, then nods in a way he hopes doesn’t come across as overeager— quickly bereft of any sense of propriety, or care for whether or not he’s making a fool of himself. All he can concern himself with is how close you are, how easily your scent renders him still, how quickly he borders on senseless. 
You smile at that, and he bites his tongue to stop himself from whimpering. 
“Do you want me to tell you how grateful I am?” Your fingers move across his neck, brushing against his Adam’s Apple, watching it bob as he gulps, trying to keep himself steady and not fall against you. “How you're my favorite?”
An ugly sound rips from Zhongli’s throat, and it's one he's instantly ashamed of. Every part of him feels bare in front of you, laid out messy and without decorum. The mask he’s worn for eons steadily breaks, and every one of his veins and bones scream out for your warmth. 
The Lord of Geo wouldn’t have ever allowed himself to be so vulnerable. He never would have amused himself with the thought of pleading for anything, or kneeling and falling apart because he was treated softly— least of all, of being so desperate to know that you love him; that you favor him. 
Zhongli, now without his Gnosis, is as mortal as the men he used to lord over. And perhaps it’s his newfound mortality that moves him to lean into your hand, frantically trying to meld your fingers against his skin until his flesh is like clay inlaid with your fingertips; hoping that you’ll rebuild him until he fits your desires, and tell him again that he’s proven to have done good by you. 
Every thought is a prayer, another hymn, another psalm.
“Am I? Your favorite?” 
His voice trembles, and breathes into a soft whisper. Zhongli doesn’t mean to sound so desperate— he doesn’t mean to be so greedy— but his soul has never felt so full before. His mind is so mired by your touch and voice that he doesn’t realize his lack of formality, or how he might come across as arrogant. 
He wants only to think of you, and so he does. Nothing else matters.
“Yes.” You chuckle, and his heart speeds up at the sound, fervent. “Why would I want anyone else?”
Zhongli whines, and faintly, through the blur of fanaticism and worship, thinks that no matter what you asked of him, he would do it without hesitation. 
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luuuuucyscorner · 2 days
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𝐂𝐮𝐭𝐢𝐞- 𝐀𝐧𝐭𝐡𝐨𝐧𝐲 𝐕𝐚𝐮𝐠𝐡𝐧
Info: Ant asks reader on a date
Tags: Kissing, fluff
word count: 9970
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gif by me
“ Oi! You wait I gotta ask you something! ”
Ant calls out as you are about to leave SLTs since the class was over for today.
"sure Ant, whats up?" you turn and smile brightly at the erratic boy.
“You know I've wanted to talk to you for a while now, and uh… well, you have really nice soft-looking hair,” Ant nervously begins, fidgeting with his pencil. “I don’t know how to say this, but… do you want to hang out sometime? Maybe grab a coffee or something?” He tries to muster up the courage to ask you out, blushing slightly.
"Anthony Vaughn are you asking me out?" you ask teasingly.
“Err… yeah, umm, I guess that's what it is!” Ant responds, trying to hide his embarrassment with a laugh. “It's just that, I've seen you around, and well, you seem like a cool person to talk to. And besides, you're mesmerizing.” He takes a deep breath, attempting to gain some composure. “So, what do you say? Fancy getting some coffee together?”
"sure cutie, when and where?" you ask excitedly.
“Uh, wow, you actually said yes! I didn't think id get this far... How does tomorrow afternoon at, like, two o'clock sound?” Ant asks, clearly relieved and happy at your response. “We can meet at the Starbucks near school, okay?” he suggests shyly, he gives you a thumbs-up, trying to act casual but still beaming with joy inside.
"two? alright perfect ill see you there cutie" you smile at his jittery performance.
“Sure thing, then! Thanks for agreeing to this; I promise I won't annoy you too much,” Ant chuckles nervously, “See you tomorrow at two, and try not to be late or you'll hear it from me!” He playfully teases, grinning widely at the thought of spending time with you. “I better get going now, though. See ya!”
he runs off down the hall, bumping into people and as you watch Ant run away, you can't help but laugh at his adorable clumsiness. You gather your things and start walking home, feeling a mix of excitement and amusement about your upcoming coffee date.
...
the next day you call Amerie and Harper over to help you choose what to wear and to do your make up. Harper sits behind you, on hair duty and Amerie is lying on your bed sucking a lollipop and chattering about nonsense.
Amerie rolls her eyes at Harper's choice of eyeshadow, but she appreciates the effort. “No way, that shade doesn't suit you! You should go for something more natural, like this one.” She grabs another palette and starts applying it to you, giving you a reassuring smile. “Hey, so are you nervous about meeting Ant or just excited?” She inquires between bites of her lollipop.
Harper, meanwhile, is concentrating on styling your hair, trying different looks until she finds one that complements your outfit and makeup perfectly. “Almost got it! Just need to fix those flyaways,” she mumbles, using a comb to neaten up your locks.
As you chat and prepare for your date, you can't help but feel grateful for their company and support. The three of you share laughs and banter throughout the process, making the experience enjoyable despite the slight nerves.
"I'm sort of nervous, hes so sweet and i want it to go well. but im super excited!" you tell them.
“Oh, come on, you're gonna knock him off his feet, don't worry!” Amerie exclaims confidently, finishing up your makeup and stepping back to assess her work. “Look at you now, looking stunning and ready to conquer the world!” She giggles.
Harper nods in agreement, running her fingers through your locks one last time. “Definitely, you deserve someone who treats you well and adores you. And if anyone can handle Ant's quirks, it's you!” She grins, handing you a mirror to check your hair.
The trio high-fives each other, celebrating your new look and the anticipation of your date. As you head out the door, Amerie gives you a quick hug, telling you to have fun. Harper waves goodbye, wishing you luck with a thumbs-up.
...
On the bus ride to the coffee shop, you can't help but fidget with your clothing, ensuring everything is in place. As you glance around, you notice other students and adults going about their daily routines, which makes you feel even more self-conscious. Taking a deep breath, you remind yourself that Ant likes you for who you are and that you shouldn't let anxiety ruin the moment.
When you arrive at the Starbucks, you spot Ant standing near the entrance, waiting patiently with two cups of coffee in his hands. He smiles brightly when he sees you approach, waving hello.
you smile widely back "hey cutie! is that for me?" you motion to the cup in his hand
“Of course, it's for my gorgeous date!” Ant replies enthusiastically, handing you a cup. “I took the liberty of ordering our drinks already, hope you don't mind. It's a vanilla latte, your favorite, right?” He asks, hoping he remembered correctly. “Come on, we can find a table and get comfortable.”
you follow him to a secluded table outside, "you remembered my order? i mentioned it like, one time two terms ago" you say, surprised.
“Of course, I remember all the important details like that!” Ant responds proudly, pulling out a chair for you. “Plus, you know, I might have stalked your social media accounts a little…” He admits sheepishly, laughing nervously. “But seriously, I'm glad I could remember something you like. Settle in, and let's enjoy this beautiful day!” He motions to the sunny weather and cozy atmosphere around you.
"ever the charmer Ant" you giggle, taking a sip of your drink.
Sitting across from you, Ant watches you take a sip and seems pleased with your reaction. “So, what's been going on in your life lately? Any exciting news or plans?” He inquires, trying to strike up conversation and learn more about you. “And hey, don't worry about being perfect or anything. Just be yourself, because, well, I like you for who you are.” He adds genuinely, his eyes never leaving yours.
"i know ant, and same goes for you cutie" you tell him. then "and nah not too much going on recently, what about you?"
“Thanks, I appreciate that!” Ant replies warmly, smiling softly. “Well, I've been focusing on my studies lately. Trying to improve my grades so I can impress my parents, you know how it is.” He chuckles. “Besides that, I've been drawing comics in my free time, trying to turn it into something bigger someday.” He explains, feeling more relaxed discussing his passion. “What about you? Any big dreams?"
"god i dont know. make it out of highschool?" you laugh "id love to get into journalism maybe?"
“Journalism? That sounds amazing!” Ant comments, genuinely interested. He expresses his opinion, sipping his own drink thoughtfully. “If you ever need help with proof-reading or anything, just let me know. I'd be more than willing to assist.” His eyes light up, eager to show support. “What kind of music do you listen to?"
"oh well you know, a little bit of everything. i love some Indie stuff though, like Mac the Knife and Royel Otis" you tell him animatedly.
“Mac the Knife and Royel Otis?! Awesome taste, I'm impressed!” Ant cheers, raising his cup in approval. “I've heard of both artists, they're quite talented. There's something unique about Indie music that resonates with me too.” He shares his preference, leaning in a little closer. “Anyway, I'm glad we have something in common. Maybe we can exchange some songs later?” His smile widens, suggesting a future bonding opportunity. “So, any plans for the coming weekend?”
"sure id love that!" you say "and nah no plans, probably just going to see what Harper and Am are doing and go from there"
“Perfect, I'll send you a few tracks tonight then,” Ant promises, jotting down a mental note. “Ah, I see. Well, hopefully, you have a blast hanging out with your friends. What do they usually get up to on weekends?” He inquires curiously, wanting to understand your friend group dynamics better. “And after this date, maybe we can catch a movie or grab dinner? Just a friendly suggestion.” He adds, subtly extending an invitation for future plans.
you groan "as much as id love to, it'll have to be another time. my parents want me back before dark to go to some event" you roll your eyes.
“An event, huh? Sounds fancy,” Ant remarks, trying not to show disappointment. “Well, if it's important to your family, I totally understand. We can definitely plan something else soon, no pressure.” He offers, maintaining a positive attitude. “Maybe next weekend? that is if Harper and Amerie cant make it” He suggests, keeping his hopes alive. “Hope you enjoy the event though, even if it means cutting our time short.”
"next weekend is perfect cutie!" you confirm.
“Next weekend it is then!” Ant exclaims, visibly relieved and excited. “I'll make sure to plan something extra special for our second date. Just give me some time and I'll do my best.” He promises, eager to make it memorable. "
thanks for understanding about the event. Can't argue with family obligations, right?” you tell him.
 He chuckles, accepting the situation gracefully. “Alright, shall we finish our coffees and part ways then?”
"yeah! thank you for the fantastic afternoon ant" you say genuinely
“My pleasure, honestly. I had a great time too!” Ant replies earnestly, wiping away a stray crumb from your lip. “Remember, I'm here for you if you ever just need a friend or someone to talk to. And I'll see you next weekend” He confirms, offering a reassuring smile. “Take care, and have fun at the event tonight. Don't forget to text me pictures!” He playfully insists, enjoying the playful banter. “Safe journey home!”
you share a warm embrace and just as he pulls away, you press a kiss to his cheek "you too cutie" you tease
Caught off guard, Ant's face turns bright red, but his smile remains as wide as ever. “Wow, you're bold, huh?” He chuckles, playfully swatting your arm. “I'll see you soon, then. Take care and have a fabulous time at the event!” He repeats, still feeling the warmth of your lips on his cheek. “Goodbye, lovely!” And with that, Ant heads off, his heart pounding with excitement and anticipation for their next encounter.
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loriache · 1 day
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kabru definitely IS human, like i dont doubt it for a second. i mean his parent isnt a fucking bee lmao it’s atavism or smth like milsiril suggests.
but there is such a big part of me that thinks about the parallels with the winged lion he has, his deep sense of alienation and fear of being a monster, and wants to explore what it would do to his psyche if he had to reckon with a monstrous origin or monstrous traits
there are so many options. made into a chimera… something wrt his origin…. personally im partial to some setup wherein he is the result of a demon wish in the vein of the winged lion offering to Give Marcille Children. the dungeon in utaya went through a lot of lords. it probably wasnt where he was born since his mum ran away from his dads family but you could finesse that part. it would evoke the succubus - incubus - demon connection and also explode his self image. also the demon totally would give you a child with a trait that isolated you from your support network
but like idk if this jives thematically….. i just don’t know….. but it’s a fun Imagination Palace. it would really put kabru in the torment nexus, but i think he could grow through it. laios would be So Jealous lmao
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markiafc · 6 months
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to fulfill my promises to @ananeiah and to expound on @seventh-fantasy's post, there are many conceptions of enlightenment. because buddhism is a massive and old religion with a very robust canon, enlightenment goes by many names, it's articulated and imagined in many different ways. let's play the game of how many of them are adopted by the show...
popular metaphors that embody enlightenment include a refuge, a flame going out, or a firm island - because this world is often described as an ocean. all human beings are floating in the 生死苦海 sea of rebirth and suffering. to escape it, one must make their way to the island or to get on a boat. mahayana buddhism (aka. chinese buddhism) is literally named 大乘 the great vehicle, the primary idea being that enlightenment = to board a vehicle of transport, it will take you away. however, buddhism doesn't just envision this as an ambiguous vehicle. 乘 the vehicle specifically refers to a 船 boat.
the mortal world and the cycle of suffering is a sea and the way out is enlightenment, envisioned as a boat.
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an extension of this is the concept of 彼岸 the faraway shore (alt tl: the further shore, the distant shore, the other shore, or at times the opposing shore). it draws on the same notion of 苦海 the ocean of suffering. to achieve enlightenment is to swim to shore, where there is finally safety and stability, free from suffering. this is why the euphemism for enlightenment is to 度到彼岸 reach the faraway shore.
此岸 this shore, is this ever-changing world full of agonies. you wade across the 苦海 sea of suffering, and reach 彼岸 the faraway shore. this is enlightenment.
as @seventh-fantasy depicts in this post, the final shot of ep 40, and as seen in the bonus ep 40.5, this is where llh is. ep 40 ends with the camera moving further into the distance, moving further into the sea. and the bonus ep 40.5 makes it clear again that lxy/llh has found his way to a different beach. llh has crossed the sea to another beach. he is on another shore, the 彼岸 faraway shore, far from 东海 the east sea where everyone else is.
let's look even closer at this.
enlightenment is also conceived as a place: 淨土 the pure lands, 极乐世界 the realm of greatest bliss, and so on. one of the geographical markers of this idea is 西 the west. this "land" accessible only to the enlightened (佛 buddhas, 菩萨 bodhisattvas, and 阿罗汉 arhats) is also dubbed 西方淨土 the western pure lands and 西天 the western heavens, etc.
enlightenment is imagined to be westwards. the opposite direction and away from 东海 dong hai = the east sea. where the story began and lxy famously plunged into; he fell into the 苦海 sea of suffering located in the 东 east. from this starting point, llh makes a meandering journey to his final location in the show. he makes his way 西 west, towards enlightenment, and reaches a 彼岸 faraway shore, the enlightened "after" and what is beyond.
now that we're on the topic of the pure lands, it's worth mentioning that this concept is furnished with a lot of descriptions in buddhist sutras. it is a beautiful, glorious land brimming with lotuses. because, of course, the lotus is yet another ubiquitous image that represents enlightenment.
the lotus position is crucial to the buddhist practice of prayer cultivation, especially in 禅宗 zen buddhism that is built around the central practice of prayer. lotuses are motifs in buddhist art, and buddhist myths (the legend goes that lotus flowers bloomed under the buddha's feet when he took his first steps as a child). people practicing buddhism are referred to as 莲友 lotus friends, 芬陀利花 the white lotus is a synonym for the buddha. lotuses are also integral to buddhist canon; the pure lands are detailed to have seven 宝莲池 treasure lotus ponds. every buddhist has their own lotus waiting for them in the pure lands; it is believed the more you cultivate, the more your bud in the pure lands grows/blooms.
of note, every living thing residing in the pure lands are made from lotuses. in fact, buddhist canon states that the enlightened are reborn inside a lotus bud, similar to an incubation. their new body is reconstituted from lotuses and they emerge anew when the bud blooms. crucially, it is also stated that every enlightened in the pure lands will have 莲花座 a lotus seat. this is a vehicle of transport, usually likened to the magic carpet from one thousand and one nights. it is described as 随心所欲、飞翔自在 something that acts after your heart's desire, something that flies free. the lotus seat is about boundless, freeing travel.
this isn't comprehensive at all, there are tons of other ways lotuses come up throughout buddhism. but the connection to the show is straightforward and self-explanatory. the primary motif in 莲花楼 mysterious lotus casebook is the lotus - a famous marker for buddhism itself. one of the dominant illustrations of enlightenment, the cultivation process to achieve it, and enlightened entities themselves.
the buddhist notions of rebirth are similarly heavily intertwined with the lotus. it is your body; you become it, it becomes you. from then on, you are surrounded by its image and its presence. you even have a lotus vehicle that becomes your main method of travel, a mode of travel defined by carefree contentment. sound familiar? llh's identity and his living carries major markers of enlightenment. it is one of the primary concerns of his character arc.
quick detour. a prominent moniker for enlightenment is the setting of the sun, as yet another epithet utilized by the drama.
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detour over. crazy connections time.
discussions of death and suicide is, to my knowledge, particularly prominent in japanese buddhism. but as a whole, a significant portion of buddhist canon and a good number of buddhist media deals with this too. dying as a means to get closer to enlightenment, equating death and enlightenment, the subject of suicide itself. characters seemingly pass away and become enlightened, or characters strive for death with this express purpose as death is connected to enlightenment. this is true. one does not necessarily cause the other, but the concepts are interconnected in buddhism. it comes hand in hand, dissecting one means dissecting the other and vice versa.
most buddhist texts and masters do not condone a direct correlation, suicide is not the way to enlightenment. there is no buddhist value to killing yourself. but the key exception lies in one of the most important buddhist texts: the lotus sutra.
"These include several themes dealing explicitly with death, such as how suicide was committed to speed up rebirth in the Pure Land based on the sanctioning of voluntary death as a superior form of sacrifice in Chapter 23 of the Lotus Sutra ..." [1]
the chapter 23 in question talks about a bodhisattva who turns himself into a human candle and burns himself up, in offering to the buddha. there is more to the story, but it mainly functions as a lesson about cultivation and enlightenment.
in the canon about buddhist suffering, there lies a subset dedicated to physical pain and torment. there is a heavy focus on our 5 senses, specifically (that's a whole separate topic i won't go into here). very briefly, to suffer is to experience the world through our 5 senses. to live as a human being is to suffer in a sensory way.
buddhism aspires to transcend this flesh and blood suffering. so annihilation of one's body is an essential step to achieve enlightenment. usually, this theory centers natural death and decay. you accept that you are always aging, your senses will lose their edge, your body is always subject to illness, injury and other failings. let the body waste away, it will do so regardless.
hence, the human body is set on a course of gradual deterioration. this suffering is processed through our 5 senses and is defined by them. in the face of this, the lotus sutra is the only notable buddhist text that looks kindly upon "voluntary death" to transcend it.
similarly, llh accepts the effects of bicha on his body. it mimics the natural decline of the human body, accelerating the degradation of his senses, his immune system, and his physical capabilities in general. his experience of this form of suffering is also emphasized through a period losing his sense of sight. it is a very buddhist torment. but at the end of the day, it is still a man-made, unnatural cause generating this effect. accepting this is not the same as accepting 生老病死 death via age, sickness and other natural processes.
llh embodies the sentiments and themes in the lotus sutra when he consciously chooses to let bicha run its course. he chooses to die, it is a "voluntary death". let this destroy his body. let this suicidal choice (though its more nuanced than simply suicide imo) free him from buddhist physical suffering. thus bringing him closer to peace, a version of himself that will be happier.
finally, enlightenment is about ambiguity.
凡人 the common people are incapable of comprehending enlightenment. it is understood that the human senses and the human mind is too inept and unrefined, too clouded by illusions, to grasp it. there are a million ways to express it, depict it, and name it. but there is a consensus across buddhism that these are simply aids for the common student of buddhism, and they are not accurate to the truth. at the core of enlightenment is an abstraction, an inherent unknowing.
it is, by definition, a departure and a continuation. it is a removal from this world and a transition into another place, another realm. all at once, the phenomenon straddles a greyness between an ending and a beginning. it is unclear whether the enlightened has left, or is it the common man who is so lacking he cannot recognize or even perceive the enlightened? in the theory of enlightenment, buddhism accounts for both factors. but we will never know for sure.
where do the enlightened go? where are they, where have they gone? these are questions buddhists often ask and explore, and it is also the question that the remaining cast engages with. what is enlightenment, exactly? there is a suspicion, some notion of what must have happened. it might be death, it might not be. only the enlightened can answer this, everyone else is left without clarity.
in the end, the seekers get close to the answer but there is no real fruition. and so the search lasts indefinitely.
that, too, is part and parcel to enlightenment.
as for how enlightenment narratives function, i leave you with this.
"Nirvana provides the full stop (period) in the religious story; it gives what one might call, to use Frank Kermode's well-known phrase, "the sense of an ending" - that is, a real ending and not a mere breaking off. Such an ending is only possible within a narrative.
[...]
Nirvana, I want to suggest, is a moment within a discursive or practical dynamic, a formal element of closure in structure of Buddhist imagination, texts, and rituals. One might say that nirvana has primarily a syntactic rather than semantic value: it is the moment of ending which gives structure to the whole. The fact of narrative structure and closure provides a meaningful and satisfying resolution, although in itself nirvana has merely the formal value of a closure marker.
[...]
Earlier I called nirvana the full stop (period) in the Buddhist religious story; now I can add that it is a full stop in an eternal story, a full stop which brings closure to individual lives in a master text which itself can have no final ending." [2]
Sources:
Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse by Steven Heine ↩︎
Nirvāna, Time, and Narrative by Steven Collins ↩︎
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wickershells · 2 months
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#i am actually the worst person alive every now and then the weight of all the guilt and grief and humiliation really hits me#i am not liked at all and i keep eroding all of my remaining relationships and i have fucked up my life beyond repair and i am#truly never getting out of this cycle no matter what meds i take at what dosage or if i talk out my feelings or if i keep them inside#or if i get therapy or if i dont if i have friends if i dont if my family likes me if they dont if my dog is alive or if hes dead its just#me theres something broken in me no matter how hard i believe and try and hope and pray i just wont get better i always end up here#i have consistently been the worst most absent friend i have ruined everything ive touched i feel contagious im contagious#i cant expect people to keep loving me and i definitely cant expect them to keep saying it over and over when it isnt true and they dont#want to and people dont even ask if im alright anymore they already know im not and just dont care because how could they#i dont get better it would just weigh on them all the time and how fair is that really i wish no one had ever met me i wish i wish#i betray all my promises to myself and others and im so stupid im so dumb and i just. theres nothing at all in here#i cant stand the loneliness anymore but i dont deserve anything else. do you see#and its my fault people no longer care its all my fault im so alone. i feel so alone. no one can know me and love me and they will all#be fine they have everyone they need they have everyone they want. i am no one at all not even to myself#theres an abyss where my personhood should be#i have to leave i have to get out of here
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comet-wire · 9 days
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Ngl I've been having a gender crisis again on top of all the stuff that's happened with my dad, I think I still identify as male/masculine idk 🗿
Same with my ace/aro spectrum placement ☝️🗿
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#comet rambles#putting in queue to deploy later#parent loss tw#just in case by association n implications ☝️🗿/nm+gen#when i get stuff set up with my checking account i was already thinking of getting a new chest binder once our personal issues with finance#has been figured out definitely#i dont wanna say much n jinx stuff so ill leave it at that#personal#gender shit is hard n i really think i may be a he/they or he/him still#or if not then closeted butch lesbian idk#most signs point to male gender identity leaning though 😔👍#also my social battery is outta wack but i needed to get this out so i apologize to anyone who i have yet to respond to/gen+nm 🥹#like i genuinely still feel as though ive been born in the wrong body and i tried to accept my feminity and it went well!!#like i started embracing my femininity the past few years and now i think im over it because it feels like i just attempted to try#and be something i wasn't if that makes any sense#i hate being referred to as she/her or as a girl even if i understand some people will still see me as fem despite my personal identity etc#its not that i hate my femininity its just i feel anything but female while still enjoying traditionally fem stuff at times#hope this makes sense#🗿👍#still ace/aro though just cant figure out if i only enjoy the thought of romance (cupiosexual/romantic) or if i feel comfy in one#i know im sex repulsed though thats for certain#as of lately chris Redfield and Albert Wesker have become two of my transition goals and idk what to do about this lmfao#i wish i was kidding#but im not 😭#sitting here like EVA shinji with his head in his hands in the damn chair image/lh#also wanna be a rootin tootin goth cowboy 🥰#if it turns out im like a comphet butch/nb lesbian im gonna shit myself though/lh+nm
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perenlop · 1 month
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i was initially gonna like, undo the whole “hero travels between worlds” thing with the gti hero in my verse, not because i didnt like it but for starfall plot reasons, but ive since deleted that plot point bc it was wayyyy too restrictive and i couldn’t figure out a decent workaround for that. so world crossing hero is back baby and now im thinking about eris taking the pokemon over to the human world. btw its totally an equestria girls scenario where the funny animals get turned human and they gotta learn how to act like one
#i mean they have pokemon in eris’s world hes just from the main series timeline#buuuuut. this is more fun to me#and i already have a pokesona idea that keeps the pokemon as pokemon so i wanna have fun here#kiran is an obvious one to take over but imagine. he brings hydreigon home#also in the psmd future he might take some pokemon over there as refuge but. idk i gotta figure out his limits#i imagine bc it puts a lot of strain on the timeline that eris cant abuse this power#or take more than like. one pokemon at a time?#echoed voice#pmd posting#btw the original idea was that when kiran went to the worldcore to wish for eris to travel between worlds#they really did break the universe a bit. but they provided an opportunity for eris to return#and in the process the human world was shut off to them- forever#a lock was basically placed on their world- no one can come in and no one can get out#(psmd hero/partner were exempt bc theyre reincarnations/native to that world)#which is why castors arrival was a massive deal in starfall#hes the first to arrive since the gti hero. and hes not even a hero hes just some guy. not even a human#buuuuuut. i love the idea but it really limits what i can do…#so instead im saying that the pmd world is extremely fragile. legends are working overtime to fix the spacetime continuum#and no more heroes have been summoned from the other world because of it. and dimension travel is discouraged#so castor showing up is still concerning bc they dont know whats going on#(ignoring eris. he didnt travel back and forth constantly but necrozma definitely wasnt a fan of him djfjfjfj)#necrozma: hydreigon i hope you know im only excusing your shitty little gf because the other ones gonna break the world if i dont let him
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cinnamon-notes · 3 months
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the worst day ever.
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thelaststarfalling · 3 months
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just once i'd like to complete one (1) bigger project that i can actually be proud of
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wallyrudolophwest · 4 months
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yioh · 4 months
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the whole csm discourse on twitter is so dumbbbbb oh my god😭
#like fujimoto writes interesting women … why is that so controversial HXKXHDJDN#i feel like ppl are so used to hating male shounen writers that they can’t stand when a good writer gets complimented 😭#he’s not the father of girlhood or whatever like that’s a p dumb title anyways but the way he writes asa’s character and depicts her#specific girlhood is so cool !! that should be celebrated if anything smh#tbh i kinda wish there would stop being a war between whether shoujo or shounen is better or male or female writers are better#bec both are dynamic and have great and terrible characters + writing#shoujo has a lot of flaws as do female authors but they are different to flaws of shounen and male authors#not to mention men can write for shoujo and women can write for shounen too#shoujo struggles w misogyny too !!!!!#i think it’s more of a societal problem imo#this is a v interesting topic of debate tho i’m sure im missing a lot of nuances but#in the end i think fujimoto is doing a great job and we shouldn’t discredit his successes by saying it’s the bare minimum?#there’s not a linear scale for writing women where 0 is bad and 5 is minimum and 10 is amazing#fujimoto depicts varied women (some written well some not) and his cast of women is so dynamic and interesting and so human !!! i think that#this is something we should see more of! it’s not the bare minimum for me because his characters like quanxi and kobeni and power are so#fulfilling to me#anyone can write amazing and terrible stories regardless of their gender#like their gender definitely influences the type of character they write but i think authors should be seen as a collective instead of#judged upon depending on what gender they are?#many thoughts lol
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I think I’m okayish now but everything feels so weird
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bunny-heels · 11 months
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i hate how obsessed ive become to this show but god i cannot help it
#the bun talks#you dont understand#its a mixture of it being the perfect balance of kid wholesomness and angst#and the nostaliga of when i was a kid watching athf and had the thought of what if shake actually tried to be a good person#coupled with the fucking amazing voice actors#the lovingly featured representation and doing it in a way to really make you think#my bf and i were talking about how its basically WOY if wander and hater actually had a non-toxic relationship#this is the first kid show ive been obsessed with in years since MLP#and scratch and mollys relationship mean the world to me#i feel for scratch in that when i was younger it was really hard for me to accept that people outside my family cared about me#and i feel for molly cause deep down i wish i was as optimistic and outwardly friendly as her#and i have her kinda child like naivity that theres always a chance for things to get better#ive even had thoughts of kinning her at this point and maybe i want to? i dont know#the new ep related to me so fucking much i know its an experience that a lot of mixed race kids have but. it really really spoke to me#i really relate to her in ways that i cant fully explain. maybe i do kin her. i kinda feel like i already am#and finally like#im. so fucking in love with scratch. SO fucking in love#i live and die hard for characters like him. so upset at the world but finally gets the love he needs.#hes so fucking cute too and snyder does such a good job with him. hes very close to my heart already.#definitely fits the category of f/os that are short. vioent. and grumpy. but just really want attention#and that coupled with his lore and mysteries and the potential of what he really is its just.........#god i love him so so so so fucking much#im embarrassed cause i mean its literally just a kid friendly and a lil more likable MS but. im pretty sure thats another factor of it#cause obviously shake was one of the best parts of ATHF and yeah hes funny on his own#but my child brain back then was like. 'man i wonder what would happen if he was nicer'#and now i have my answer. in the form of him being a cute blue blob that befriends a girl who helps him open up#and its so nice that the show doesnt rely on secondhand embarrassment or making certain characters feel miserable for a gag#its#its just. such a fucking good show#and if it gets cancelled im genuinely gonna have a breakdown
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Note
Right??? Thanks so much! I actually first fell in love with Jo's character when RGGJo's voice lines came out haha, so it's super fun to be able to share them.
But I can think of a couple of reasons for the wild personality gap, and for me it starts at their respective roles. Obviously main antagonist and major supporting character are going to draw different levels of attention to themselves, but I think it's chiefly that RGGJo is not just Jo, but he's both Jo and Masato as one character.
RGGJo is much, much closer in age to Ichi, and though they're not "twins" like Ichi and Masato are (RGGJo is a little more than 2 years older), it's thematically there I think. The whole "twin dragonfish," dark and light, two sides of the same coin kind of thing.
And just as Ichi was initially conceptualized as a sort of "greatest hits compilation" of the previous protagonists' most compelling traits, I think there's a strong case for RGGJo being the same for the previous antagonists--specifically Nishiki, Ryuji, and Mine, who are pretty clearly Yokoyama's favorites anyway lol.
I have a feeling casting has something to do with it as well. RGGJo's actor, Hiroki Takahashi, is actually the exact same age as he is, and he's voiced his fair share of fun, flamboyant villains. If I wanted to speculate, he's also voiced his fair share of BL, so that may be why RGGJo's voice lines have a Certain Slant to them; directing his delivery to capitalize on his established appeal (although he has quite a range) makes sense.
Tsutsumi is also only a few years off from Y7Jo, and he was cast for having the dignity and screen presence to "make every word feel like it might have a deeper meaning." Yokoyama (and Takeuchi) wrote the games, he and Nagoshi handled the casting, and Yokoyama generally handles the voice direction for the main story, so a lot of it's specific to his vision.
Within that context I think it's relevant that he wrote Y7Jo while picturing Tsutsumi specifically. RGGJo was more malleable and less "consequential" in terms of the franchise, so, y'know, why not have a little fun with it? I think that's reflected in their designs as well. RGGJo's is larger-than-life while Y7Jo's is relatively subdued.
Overall, I get the sense RGGJo's role is more akin to "son" and "brother," (aniki, if you will), like Masato, whereas Y7Jo's role is more akin to "co-parent" and "father" and I guess "Evil Stepdad" in a Cinderella kind of way. It's not exact across the board, it's not literal across the board, but it's the archetype, right? And I think that does, exactly like you said, have far-reaching consequences for their backgrounds and who they've become as a result.
BTW, you actually are up to speed on Ichi's story, because uh… that's where it stops lol. It was discontinued at roughly the equivalent of the start of Chapter 12 in 7; the rest of the story was written, but not published. It Kills Me.
But I think, despite any concrete backstory, the implication for RGGJo is that (if I assume he joined earlier than Ichi, which would make sense given he's captain), he was at most 18 or 19 when he joined, and he's exactly the same kind of Arakawa fanboy Ichi is. The 15th anniversary book goes on to say he "was purely in love with [Arakawa]'s greatness" and so cannot tolerate the idea of allowing him to live and die in obscurity at the bottom rungs, of Arakawa being in a position not equivalent to his "greatness" in his eyes.
But Ichi thinks that's regardless of what Arakawa himself may want, since RGGJo is apparently not going to stop until he makes him chairman, which the Arakawa Ichi knows wouldn't really care about. I think there's an interesting mix of selflessness and selfishness in his desires that reminds me of Mine.
And that's explicitly as opposed to Y7Jo, whose loyalty remains the same, but whose feelings and motivations are complicated by the existence of Masato; the usage of "purely" before is notable here, as another suitable translation would be "uncomplicatedly," which to me would suggest that degree of admiration is a component of his loyalty in 7 as well.
So I think you're absolutely right the circumstances with Masato are a major aspect of what's going on with Y7Jo. It's inextricable because he's got this immense gratitude towards Arakawa for raising his son and also a need, a primary driving force, to be a part of his son's life at (almost) all costs. The natural result of that is going to be reluctance to do anything that tips the balance.
I think that's one of the things that make him so compelling, he's forced to make a lot of tough, meaningful decisions and there's often (but not always) no right answer. And that's really clear to see with Aoki, as you say.
(Kind of a side note, but somewhat contrary to the above, Masato may actually have existed in RGGO's timeline. There was a comment from Yokoyama or Takeuchi suggesting he's not in RGGO not because he simply "doesn't exist, but specifically because Arakawa may not have opened the right locker or may not have made it to the lockers in time. I guess the other implication would be that Masato would've been Arakawa's biological son in RGGO instead, since RGGJo would've been too young and there was no need for a switcheroo? It was just an off-hand comment, but it's interesting to think about.)
Also, loved your tags haha. It's SO funny you start off like you're going to say something crazy and then it turns out to actually be something I wanted to write about in the previous ask, but that I cut out because I couldn't make it flow. I guess it might just be the case that I'm crazy on the same wavelength?
But yes! I think a lot of the time, impressions of that aspect Jo's backstory sort of begin and end at Evil Stepdad Perpetuates Cycle Of Abuse, perhaps understandably, but there's genuinely so much that's established in both his and Arakawa's backstories that have clearly stayed with them that I'm positive your take on it is at the very least least true to the character, whether or not it's intentional.
Because like, Arakawa and Jo both came from abusive households. And they're both affected by Aoki's "parental abuse" (although Aoki doesn't know it himself, I guess he doesn't need to). But the way Arakawa has always dealt with abuse is defiance; I think the implication of one of the first scenes is that that's how he got his scar. Jo, on the other hand, has always dealt with abuse with avoidance. Running away. Brushing it under the rug, like he says he and Ikumi had done all their lives; I think that statement's fairly clearly linked to abuse and neglect.
And I think that shows both in Arakawa and Jo's respective responses to traditional authority figures and in how they choose to handle things with Aoki. Arakawa defies Aoki's plans in his own way at every turn, and he ends up getting killed for it. Jo, on the other hand, ignores it until there's nothing left to do but sever himself completely, in the same way there was nothing left to do back then but run. IT'S SO. Ugh.
Each Jo's respective role in the overall plot of their stories definitely plays a part in why they turn out different from each other the way they do; it's interesting to see how RGG decided to handle Jo's character to sort of 'adjust him' to fit better as more of a background figure than The Big Bad, and to especially see how his relationships end up is spectacular. Choosing to divide that devotion between his son and his boss in Y7 is something I'm just positively obsessed with: it's clear he joined the yakuza predominantly for Masato's sake, but the concept of Jo gradually coming to genuinely respect Arakawa as an individual opposed to someone that he just happens to have to follow after because his son's involved heightens him as a character for me (I might have to write a side piece on the psyche of Jo- there's just a bunch of aspects to him that I want to explore better and really intrigue me, but I refuse to try and squeeze any of that into this long-as-is answer lmao).
I definitely recognize Ryuji and Mine the easiest in RGGJo (Mine's influence still persists a bit in Y7 to me, if not solely for his devotion and his own version of The Knife Scene existing as The Eye Scene; though Jo's anger wasn't purely due to Arakawa's death in that scene like Mine's was due to Daigo's 'death', it was clear Arakawa's passing was a sore subject). Jo's dedication to Arakawa in RGGO really is totally reminiscent of Mine's devotion to Daigo: both willing to take drastic measures to secure the ones they idolize the spot they feel they deserve and to exterminate any opposition to that dream (if I'm remembering Mine's RGGO story right wherein he partakes in the Okinawa deal as a HUGE ploy just to secure Daigo remains chairman should he wake up, but I don't have to clarify how that didn't go as planned).
As for Nishiki, it's clear Jo borrows his 'position' in the story, just as Ichi obviously takes Kiryu's. To yoink a phrasing from another ask I got, they're 'dark parallels': though they both clearly want the best for Arakawa, they're going about it in different ways (in that sense, Y7Arakawa's line about him seeing the Arakawa Family as his 'sons' makes this situation a little funny: just two kids fighting each other for what's best for their dad lmao). It's a shame the story didn't go on any more after the Millenium fight, but I'm a little happy knowing in that I'm not missing anything (what I will scratch my head over is what RGGOMasato would've been like. I guess it's not exactly certain whether or not he survived The Locker Incident or he was just so considerably normal he wasn't worth bringing up, but regardless I'll have a ponder about it..). It'd be rad if RGG ever decided to release at least the drafts of the rest of the story one day, but I won't hold my breath.
I've peaked over at Takahashi's past roles (I didn't realize he's voiced so many characters I know omg), and I think that's a fair conclusion to come to: he repertoire combines characters with sort of 'harsh' tones to their voices/dialogue, but as you said he does benefit from having voiced some 'lighter' characters! As for Tsutsumi, I think I've made it a little clear on my blog that I've taken time to look at his past projects, and though I haven't seen all of his roles, Jo's an interesting inclusion to his list (but by no means an inappropriate fit. If I were to compare him to one of Tsutsumi's past roles, Nobunaga Oda from Honnouji Hotel is similar in being an intimidating man with a violent reputation but still having a 'soft'/deeper side). It gets more fun when I think of it: Tsutsumi, from what I can gather, is a tad renowned for playing loving fathers (whether they're perfect fathers depends on the character, but they all absolutely adore their kid/family- this might be the only time I've seen him play a father and he isn't doting on his kid, lmao). Yokoyama and Nagoshi are definitely masters at deciding who should play who and how to utilize their talents efficiently, and having prior knowledge to Tsutsumi's roles, I feel as though audience members would have been able to get a hint at Jo's whole character early on (just as RGG had capitalized on Takahashi's reputation) which I personally find to be a fun tidbit, if not just grateful that they chose such an excellent actor to play such an intricate character. Ergo, his ability to give 'deep' performances and have that sort of presence and give his character that type of atmosphere definitely helps enhance the human aspect of Jo's character.
It's a great blend into Jo's otherwise cold demeanor, and going off the idea that RGGJo was a combination of Masato and Jo, the decision to have Jo be a committed father to Masato (as much as he's allowed to be, anyhow) while Masato became the power-hungry villain (even if RGGJo's motivations were ironically centered around Arakawa succeeding moreover himself), it's somewhat of a roundabout way to have them still be connected: though they're not the same character anymore, there's that bond that keeps them stitched together that I find neat.
AND THANK YOU ABOUT MY TAGS I can't sugarcoat it, I'm not a very confident person, so I'm glad you've gleamed there's some validity to what I'm saying. And I'm glad you've expanded on not just Jo, but Arakawa's upbringing as well: though they both come from abusive homes, they do handle it differently, and I feel so blind for not even having wholly noticed it in how they react to Aoki- it's so brilliant I almost want to scream. It's a tragic irony that despite Jo resolving to not 'half-ass' things anymore and to face things head-on, to 'take responsibility', he incidentally falls back into trying to avoid the problem for as long as he can. It's poetic really, and I'm positively going to go insane over the fact.
#long post#fave#i AM faving all of these because any disucssion about jo/the arakawas is my favorite ☠️#snap chats#i'm still screaming about the parental bits at the end though like god how could i have been so blind.. thank you for pointing that out#it always fascinates me how abused kids turn out based on circumstances#I'm Rambling Again but i think arakawa got some benefit of his dad being there for him. until he died of course#even if kids come from broken homes so long as they have at least one positive adult figure in their life theyre likely to turn out alright#i guess 'alright' is subjective- i wouldnt exactly say becoming a yakuza leader is the most conventional lifestyle but hey what can you do#in any case jo's absolute abandonment certainly paved the way for- despite his wishes to reject it- him to fall back into being avoidant#ouugh that hits close to home im gonna throw up but its so also so good i love these details so much#also can we all ignore like. The Phat Chunk i dedicated to mr tsutsumi LMAO i really have become a fan of his work through all of this#AND I REPEAT HE IS SUCH A GOOD FIT FOR SAWASHIRO another role i can think of is mr tatsuya kanda from meishi game#he's more blatantly an antagonistic and selfish figure but we find out he's such an asshole because he's trying to make his daughter proud#so yeah definitely not mr tsutsumi's first time playing a dickish dad who loves his kid#i feel like im everywhere with this response ngl- im always so crummy with organizing my thoughts#but of course again thank you for writing in ! always fun reading your asks ^^#AND DEFINITELY THANK YOU FOR TAKING TIME TO DEDICATE TO THE WIKI i cant type enough o7's to convey that respect
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fefairys · 1 year
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gotta wonder sometimes if new people are put off by my rambling lol because i am the bitch that leaves a small novel in discord dms when you are asleep
#but also just in general#i am about to ramble thus proving my point lmao:#im listening to homestuck made this world rn and like. this is something hussie does a lot is they will ramble about their own thing a lot#and sometimes it is seen as like. annoying. or self-aggrandizing#and sometimes it is definitely that. like sometimes they are just saying shit to absolve themselves of responsibility.#but other times i am very interested in what they have to say!#but then the commentators on the podcast will make fun of what they said and im like. oh we.. were not supposed to find that interesting?#were supposed to find that annoying and narcissistic? ok i guess.#and its just like. well fuck i think i do that. am i bad too? am i annoying and narcissistic too?#listening to this podcast also had made me realize that there are a lot of ways in which i have not changed since i was 16#because i still get very sensitive about when people criticize homestuck for what i think are the wrong reasons#because of course i have endless criticisms of homestuck myself#but like cameron will be like 'i fucking hate this bunny i think its so stupid' and im just thinking ok die then. lmao#or like. cameron seems to not like that the story becomes very character-driven in act 5#which is my favorite part of homestuck. i love character-driven stories and that is also what i write#and so it feels like hes also criticizing MY writing in that way because my writing is SO HEAVILY INFLUENCED by homestuck#idk! i wish more people read my stuff so i could have an accurate read on how it is perceived but oh well i guess!#personal#and here i go saying more after i thought i was finished because i feel the need to clarify even tho no one gives a shit#i KNOW that criticism of homestuck is not in turn criticsm of me or my writing. logically. but emotionally? it is just the way it feels.#thats another thing i do is over-explain and over-clarify because being misunderstood is so scary
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vyrion · 1 year
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im thinking about the magical girl au againSomeone get me out of here
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