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#*and the fact that you very well can do this trope without making it like This*
melzula · 1 month
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I JUMPED WHEN I SAW REQUESTS OPEN
zuko unintentionally saying something he doesn’t mean to reader (ex. ur clingy/annoying) and makes the reader like kinda distant cus they don’t wanna be annoying or clingy yk? then he comforts them and says sorry and it’s very much a angst to fluff moment!
a/n: i love this trope
summary: your sudden disappearance makes zuko reevaluate his behavior
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The apartment is empty when Zuko returns from the tea shop. His bones ache from standing all day and his mood is sour from having to serve customers, but it doesn’t distract him from the fact that something is missing. The place feels dull and lacks its normal warmth, and the change unnerves him.
“It seems y/n has not yet returned home,” Iroh observes as he flicks on the lamps to rid the room of darkness.
“Where did she go?” Zuko murmurs, doing his best to mask his anxiety over your absence. It’s not like you to stay out late, especially considering your apartment isn’t exactly in one of the safer rings of Ba Sing Se, and it worries him.
“I’m not sure. She seemed to be in a hurry when she left this morning,” the older man recounts as he scans the room to look for any trace of her left behind. “She didn’t even have her morning tea!”
“She could be in danger. I’m going to search for her.”
“Would you like me to come with you?”
“No, one of us should stay here in case she comes back,” Zuko states before making his way out the door. “I don’t want her to come home to any empty apartment.”
“Be sure to watch your temper if you do find her, nephew. Y/n is struggling to adjust to this new life just as you are, and it is important you are patient with her.”
The Prince says nothing in response to his Uncle’s words, but he immediately feels the guilt and shame that they bring him. His warning serves as a reminder for his recent behavior, and Zuko is then able to figure out why you were nowhere to be found.
You’d been eating breakfast together that morning before he had to leave for work, and despite his irritable mood you seemed to be eager to start the day.
“I was thinking of visiting the market place to buy fresh groceries for dinner tonight. Maybe I could stop by the tea shop and bring lunch for you and your Uncle,” you suggested with a pleasant smile.
“Sure,” Zuko had grumbled in response before forcing another spoonful of bland porridge down his throat.
“And after dinner we can visit the fountain,” you had said with an excited smile. “I’d love to take a walk through the city and get some fresh air. We hardly ever leave the apartment.”
“This city is nothing but dirt. There’s nothing to see out there.”
“Oh,” you had murmured, your features deflating slightly at his negative comments. “I suppose you’re right. Maybe we can just stay in and play a game of pai sho instead. I’m not exactly sure how to play, but I bet you could teach me! It could be fun!”
“Don’t you ever get tired of hearing yourself speak?!” Zuko had finally snapped harshly, his patience finally having been worn thin by your ceaseless suggestions. He didn’t want to take a stroll or play pai sho or have any sort of fun, and he didn’t understand why you couldn’t get that. “This isn’t some little vacation. I failed to capture the Avatar and now we’re stuck here, do you understand? Go play pai sho with someone else.”
The room had grown deathly silent after Zuko’s outburst, and he was too annoyed to notice the way you kept your gaze glued firmly to the table to avoid him see the welling tears in your eyes. Without another word, you quietly excused yourself from the table and made your way out the door without an explanation or a goodbye. Zuko hadn’t seen you since.
“I’m such a jerk,” he curses himself as he roams the streets in search of you. You’re not in the market place and you’re not by the fountain, so where could you be? He’s beginning to worry, his mind conjuring up multiple scenarios where you’re in trouble and he can’t help you. It’s pure torture.
A familiar laugh floats through the air, and Zuko feels the hairs on his neck stand up at the soothing melody. He’s quick to follow the sound, and as he shoves his way through the crowded streets he finds himself coming to a stop at a small noodle shop. The shop is practically tucked into a corner and isn’t much to look at, but the inside is full of life as patrons eat and converse and enjoy the camaraderie. At the heart of the restaurant sits a table full of people focused on the game of pai sho before them, and at the center of the table you sit with a large grin and a white lotus tile in your hand.
“I can’t believe I won!” You exclaim with an excited clap of your hands before looking to the older woman sitting next to you. “Thank you so much for teaching me how to play. This is the most fun I’ve had in months!”
“Y/n?” Zuko calls, garnering the attention of you and your new friends at the table. The airy laughter and pleasantries die down at the sight of him and the room is suddenly filled with tension.
“Oh, hello, Lee,” you greet dully, your cheerful demeanor immediately disappearing when you make eye contact with the boy.
“What are you doing here? Why aren’t you at home?”
“You said to go play pai sho with someone else, so that’s what I’m doing,” you state bluntly, and Zuko looks away guiltily after hearing his own words repeated back to him.
“Can you please just come home? You shouldn’t be out on the streets this late, it’s dangerous.”
“Why do you care?” You retort harshly. “I’m having fun here. These people actually want my company.”
“Y/n,” Zuko says with an irritated sigh, doing his best to remain patient. “Please. If not for me then for Uncle. He’s just as worried for your safety as I am.”
You hesitate at his words, but after a moment of contemplating you finally excuse yourself from the table. You bid your new friends goodbye and promise to return for another game sometime before following Zuko out of the restaurant and beginning your walk back home.
“The moon is out tonight,” he notes quietly in an attempt to make small talk, but you don’t reply. You keep your gaze forward and maintain a respectable distance from him as you walk. “Maybe I was wrong about this place.”
“Congratulations for figuring that out,” you retort sarcastically with a roll of your eyes. Having finally had enough, Zuko grabs your wrist to stop you in your tracks and force you to look at him.
“Y/n, please talk to me,” he begs earnestly. “I feel horrible for what I’ve done.”
“Good, you should feel bad!” You exclaim angrily, harshly yanking your hand away from him. “You’ve been nothing but a jerk since we got to Ba Sing Se, and now that I’m finally giving you the space that you wanted you come and ruin my fun!”
“I don’t want space from you,” he insists desperately. “I was being an idiot! Y/n, I didn’t mean any of what I said. I was just feeling irritable and I took it out on you, but that isn’t fair of me.”
“I’m not going to be your punching bag for the rest of my life, Zuko,” you relent quietly, blinking back the tears that begin to form. “All I want is to start over, but you’re making it so difficult. Why did we even come here?”
“We came here because I realized you deserved better than to constantly live your life on the run,” he admits softly, carefully taking your hands in his own. “I know I’ve failed to make you happy or treat you the way you deserve, but you have to know that I care for you. The best part of my day is coming home to you after work, and I never want you to feel like a burden because you aren’t.”
“Thank you for saying that,” you sniffle with a meek smile, and when he pulls you into his arms for a hug you don’t protest. “I know this has been hard for you, but you have to understand that all I want is to support you and make the change as easy as possible for you.”
“I know, and I’ll forever be grateful for everything you do,” Zuko says before pressing a kiss to the crown of your head. “Now let’s get home before Uncle begins to worry.”
You say nothing more as he puts a protective arm around you and guides you through the streets of Ba Sing Se. The move has been tough, but he swears then that he’s going to do his best to improve his attitude and give you the support you need.
He has a lot of making up to do.
| zuko tags: @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @taeeemin @lora21 @livelaughlovekuni @lovialy
| atla tags: @sirkekselord @niktwazny303
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saetoru · 2 years
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Imagine how funny it’s be if it was the “break up with my son” trope with rich boy gojo but instead of break up it’s his mother begging you to stay with him forever because he gets insufferably sad/annoying when you’re not around
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[ FINALS WEEK ] GOJO SATORU.
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“satoru.”
“please don’t leave me,” his voice is croaked, frail, broken. you roll your eyes—gojo has always had a knack for being the most dramatic person in the room, but you think of all his moments, this one might just take the cake.
“this is ridiculous—”
“please,” he even pretends to sniffle, and for a moment, you almost consider actually leaving him. “i’m nothing without you. empty with no meaning—”
“satoru, it’s just for this week,” you say flatly.
gojo has always been spoiled, and truth be told, you don’t hold yourself to the standards you’d like to be able to say you do in order to break the cycle. but really, it’s not your fault—his pout is rather dangerous, and he’s pretty damn good at whining, and he knows how to bat his lashes just right to get what he wants. this time, however, you’re determined. this time is strictly a no-giving-into-satoru time, and he can shed pretty tears all he wants, but you’re not relenting.
“what if you fall in love with someone else during our one week break up? i won’t make it if you do,” he gasps dramatically. you have to hand it to him—his ability in theatrics is at least persistent, even if quite a bit overdone sometimes.
“i’m sure your house would be peaceful then,” you snort. you can just picture the offended pout on his lips even though he’s not here, and you’re somewhat happy that he can’t see the smile you crack over the phone—that would only add to the drama, and he’s already a handful without the addition.
“baby, don’t do this,” he begs, making you sigh. 
it’s finals week. meaning all the days of class gojo has made you skip in order to coddle him (again, he’s very spoiled) will soon come back to really bite you in the ass while you have to make up for what you missed to pass your exams. meaning no gojo satoru will be allowed anywhere near your vicinity as an added distraction to keep you from studying. you know your boyfriend, and you know him well. you know that i promise i’ll just sit and be quiet will turn into his head resting in your lap, which will turn into pouts for your fingers to play with his hair, which will turn into complaints of boredom, which will all end with forced cuddles and an earful of his blabbering as he steals your attention. 
and you cannot afford a single failed final. 
so, with careful and deliberate consideration, you come up with your solution—which seems to have utterly broken your (painfully) spoiled boyfriend. no staying over the nights for a week is a very hard thing to grasp for rich and spoiled boyfriends who rarely hear the word no, apparently, and gojo is not taking the news lightly.
in fact, he seems to be taking the news a lot harder than you initially anticipated. never did you think a one week ban from sharing a bed with gojo so you can earn your degree would turn into his mother phoning you with a desperate plea to not break up with her son. it takes you by surprise, makes you stare at your phone with a double take to make sure you’re really talking to who you think you’re talking to—and that she’s really said what you think she’s said.
which begs the real question…where did the words break up even come from? and then you realize a certain somebody has exaggerated your rule for the week to something entirely new.
“satoru, you are entirely too much,” you groan, “one week of no sleepovers will not kill you. stop being bratty. and stop telling your mother i broke up with you, liar.”
“you practically are,” he huffs. “you don’t see me all day when you study. now you’re taking away the night too? just say you stopped loving me.” you scoff, and he pauses. “don’t actually say that, though,” he adds quickly.
“some of us have to pass,” you scowl, “i don’t have trust funds to swim in.”
“you can—”
“if you say i can spend your money, you might have to tell your mom we actually broke up.”
“so mean,” he whines, “well, why can’t i just sleep in your bed? i don’t even snore, i wouldn’t bother you,” he protests. he’s stubborn—which sometimes makes your heart flutter (like when he defends your honor to his snobby father) but sometimes (like now, for example) it’s enough to make you wish his lips would sew shut. permanently. 
“because,” you sigh exasperatedly, “you never sleep unless i’m in bed with you, and i’m going to stay up very late. stop being difficult—”
“i promise i’ll be good—”
“you are never good,” you accuse, narrowing your eyes. “and you break this promise every time. no sleepovers for this week until all my finals are over. and no more bothering your mom. got it?”
“but this time for real i’ll be good—”
“no, toru,” you say firmly, a hint of finality in your tone. it’s silent, and you can just imagine him deflating, and a small part of you feels just a little bad. “baby, i promise i’ll try to squeeze in some time every now in then, okay? we’ll meet for lunch or something.” you try to ease his conscience, but it doesn’t do much to persuade his sulkiness. 
“yeah, whatever,” he mumbles under his breath. 
a sulky gojo is a nightmare to deal with—you silently send your prayers to his mother for the next week, and you almost consider saving up for a fancy gift to offer her as an apology. but you also feel just a little bad for your sweet (though annoying) boyfriend. it’s at least the slightest bit endearing that he enjoys your company as much as he does, and you’d be lying if you say you don’t enjoy it just as much. 
so you relent—not fully though, you reason. “you can stay only the night,” you mutter, huffing as you hear his breath hitch with excitement, “and you have to stay in the living room until i’m ready to sleep.”
“i’ll tell my mom we’re back together,” he grins.
“we were never broken up!” you hiss as you pinch your nose, but before you can help yourself, there’s a light giggle that spills past your lips.
“she’ll be thrilled,” he chuckles, making you roll your eyes fondly. 
“cause it means you’ll leave the house to see me.”
“true,” he laughs this time, soft and sweet and enough to make you think spending nights with gojo this week isn’t the worst thing to happen. “i love you.”
“i know.”
“say it back—”
“okay bye. i have to study,” you grin as you cut him off, hanging up the line with a snicker.
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© hanmas do not plagiarize, repost, translate to other sites, or recommend on platforms outside tumblr such as tik tok
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impactedfates · 5 months
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Detective Oblivious - Various Genshin Characters x GN! Reader
★ Summary: Your best friend lately has been acting strange. Could they have a crush on someone?! You have to get to the bottom of it…though perhaps you can start by noticing how they look at you
☆ Characters Included (Separate): Alhaitham, Ayato, Kazuha, Xiao, Yelan, Ningguang
★ Genre/Trope: Romantic + Fluff + Maybe a bit of Crack
☆ Warnings: None
★ Extra: HSR Ver Here // Semi-Proof Read
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Honestly I don't blame you for not noticing Alhaitham likes you. He's very hard to read. But at the same time, it doesn't take a detective to notice how he's more careful with his words when talking to you. He doesn't necessarily care what you think of him, even if he likes you, however he does wish for you to see him in a more positive light.
So even though you've been friends for so long, his sudden change in how he talks to you is so you can hopefully see how he feels about you as he believes you'd be able to notice but well...much to his dismay and annoyance, you don't.
You got the part that he likes someone, but not that those feelings are directed towards you. Have you not seen the longing stares he gives you when you're doing anything? How he's more lenient in what you're doing?? How when he was The Acting Grand Sage, how he always looked over anything you wrote to him first???
Clearly not as, as when he enters his home he can see you talking to Kaveh to see if he knows anything about who he likes. Kaveh, noticing him behind you, simply smiled. Although Alhaitham wants to confess to you, he'd rather him telling you directly or you finding out yourself without the need of help from others. And Kaveh knew this...
"Oh, he likes yo-"
A book was suddenly thrown at Kaveh as the Scribe quickly took you away.
"Wh- hey! He was going to tell me something"
"Didn't want him to say something I should be saying...I should be the one telling you I like you"
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Many people caught on to the way Ayato treated you differently towards others, in fact. Both Ayaka and Thoma knew he liked you before he himself knew. Yet, why was it that everyone but you knew how much he held you dear to his heart?
Ayato never had much free time to be frank, however unlike his other friends and even family. He would never send anyone as many gifts as he did to you. Anytime you liked something you'd have it delivered to your house right away. You always thanked him for it, beaming as you looked at it. Although you did slightly feel bad as some of the things you off handily mention wanting are quite expensive. But the Commissioner doesn't care. Seeing that smile is enough for him.
What he does care about however, is how dense you are towards his acts of affection. As stated, he gives you more gifts than anyone else he knows. But another thing he does that he's surprised doesn't get you to catch on, is him "jokingly" calling your Mx Kamisato (he's half joking, he does want to marry you)
What surprises him more is that you somehow think it's directed to someone else?? You question him on who he's referring to even though he was looking directly at you.
Eventually he gently backs you into a corner and makes you face him, turning your chin towards him.
"My dear...I've tried everything but you don't get the hint. So I'll say it here...I love you~"
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You found some poems that Kazuha had written, and it's about someone. In fact, it's about someone romantically. This caused you to quickly search for who said love poem is about.
One of the kids witnessed you ranting to yourself about who could've taken the samurai's heart and told Beidou, who then found it amusing enough to tell Kazuha who at first laughs it off before realising you've likely read the poems he wrote. He is thankful you haven't found out it's about you, but at the same time. He doesn't think you've met anyone that's like you, and the love poem does describe you near perfectly. Still...at least you haven't found out?
He watches from a small distance as you glance at him before looking away. This happens a lot, especially when he's talking to a friend who questions your behaviour. In fact, you've done this so much that people assume you're Kazuha's partner and want his attention. They even comment about it to which you both politely explain that you're just friends.
Eventually though, he makes no comment when someone assumes the two of you are dating, which makes you question him which leads to you finally figuring out who the love poem is about.
"Wait so...the love poems..."
"Is about you yes, I like you"
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I can see him being quite confused himself when he realises he likes someone and might even tell you about how he's feeling. He won't directly say who it is but he tells enough to let you know he's fallen DEEP in love with someone.
Now the two of you are trying to figure out just who's the one making his heart beat faster and clouding his mind. In truth, Xiao quickly realizes it's you that's causing it. But he can't tell you, he's a bit too flustered to tell you, especially with how cute you look trying to figure it out yourself.
So he lets the search go on, he allows you to drag him to meet various people and see if he feels his heart beating faster. And while it does, that's only because you're beside him. Nothing else. He was happy enough to let you guess till you gave up, he didn't think you'd like him back anyways.
However Hu Tao would beg to differ, she's been listening to you rant about how you loved Xiao and all that stuff. In fact, she's even heard from Zhongli that Xiao likes you. So when you come along with the Adeptus in tow and ask him if he feels any different towards her. She has a feeling she knows what's going on. And why not play matchmaker?
"You don't feel anything at all?"
"No..."
The funeral directly quickly piped up, gently pushing you into Xiao's arms and watching his face burst into shades of crimson.
"What about now? Having the love of your life in your arms is bound to make you feel something right?"
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She...out right flirts with you. And not in a way to get info from you, just...actual flirting. Yelan knows what she wants and tends to get what she wants. More so in terms of information, but she also wants you and will try anything to make you realize her feelings for you.
She probably knows you like her as well, so this should be easy right? Just flirt with you and you'll get the picture right?...Yeah...
"I would love to spend the future with you y'know darling~ Especially in the same house"
"Oh that would be great"
"Exa-"
"Rent would be so much cheaper if we were roommates"
She...finds your obliviousness cute...in a weird way though. She finds it even more cute that you do in fact recognize her flirting eventually...but think she's using you as practice. Now she spots you trying to figure out who it is so you can help her more. And "act" like her crush. She does need to eventually tell you so you can stop searching, I mean. The answer is clear if you look in a mirror.
"C'mon Lanlan, you need to tell who you actually like"
"Hm? Oh but I am sweetie~"
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Ningguang is obviously highly respected and of course has her own set of admirers. You used to see her reading each letter with care and consideration before laughing. Not in a hateful way, truly she's grateful people like her that much. But recently she seems to read them a bit faster, seemingly searching for one name in particular.
It's clear to you she wants a certain person to be in her pile of confession letters. And you'll figure out who. I mean, what better way to help your friend then finding out who she likes and seeing if they like her back right :D
Well...word got to her that you've been searching through some of her things, nothing personal but just around her office. Not to mention observing her more closely lately which she plays off as you being interested in what she has to say. But when she hears that you've apparently scared a poor soul with some of your questioning she goes to confront you.
To which you weakly explain you want to help her find out if her crush likes her back or not. She simply laughs a bit, surprised. She's been giving you special treatment ever since she found out her feelings for you. You've been given bigger discounts because she just cannot let her "darling" pay so much. Alongside other things she thought were obvious hints in the hopes you'll write her a confession letter.
"Well...if you want to help me find out if they like me back, answer me this"
"Yeah?"
"Do you like me?"
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Anyone else find it hard to know when someone likes them? Cuz I do, hence this idea sprang forth. Not all the characters included are ones I simp for but I thought it would be interesting to add them (I literally only simp for Alhaitham and Ayato out of the characters included tbh nsoaorgr)
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cy-cyborg · 8 months
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Writing and drawing amputee characters: Not every amputee wears prosthetics (and that's ok)
Not every amputee wears prosthetics, and not doing so is not a sign that they've "given up".
It's a bit of a trope that I've noticed that when an amputee, leg amputees in particular, don't wear prosthetics in media its often used as a sign that they've given up hope/stopped trying/ are depressed etc. If/when they start feeling better, they'll start wearing their prosthetics again, usually accompanied by triumphant or inspiring music (if it's a movie). The most famous example of this is in Forest Gump, Where Dan spends most of the movie after loosing his legs wishing he'd died instead. He does eventually come around, and him finally moving from his wheelchair to prosthetics is meant to highlight this.
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The thing is, it's not that it's unrealistic - in fact my last major mental health spiral was started because one of my prosthetics was being a shit and wouldn't go on properly, despite fitting perfectly at the prosthetist's the day before. I'm not going to use my legs when I'm not in a good headspace, but the problem is, this is the only time non-prosthetic using amputees ever get representation: to show how sad they are. Even if that's not what the creator/writer necessarily intended, audiences will often make that assumption on their own unless you're very careful and intentional about how you frame it, because it's what existing media has taught them to expect.
But there are lots of reasons why someone might not use prosthetics:
they might not need them: this is more common in arm amputees because of how difficult it can be to use arm prosthetic, especially above-elbow prosthetics. Most folks learn how to get on without them pretty well. In fact, most of the arm amputees I know don't have prosthetics, or only have them for specific tasks (e.g. I knew a girl who had a prosthetic hand made specifically for rowing, but that's all she used it for).
Other mobility aids just work better for them: for me, I'm faster, more manoeuvrable and can be out for longer when I'm in my wheelchair than I ever could on my prosthetics. Youtube/tik tok creator Josh Sundquist has said the same thing about his crutches, he just feels better using them than his prosthetic. This isn't the case for everyone of course, but it is for some of us. Especially people with above-knee prosthetics, in my experience.
Other disabilities make them harder to use: Some people are unable to use prosthetics due to other disabilities, or even other amputations. Yeah, as it turns out, a lot of prosthetics are only really designed for single-limb amputees. While they're usable for multi-limb amps, they're much harder to use or they might not be able to access every feature. For example, the prosthetic knee I have has the ability to monitor the walk cycle of the other leg and match it as close as possible - but that only works if you have a full leg on the other side. Likewise, my nan didn't like using her prosthetic, as she had limited movement in her shoulders that meant she physically couldn't move her arms in the right way to get her leg on without help.
Prosthetics are expensive in some parts of the world: not everyone can afford a prosthetic. My left prosthetic costs around $5,000 Australian dollars, but my right one (the above knee) cost $125,000AUD. It's the most expensive thing I own that I only got because my country pays for medical equipment for disabled folks. Some places subsidise the cost, but paying 10% of $125,000 is still $12,500. Then in some places, if you don't have insurance, you have to pay for that all by yourself. Even with insurance you still have to pay some of it depending on your cover. Arm prosthetics are even more expensive. Sure, both arms and legs do have cheaper options available, but they're often extremely difficult to use. You get what you pay for.
they aren't suitable for every type of environment: Prosthetics can be finicky and modern ones can be kind of sensitive to the elements. My home town was in a coastal lowland - this means lots of beaches and lots of swamp filled with salty/brackish water. The metals used in prosthetics don't hold up well in those conditions, and so they would rust quicker, I needed to clean them more, I needed to empty sand out of my foot ALL THE TIME (there always seemed to be more. It was like a bag of holding but it was just sand). Some prosthetics can't get wet at all. There were a few amputees who moved to the area when I was older who just didn't bother lol. It wasn't worth the extra effort needed for the maintenance.
People have allergies to the prosthetic material: This is less of a problem in the modern day, but some people are allergic to the materials their prosthetics are made from. You can usually find an alternative but depending on the type of allergy, some people are allergic to the replacements too.
Some people just don't like them.
There's nothing wrong with choosing to go without a prosthetic. There's nothing wrong with deciding they aren't for you. It doesn't make you a failure or sad or anything else. Using or not using prosthetics is a completely morally neutral thing.
Please, if you're writing amputees, consider if a prosthetic really is the best mobility aid for your character and consider having your characters go without, or at least mix it up a bit.
For example, Xari, one of the main characters in my comic, uses prosthetics unsupported and with crutches, and uses a wheelchair. They alternate between them throughout the story.
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max1461 · 5 months
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Thinking about this post. "The only way to make a cell is from another cell" is somewhat of a troubling fact to me. I mean, not for any practical reason, just because it underscores the precarity of *gestures broadly*.
It's like, some people talk about trying to de-extinct the mammoth. And people are trying to sequence the genome of the mammoth, I don't know if they've done it yet. But even if they do, one of the problems with the idea of de-extinction is... to grow a baby mammoth, you need another mammoth! Last time I heard people talking about this, I think they were talking about using an elephant as a surrogate mother. But imagine if elephants were extinct too.
The point is that information is often tied to the systems that transmit it; even if you know everything in the mammoth genome, once all the mammoths are gone there's nothing capable of reading and using that information. Like when you can't read the data on a perfectly good floppy disk because your computer doesn't have a floppy drive.
This is related to why language death troubles me so much. Even the most well-documented languages aren't actually that well understood; linguists have produced more pages of work on English syntax than maybe any other specific descriptive topic and yet still the only reliable way to get the answer to any moderately subtle syntactic question is elicit native speaker data. We know almost nothing, we can barely extrapolate at all! And every language is like this, a hugely complex system that we know basically nothing about, and if the chain of native speaker transmission is ever broken it's just gone.
"Language revival", I mean from a totally dead language, is kind of a myth. It's like the "came back different" trope. In Israel they revived Hebrew, but Modern Hebrew is really not the same thing as Biblical Hebrew at all. I mean in a stronger sense even than Modern English isn't Old English. All the subtleties of Biblical Hebrew that a native speaker would have had implicit competence with died without a trace. All they left is a grainy image, the texts. The first generation of Modern Hebrew speakers took the rough grammatical sketch preserved in these texts and imbued it with new subtleties, borrowed from Slavic and Germanic and the speakers' other native languages, or converged at by consensus among that first generation of children. There's nothing wrong with that, but it would be inaccurate to imagine Biblical Hebrew surviving in Modern Hebrew the way Old English survives in Modern English. For instance, you can discover a great deal that you didn't know about Old English by comparing Modern English dialects. There is nothing you can discover about Biblical Hebrew by comparing Modern Hebrew dialects in this way.
There's nothing wrong with this, of course. I'm not like, judging Modern Hebrew. I'm just making a point.
Mammoths died recently, so we still have (some of?) their genome. Something that died longer ago, like dinosaurs, we have traces of them in the form of fossils but we could never hope to revive them, the information is just gone. Even if we're not aiming for revival, even if we just want to know stuff about dinosaurs, there's so much that we will never know and can never know.
We imagine information as the kind of thing which sits in an archive, because this is the context most of us encounter information in, I think. Libraries, hard drives. Well obviously hard drives don't last. And most ancient texts only survive because of a scribal tradition, continuous re-writing, not because of actual archival. So I think that imagining archives as the natural habitat of information is sort of wrong; the natural habit of information is in continuous transmission. Information is constantly moving. And it's like one of those sharks, if it ever stops moving it drowns. And if the lines of transmission are broken, the information is gone and can never be retrieved.
Very precarious.
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cemeterything · 1 month
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i would love to hear more of your thoughts on michael shelley!!! 🌀🚪✨
you're in luck because i've sat on thoughts about him for years and i finally feel like i can articulate them. because michael shelley is such a well written case of tragic horror in the horror tragedy podcast. and, despite my criticisms of season 5, it really did do an excellent job in concluding his character arc with the gertrude backstory episode. in a podcast where a common in-universe theme is that knowledge, and the pursuit of knowledge, is dangerous, michael is a subversion in that his ignorance of the horrors of the world he lived in not only didn't save him, but was intentionally engineered to make him vulnerable to exploitation and harm (which, on a broader scope, emphasises the futility of the world of the magnus archives - regardless of whether you participate in or turn a blind eye to the systems at play, involved or uninvolved, you are not safe).
furthermore, i really appreciate the subversion of traditional tropes of the sacrifice as a typically female figure taken advantage of by a male father, brother, or lover, whose tragic and horrible death is used to motivate him (whether to greatness or self-destruction), with michael being a son sacrificed by his mother (or grandmother) figure, who never actually loved him and whose 'frail' and 'nurturing' qualities were weaponised incompetence used to gaslight and manipulate him - and who continues to operate successfully (at least in terms of what can be said to be 'success' in a world like the magnus archives) without being haunted by any apparent doubt about the decision she made, or any hesitation to use others in similar ways, following this betrayal. which makes the fact that he's sewn into the fabric of a being that represents lies in their most insidious form, used as a weapon to devour people and destroy their lives, all the more abhorrent in hindsight - he is forced to not only relive his trauma in an endless loop (or spiral, if you will), but to become the mechanism which enables it. michael is taken to the edge of something evil (at least from a human perspective), and pushed over the threshold with no hope of recourse. there's almost a reverse orphic quality to it - he descends into terrifying other world, one which exists side-by-side with but fundamentally seperate from his own, against his will, and looking back will only cause him pain as he's assaulted by memories of a life he will never be able to reach.
i think a lot of people forget to look past the surface with michael, despite there being an entire episode dedicated to doing so. which is understandable, he's a very outwardly expressive character - but this is intentional obfuscation to hide an incredibly damaged victim whose hatred of this part of himself is integral to his entire reason for being, and which the rejection of causes him to be unmade, incapable of existing as this contradictory nightmare any longer. it's a mercy killing, and yet it is violent and painful, because michael cannot and should not exist, and excising that graft used to muzzle the distortion is as agonising as latching it into place was in the first place. when michael-the-distortion says about michael shelley "he was born. he was pointless. and he should have died." there is an implicit longing there, a rage at the way he was used, his decisions made for him and used to imprison something else instead of ever being allowed to exercise any measure of free will. because michael shelley probably would have died for the archivist, given the opportunity, but he never got the choice.
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oopsdevil · 4 months
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COD + Tropes (pt. 2)
which trope do they fall into when it comes to you.
SIMON GHOST RILEY + BLIND DATE
"i should be home right now" was the first thought simon had when he stepped foot into that fancy restaurant. the most dangerous man of the country, scared of a date.
in retrospect, he had it coming. he knew he shouldn't have let soap set him up with someone whose face he doesn't even know. and he is already sweating, feeling absolutely exposed without his mask and-
he saw you. and his mind went quiet. his only worry right now is how to be a worthy date for you. and yes, you must think he is an idiot for the way he keeps staring, but he can't help it. for once in his life he begs to whoever is listening: let this go right for me.
and someone must have heard him, because it was the best date of his life since you told him you would have preferred a more casual place. his heart skipped a beat when you mentioned you would cook for him on a second date.
now, he loves thinking about that first date, and how the second one turned into the best first kiss, and how the third one turned into you never leaving his bed again.
KYLE GAZ GARRICK + NEXT DOOR NEIGHBOR
kyle was never a clumsy guy, so why does he keep tripping on his porch every time he sees his new neighbor? in his mind, you had to be flawed. something! you couldn't possibly be this perfect right? oh except he knows you are. he really tried to push his feelings, but you won his heart in a very simple way. his cat, peanut.
you should have seen his face the day he saw out the window and spotted his cat, comfortably sitting at your home. he came back later that night, but gaz kept it in his mind. and he started noticing it, the way you leave water for peanut in hot summer days and a window open to enter your room on rainy nights. and he just couldn't help it. after HOURS (yes, hours) of self pep talk, kyle knocked your door, offering a nice dinner and the chance to see peanut's own home.
peanut is delighted, specially because how years later, you brought to your shared place his new orange 'sibilings': bear and willow.
JOHN SOAP MACTAVISH + LOVE CONFESSION
loud, funny, sarcastic, cheeky. that's soap. but johnny's face couldn't possibly get any more pink while looking at his best friend's sister. he has known you for years, spent dozens of holidays with you, shared hundreds of nights at clubs.
i mean, yeah, he felt like ripping his heart out when you brought your first boyfriend for thanksgiving. and he lied once or twice saying he was close to your house to give you a ride. and now... now maybe it's his age, everything he went through pushing him to chase after the only one who ever crosses his mind, and fuck- are your eyes brighter? he didn't think it was possible.
he thought about how to tell you in a million possible ways. and it came flying out of his mouth the second you told him you broke up with your man. you blushed and gave him a peck that stayed on his mind the rest of the night month.
"oh, me and him broke up last june actually-"
"go out with me"
KÖNIG + SECRET DATING
it was a very difficult mission: lots of planning, lots of packing, tracking, unloadings and-
this shouldn't be a problem. it has never been until now, but all he can think about are your lips while seeing you across the room. considering that you are a part of the 141, he barely ever sees you here, your relationship is exclusively civilian. so you both made a silent pact: no personal interact at work.
and it went well!... for like a day. and you really thought you could keep it a secret, but the way he looked at you and how bad you missed each other... you pushed it a little when you decided to let him sleep in your room.
now, it might be your dizzy head after making out all morning, but you forgot a very basic rule in the army; basically, no privacy. the fact that a superior could walk into your room at any giving moment is annoying, but at this point you were convinced the universe just hated you.
your lieutenant, the very overprotective man who took you under his wing, opened the door that very morning. ghost and könig looked at each other intensely for a long 10 seconds.
an hour, a black eye and a terrible lecture from price to simon later, könig still smiled. at least he didn't have to hide you anymore.
JOHN PRICE + LOVE/HATE RELATIONSHIP
you drive him crazy. he swears everything that comes out of your mouth makes his eyes roll. every petty comment, everytime you put him in his place, how you look at him during reports because you know you make him nervous. he hates when the rest sees the way he can't stand you, and why the fuck do they keep saying is sexual tension? because he gets closer to you when talking? that's purely for intimidation. in his defense, you hate him too! except he has no idea you blush the second he turns around, or how you defend him if another soldier questions his decisions.
feelings hit you both like a train a random night of spring. he heard crying in the hall, so soft he thought he was imagining it. he saw you and instinctively ran to you. in that situation, you just couldn't pretend anymore, you needed a minute to break about everyone and everything that has been pushing you to this moment. he wrapped his big arms around you, giving you the hug and body heat you both have been craving from each other. he internally promised himself to make it right, so his heart would never have to break again at the sight of your tears.
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sunderwight · 20 days
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Much as I love the idea of PIDW being rife with terrible porn tropes and interesting (if contrived) erotic writing conventions, all actual evidence in canon would seem to indicate that apart from some sex pollen and "uh oh, the protagonist has gone into a fugue state, whatever shall calm him down?" type stuff, it was fairly vanilla.
Like, that's part of both Shen Yuan and Airplane's frustration with it, I think. It's full of sex and it's not even sex either of them enjoy the concept of. Airplane was fully just trying to pander to an audience he felt he knew and could manipulate, but not one either he nor his ultra mega hate reader were actually part of.
Not that they understood that themselves at the time.
I mean I know fandom likes to make Airplane less closeted than Shen Yuan (for a lot of reasons), which I support, but I feel like in canon at least... he didn't cotton on to Luo Binghe's change in interests at first either. It wasn't until he was watching his protagonist obsess over resurrecting Shen Qingqiu at any cost that the light started to dawn. For Shang Qinghua, also, many more years have passed since he was back in their original world. He's had more time to reconcile himself to certain ideas.
What glimpses we get of the person he was before he died, was reborn, and lived a whole other life well into adulthood, would seem to indicate that he probably wasn't much better than Shen Yuan back when he was writing.
I mean he probably was still BETTER (the bar is on the floor), like I bet he could have a fantasy featuring Mobei Jun without having an existential crisis or pretending it didn't happen, but he would have probably been like "wow I guess I've been writing so much m/f porn that I can't even enjoy it anymore and my brain had to come up with something else, anyway Mobei would make a hot chick tho, I'm gonna write one of his cousins as Binghe's next wife" and gotten on with things.
Basically I guess what I'm driving at is that it would be funny if SQQ and SQH figured they had a solid handle on the kinds of sex pollen-y porn tropes to expect from the world (mostly just the occasional fuck-or-die that missionary can cure), only for the rug to get ripped out from under them because the system incorporated a bunch of stuff from Airplane's subconscious to fill out the gaps. Not even his notes. His daydreams and fantasies.
SQQ: what the hell?! PIDW didn't even have werewolves or tentacle porn monsters!
SQH, suddenly reminded of some very specific fap sessions: right?! this is definitely weird and in no way my fault! it must be because of the genre switch!
SQQ: *suspicious*
SQH: which is your fault! you made the protagonist gay! in fact it's probably your fault that I'm gay too now!
SQQ: bullshit. what did you do. was this in a draft?!
SQH: *sweating* I can say with absolute confidence that it was not! I never wrote anything like this!
SQQ: *having a crisis now because maybe he DID accidentally cause the monsterfucker stuff and he desperately doesn't want anyone to realize that he's actually into it*
SQH: *continuing to sweat because the world is consistently manifesting content from his personal spank bank and if cucumber ever figures that out he's a dead man*
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nthee · 2 months
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I DON'T KNOW IF I'MA SEE YOU AGAIN . . .
summary: a slight, or well, not-so-slight blunder led to the unfortunate events of him losing his memory — his memory of you and anything related to you.
characters: riddle roseherts, silver, lilia vanrouge
contains: angst with a bit of fluff, gender-neutral mc (uses second person view aka "you"), the reader blushes (described to be flushed)
notes: title is from see you again hehe :) i just thought it kind of had amnesia trope vibes idkkk dont ask me why atp, inspo comes from anywhere fr. also SURPRISE IM BACK let's ignore the fact that it's been 5 months tho i was so burnt out :(
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⌗ RIDDLE ROSEHEARTS
“Let me help you with that. [...] What? You're staring.”
“Ah, it's... it's nothing, sorry.”
The close proximity is enough to make you go insane. Perhaps it's better if you just took the time to actually fix your tie this morning. That way, he wouldn't be so close! So close that...
Oh Seven, what if he hears my heartbeat?! Ack, calm down, calm down! I don't want to scare him of, what if he thinks it's — I'm creepy?!
“You seem flushed, [Name]. Are you alright?” his movement stills while holding onto your tie, and you mentally facepalm.
Riddle's hand makes its way to your forehead, the back of his hand pressing onto your skin, before realizing he's wearing gloves. He clears his throat at the mistake, opting to feel your temperature using the back of his wrist — the exposed skin between his sleeve and glove.
“Temperature is normal... a little bit warm, but nothing serious.”
“I'm alright! It's nothing, really.”
Too close, too close, too close!
Riddle retracts back, almost as if he could hear your pleas. He sighed, clearing his throat as his eyes wander around — look everywhere, anywhere but them, Riddle.
“I should — ah, we should get to class...” you reminded. You mirror his actions, averting your gaze.
“Right. Class.”
He offers an arm, one that you graciously take without a second thought. “Let me escort you there. I did hold you off for several minutes.”
Excuses! Riddle's mind yells. You're falling for them!
He doesn't care in the slightest — just as long as you're there to catch him. Though he knew you for a grand total of five days, he knows you'll be there.
⌗ SILVER
“Have I... met you before? I have, haven't I?”
A bittersweet laugh escapes your lips, startling Silver in front of you. You pull yourself together, smiling as you gaze into his eyes — the same eyes you'd lose yourself in, letting the time pass doing just that.
“Once upon a dream, right? That's what you were going to say?” you wipe a tear from the corner of your eye, thankful you laughed first before the waterworks arrived. Thank goodness, he can't see me sad.
Silver's eyes brightened, his eyelashes fluttering in disbelief. “It's... it's you. I meet you in my dreams! Everytime I close my eyes, I... I see you.”
His hands are softly holding yours as he speaks, his thumb tracing your skin delicately — like you were glass, or a treasure. It's enough to make you swoon, just as he's always done before.
“Don't leave my side.”
He thinks it's selfish to ask that from a stranger. But you are no stranger. You know the truth, but he suspects it's destiny — that you've actually met, talked, danced before, only well, it was in his very own dreamland.
You can feel the tears again. Maybe this isn't so bad? Or, at the very least, this isn't the end.
“I wouldn't even think of it.”
⌗ LILIA VANROUGE
“Are you a friend of Silver's? I don't think I've seen you around before.”
Those words were uttered before you could even process the initial news of Lilia's predicament — before your heart could even let it sink in.
You could only choke back the words threatening to slip off your tongue, lest it sound like utter crap to someone who just lost his memories.
You and I are more than friends. You play— well, played lighthearted tricks on me. I fell for them. I fell for you.
“You... could say that,” was all you could muster up. There was no point in explaining more, he wouldn't understand them.
There was understanding to his nod, a subconscious feeling of something nestled deep in his heart.
“Are you troubled? You seem to be.” his tone is soft, yet firm. Lilia had always been that way; a mentor, father (or, father-like to ones who don't know he was actually one), shoulder to cry on, wise fae to depend on...
A lover. Was a lover.
Now, all was left was Lilia before he even got to know you.
Lilia Vanrouge, a schoolmate of yours, once again.
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← | © nthee, do not repost, plagiarize, translate, adapt, and use my work in anything that associates directly with ai.
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astaroth1357 · 1 year
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The OM Cast as Househusbands
Inspired by my recent rant about domestic Solomon.
Contents: Pure fluff and unhinged roasts.
~♡♡♡~
Lucifer
A-tier. Generally a solid choice skill-wise.
Cooks decent, cleans well, budgets FANTASTICALLY, has a good list of connections/spells for all home repair, and even has a stern (but caring) parenting-style if so desired.
In short, Lucifer can run a house very well. He practically already does! Hope you like having a big, extended family because the brothers are coming with.
Really, the biggest downside to Lucifer is that you'll be constantly worried that he's bored... Man can run a house and then some. He probably has the daily chores done by noon, and then what?
He just has so much extra potential, is what I'm saying. Very "big, beautiful bird in a cramped cage" energy. But then again, maybe making him chill the fuck out and have a low-maintenance lifestyle for once is better for his blood pressure in the long run. Your call.
Mammon
B-tier. He ain't perfect, but he can learn quick.
If you can give Mammon anything, it's that he's a capable guy when he wants to be. He may not be good at cleaning up, cooking, or anything like that on his own, but with some encouragement...?
Big improvements made practically overnight! Shower him in praise and "thank you's" for every little thing he does and he'll start get greedy for it. Then he'll do even MORE around the house and he gets better each time.
Show him how to cook what you like, and he'll never forget. Remind him to fold up the laundry, and he'll get it done. Praise him for keeping the floors clean, then suddenly he's nagging YOU about tracking dirt on the carpet...
And he'll get so proud about it too... Like, he's your first man and you NEED him now. What would you ever do without him?? Now hand over your shirts because he has some ironing to do, dammit!!
The only downside is you'll have to handle the finances... The words "Mammon" and "budget" go together about as well as "grainery" and "match." He'll blow through it and then some. Earners beware.
Leviathan
Hovers around C-D tier. Levi can play the role of good househusband for a VERY particular kind of partner, otherwise he's a lost cause.
He is a surprisingly decent househusband ONLY when sufficiently motivated and playing out his "domestic slice-of-life" fantasies are that motivation.
He can cook (anime-inspired dishes), he can clean (if you convince him to treat the house like he does his figurine collections), he can even sew/mend (though the majority of what he makes may be cosplay related)!
He won't leave the house to shop, but deliveries are fine. He also can't keep to a budget that doesn't include a MASSIVE chunk carved out to maintain his otaku lifestyle. He'll throw a fit otherwise.
Really, Levi's biggest problem is that once those "domestic fantasies" become mundane, he'll get bored and go back to his shows and games again.
Anyone with him would need to keep feeding into his role with new "quests" or different tropes to try out like a DM running an irl campaign. Could be fun for a little while, but it'll be too much trouble for you both long term. Best give him a skip.
Satan
S-tier. Very good choice, and he's proud of that fact.
Cooks well, very conscientious of your needs, knowledgeable on many topics from recipes to home repair, actually knows how to do laundry in a timely manner... a very good man indeed.
100% the kind of husband who sees that it's going to rain, so he treks out to wherever the hell you are to make sure you have an umbrella. Can't have you getting sick.
Get him a cat and the house will become his own slice of the Celestial Realm. He'll even text cute pics/updates on what your cat is doing like they're your literal child.
Only downside is cleaning. He's a book horder and will argue until he's blue in the face to keep Every. Last. Pamphlet. An in-house library is a MUST and expect to need expansions. Otherwise, perfect man. Much approval to be had.
Asmodeus
B-A tier. Another decent choice, just a little eccentric at times.
Asmo is that partner who will happily play the part of the trophy househusband buuut he absolutely won't do anything too strenuous or dirty.
Cooking? Totally fine! He isn't amazing, but he's not awful either. Laundry? Say no more! Your clothes will never have a wrinkle again. But cleaning...? Like the floors, attic, or ESPECIALLY the bathroom??
Nope. Nuh-huh. His cute-ass hair and his cute-ass nails in his cute-ass clothes will not stand for it! He's going to beg for a maid immediately.
I guess in exchange you'll be hosting some killer dinner parties, though! Asmo has that "suburban wife who flaunts her amazing life" energy. Also keeping his influencer game alive with tutorials galore.
In short, Asmo is willing not just to spoil you, but elevate you as well. You just need to give him a little pampering in return, kay?
Beelzebub
B-tier. Most of his problems are, predictably, food related...
Beel really, REALLY tries but you are probably never going to have a meal on time (if there's somehow any food left at all).
It isn't that he won't cooking, arguably, he spends TOO much time cooking because he'll spend just as much time eating! Or running to the store because he ate the ingredients again...
Surprisingly, though, he's actually very good at cleaning and caring for another person. That's because it's what he does for Belphie. You think the seventhborn is picking up their room AT ALL? Don't kid yourself...
Probably a good time to point out that another downside (or perk??) of husband!Beel is you also get Belphie! But he's just as spoiled as ever so... Hopefully Beel's overwhelming amazingness will make up for that.
If you like Belphie and don't mind an empty cabinet, Beel is a good choice. If not, there are better options available, I promise.
Belphegor
D-tier. Shit househusband. Doesn't even try.
Won't clean, won't cook, won't shop, can't fix, can't budget, and don't even get me STARTED on the state of the sheets!!-
He is a decorative plant of a househusband. Meant only to make the room look nicer by his presence. I've seen dogs more capable and self-motivated to maintain a household than this man will ever be.
Should you somehow get him to exert the effort, he will whine and complain the entire time. And even then, he won't do much more than put some things away and order takeout.
The only upside to Belphie is that since he's always asleep, it's not like he's making the house any dirtier. Vacuuming around his unconscious ass is home life now. At least you probably get Beel too.
Diavolo
C-B tier. What he lacks in experience, he makes up for in enthusiasm.
So... he basically can't do anything but since he's never had to, you can cut him some slack. He loves the idea of TRYING though, so you have an eager student!
He finds cooking to be a fun challenge and he isn't terrible at it. Cleaning is a drag but he likes to see you happy. You'll have to teach anything laundry/clothes related, unfortunately, and sending him to the grocery store without a very detailed list may result in him buying an entire aisle if he doesn't know what to get.
At least he'll genuinely love to hear about your day and have the biggest smile and warmest greeting for you every time you come home. He's like a big'ol puppy, just thrilled with your existence!
(Honestly, if something has him stumped, he'll call for Barbatos to help. He'll try to hide it because he wants to show that he can do things himself, but at the end of the day your happiness wins over his pride. Now let the butler fix your plumbing.)
Barbatos
SS-tier. So good, it's literally not fair.
He's been caring for another person for centuries. He has every possible skill he would need permanently etched into his DNA. He is the Grand Master of Domestic Life that all others should strive for.
Meals are at perfect temperature by the time you sit at the table. The house is so spotless that you could eat off the broom closet. Anything that breaks gets fixed/replaced within the day. He even leaves words of encouragement in the little notes packed up with your lunch. You'll start to wonder if he's an angel who's infiltrated too deep....
Barbs also seems to have a sixth sense for whenever you've had a bad day. You come back dragging from exhaustion? You favorite meal is already cooked, the bath is ready to be drawn, and would you like a shoulder rub on top of that? Feel free to vent, he loves to listen to whatever stories you have to share!
There are only two downsides to Barbatos: the first is that you are absolutely sharing him still with Diavolo and the young master is his top concern. So sorry.
The second is that moment he gets even the hint that there may be a rat in the house, he'll nuke the place with all of your stuff still in it. So keep some traps out and keep'em fresh, yeah? You'll be fine.
Simeon
S-tier. He even comes with pre-installed parenting skills! (If you're into that kind of thing).
Simeon may not have Barbs' "live to serve" mentality, but he is truly an angel to a fault. The man already acts as Den Mother of Purgatory Hall, so what would you expect?
He cooks well enough to own his own business and you can't run a business without being good with your cash. He probably has book royalties too... Plus, he cleans up after Solomon's messy ass in canon, so-
He's gonna be that husband you take to the office party and nobody will leave you alone about him for the next week. People are going to ask if he has a brother or some shit (give them Raph's number, I dare you)
Admittedly, home repair (especially of the electronics he's guaranteed to break) should probably go to someone else. Also, he is a package deal with Luke. That child is your unspoken son now, and you'll just have to deal with that.
Otherwise, he's trophy material. Marry him and carry him over that threshold! He's worth it, truly.
Solomon
I've already ranted about Solomon here. But if you aren't aware, he's D-tier saved only by the fact that he's really trying his best.
800 year-old bachelor be like: "Oh, you're supposed to change those...? They don't smell that bad after a month."
"Of course those dishes are clean! Yes, I can see that there's still food on them, but I washed them with soap. That's what makes them clean."
"What do you mean, 'Don't set the table with beakers on date night?' Isn't this one your favorite??"
"Dinner's almost done, honey! Just let me finish clubbing this octopus!" 😁
Disaster husband. Just leave him to his delusions and get used to takeout...
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tobi-smp · 5 months
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you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot
and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore
youtube
and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.
but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.
because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).
and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.
and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.
but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.
and it's like !
when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.
but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.
out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.
the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.
mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.
what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.
but it's just not in the text.
not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.
it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.
meanwhile, we have the video above.
we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.
and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.
because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.
but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.
technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.
how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?
That's interesting. That's Compelling.
technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.
and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?
That Doesn't Quite Help Your Case.
technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.
that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.
"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.
and, importantly, it doesn't have to be anyone else's Fault.
by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.
and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.
and the answer to that is, often, vulnerability and accountability.
I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.
tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.
There's Something There, and it's already In The Text. it just needs to be expanded on.
and why not do that ourselves now?
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hotvintagepoll · 1 month
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Propaganda
Deborah Kerr (Bonjour Tristesse, An Affair to Remember, The King and I)— For several decades she held the record for most Oscar nominations without a win (6 in total), and she was a prolific leading lady throughout the 40s and 50s. She's best known today for the romance An Affair to Remember with Cary Grant, and as the governess in The King and I. Many people have this erroneous perception of her as extremely prim, proper, and virginal, but this could not be further from the truth. When she first came to Hollywood under MGM she was typecast into boring decorative roles, but broke sexual boundaries for herself and Hollywood generally in From Here to Eternity, when she made out (horizontally!) with Burt Lancaster (on top of him!) in the famous Beach Scene. She went on to play many sexually conflicted women, a character type that would define most of her post- Eternity work. She continued to break Hays Code boundaries with Tea and Sympathy, which addresses homosexuality/homophobia head-on, and even did a topless scene in The Gypsy Moths 1969!! One of the only classic stars to do so. She deserves a more nuanced and frankly a hotter legacy than she currently has!!!
Ethel Merman (Anything Goes, Call Me Madam)— Possessed of a bold, brash voice, and an even bolder and brasher presence, Ethel Merman might be more well known for her stage roles, but she made several movies, and was bold and brash in them as well. Also I think if I don't submit her, she's going to come back and haunt me.
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut]
Ethel Merman:
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You've gotta love any woman who got typecast as lead-MILF
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Deborah Kerr:
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I think she was one of my first crushes before I realised I was bi in The King and I when I watched it as a kid honestly. The kissing scene in From Here to Eternity is iconic for a reason. Actually tried to learn the accents for the characters she was playing if they weren't English which is more than pretty much anyone else was doing then. Played very restrained characters who frequently seemed to be desperate not to be so restrained. Did horror movies without venturing into hagsploitation tropes. Gave Marni Nixon the credit she deserved for her share of the singing in The King and I.
Anne Larsen is a peak late 1950s bisexual with big MILF energy. Have you seen the behind the scenes pics of her wearing a suit?? Have you????? Vote Deb as Anne Larsen.
Nominated for an Oscar six (6) times and never won, but besides her having actual talent (hot), and besides her looking Like That (very hot, also beautiful), she was always playing women who are, like, crazy repressed. Which makes it fun and easy for me to read these characters as queer. Icon!!!! You know what's hot? Playing ambiguously gay in vintage Hollywood.
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Her face and talent and body, yes, ofc, duh. But also!!! Her HANDS!!!! I may be but a simple lesbian, but she is the best hactor (hand actor) that ever lived and that's HOT! For propriety's sake I feel I must redact a large portion of my commentary on this subject. Anyway. She's hot in her most famous roles (mentioned above), and also some of her sexiest hacting is on display in An Affair to Remember (her hand on the bannister when Cary Grant kisses her off-screen??? HELLO???), Tea and Sympathy (when she's trying to persuade Tom not to go out and she keeps flexing her hands like she wants to reach out to him but can't??? ALLY BEHAVIOR! WE STAN!), and The Innocents (which opens and closes with extended shots of her hands bc director Jack Clayton was also an ally and he did that for ME). Much of her appeal also lies in the fact that she often played deeply repressed characters and you know what's hot? When those uptight characters finally unravel. It's sexy. It's cathartic. It's erotic. Plus, she's beautiful to look at in both black & white and technicolor, and the more of her films you see, the more you can't help but fall in love!
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Literally is in thee most famously sexy scene of all time (or maybe just during the hays code era which is what we're talking about HELLO), which is the beach scene with Burt Lancaster in from here to eternity. To quote a tumblr post of a screen capture of a tweet of a video of joy behar on the view: "y'know, there used to be movies where they were kissing on the beach... From Here to Eternity. They're kissing-- Burt Lancaster and Deborah Kerr are Kissing on the Beach and then the WAVES crash!! You know exactly what they did!"
She might have a reputation of being chaste and virginal or whatever, but we all know it's the quiet ones who are certifiable FREAKS
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salteytakesonmanga · 8 months
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Your explanation about retconing made me think Oda's way of writing is exactly what bring people to think he has every single thing planed down from the start, even if he didn't.
The story has been going on for 20 years, and Oda himself has admitedly had ideas along the way that he added. But the fact he's still able to connect every new idea instead of having to retcon things is what makes one piece feel so perfectly planned and tied.
Anon, you innocently sent me this ask to share your thoughts and unknowingly triggered one of my rants. I’m sorry/thank you.
Anon is referring to this post.
Oda is just a good writer! He is good at the craft of writing! Even if you don’t like the story (I’m assuming you do, but for people who don’t…) it’s just WELL WRITTEN. People really aren’t used to seeing good writing anymore, to seeing tropes deployed effectively and having plot lines actually connect. This isn’t just me being cranky and old, it’s just truth. People are talking about this in film, TV, books… One Piece has been around so long that it comes from a generation of storytelling that is vastly different from our modern media landscape.
I think people are burned out on the way modern storytelling never delivers (looking at you, JJ Abrams) or constantly jerks people around to elicit a reaction, all for the sake of nabbing that viral moment. When they see Oda deploy a trope or a storytelling device they’re immediately suspicious and fearful that it’ll turn into another unsatisfying gotcha. They rush to look for proof that it’s either all part of a detailed master plan, or it’s just a cheap trick to sell more issues.
In both cases, people are looking for a reason to be LESS INVESTED in the story. If he has a master plan, they don’t need to get worried or excited because it’s all heading to some inevitable conclusion that’s been clearly telegraphed and once you’ve cracked the code then you can already tell what the ending will be, so you don’t actually have to care. If he’s winging it, then the story is just a sequence of loosely connected meaningless scenes whose only purpose is to get you hype about a plot leading nowhere, so you don’t actually have to care.
And it breaks my fucking heart.
When it comes to One Piece, so many people are insistent that One Piece is EITHER 100% planned in advance down to every minute detail, or Oda is completely winging the whole thing. But the real answer is somewhere in between, in some muddy grey area that people find really unsatisfying. They want one clear answer that they can hold up as “The Right One,” but life is not made up of black and white answers.
Honestly it makes me really sad that people can read ALL THIS - pirates are evil except actually pirates are good and the Marines are evil except the Marines are trying to protect civilians by keeping countries stable so that's good except the rulers are evil tyrants so that's bad except when they’re not and then they’re good but only sometimes and… - and what they come away with from it is, “Okay but what’s the RIGHT answer.”
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The thing that makes One Piece feel like it’s so cohesive despite Oda constantly changing his mind and making shit up is that he has a very strong and clear idea about what’s actually important to the story and what’s flexible. Because he has that as a guide, he can add the Shichibukai and change Vivi from a villain to a princess and make up who Ace’s parent is without diluting what he wants to say.
That’s what it MEANS to be a writer. Foreshadowing isn’t “boring,” it’s good writing. A plot twist you didn’t see isn’t “cheap,” it’s good writing. Fleshing out a backstory isn’t “reconning,” it’s good writing.
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keepthebeanscool · 6 months
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ITS TIME. this is my essay on why the chasity family are cannibals
okay so obviously this started with that one line from hatchet town “careful or your kids might end up on karens plate! she just ate!” but i like to imagine the “chasitys are cannibals” is just a running joke in hatchetfield, or maybe a rumor. most people don’t actually think they’re cannibals but it’s just something people say to get under karen’s skin because that’s fun.
but i like to imagine this rumor started with actual evidence of something. it’s not just like one day someone said “it would be funny to say this about karen lmao” it’s more like “possibly human remains were found in the chasity’s freezer but this is kind of a normal occurrence in hatchetfield so we’re just going to turn it into a joke”
ALSO. that one scene in npmd right before dirty girl and basically just every scene where the chasitys interact feels kind of off. its definitely giving the trope of “this a perfect utopia oh wait it’s actually really fucked up and dark when you think about it for a minute” like imagine in the dinner scene the “mouthful of mothers meatloaf” is fully some guys liver. and then karen chasity is like “oh i couldn’t have done it without you mark, you work so hard dragging all of these corpses into our basement!”
this also works with the “this is hatchetfield, people go missing every day” line because the chasitys are killing all of them and fucking eating them!! this can also account for why grace was so confident she’d get away with max’s murder because she’s so used to living in a cannibalistic murder family that it doesn’t cross her mind to worry. she just didn’t account for the fact that this specific murder would be more trackable because she didn’t yknow. eat maxs corpse so it was still there for the cops to find
grace’s entire personality in general is also really concerning! like, she’s fucking insane obviously! but why? she probably didn’t just pop out of the womb like that right? well, maybe it’s because she has been RAISED by crazy people. obviously her parents are very intensely christian but even the most devoted of christians don’t usually summon five eldritch demons to do their bidding. like! that is most definitely not normal! so it makes complete sense that grace’s insanity runs in the family they are cannibals they eat people
i promise i’m almost done but i would LOVE a nightmare time episode about the chasitys being cannibals i feel like that has so much crazy potential especially considering their personalities i just love the idea of a typical american christian family sitting down together for dinner and saying grace with someone’s fucking BRAIN on the plate in front of them. like that’s fucking insane.
could you IMAGINE a nmt episode of karen chasity seducing Ted and luring him into her home only for mark and grace to come bursting out of the closet wielding kitchen knives? i would kill to see that.
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k3n-dyll · 14 days
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The thing that throws me about people who write "virgin/innocent" reader is the fact that there are ways that you can write that trope without making it seem like the reader is a child. They just often choose not to.
I grew up in a very religious area and I know people in real life - full-grown adults that also happen to speak and act like full-grown adults - who are pretty clueless about sex. They, of course, know what sex is, but they wouldn't know what they were doing for the life of them because they were never taught anything aside from "it's sinful and you will burn in the depths of Hell for seeking more info about it".
Yes, I come with copious amounts of religious trauma due to growing up around this way of thinking, but something else that I also come with is the knowledge that you can write a reader who doesn't know all that much about sex without making them into essentially a child in the body of an adult. Also, believe it or not, they can be a curious and willing participant as well. No need to include like...manipulation tactics to get them to participate🧍🏾‍♀️
This isn't about a particular writer, it's just a general statement. I've seen some discussion on it, and I've also just seen a lot of people who write corruption kinks/"innocent" reader content that act like they can't do that without having the reader speak and act like a 5-year-old and it's odd.
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kyber-crystal · 9 months
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learning to warm cold hands || ethan hunt
summary: after a particular mission, sunshine isn’t sunshine anymore, and it worries him. (aka a cliche angst to fluff fic with the following tropes: slightly sunshine and super sunshine, who did this to you, etc)
words: ~1.4k
warnings: angst, brief descriptions of violence, ethan being overly concerned for reader, but not much else asides from that 
a/n: first ethan fic (requested by a lovely anon, thank you!!) and second mission impossible fic! btw, this fic is kind of an AU? i don't have a specific timeline for when it happens, so you can squeeze it in wherever :)
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“Y/N, status update?”
“Northwest exit, 430 meters. I have one on my tail. But you know I’m Usain Bolt 2.0! I can definitely outrun this doofus, I mean, I bet my mile time is way better than his. I could've gone to the Olympics, for God’s sake. The Olympics! Where are you?”
“Stay there, I’ll come find you.”
“Ethan, wait, you can't just tell me to—“ You don’t even get to finish before a an explosive sound echoes across the narrow alleyway. You make a sharp left turn but find that you’d just hit a dead end. The door was locked. Shit. You only had one bullet left and there was a guy who was definitely at least twice your weight—and over a foot taller, too—coming after you. You wouldn't even have enough time to reload.
“Y/N. Y/N—“
You don’t get to hear the rest of what he’s saying before the static fizzes out and you lose connection.
“Hey there!” You give the beefy man who’s now mere meters away from you a cheerful smile. “Lovely weather today, don’t you think? Too bad it’s going to rain tomorrow. I love the rain but I hate lightning, because I almost got struck a year ago.”
He doesn't look too happy at this, whipping his gun out without a moment’s hesitation. You squeeze your eyes shut and pray as you slide the bullet in and he pins you against the wall by your neck. 
He brings the gun to your head, and your weapon clatters to the ground. You curse under your breath. You can feel your airways constricting and there's a searing pain working its way through you. 
“You're not going anywhere, princess.”
There's a split-second; a microsecond in which he pauses. Very briefly. You don't think, just do—you knee him in the groin, hard, and quickly grab the knife that's sheathed in your boot. 
Saying one last prayer, you plunge the blade in, not even looking to see if you'd aimed right. He falls to the floor, stumbling, and you then lunge forward to disarm him. 
Another deafening gunshot rings out just as Ethan rounds the corner and finds you there, standing over the man’s dead body like the angel of death. A pool of blood surrounds your feet, and he doesn't think he wants to know if that's yours or his. 
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“You made it out alive. Good job out there.”
Glancing over at him, you nod, but don't say anything. You toss him the data files without another word, and board the plane. 
“I'm proud of you.”
More strained silence. Huh, weird… he thinks. 
“Y/N, are you alright?”
No response. Ethan repeats himself again, “Are you alright? Did something happen?”
You strap yourself into your seat and tilt your head back, digging your nails into your wrist. Anything was better than being awake right now…
“Well, someone's uncharacteristically quiet.”
Still no response. Not even a snarky quip like you'd typically reply with. No nicknames, no bickering, no random fun fact you googled on the way over here. “Did you know that a pig can digest an entire human body, bones and all? That makes me think a little extra every time we pass through the European countryside and see one of them.” 
All he gets is silence from your end, and it starts to worry him. 
That’s when he follows your gaze downwards. You're clutching the left side of your abdomen, trying your best not to make a sound. 
His blood runs cold and his eyes darken. You can feel the pure rage radiating off him. 
“Did he hurt you?”
“No…shit…Sherlock…” you croak out. 
“You're hurt.”
No response again. 
“Y/N, what the hell happened out there and who did this to you?”
More silence. 
“Y/N, what did he do to you? How did he hurt you?”
After several more questions and several more failed replies, he forcefully moves your hand aside. Your shirt is stained a deep red and there's a gaping hole much bigger than Ethan wanted to see. 
“You got shot.” He sighs. “Luther, how much longer?”
“Hour and five, but we can get there in 38.”
“Hurry.”
“On it.”
Ilsa brings him a thick roll of bandages. He tries to be as careful as possible as he disinfects and wraps up your torso, but every so often, you wince in pain. 
“I'm sorry, sweetheart, just a few more minutes,” Ethan hurriedly apologizes. “Hang in there for me, okay?”
Once he's done, he sits down next to you and laces your fingers together, giving your hand a squeeze. You let out a shuddering sigh and slumped against him. 
He pretends not to notice your watering eyes, or the crescent-shaped marks in your wrist. Or the way your left foot nervously taps out the rhythm to yours and his favorite song. Or the way your tears leave faint red tracks behind as they slip down your cheeks. 
“I'm so sorry,” he repeats over and over again, “I'm so sorry. I'm so sorry.”
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You don't sleep a wink that night. On any other day in Paris, you'd walk down to the farmer’s market below. You’d pick out Ethan’s favorite fruit and a new beret to have him wear jokingly, and maybe grab a croissant or two. Then you’d drag him along to the Louvre and point out each painting one by one and explain in great detail why you loved them so much. And he’d listen, because he could live purely off the sound of your voice for the rest of his life. He was never one for museums, but you loved them, and because he loved you, he started to love them, too.
But it's dark out, and after what had just happened the other day, you don't feel safe enough to leave the apartment. You tossed and turned for over half an hour before falling asleep, but jolted awake just a few minutes later, shivering violently. There was no way you were going to try and go to sleep again.  
Ethan stirs awake, rubbing his eyes to see a dark figure slipping out the door. 
He's quick to follow you up the staircase and to the rooftop. You're standing there in just a T-shirt (was that his?) and shorts, and it's freezing cold out, but you're sweating and fanning yourself. 
“Y/N?”
You turn around at the sound of his voice. “Ethan…”
“What are you doing up here? I was worried about you.” He makes his way over to you and puts a hand on your shoulder, obvious concern on his face. 
You bit your lip and started digging your nails into your wrist again. 
“Talk to me, Y/N,” he pleaded. “Tell me what's wrong.” 
You shook your head, feeling the skin of your wrist beginning to sting. 
“Y/N, please. I want to help you. But I can’t do that when you won't talk to me, so please…tell me what’s going on.” 
“I’m so tired, Ethan,” you finally spoke after a long pause, voice hoarse. “I should’ve—I shouldn’t be here right now, I should be dead because I panicked and I…I almost died. The man, he put the gun to my head and I saw my entire life flash before my eyes. I could’ve sworn to God that the whole ‘thing’ about you seeing your life flash by like a film reel was just a myth but it wasn’t. It scared the shit out of me because I kept seeing the same thing over and over. I thought…”
“What did you see?” he asked, voice gentle. 
“I kept seeing your face. All I saw was your face.” You looked away, suddenly unable to make eye contact with him. Heat spreads across your cheeks. “I know I care about the whole damn team, but you—you’re my future, Ethan.”
He doesn’t say anything in response and instead, leans down to kiss you.
The sudden rush of warmth from his lips being pressed against yours makes you want to forget everything in the world and completely drown in him. This was home, you realized, and this is where I’m supposed to be.
And as the sun rises and spreads a brilliant pale glow over the horizon, Ethan can’t help but think that maybe, just maybe, this was also exactly where he was meant to be. Not fighting bad guys, but rather, standing on the rooftop of a tiny building in the 4th arrondissement with you in his arms and your head against his heart. He thinks he could have a lifetime of this.
“You’re my future, too.”
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tags (including those who may be interested! add yourself via this form, if you’d like): @mitchellpete @voguesir @fl0ating @lady-elena-adeline @the-multiverse-of-fandoms @ilsastrenchcoat @joyfullyswimmingface​ 
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