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#*goes back to cave*
kartsstuffig · 4 months
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i will never be normal again after learning hedgehogs have paw pads and can purr.
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ruporas · 1 year
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good mornings throughout the travel
[ID: Two comics of Vash and Wolfwood from Trigun Maximum. The second is underneath the read more.
The first is in four panels and follows Vash and Wolfwood through hotel rooms. First, Vash and Wolfwood exit adjacent rooms, and Wolfwood has sparkles floating around him as he exclaims, “Rise and shine! Ready to go?” Vash frowns, displeased, and says, Urk— Good morning to you too.”
Next, they’re in a room with two beds. Wolfwood is awake and fully dressed. He’s sitting on the bed and smoking, back turned away from the viewer and he says, “Wake up already, sleepyhead.” Vash sits up with his eyes still closed and yawns before saying good morning. After that, they’re sharing a bed, and Wolfwood gets up and says, “Morning, sunshine. Time to get up.” His body shadows Vash from the sunlight. Vash is still lying down with a blanket draped over him as he mumbles good morning.
Finally, they’re embracing in bed, both shirtless. Sunlight shines on them, but their contact allows their shadows to drape over their faces. Vash smiles, kisses the top of Wolfwood’s head, and says, “Good morning, Wolfwood.” Wolfwood sleepily says, “Mph, g’morning, needle-noggin’,” snuggling into on Vash’s shoulder. End ID] ID CREDIT
TRIMAX Vol. 10 Spoilers under read more // bonus comic
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[ID: The bonus comic starts with Vash asleep in bed, fully clothed with his hair half-black. Someone says “Good morning,” and Vash says, “Morning, Wolf—w...” He trails off as Livio, holding a plate of food, stares with abject shock.
Livio says, “I’m sorry.” Vash, smiling but sweating, says, “No, it’s my bad...” Livio repeats, “I’m sorry.” Vash says, “Geez, stop apologizing,” and cuts off Livio’s “I—” with a “Good morning, Livio.” Livio quietly mumbles, “... Good morning...”
Vash sits up from the couch he was sleeping on and looks down, thinking, “... That’s right. I won’t wake up to you anymore... I have to get used to that...” End ID]
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773kento · 1 year
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the honored one
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mo49ko · 2 months
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just watched all of s2 for the first time in one sitting
fq kings of contributing absolutely nothing to the mission. 10/10
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finelythreadedsky · 1 month
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keep thinking now about the idea of the ancient greek stage building as a doorway into death, which is separated from the stage (the space of the living) by the screen of the skene. cassandra calls it as much ("the gates of hades") when she enters the house of atreus. by convention characters cannot die on stage but must exit, usually into the skene, to be killed. cassandra's just extra explicit about it because of her foresight, but every entry into the stage building is a step into death. and then some people come back out of it!!!
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sleepydrupe · 3 months
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itty bitty gardener cole doodles! based off a sketch i did at school :))
art block really hit me like a rain of ginormous boulders because holy crap drawing anything has been super difficult :’) glad i was able to pump these doodles out HAH
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slashrabbitbunny · 4 months
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Blue bloke ❤️🐰❤️
(Doodles underneath)
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luciuscodedswedeboy · 7 months
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Taika et al really committing to the “Ed is Jesus, Izzy is Judas” bit huh
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puppetmaster13u · 8 months
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My take on @phoenixcatch7 's Possessed Doll Au, specifically the designs lol. Technically a first rendition and might change (and of course it's not all of them seeing as there'd be others like Nightwing or Red Hood lol)
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cubicpeebles · 2 months
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This was gonna just be a doodle, but I got carried away.
Pencil sketch under cut!
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dnd-smash-pass-vs · 3 months
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On the left, Orog! 7 ft (2.1 m) tall, they're basically the underdark version of the mountain orc. However, while everyone else who goes to the underdark turns evil, these orcs just improved thier smithing and came back basically the same. just got a trade degree and a bit pale. Tougher and more knowledgeable than the average orc, that's the power of an honest education in a trade you enjoy. If you're interested in an orc that would be forklift certified, this one's for you!
On the right, Death Knight! Corrupted paladins brought back by dark magic. Used to be fighters and rangers too, but 5e changed that. They can't heal anymore, but spells like Hold Person or Command might interest you! The most famous knight even turned into one of this due to a tragic romance, they've got that corrupted good thing going on!
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sui-imi · 1 month
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the birthday boy! (+ his bitty)
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marypsue · 5 months
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I don't, unfortunately, have any kind of a story to hang it on yet (she says, furiously sawing and hammering away at some trope-by-fours), but I would really love to write something where Sam and the boys, especially David, are forced into interacting for an extended period of time (and for Contrived Plot Reasons nobody can kill anybody else). I just think. It would be funny.
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iszapizza · 2 years
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I’m sorry I’m just obsessed with parallax lately *drops this and runs away*
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jiiniix · 1 year
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sorry for not posting, here its a frye sketch
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pippytmi · 2 months
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Kacy exes era was definitely something and so was your fic
All of those angsty prompts are sooooo good. The first one where it's late but you can't sleep so you show up at their door in pajamas 😭😭
Fully imagining Kate turning into peak Season 1 mean girl cause she isn't getting enough sleep and is making it everyone else's problem too and then Lucy also can't sleep and it's effecting her performance out in the field so Jane tells her to take a long weekend and catch up on sleep but she can't cause she can't sleep without snuggling right up into Kate
thank you omg i hope I lived up to the the angsty kacy post-exes era 🫡🫡🫡
and holy shit wait i can 100% see the vision for the sleep one? like. jane notices that lucy isnt doing her best and tells her point blank “whatever you need to get well-rested” so when kate opens her front door at midnight she is understandably very, very confused. totally imagine the scene going like this:
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Kate answers the door with an (appropriate) amount of apprehension due to the time of night, but it melts away into soft, plain confusion when she sees Lucy standing there. “Lucy,” she says, quietly, sounding vaguely hopeful and relieved and—Lucy absolutely cannot allow that. 
(The hope, anyway).
“Hi,” Lucy says firmly, “I need to sleep here. Tonight.” She reconsiders her words a little and amends, “Please.”
“Is there something wrong with your apartment?” Now Kate looks concerned. “Are you okay?”
“Everything's fine. Can I—can we take this inside? Your neighbors will really hate me otherwise.”
“Yeah, of course.” Kate steps back to let Lucy in, watching her with that patient, perplexed furrow of her brow, and Lucy is extremely mad that she still finds it cute.
“Jane told me to come here,” Lucy says, once they're standing together in the living room and Lucy is pointedly avoiding eye contact. “Well not here specifically, she just made me take time off to get some rest and…well, she might have mentioned that you're a little off yourself. In her usual cryptic way.”
“Off?” Kate echoes, frowning. “Off how?”
“Well you've been a little—prickly. More than usual. At least, that's what my team has been saying, I haven't noticed anything.” That's a lie, but Lucy is trying very hard to show she doesn't care what Kate Whistler is up to nowadays. 
(Showing up today is just. A brief lapse in judgment). 
Kate crosses her arms. “I've been nothing but professional. If they sent you to complain—”
“That's not why I'm here, okay?” Lucy pauses to exhale deeply. “I can't sleep. I'm driving my team crazy and Jane finally told me to take some time off and…I think I just can't sleep without you.”
“Oh.” Kate blinks, outwardly stunned, and her frown falls entirely. “Does this mean—”
Lucy doesn't let her finish. “I don't want to talk about us,” she says. “I don't want to listen to you explain, or…or anything. I just want to sleep, and obviously, it needs to happen in your bed or it won’t happen at all.” She pauses. “If you’re fine with it, anyway.”
Kate just stares, for a moment. “Is this…wise?” she finally asks. “The ramifications of getting used to being around each other could be…” 
“Don’t analyze it,” Lucy protests. “And don’t look at me like I’m crazy. I just need one night of sleep or I’ll actually kill someone. Can we just, take it one day at a time here?”
“Okay.” Kate bites her lip, looks down and doesn’t look back up. “Sure. We can just stay together tonight and figure the rest out later.”
The act of giving in is very uncharacteristic for Kate Whistler, and deep down, Lucy knows why Kate is agreeing. She knows why Kate is so willing to let Lucy back into her bed despite their issues. And she knows why Kate is currently gently clearing off Lucy’s side of the bed that is so obviously slept-on instead of Kate’s usual side.
But Lucy pushes those thoughts deep, deep down, and instead buries her face into a pillow and listens to Kate’s uneven breathing. “I can hear you thinking,” she says, feels Kate shift behind her. “Relax, okay? We’re just two people…sleeping next to each other…to get one night of rest. It doesn’t have to be weird.”
Kate gives a huff of a disbelieving laugh. “Right,” she mumbles. “Not weird at all.”  
Already, Lucy feels like this is working, all exhaustion melting out of her body as she sighs. “You can touch me, you know.”
Kate coughs. “What?!”
“It it helps you sleep,” Lucy yawns, eyes already closed as she pulls the blanket a little tighter. She has an explanation on the tip of her tongue about how she knows Kate likes the grounding ability to touch, but it fades when sleep comes.
(She swears, though, that she feels the faintest brush of Kate’s fingertips at her waist right before it does).
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