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#*frantic hand gestures*
natsmagi · 1 year
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doing my monthly tsumugi aoba gallery browsing and im seriously about to throw up i cant do this theres tears in ym eyes
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imminent-danger-came · 2 months
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So the intros take place at the sea of the cast out
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myuminji · 1 year
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MAN....
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jackshiccup · 6 months
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associating i guess by mitski to otnwas hijack has done irreparable emotional damage to my psyche btw bc how does it perfectly describe jack in ch 43 just before That Scene happens — like the entire second verse but especially ‘i would keep just this quiet after you / it’s still as a pond i am staring into’ pleaseee do not play with me right now i need to go recuperate for 7 business days...
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arsenicflame · 6 months
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Today on songs that have been absolutely consuming me as edizzy:
i debated adding it to my playlist for a while because i thought a song whos main hook is 'You must be a masochist' was a little on the nose but the more i listen to it the more i cannot deny that its them
i wont ramble on about all my thoughts but here are two sections to consider in specific:
So I cut out all the good stuff Yeah, I cut off my foot to spite my leg
obviously also on the nose considering s2, but my specific reading is with Izzy as the foot and Ed as the leg- Ed is doing everything he can to cut Izzy off so he can suffer for it! Izzy's the only one left who cares about him, and he doesnt want that- its so much easier to commit when theres no one there waiting for him. the song revisits this theme later with these lyrics, which only extends the theme:
Because that limb which I have lost It was the only thing holding me up
this song also does one of my most favourite things in songs- where the last section slightly twists earlier lines to change the meaning:
That that is you in front of me And you are back for even more of exactly the same Well, are you a masochist? You love a modern leper on his last leg And you're not ill and I'm not dead Doesn't that make us the perfect pair? You should sit with me and we'll start again And you can tell me all about what you did today
ultimately. Izzy's always gonna love him. hes always going to come back to Ed, whether its good for him or not. theres nothing Ed can do to change that. the only thing he can control is how it goes.
maybe, from that realisation, they can try to start again, just Ed and Izzy this time, and make something new. something thats better.
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astro-inthestars · 11 months
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imagine
short hair aubrey
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Yes. I am imagining. (Un)Surprisingly though, I have already imagined it very much, a lot.
(This is an old ask but I'm using it as an excuse to be gay this proud Pride Month–)
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thinking about him (eugenides) again. megan whalen turner broke the mold when she made him.
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princessmacedon · 2 months
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eclair - do they want to one day be married?
it would be nice, for sure, but it isn’t a need! I think the primary example of romantic love in her life is Lena & Julian — and what she takes from that, which aligns with her own personal views and feelings, is that being together with your person is the most important part! sharing your lives together, making each other happy and apologizing when you hurt their feelings instead, finding solutions together… you don’t explicitly need a pretty ceremony or a special title to do that, and you don’t need to be married to be together for a long, long time!
basically, she cares more about the spirit of the word than the letter of it, but for sure she would like to find someone she can act married with HAHA ^^ she’s someone who thrives off of being with other people, and who truly feels that happiness shared is doubled.
that being said, while a wedding also isn’t a necessity, having one would make her really happy! it doesn’t need to be a grand thing, but i think she’s probably internalized it in a simple but romantic sort of way — a day with pretty flowers, where you share a meal with the people you love and promise your special person that you’ll keep cherishing them the way you have and more… or something like that NDNNENND sugar sweet, like the seed of a fairytale that grew into a simple, if flowery dream, Maria would be happy to… well, simply be happy!
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ndostairlyrium · 11 months
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Uuuh I wanna contribute to the prosthetic arm topic too!!
It takes months (almost years) of research and testing before Ankh manages to craft a decent new arm, which is totally not functional as a limb per se but it's more of an aid if she's on a mission and needs stability in combat. Also it helps her regain confidence in her skills since she has to drop bow and arrows - can't really hold a weapon she can't feel the weight of.
Emotionally speaking, archery was something fundamental in her life, a talent that took years to be perfected. She feels a sense of emptiness, as if she has lost her identity and can't contribute to the world as an individual anymore. Working on the arm along with Dagna and Three Eyes helps her to cope with such a traumatic loss but like, even if she consumes herself on this task night and day she can't help but feel like she has no reason to do so. Most days she focuses on the new task to avoid to explore her feelings, so she overworks herself to the point she can't connect properly with her surroundings. She was sure she would die after walking through the last Eluvian at the Winter Palace, consequently sometimes she asks herself if that fate would have been better than living without what made her her. Luckily she has a strong support system, people that really appreciate her character outside what good she can provide to the world. Just like her new project, her mental health after Trespasser is a work in progress, basically.
Once she can grip to her resolve, she just starts to develop her ideas further. At first the arm is a regular prosthesis with two runes placed on the joints, to help her hold on objects, then it starts to become something more complex.
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What she manages to do:
The arm is functional in a sense that it can be directed to move accordingly to the situation. There are buttons to push and levers to click if she wants to perform certain movements. It's like playing an instrument, using shoulder movements and the aid of her main hand to keep it in place whenever in need.
What she doesn't manage to do:
Handshakes, caresses and other gestures connected to physical touch don't seem to perform properly. Which is normal, considering a big portion of her arm is not linked to the brain. As I mentioned above, some movements can be performed only because of a complex system of levers, buttons and body movements that can symulate a realistic arm movements but the more Ankh goes further with the development, the more she starts to put aside what's realistic and shifts to functionality. You can see her perform strange dances from time to time so she could find a good balance, or just to bend the new arm to a certain degree.
About materials:
Since plastic and silicone aren't available materials and the ones already existing are heavy to say the least, it was hard to balance the arm in relation to Ankh's body weights system. This problem was partially solved by enchanting strategic points - the elbow and the shoulder in this case - as to make the structure less overwhelming and more manoeuvrable. The only catch is that a mechanical arm is still heavier than a regular arm, even if it's something not perceivable. The weight has still an impact on her body, so she has to be super careful to prevent overexhaustion. The part connected to the skin is composed by three different layers, one for elasticity, one for durability, and the other for comfort between skin and the hard layers. My math is terrible but I think it could be approximately 3-5 cm of thickness. The problem here is that the lighter the materials are, the more the arm is prone to damages. The structure in itself is designed to be practical for a very agile person - it has to be lighter - consequently it tends to malfunction from time to time because of sudden hits - or an overuse during reckless parkouring, knowing her << I'm not convinced about the harness' design but she definitely wears one to keep the arm in place, with a sewn on sleeve to make what's left of the arm feel comfortable with all that weight on.
She tends to wear it often, and she modifies it constantly, so to be prepared always if some asses need to be beaten <3 but also it improves her overall confidence.
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i mean nona gave us a lot in the way of easily-missed offhand trivia but i think ob/gyn mercymorn was maybe the most everything of all of it. of course she was. children as fists. infants as gestures. yuck. pfaugh.
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myurucrie · 10 months
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Why is he like this WHY IS HE LIKE THIS
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thriev · 1 year
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smth smth caroline being jealous of elena and wanting elena at the same time. caroline being angry because she understands what everyone sees in elena (because she sees it too, because she falls for it too) but also being pissed she can't replicate it. SMTH SMTH wanting someone to pick her first (including elena) SMTH SMTH. smth teen girls and complex relationships regarding their sexuality and their best friends smth.
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sule-skerry · 1 year
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At work I'm often sitting at the computer waiting for someone to reply to a Slack message so I've been listening to Arabic lessons while I kill time because it looks like I'm working and today I found out that the thing I would say when people asked if I spoke Arabic is also how you politely ask someone to speak to you slowly 💀
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archived-and-moving · 2 years
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Laila deserves the world <3
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painted-bees · 10 months
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A quick, sloppy little comic about Magritte
[Image Description: It's a vertical comic strip of 14 panels arranged one under the other. The style is realistic, done with sketchy lines in a dark burgundy. It is not colored or shaded and there is no background. The comic features the interactions of a couple, Magritte (also called Margie) and Rafael (also called Raf). Magritte is a young woman, she is wearing a baggy armhole tank top with a tight fitting black top underneath, shorts and boots. She has a messy bun and a small messenger bag slung over her left shoulder. Rafael is her partner, wearing baggy pants, sneakers, fingerless gloves, V-neck t-shirt and an open button-up jacket with a hoodie and the sleeves rolled up to his elbows. His hair has short side with long top bangs and a short goatee.
 (First panel): There's only Magritte visible from the waist up. Off screen, Raf says to someone else: “Magritte has our tickets.” Magritte is excited, looking straight forward. Her left hand in on her bag's strap, her right hand rummaging inside her bag. Magritte says: "Yeah! Even made sure to put them in my wallet so that I wouldn't- uh..."
 (Second panel): She is beginning to look concerned, now with her face turned to her back, both left hand holding the lip to open the bag wider and her right hand still rummaging inside. Magritte says: "wouldn't forget.... Hang on, it's not on it's usual pocket. Haha." The last is a nervous laughter.
 (Third panel): Magritte is kneeling on the ground. Rafael is standing to the side and behind her, only his feet visible. Magritte looks frantic, searching inside her bag. Her right arm is forearm deep digging in her bag. Magritte says: "It's definitely here-! It's the one thing I never forget 'cus I never take it out of my bag!" Rafael says, firmly: "Margie, when you took it out to put the tickets in, did you put the wallet back in the bag?" The letters are bolded, with the word "back" underlined for emphasis. Magritte says: "Give me some credit, there's no way I'm that stupid." The last three words are underlined for emphasis.
 (Fourth panel):  The scene has changed and now Magritte and Rafael are in a car. We see them from the passenger's side. Rafael is driving, looking straight ahead at the road. Magritte is hunched forward, hugging herself with the left hand. Her right hand is holding her head. She is looking out the passenger window, avoiding Raf.
 (Fifth panel):  Rafael turns slightly to look at Magritte.
 (Sixth panel):  The point of view is now a side profile view from the drivers side. Rafael has his left arm leaning on the open window, his right hand on the wheel. Magritte is hunched over facing the passenger window. Rafael says: "I'm not mad at you, if that's what you're worried about." Magritte says: "I can literally feel your disappointment."
 (Seventh panel): Back to the passengers side, Rafael is looking at the road. Magritte is frustrated, no longer leaning her head against her right hand and instead her hand is palm upwards. Rafael says: "Well, yes. It is a disappointing situation, but-" Magritte interrupts: "You'd think I'd be able to do the one thing I was asked to do-! That I'd at least learn from the last billion times I forgot shit. Rafael says, quieter: “that's not where I was going with this...”
(Eighth panel):  Magritte has her right hand holding her face with the palm on her cheek, left hand placing the tips of her fingers on her left temple and eye brows. She is frustrated and angry. Magritte says: "It's not like I've got anything more important rattling around in my brain.  But, for some reason, if it's not my music, or like.... food or something, then it's just not a priority. I can't make myself care enough to make it a priority!"
(Ninth panel): She now has both hands in front of her, elbows bent, finger extended in a vague hand gesture as if there was something in front of her. Magritte says: "I'm an adult in my 20s and I still manage my responsibilities like a child. I'd be more dependable if I could just stop and think for a second, but I'd probably forget to even breathe if it weren't for the..."
 (Tenth panel): Her frustrated expression turned to confusion. Her hands are still in the air in the same position as before. Magritte says:"... why are we parked?" Her noticing this stopped her rant.
(Eleventh panel): Magritte straightens up and faces the window entirely, left hand crossed over her body to lean on the car door. Rafael, off screen: "Margie." Magritte says: "Oh." Magritte's inner thoughts are written around her. "He stopped the car to scold me. No, not ‘scold’. Don't be a child about this. He's disappointed and just needs to make sure you understand so you can do better next ti-"
 (Twelfth panel): Magritte is still looking out the window, but now with a shocked expression. Rafael reached with his right hand, and its now resting gently on her upper back. Rafael interrupts her inner monologue with "I need you to stop repeating the shit your parents and teachers and such yelled at you growing up. They were wrong, and nothing you just said makes sense."
 (Thirteenth panel):  The perspective switches back to the driver's side profile. Rafael says: "A poor memory isn't synonymous with poor priorities. Nor does it speak to a lack of maturity. The priority was there, we just have to build a better habit of checking things before we leave the apartment. Both of us. It's gonna take time. You afford everyone else a ton of patience, all the time. Can you please afford some for yourself? The situation sucks, we were both looking forward to this. But it's not the end of the world. We didn't forget things on purpose. So let's take it easy and try to end the day on a good note. Alright?" Magritte says: "Okay... c-can we um...."
 (Fourteenth panel): Magritte has turned to face Rafael and her eyes are filled with tears and they're running down her cheeks.  Rafael looks startled, lifting his arm off Magritte's back. Magritte says: "Can we get some ice cream on the way back?" Rafael says: "O-of course!" End of description.]
This description was written and provided by Hiwi.
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astro-inthestars · 7 months
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I'm in immense pain so I'm legally allowed to do this. Btw.
Anywyas um. Uh. Well
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i really need a massage right now
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