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misscammiedawn · 2 days

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Ange Ushiromiya's Recontextualized Memory and Unprocessed Trauma in Umineko No Naku Kori Ni

CW: Full spoilers for Umineko, a mystery visual novel game which is best enjoyed without knowing spoilers in advance. The game and thus this essay will feature discussion of child abuse and suicide.

For those unfamiliar with my blog I have a tag called Media, Myself and I where I talk about positive/accurate representation of dissociative disorders in media.

Today I want to talk about Umineko No Naku Kori Ni the third and fourth titles in 07th Expansion's "When They Cry" franchise. The game is a multi-layered fiction that starts off as an Agatha Christie inspired closed circle murder mystery taking place during the weekend of October 4th 1986. The murder mystery displayed has no more than 18 humans stranded on an island in the middle of a storm and the audience is invited to try to work out the mystery of what happened.

As the story progresses the audience are presented with a number of different possibilities, each an in-universe attempt to rationalize the tragedy that took place and killed all but two members of the Ushiromiya family.

It is eventually revealed that to the eyes of the world, no more than 18 humans were on the island that weekend and only one returned to their life afterwards. Some in the world have been quite focused on working out what happened during that weekend.

It's a complicated narrative that has multiple layers and each layer communicates not only with the audience reading the game but an audience of people in-universe trying to solve the mystery as well. When we first experienced the game we had joked that it was sold to us as Anime Homestuck but it ended up being Anime House of Leaves.

The easiest way to describe the narrative structure is that the first 7 episodes of the game, each containing about 20 hours of narrative, have within them a fictionalized version of events written in-universe by people who may or may not have been present at the event with episode 8 is mostly its own thing. To explain in further detail would distract. The point is Umineko is a complicated narrative and there is too much to cover a play-by-play.

The narrative is intentionally convoluted and contradictory with part of the fun of playing the game being to work out what events are true and what the rules are for discerning "magic" from "truth".

Even with a concept as seemingly opaque as Truth, there is the often quoted "Without love it cannot be seen" motif, that our emotional connection to events will always color how we interpret events.

The story is remarkably long. How Long To Beat puts each half of the game up at about 60 hours. So that's 120 hours of pure reading with very little gameplay.

There are multiple plural characters ("Oh, I am one yet many", indeed) and we shall discuss them in due course, but for clarity I wish to focus my discussion today upon the relationship between a survivor and their histories. The novel has much to say on the topic.

The above image discussing the nature of truth is from Episode 4, the chapter where the protagonist is Ange Ushiromiya. Younger sister of the protagonist of the first Episodes, Battler Ushiromiya.

Ange, 6 years old at the time, was sick on the weekend of October 4th 1986 and was not present on the island for the massacre. One weekend she had a full and lively family and then in the span of a single week everyone she had a connection to was killed in unknowable circumstances, she was whisked away to live with her aunt, the sole survivor of the tragedy, and would live the life of a cursed child, forever haunted by the tragedy that stole away her life.

Ange's story takes place in "The World of 1998" where she seeks The Truth. She states multiple times how she is incapable of going on with her life until she knows The Truth.

The events of 1986 are presented via "forgeries", published stories which tell the story of the 1986 tragedy utilizing facts that are known about the family. Ange pours through them, attempting to uncover the truth. She suspects her aunt may be responsible. Why wouldn't she harbor suspicions? Aunt Eva was the only one of the no more than 18 humans to leave the island and became the sole inheritor of the Ushiromiya family fortune.

Complex Post Traumatic Stress Disorder is formed when an individual endures long-lasting and repeated bouts of ongoing trauma, typically in childhood. Survivors often find themselves caught in an inescapable cycle of grieving that lasts months and years beyond the loss and remains fresh and raw in spite of the time and changes that have occurred since the event. The individual is tethered to the past by an inability to move on from their loss. In psychology this is referred to as Complicated Grief and though it is most commonly discussed with death, it can present itself for grieving lost time, stolen youth and lives unlived.

Ange is riddled with Complicated Grief. Her story takes place 12 years after the events on the island of Rokkenjima and yet she constantly tells those around her that she is unable to live without knowing the truth. Ange's unprocessed grief is unearthed when her aunt, the only survivor of the massacre, passes away while maliciously refusing to give Ange any insight into the truth that she alone knew, twisting the knife as she turned over the family fortune to a child that was not her own beloved George.

Ange's sole reason for existing is to make peace with the tragedy of her past and Eva's final act was to tell her she would never have it and would instead live a cursed life of a victim in the public's eye. Eternally scrutinized and criticized.

Ange, now knowing that the only chance she had to be given the truth and still feeling that she needs it in order to live her life, runs away and starts a journey to either make peace with her tortured past or end her own life.

Ange's suicidal tendencies are played up dramatically and much of the final episode is the conflict between Ange's inability to live with her grief being played out in hyperbolic fiction. The stakes of the story amounting to "will she be able to live after learning The Truth."

But what is Truth? Would learning who is responsible for her family's death truly give her peace or would it only serve to trap her further in her endless cycle of grief?

Trauma therapy tends not to focus on Talk Therapy for the most part as such therapy indulges a survivor to dwell on their unprocessed traumas and will only serve to retraumatize the client. In many cases it is detrimental to perform Motivational Interviewing (reflective statements designed to display to a client that the clinician is listening and interpreting their words without offering direct guidance or intervention) or Rogerian "person centered" (a similar tactic designed to keep a client talking without engaging in a back-and-forth, every reply should be a prompt that inspires the client to continue sharing without boundaries and reach their own conclusions) techniques.

The reason why is that these forms of therapy have a belief that "the client holds all of the answers" and the clinician's job is to let the client get out of their own way and walk towards the answer. It is a solutions based therapy where the client is trusted to clear cognitive distortions and navigate around mental blocks between themselves and what they need.

Ange's stated goals are far from healthy.

In survivors their Core Beliefs are informed by their trauma. Those who were raised in a house of neglect may have an unresolved core belief that they are unworthy of love, those who feel shame and guilt for what happened/how they were treated may have a belief that "I should have..." - A helpful list of common negative core beliefs and positive beliefs that can be instilled, click here.

Trauma therapy contains an element of identifying these beliefs and where they originated and working to overcome them. There are many different therapies in the world that attempt to do this but they all include some element of processing trauma, accepting trauma and committing to the future.

In Ange's case she does not need to know what happened in order to live. She has to accept what happened and live.

To make this clear, should Ange learn what is presented to be The Truth it will break her and she will be unable to accept it and in doing so ends up unable to live.

All of this is a prologue to talk about acceptance and our emotional connection to memory.

Prior to Eva's death, Ange was raised in a boarding school where she was ruthlessly bullied by the other students. Both Ange and her aunt are in the public eye for the scandal associated with the Rokkenjima massacre and Eva actively despises Ange and refuses to give her the care, nurture and privilege that the other students of the rich academy enjoy.

She lives a lonely and cursed life. Her one solace is getting to find time alone to sit and read her cousin Maria's "Grimoire", her journal. When she reads the journal she can clearly picture her cousin in her mind and interact with her. A form of "magic" that Maria taught Ange back when the two of them were friends, prior to the massacre in which Maria lost her life. In the past Maria had created a magical society called Mariage Sorciere and Ange was one of the members before being excommunicated.

We'll discuss it further in a while however while introducing Maria I wish to note that she was most likely forming a dissociative disorder prior to the massacre. The series writer Ryukishi07 was a social worker prior to his career in visual novels. He does a remarkably good job of displaying how abusive and neglectful family dynamics can impact a young mind. Maria, despite being 9 years old, has speech patterns linked to an infant's maturity, she often switches into a "witch" persona and she will hold up her stuffed animals and voice out their speech, treating them like separate individuals. She is bullied at school and her mother hits her when she does this but she is incapable of acting any other way. It's who she is.

A small portion of the second chapter even having some of the cousins stop to discuss the possibility that her overactive imagination and play-acting may contain elements of dissociative identity disorder. It's never fully confirmed and she dies at age 9, but Ryukishi07 displays a convincing depiction of extreme childhood neglect that would lead to a severe dissociative disorder had she have grown up.

We learn throughout the story that her journal contains sketches of many magical entities impressed upon the servants of the island and toys that Maria has. These entities becoming the magical cast of the "Gameboard".

Though not the focus of this particular essay, each episode of the game is depicted as a chess match between a game master (representing the author of a murder mystery) and an opponent (representing the reader trying to solve the mystery) and these matches take place in a world of purgatory. This world is populated by a magical cast of characters each of whom is paired with a member of the mundane cast on the island.

The game often repeats that it takes "two to create a universe". There needs to be one to imagine it and one to perceive it and mark it as real. This is displayed on the gameboard but it is also displayed with the way that for every imagined character who exists as part of the magical cast, there is the one who imagines and then there is one who their imagination is displayed onto.

Maria is a child of extreme neglect, as we will discuss soon, she had no one to displace her imagination upon (spare for her mother who she imagined as being possessed by an evil witch when she became violently abusive) and so she imbued life into her toys. Bringing Sakutarou, her stuffed lion doll, and her band of toy rabbits to life. This earned her the title "Witch of origins".

The magic in the game's universe operates on a rule that "it takes two to create a universe" logic. The concepts of Magic and Love being intertwined. "Without love it cannot be seen" has many meanings but in terms of creation it means that anyone can apply "the anti-magic toxin" of mistrust/disbelief by simply rejecting another person's reality.

So much of the magic and love in this world is built on trust and being able to believe in that which is shared. The concept is explored from many angles throughout the game, Episode 6 focusing on love in the form of trust between a writer and a reader and the contract between them requiring a murder mystery to be solvable and for a reader to earnestly engage with the fiction and accept it as it is written.

Within Mariage Sorciere, this love is to accept that the characters and imaginings of its members. To be a member is to accept all as it is presented. Sakutarou is a magical lion boy who speaks. To doubt this is to be excommunicated from the order, which is why Ange was kicked out of the witches alliance. To say Sakutarou wasn't real was tantamount to trying to kill him.

Maria's love is without doubt. In Episode 7 we learn that she is not capable of viewing people as anything more than how they present to the world. Her imagination paints how she perceives the world. When her mother's behavior drastically shifts when she enters a violent and abusive rage she firmly believes that her mother has been possessed by a cruel witch.

When a familiar adult approaches her speaking as the Golden Witch Beatrice, she does not see the adult. She only sees Beato. This is vital to her testimony throughout the game regarding the murder mysteries.

One last thing I wish to go over during this analysis of Ange and Maria and their relationship to their traumatic childhoods. That is the title of witch.

By now I hope it's been made clear that magic is imagination and love is trust. Whether it be testimony being believed, the contract between author and reader or the inner reality of one being seen and regarded and acknowledged by another.

As someone with DID, I like this concept a lot. It would be so easy to simply dismiss our condition and the presentations. But with love it can be seen.

The game shows a number of different types of witch. From the witch of origins who can make new imaginings that do not require another person to validate them to the Golden witch who has enough money to make reality via sheer financial coercion or the witch of truth who can make reality by asserting it to be so or witch of resurrection who can keep those who died alive in their memory.

Each witch is using their magical ability to "create" by taking their imagination and moving it out into the world. The Witch of Truth is a detective whose deductions are believed to be fact even if the accused disagrees. The Golden Witch can take any scheme or desire and pay people to make it a reality.

And Ange, the Witch of Resurrections, can bring back the dead by remembering them and keeping their voices in her heart. They live on in her writing. In her words. In her memory. So when she reads Maria's journal she can bring the Maria of 1986 into the world of 1998. When she reads of Maria's magical companions they can accompany her.

With this context, we return to Ange in her teen years.

Lonely and consumed by grief she is only able to find solace in imagining Maria with her, imagining Maria having forgiven her for saying Sakutarou wasn't real.

As she accepts the role of apprentice witch she is allowed to perceive Maria and her menagerie of imaginary friends.

Though there's a certain amount of strain and physical discomfort in maintaining the thought process of so many at once. Maria is able to do it remarkably easy but Ange has to struggle.

It's okay, Ange, dissociation headaches are an absolute bitch. They get better after a certain amount of stabilizing and communication work.

All the while she reads about Maria's home life.

To break the essay structure and be real for a moment. This segment hit me hard. I choked up crying and needed to take a break from the game for a while. The depiction of child neglect and abuse was too real and I feel it serves the fiction to depict it as such but it is a hard read. Please be kind to yourself as you read on.

Rosa Ushiromiya is the youngest of the Ushiromiya children, furthest from the inheritance and least respected of Kinzo's progeny. She likely suffered a large amount of abuse and neglect in her own childhood both physical from the eldest sibling, Kraus, emotional/psychological from her sister Eva and a combination of both from her other brother Rudolf.

Children raised in abusive households are more likely to develop personality disorders born from attachment trauma. A typical display of this is dichotomous thinking, praising and devaluing the same subject in waves based on stimulus. Within Borderline Personality Disorder, for instance, this is where the concept of Splitting and Black and White Thinking come from.

For Rosa, this manifests with her mood swings that have her violently scream and hit her daughter before lavishing her with apologies, affection and attention.

Every character in Umineko is burdened with a painful past. Each character feels the need to displace that pain outwards and project it onto other people. For instance Rosa displaces her pain onto Maria. Both of Ange's aunts displace theirs onto her. Kyrie displaces hers onto Battler.

Generational trauma is a heavy theme of this game.

Rosa makes her way as the head of a small fashion design label though she does not see a lot of success in her role. Early in adulthood she had a relationship that ended with her pregnant with Maria. Maria's father, upon learning of the pregnancy, left.

Rosa is young, lonely and feels that having a child makes it difficult for her to find love; in the time and culture of 1980s Japan being a single mother was seen as shameful. She finds that the best way she is able to date is to act like she does not have a daughter and take extended vacations across the country on weekends with her dates.

Leaving her daughter home alone.

Rosa has a number of hang-ups about the optics of leaving Maria in someone else's care, she is shown on multiple occasions in the story to fly into a rage when her ability to be a parent is put into question and she has massive cognitive dissonance in that she cannot bare to be seen as a bad mother and so she acts like a horrible mother to avoid looking bad.

I have seen a lot of debate on the logic here and first off, anyone who approaches this story with a view of "it does not make sense that a character acted this way" lacks the Love required to enjoy this story in full. The author enters a firm agreement with the audience to work within the confines of the fiction and not to disrespect the fiction by rejecting that which is offered. He will deceive us but never lie. In that we have to believe in the story.

But it's also a sign of those who have grown up with a proud optics obsessed parent and those who did not. Sad to say, I have experienced a few of the things which happen in this chapter and I have no doubt that Ryukishi07 saw some of it in his social worker career.

When Rosa leaves Maria alone at home, for days at a time, she orders her to never make anyone aware of her situation. More important than anything else never speak to the police about what goes on in this house.

That. I have lived that one.

What Ange reads and what Maria shows us in this episode is a weekend where Maria is home alone, her mother having forgotten a promise that was made to her and Maria is locked out of her house. She spends an entire evening searching for the lost key and eventually needs to seek a friendly store worker who recognizes her to get help.

This leads to police intervention, a social worker showing up at Rosa's house and...

I glossed over a lot. This is a dense book and this story takes up much of Episode 4. Suffice to say, Maria's friend Sakutarou was murdered in retaliation for Maria summoning attention of Rosa's bad parenting. Rosa abandoned her daughter for a full weekend after breaking a promise and when she was locked out and defenseless she asked for help and was violently punished for doing so.

Another function of the witch of origins is the ability to break the cycle of generational abuse. She does not take her pain and push it into someone else, she creates an imagined evil mother to hate and fear while continuing to love her 'real' mother. This way she never has to doubt the love she has for the mother who she has happy memories of and who custom crafted a lovely plush lion just for her.

Which leads to the discussion of trauma, memory and processing.

Ange, upon reading this story is crestfallen. She views Maria as a pitiable child, only to be confronted by MARIA who defends Rosa. Arguing that she legitimately forgot her promise, rather than deciding that her daughter was not worth the time or effort.

She claims constantly that Rosa is a good mother and that she is happy.

Maria, a being who can only view the world with love, despite being abused and hurt; chose to be happy and so through her magic it was so. She was happy.

There's a misconception I have seen and I will admit I held for myself upon reading Episode 4 that Maria was preaching to deceive ones own self in order to be happy. That it was enabling and accepting of her own abuse.

But this is actually one of the deepest things Umineko has to say about generational trauma...

Chapter 8 revisits the idea with a version of the gameboard where the Ange of 1986 is allowed to be on the island, something which was impossible because in truth she was not. Not even the witch of miracles could change that which is certain.

In this game, set by Ange's older brother BATTLER, the 6 year old Ange is treated to a fun halloween party with her aunt Eva run by her loving family. Throughout the entire story Grandfather Kinzo was made out to be the source of all evil and in this episode he is displayed as a kind and loving grandfather.

The entire reason I wanted to write this post and include it in my Media, Myself and I series (in lieu of discussing the overt plurality in the game, even) was due to a conversation Ange has with Battler about this deception.

Source: LP Archives - The full conversation can be found on this page for anyone who wants the full breakdown.

The entire story of Umineko is a struggle for those who experienced horrors to be able to come to terms with their memories and process them. This is true for Ange, it is true for Maria and it is true for the other members of the cast also.

Memory is malleable and uncertain and can and does become distorted due to understandings and contexts gained at a later stage, particularly when bias is in play.

For a graphic of how this works please look at this:

Source

The more a memory is reactivated the more it is eroded of its initial context and additional contexts bleed in. For Ange's circumstance she remembers her parents through the lens of knowing that her father was embroiled in legal troubles from his womanizing behavior. It is unlikely a 6 year old Ange remembers Rudolf in this light but her view of her father is painted through this lens and thus when she retrieves these memories the present context forces itself into the past.

This is just how the human mind works.

EMDR and other trauma treatments are focused on hijacking this system. When a traumatic memory plays out the amygdala processes the emotions and sense of danger which activates the nervous system. This process does not even require a conscious recollection; should a trauma memory be associated with a certain scent the nervous system will activate upon smelling it even if the survivor does not recall the event attached to the stimulus, the amygdala most certainly does.

I have spent too much of my life considering which of our memories had lavender scenting…

For EMDR the process involves retrieving the traumatic memory without allowing the client to reexperience it while ensuring they do so within the context of the present while highlighting safety and security. This allows the memory to be filtered through without the activating the nervous system. In some therapies this can be a process of re-parenting in which the emotional absence is provided either by the self or via a proxy. The idea is to allow the memory to break association with the trauma and be decontextualize until the memory no longer has negative associations.

Where I had assumed Maria's choice to be happy and think the best of her abuser was an act of enabling and self-deception, I now see was an attempt to stop dwelling on the negatives of the situation and allowing the past trauma to become a defining point within the present.

Maria cannot choose what happened to her. She can choose how she intends to live with what happened with her. She cannot know for certain what Rosa's motivation was in her actions. In fact as we go through the game the audience comes to be given some sympathetic information which though can never redeem Rosa's terrible parenting, can allow one inclined to feel sympathy for her. Like everyone else in the game, she's a victim too. Quite literally in 1986.

There's no way of knowing if she maliciously lied to her child and went off on vacation abandoning her or if she legitimately forgot her promise. No one is arguing that what Rosa did was forgivable. But it helps Maria continue living a happy existence knowing that she was loved and that the good memories she has of her mother are true, even if the bad ones are also true.

Maria, filled with love as she is, elected to see The Good Mommy and The Bad Mommy. Is this right or wrong? It's unimportant. What matters is if Maria can be happy.

Sakutarou was a stuffed lion said to be handcrafted by Rosa. Given as a gift and beloved above all things for Maria. When Rosa destroyed the Sakutarou doll the lion cub boy died and could not be resurrected by Beatrice because it was a unique item created by Rosa.

In Chapter 4's conclusion, Ange does the impossible and resurrects Sakutarou. She does this because Sakutarou was never a custom made doll crafed with love. He was a mass produced toy sold in travel gift stores that Rosa happened to pick up on her way home. She lied. Ange never tells Maria this. The miracle of Sakutarou's rebirth is enough. Knowing that the beloved handmade toy was not hand-crafted would not make Maria's life any better. Sometimes believing in magic is the best thing for someone living in a world painted by despair.

Funny that Ange understood that much for Maria and yet still sought after the One Truth up until the very end.

The finale of the game comes down to presenting this option to the player and by proxy Ange herself.

In a world where you cannot change the past and you cannot fully accept what happened, is it better to continue digging up the past and re-experiencing the trauma in hopes that there lays a truth that will make it all finally make sense or to try to make peace with the past and find moments of peace to hold onto. Holding to hate and pain only serves to bring the pain of the past into the present.

Ange, the witch of resurrection, has the ability to keep her family with her long after their death. Should she be haunted by the family that she was deprived or be happy for the limited memories she had and not be tethered to a world of the past she could never have possibly been part of.

Healing in Umineko is accepting love and making peace with loss. It is learning to live unburdened by tragedy and do the best with what was done to us.

If we cannot let go then we'll continue living in the world of the past turning over the events over and over trying to make sense of it and even if we are somehow granted the magical context, the one and only shining truth... it will only serve to make things worse. You can keep the past alive without letting the past control your future.

And Umineko does a remarkably good job of showing that.

Gosh... that took far longer than I'd hoped. Umineko is a difficult piece of fiction to type about because so much of it is subjective and hard to present to a broad audience without providing ample context.

I'd hoped to talk about Yasu's DID but I suppose that shall have to await another update. My original draft for this discussion was to discuss the different forms of dissociative amnesia with Ange's story serving as an example of how recontextualizing memory works. I may yet go back and do a full amnesia based ramble in the coming months. I just needed to get at least one aspect of Umineko drafted as it's been living rent free in my brain since December.

If you enjoyed this breakdown and found it interesting, please check out some of my other Media, Myself and I essays.

Derealization in Night in the Woods and Metal gear Solid 2 - Describing the sensation of derealization where the brain stops connecting associations between the self and the things one perceives in their surroundings. One example displaying how this impacts a person living with DPDR and the other showing an example of a game attempting to make a player share the experience with the player character.

DID and the healing process in Mr. Robot - A run down of the experiences of discovery, exploration, rejection and healing within DID as displayed in each season of Mr. Robot, along with a disappointed rundown of why the final episode fumbled the ball.

Bruce Banner and the roles of his alters - A breakdown of the formation of The Incredible Hulk's DID and what roles his many alters play.

Romantic relationships with systems - A look at the marriage between Bruce Banner and Betty Talbot-Ross Banner in Hulk comics and a frank discussion between Betty and one of Bruce's alters about how relationships function in a system.

Personality Play in Penlight - A review of one of the routes for a hypnokink visual novel called Penlight in which the protagonist hypnotizes a woman to have an alter personality, along with some descriptions of how dangerous play like that works in real life and what the consequences could be.

#dawn posting #umineko #ange ushiromiya #maria ushiromiya #ahaha.wav #media myself and i #media essays

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prokopetz · 25 days

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In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:

In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.

The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.

A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.

Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.

Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.

At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.

This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.

Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".

(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)

#gaming #tabletop roleplaying #tabletop rpgs #game design #fiction first #violence mention #death mention #swearing

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shadesoflsk · 1 month

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THE OLD WAY

pairing: Leon Kennedy x fem reader

summary: Living at a farm and being married surely has it perks. However, Leon can't help but think something is missing.

warnings: smut, MDNI, oral (fem receiving) p in v, mating press (??), creampie, breeding kink, outdoor sex, age gap (unspecified), established relationship, fluff, Leon is so husband in this, mentions of pregnancy, domestic bliss.

word count: 4k

author's note: Hello! I had this fic in my drafts for sooo long. I was kind of ashamed to post this since it's not my usual type of content but !!! fuck it !! Ovulation goes brrr. I hope you all like it!I had an older Leon in mind but I used a re6 leon pic for funsies. (And please... don't judge the lack of creativity in my title... I didn't know what to write.)

MY MASTERLIST

City life was no longer fitting for a man like him. Job was not the same and he was afraid he might not get up from one of his falls one day. Joints no longer worked like they used to, a painful reminder of how his age was getting to him.

That's why he chose to retire, rather early for the average citizen. But he believes his position as a federal agent has aged him to the point where he could easily describe himself as an 80 years old man who needed help crouching down.

With that in mind, he wasted no time buying a home away from civilization. Money was no problem and owning a ranch now sounded like the best idea he could come up with. Days turned into weeks, weeks into months, and months into years. Time seemed to flow faster as he settled down in a peaceful lifestyle.

Solitude was very much welcomed. The sounds of blood dripping and ragged screams were replaced by the soft pitty patter of the rain and the usual rooster’s crow each morning, announcing a new day.

But, as much as he has grown to love and appreciate his simplistic routine, the monotonous daily work and the lack of companionship were hitting him hard. When night came and his thoughts clouded his rational side, he yearned for a change in his life. He was never the romantic type, never been. His previous job as an agent cut off any possibilities of having a partner and settling down like any normal person would. But years made him a sappy man, it seemed.

Life works in mysterious ways, though. He wouldn’t have thought that farm life would bring him a sweet thing like you. It all started with your car breaking down a few meters away from his farm. You wanted to thank him for his help, there was no way you would simply express your gratitude through words, not after his assistance.

So, your first visit consisted of a home-baked pie which he reluctantly accepted. Not because he didn’t want to but it had been a while since he was last gifted something. That first meeting soon turned into a couple until you were basically there every day.

“Stay with me,” shifted into a “Be my girlfriend” and therefore the “Marry me?” finally came.

You were the best thing that has ever happened in his life, a peaceful life away from any danger the city may bring and a beautiful wife by his side? God granted him the most perfect miracle ever.

He followed the milestones of your relationship to a T. Even though the lack of knowledge was sometimes obvious, he knew the basics of how to keep a girl—his girl— happy. It was in his nature to provide, and living with you meant no exception.

He always strived to do better, to be better. Your needs were always met and he took pride in knowing he was your husband. No one else but him.

However, he felt selfish when none of that actually fulfilled him. He was happy with you, don’t get him wrong. Nothing was like before when he thought he would die alone with no one who cared about him. But something in the back of his mind kept bothering him.

And ever since he realized something was missing, he couldn't help but try to find out what it was.

For days and weeks, he tried picturing the change both of you needed. More pets? You had enough with the dog you both have. Vacations? He had already taken you to the beach. More space in your home? The house at the farm was alright… Maybe a little too big for just the two of you.

Oh.

Oh…

The problem was the two of you. Or rather, being just the two of you on this big ranch.

He had come to realize that he could, in fact, dream bigger. A few years ago, he would have thought that being married was a faraway dream, unachievable and stupid. But now he’s a husband and maybe if he tries hard enough, he can get to be a family man.

However, nobody has taught him how to face these types of situations. Even when he asked you to be his wife, he needed months of preparation. How was he going to explain this desire to put a baby in you?

On one peaceful night, he was spooning you as always. It was his favorite activity after taking care of his chores at the farm (and even doing some of yours just so you could relax more). But even when there was nothing but a comforting silence, his thoughts wouldn’t stop flooding his mind.

He let one of his hands rest on your abdomen, caressing the skin there with circular motions. He tried closing his eyes to prevent more of those thoughts from coming to his mind yet it was useless. His imagination was running wild when he pictured you carrying a life in your belly, swollen and round, the perfect scenario.

He imagined taking care of you. Of course, his pretty wife won’t do anything if she’s next to him. There was no way he wouldn’t take that opportunity to show her how much of a man, a good man he was.

Pressing a kiss to your cheek as he rested behind you, he spoke before even thinking what he was supposed to say.

“You would be a good mom, you know?” It slipped out of his mouth, he should’ve used a more discreet way of speaking his mind. Now it was too late to draw back.

“What?” You chuckled as you turned your head to look at Leon. “I’d look great as a mom?”

“Yeah.” He whispered, finally admitting his desire to have a family. “What do you think?”

He wouldn’t push the matter if you don’t feel the same. As much as he loved the idea of having mini versions of both of you, there was no way he would force you to do it.

“Mhm… I think you’d also be a great dad.” Your voice was as soft as his, indulging in this little moment of intimacy and raw honesty.

The word dad rings in his mind. His life before having his ranch was violence-filled, then years of solitude surrounded by nothing but nature cornered him to think that being alone was his destiny. Now, you brought him a newfound desire to come back home and finding you and your child. A family.

“You think so?”

“Absolutely.”

Leon had a silly smile formed on his face. His dreams were actually achievable and domesticity and tranquility were now his everyday life.

“We can try if you want.” You added, feeling how Leon continued drawing shapes on your stomach. “How many would you like?”

Leon didn’t think he would get this far.

“Want me to be honest?” Leon’s lips curled into a mischievous smile. “I wouldn’t mind having an entire football team with you.” He joked, hearing how you gasped in response.

“Leon!” You slapped his hand out of your abdomen. “I’m the one having them!”

Both of you laughed as the night embraced both of you like a blanket. Confessions have never been so much welcomed as tonight’s.

“I love you.” He murmured as his eyes closed. It was a reassurance that whatever life had in store for both of you, he would gladly accept it.

“I love you more.” You replied with the same fondness as always. Drifting off to sleep was easier than ever.

Days passed and the conversation wasn’t forgotten. Nonetheless, you let the flow of time and life decide for both of you.

Daily chores needed to be completed no matter what. So, he’s now washing his hands after feeding the horses. You’re holding the garden hose which makes a wet mess given the force of the water.

“Didn’t know it was raining.” Leon jokes as the water soaks his shirt and pants.

“Shit, sorry.” You turn off the garden hose as you giggle watching how drenched Leon looks.

And while you are genuinely sorry since Leon still has things to do on the farm, you can’t help but appreciate the image your husband is offering. White shirt now see-through, giving you the perfect view of his soft abdomen clinging to the fabric.

When you first met Leon, he had told you what an amazing body he had. With so much pride, he once showed you pictures of his past self. Images of a toned torso and strong arms would look appealing to your eyes. But each time Leon and you are intimate, you get to feel his slightly rounder belly pressed against you, his strong arms clinging to you. In those moments you can’t help but thank God for the gorgeous man you have.

“Enjoying the view?” Leon breaks the silence when he feels your eyes not leaving his body.

“Maybe…” You quietly whisper as you drop the hose and walk closer to him. “Can’t help it, my husband is so handsome.” You add, hiding your face in the crook of his neck. Inevitably, you inhaled the scent you have grown to love.

For a moment, you stay there, just drowning in the affection letting your hands rest on his sides unaware of how Leon could feel the slight friction of your breasts against his soaked shirt. The thin fabric of your dress does a poor job of preventing Leon’s hands from wandering around your body.

A pool of arousal starts setting in Leon as he reaches your ass and gives it a firm squeeze.

With one swift and smooth move, he lifts you off the ground. Your feet are no longer touching the floor as Leon walks away from the barn. And, as if on command, you wrap your legs around his torso, allowing him to walk easier to whatever destination he had in mind.

For once, Leon hates the fact that he owns a big ass farm. His place is a bit far away from the barn, so his decisions are fogged by the desire and neediness he is feeling at the moment. Years in solitude led him to think he was imponent but with the way his jeans seem to get tighter each time your lower half brushes against his, he knows it's not true.

He is a gentleman, don’t get him wrong. He’d have picked you up and carried you to his bedroom as usual, laid you on the bed, taken off your clothes, and fucked you gently (or rough) like he usually did. However, a newfound wish piqued his interest, and even though you're in a secluded area, he wishes everyone would know what pretty girl he got.

Without further thinking and no complaints made, he places you down on the grass. The sensation of the blades tickling your skin is, in a way, bothersome, but your brain is easily turned into mush every time Leon dares to touch you.

Leon, however, wouldn’t allow you to feel any discomfort. His sun-kissed skin would be exposed in swift motion as he takes off his wet shirt. Those antagonizing seconds of admiring him unbuttoning the fabric push you to press your thighs together, seeking any type of release or mere pleasure.

“Up,” And after those endless seconds of him taking off his shirt, his hand taps your hip, motioning you to lift the lower half of your body for him to lay his shirt there. Giving no second thoughts, you raise your rear, pathetically quick, and Leon notices. “So needy, have I been slacking off?”

And his tone gives him away. He is looking forward to letting nature be the witness of your lustful acts. The sun being your light and the grass your makeshift bed. His body embraces the position on top of you.

“Of course I have.” He cooes, bringing his face lower and lower before pressing his cheek against your inner thigh. His stubble resembles sandpaper with how it scratches your skin, but at this point, it brings more pleasure than annoyance. “Look at her, already crying for me.”

His breath tickles the middle area between your legs. The wet spot in your panties is obvious to Leon who wastes no time to bring up that fact. And you want to thank yourself for choosing a dress today because there is no way you could do anything besides laying on the grass and letting Leon treat you so nicely and tenderly.

“How could I?” He hums against the soaked patch of the fabric. “Been neglecting my pretty girl.” He presses a kiss on your clothed area, dragging down the anticipated pleasure you’re looking for.

“Mhm… please.” Your babbles gain a chuckle out of Leon’s lips. He is enjoying the whole setting, he wouldn’t have known he had a thing for outdoor sex but then again, he loves discovering new things with you.

Antagonistically, he lifts your dress until it reaches your abdomen and exposes your lower half.

And finally, his fingers hook around the sides of your panties, yanking down the fabric, allowing himself to admire the way he has made a mess of you already.

As always, he was ready for his favorite meal in the whole world.

Lying on his stomach, he props up on his elbows, his mouth dives into your pussy as his tongue laps at your clit. A moan escapes your lips as the sensation of being eaten out by Leon floods your mind and soul.

He feasts like a starved man, like he is eating his favorite dessert. He delves into your aching hole, his tongue tasting the sweet and well-known flavor of your juices. He brings your legs over his shoulders, propping you to raise your lower half and reach even deeper.

“Shit,” Your fingers tangle in his dirty blond hair, shoving his face into your cunt. His lips suck your clit, paying close attention to that part, drawing moans and whines out of you.

A plethora of names are being said as Leon continues being trapped between your thighs. He flicks his tongue while he feels how some of your slick drips to his stubble. And with the way your legs squeeze him even tighter, he can already guess you’re feeling so much pleasure from his tongue alone.

You arch your back, trying to bring him even closer to your core. The wet noises of his saliva and your slick mix with the outdoor ones. The soft rustling of the trees’ leaves and the birds chirping are a reminder of the scenario you both are in.

Whimpers leave your lips as Leon's tongue makes out with your cunt. Your fingers grip the shirt Leon placed as a makeshift blanket. Heat starts pooling in your belly as the antagonizing seconds of Leon eating you out bring you to the edge.

At last, your body jerks and comes undone in Leon’s grasp. He holds you in place, flattening his tongue to collect every drop of your slick. He could easily cum too just by the fact he was tasting your release.

“My sweet girl, always so perfect for me.” He finally disconnects from your pussy to crawl back to where your face is. He places some kisses on your neck which is glistening with a layer of sweat given how much pleasure you were previously feeling.

At last, his lips reach yours and he passionately kisses you. You could easily taste yourself in the kiss yet you don’t care at this very moment.

For a moment, he indulges in the tenderness of the kiss after bringing you to heaven with just his tongue alone. However, the easily noticeable restraint in his jeans was getting harder to control.

You feel him grind against you, seeking any type of friction to ease the aching feeling of his erection.

“Leon… I can’t….” Leon’s intentions are obvious as you feel his clothed dick humping your leg like a needy man yet, you are still tender from your ecstasy.

“You can…” He brings his face against the crook of your neck once again, placing wet kisses around your skin. “Just one more baby.”

He pleads, he begs, he needs to feel you wrapped around him. Those thoughts about leaving his mark, leaving his seed in you are still pretty much present. So at last, you nod. That’s when you can feel a smile forming on his lips which continue being pressed against your neck.

“Thank you, thank you.” Acting like he hasn’t touched for ages, you hear the rustle of fabric and his belt buckle falling to the ground. You see how his dick springs out of his boxers when he pulls them down, already leaking precum just from eating you out.

In less than a second, you feel him collecting your previous release, sliding his cock through your folds with such ease that it had you gripping air.

“Fuck…” He murmurs as he pushes himself painfully slowly, taking his time to feel how your walls tighten around his length. Pinned underneath him, you feel overwhelmed by the sensation of having his body so close to you.

“My pretty wife…” He whispers as he is finally all the way in. “Look at you, so pretty full of me.” He adds while one of his hands caresses your hair.

He starts gently rocking against your body, the pace is slow and comforting as if trying to remember the way your velvety walls clamp his dick, the stretch being something you’re accustomed to.

“I love you so much, you know that?” He says as he thrusts inside of you, this time a little more urgently. The hand that was previously running through your hair wraps around your waist and lifts it slightly.

“Mhm…yes.” You nod as your eyes lock with his, witnessing a newfound desire you haven’t seen before. Maybe it was the fact that both of you are outdoors, you don’t know.

The sounds of his skin slapping against yours mix with your heavy breaths. The perfect music for the perfect scenario. As soon as Leon hits that sweet spot of yours, you whimper his name like a mantra.

And then again, the thought of a family floods his mind. The mental image of your belly stretching out, making space for the baby is everything he longs for. And not only that, but he craves to take care of you, his pretty wife. You wouldn’t need to lift a finger for the nine months of pregnancy.

“Wanna fill you up.” He finally confesses in a moan. He isn’t a stranger to dirty talk, you know it well. The way his words come out like a promise and an already-made decision is proof of his not so hidden wish. “This farm is lonely with just the two of us…”

And as he presses his forehead against yours, you see in his eyes the devotion he has for you. The same man that promised you the world is now promising a life, a new life who is going to be the perfect combination of both you and him.

“What’chu mean?” You feign ignorance just for the sake of hearing those words coming out of his mouth again. And as you try to say some more teasing words, you can feel the way his thrusts get rougher as if trying to make a statement. The statement being that he wouldn’t stop until you get pregnant.

“You know what I mean…” He is huffing by now, letting out a grunt as he utters those words. “Wanna get you nice and full.”

Ultimately, your dreams are the same as his. So you allow him to transform this dream of his into his—your—reality now.

“Yeah?” You say through your teeth, trying not to whimper from the fact that his cock is reaching so deep into you.

“Yeah.” He groans, his sticky forehead never leaving yours as he looks into your eyes and your dazed-out expression. “You’re gonna look so goddamn beautiful as a momma.”

Out of desperation to fuck you even deeper, he brings your legs to his shoulders, just like he previously did when he was eating you out. But this time, it is an attempt to let his dick mark your womb.

It is his mission to one day see a positive test. It’s his mission to show his devotion to his princess and the now-future mother of his children. He’d never stop looking at the telltale of his seed making its home in your body.

He wouldn’t let you do anything besides resting and growing your little miracle. He’d cook, he’d clean, he’d feed you if you ask him to.

“Keep squeezing me like that, I’m gonna—fuck—cum…” He effortlessly bends your knees even more, bringing them closer to your chest. “Gonna fill you up until I’m so damn empty.”

He takes advantage of the vulnerable position you’re in to bring a hand to your clit. Rubbing it, he waits for the imminent climax of both of you.

“Cum for me, princess.” He presses his body on top of you, the position allowing him to let out an almost growl against your ear. The sense of purpose that Leon is showing prompts you to finally reach your climax. With a broken voice and your fingernails leaving crescent moons on his back, you coat his dick with your release. A gooey ring forms at the base of his cock every time he pulls in and out of you.

His actions don’t stop there, though. He was so close to spilling right inside you and making his dreams come true. He brings the hand that was previously teasing your clit to your face, brushing away some of your hair that has stuck to your forehead, he looks right into your eyes.

“Fucking love you so much.” He grunts, his deep sea eyes never leaving yours, as if trying to engrave this moment in his mind. To forever remember the time when he finally achieved his dream. “You’ll be the prettiest momma ever.”

Although his thrusts are too much for you to handle and the overstimulation turns into a slight discomfort, the way his hand is gently caressing your cheek—a juxtaposition of his determined attempt of marking you— makes you melt on the spot.

And especially since the cold feeling of his wedding ring reminds you of the amazing man you married.

“I'm cumming.” He warns you as his thrusts get sloppy and without rhythm. He's seeing stars at this moment, every time he plunges his dick into you he reaches the sky. And at last, with the way his breath gets laboured and heavy, it announces his high coming.

The head of his dick spurts rope after rope of cum into you, the angle you are in makes it easier for it not to drip out of you. He wouldn’t allow a drop of his seed to go to waste.

You feel the warm and thick liquid filling your insides, proof of Leon’s actions and therefore fulfilled wish. For a moment, you stay there letting his weight crush you and your bent legs.

After a while, he slowly slips out of you, carefully placing your legs on the ground. You feel the grass blades tickling your calves where Leon’s shirt doesn’t reach.

Leon rests his arm next to your head, admiring the dazed-out expression you have after letting him fill you.

“Hey…” He murmurs before letting out a soft chuckle.

“Hi you.” You respond with a smile amidst the exhaustion that is running through your veins. “We really just did that.”

“Yeah…” In his eyes, you can observe how much love he has for you and how eager he is to know if this one dream will be a reality.

With his free hand, he grabs yours and places soft pecks on your knuckles.

“Are you okay?” He once again speaks, now making sure you are alright.

“More than okay.”

He gives your knuckles one last kiss before he lets out a breathy laugh, shaking his head while doing so.

“A penny for your thoughts?” You ask.

“Nothing…” He shakes his head once again. “It's just that… I may have some dad jokes already prepared.”

“Shut up, Leon.”

You couldn’t wait to know if your dreams were achieved by this act. You couldn’t wait to see if your life could get even better than this. And especially, you couldn’t wait to experience being a family.

💬 shadesoflsk: Comments, reblogs and likes are very much appreciated.

#leon kennedy x reader #leon kennedy x you #leon kennedy fluff #leon kennedy smut #leon kennedy #leon s kennedy #resident evil

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bangchansnudes · 26 days

Text

baby

fuckboy!hyunjin. 1.6k word. cliched enemy to lovers(??) with a douchebag hyunjin.

“don’t tell me you’re scared of some fake gore,” the boy whispers over to you, followed by a mocking chuckle, “need me to protect you baby?”

“shut up.”

“baby.”

“shut-”

“can you both shut up and just watch the damn movie?” seungmin says from his sitting position on the floor, his head turning back to glare at both you and hyunjin on the couch, “i swear if i need to pause it again, i’m throwing both of you out in the cold!”

if it weren’t for the fact that your roommate was dating seungmin, you would never ever interact with someone like his best friend, hwang hyunjin, let alone let him into your apartment.

but unfortunately for you, the two were the ultimate besties which meant where one boy went, the other usually followed. that’s why it had become a norm for the four of you to hang out. like right now, a weekend movie night.

you really didn’t mind seungmin, the boy was nice and treated your roommate well but hwang hyunjin was a whole other story.

hwang hyunjin. sigh. the boy was the literal definition of a fuck boy. an obnoxious frat boy who flirted his way through every living thing in a skirt. yeah, that was a way to describe him.

at first, hanging out with him wasn’t all that bad. you actually didn’t mind him either, the boy was somewhat funny and that face of his was just absolutely breath taking. one of the many reasons why he was so popular around town.

but then he began treating you differently, for some reason. he’d go out of his way to annoy you, to insult you, to tease you. he seemed to suddenly hate you and he made sure to let you know that.

and it had been hell since.

“i’m gonna make more popcorn,” you get off the couch and head towards the kitchen, sighing at the thought of having to spend the rest of the night with hyunjin. classes had already been hell for you so the last thing you needed tonight was a screaming match with the fuck boy.

“don’t do too much thinking, your small brain might explode.”

that voice. that god awful voice.

you turn around to see the devil himself leaning against the kitchen entrance, arms crossed over and a smug grin on his stupid handsome face.

“what? cat got your tongue babe?” he makes his way over to you, cornering you in against the kitchen cabinet, “or have you finally fallen in love with me?”

“fuck off hwang,” you push at his chest but the boy doesn’t budge, only laughing at your weak move, “i’m not in the mood to deal with your shit.”

“what do you have against me anyway?” he leans in closer to you, both his hands now resting on either sides of you on the cabinet, “is it cause i’m so good looking and so popular?”

gulp.

this has to be the closest you’ve ever been to hyunjin, his face barely even an inch away from yours. the smell of his cologne is attacking you from every direction, a very clear indication that he was way into your personal space than necessary.

“no hwang. i hate you because you’re so obnoxious and so self centred!”

“oh really?”

“yes!” your hands push up against his chest again as you say so, preventing the boy from coming any closer to you, “you think everything is about you! just because all the girls on campus wants to fuck you, doesn’t mean you can be such a douchebag all the time!”

perhaps you were crazy but you swear you could see his gaze move from your eyes to your lips as you spoke, the boy clearly not paying any attention to your words. you’re not sure why he’s suddenly so quiet, why he’s not throwing insults at you but the way he’s staring is making you more nervous than ever.

you try to avoid his weird, intense gaze by moving away but the boy stays put, his arms on either sides of you seemingly sliding closer to your body instead.

“mo- move-”

“do you wanna fuck me?”

“what the fuck hyunjin?”

“you said every girl on campus wants to fuck me right? well do you wanna fuck me?”

“of course not!”

“well that’s really too bad,” he scoffs, a playful grin on his face as his hands grab onto your waist, holding you in place, “cause i wanna fuck you though.”

your mouth is frozen, your mind unable to process the words that had come out of his mouth. maybe you were just hearing things because there was no way he had just said what he said to you.

the boy who had made your life a living hell these past two months wanted to what? fuck you?

“you... what?”

“i said, i want to fuck you,” his grip on you tightens with every word, fingers now gripping so harshly into your skin that you’re certain marks will appear by tomorrow morning, “and if you don’t tell me to stop, i am going to kiss you right now.”

gulp.

“th- this isn’t funny. let go.”

you let out a squeal when he suddenly lifts you up onto the cabinet and moves to stand in between your dangling legs. his body is now comfortably pressed against yours, his arms tightly around your waist while yours are resting on his shoulders. it’s a position you wouldn’t have ever imagined you’d be in with him but here you are and you’re not pushing him away either.

“does it look like i’m trying to be funny?” his lips brushes past yours just slightly as he says so, a move you would’ve surely punched him for but at this moment, you don’t know how to react.

so many things are running through your mind, so many different potential reasons as to why he was suddenly acting this way.

“too late baby.”

and his lips were on yours before you could even respond, kissing you with so much force that your bottom lip immediately hurts. the boy is evidently desperate, wanting to taste more of you than just the surface.

his hands casually slides underneath your shirt as he continues to kiss you, causing an instant shiver through your body from his touch alone. you feel as though your body is on fire, every part of you screaming to be touched, to be pleased.

he moves away from you slightly after a bit, just enough for you to catch your breath again. he doesn’t take his eyes off of you the entire time, the intensity of his gaze only causing an embarrasing pool in between your legs. in addition to the pool that was already there during the kiss.

“if you just want to get your dick wet, well you’re not getting shit from me hwang.”

lies. you know for a fact that one more move from the boy and you’ll probably end up on your knees if he told you to.

but he didn’t need to know that.

“actually i’ve been trying for two months but you’re too fucking dense to notice,” he rolls his eyes at you, clearly annoyed, “why else would i spend every single weekend here? you think i really want to watch shitty b grade movies with the lovey dovey couple?”

“wait... what?”

“i flirt with you every single time! as if you really didn’t know!”

“being a dick is your way of flirting?” you make a disgusted face and slap his chest, “how on earth do you get girls everyday being this way?”

“well i haven’t had a girl in two months because the one i want is oblivious as fuck.”

silence.

...

more silence.

“well- well... i-”

“just shut up,” he smashes his lips onto your onces again, this time kissing you in a way that had your knees weak and your body feeling like mush. it’s a slow and sensual kiss, as if the boy is taking his time with you, wanting to feel every part of you.

you end up whimpering into the kiss when one of his hands moves to trace the thin lining of your pants, his fingers teasingly slipping past the band. but to your dismay, that’s all he does.

“hyunjin...”

“yeah baby, i’m right here.”

“oh. my. god,” you and hyunjin immediately freeze at your roommate’s sudden gasp, only to see her and seungmin standing at the entrance, completely disgusted, “i knew you guys would’ve ended up fucking one day but PLEASE not in my kitchen. PLEASE.”

“i told you dude. should’ve just confessed instead of giving me a headache for the past two months,” seungmin sighs dramatically before pulling your roommate away, “whatever, we’re going out. you guys play nicely.”

and the two are gone as quick as they appeared, leaving you and hyunjin alone in the apartment. no one says anything for a while but you don’t care. all you wanted to do was hide in a hole forever after being caught by your roommate and seungmin.

with a sigh, you decide it’d be best for you to get off the cabinet but hyunjin stops you.

“ah- i’m not done with you yet,” he says sternly, holding you in place, “we have a lot to talk about.”

“talk?”

“yeah like where you want me to take you on our first date.”

“who said i’d date you?” it’s your turn to scoff now, amazed at the boy’s confidence, “you wish hwang.”

“who you trying to fool? you were about to let me fuck you right here in this kitchen babe, so i’m pretty sure you wouldn’t say no to a date.”

“hwang hyunjin!”

“yeah baby, i’m right here.”

end.

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sweet-as-an-angel · 1 year

Note

hello ! i loved ur hcs for ghost x innocent reader sm, what do you think of könig x innocent reader? love ur writing ♡

König w/ an Innocent S/O

Warnings: Implications of Smut, Overprotective König, Rizzed-Out König, No Pronouns used for Reader except ‘You’.

There is nothing König won’t do for you.

Your overall calm, kind demeanour brings him peace he’s never known before.

And because of that – because he adores you beyond measure – he can get very…protective.

He often treats you as more fragile than you actually are.

Horror film playing in the background while you’re talking ? It’s getting switched off.

A picture of someone exposing a shoulder in a swimsuit catalogue? It’s getting thrown into a fire.

A pair of your own underwear left unattended next to the wash bin? König’s stuffing it into the bottom of the basket.

There comes a point where you have to tell him that, yes, while you may be a little naïve, even a bit oblivious, you’re not stupid.

And, as best he can, König treats you as you want to be treated, which is to say not as if you are a nigh-extinct species of flower.

And, given this new ‘power’ as such – this permission to show you the less rounded edges of life – König begins to have some rather self-serving ideas.

Regardless of if you like horror films or not, König will use it against you.

He’ll test your stomach for terror, putting something frightening on whenever you’re having date night to see if you’ll cling to him.

And if you do, irrespective of whether you fear what’s happening on-screen or not, his soul will ascend.

He can die happy when you hold on to him, nuzzling into his side while quietly asking him to “Hold me, Köni. Please.”

Makes him feel all big and important.

Wear his clothes around him, my God–

First time he saw you in his hoodie – after an impromptu visit from the Rain God made your original outfit unusable – he literally did a double-take.

He dropped the plate he was washing, grasped at it as it slipped between his soap-frothed fingers.

He just punched it into the sink, heard something crack, and turned his attention to you. And only you.

“I– You–” König couldn’t even form a full sentence as you stared at him, half-peeking from behind the door.

“You look…” He racked every file, folder and confine of his mind for anything to describe how he felt right now, how you made him feel.

It just came out as a strangled noise. And, smiling, you hurried into his arms.

You didn’t mind that they were soapy and wet. And neither did König.

Though, the only reason he didn’t was because his brain was so positively fried that he quite literally could think of nothing else except you.

The longer you’ve been dating, the more comfortable König becomes with being rougher with you, shall we say.

It all starts when you start doing things you never did before.

Like letting your hands slip lower beneath his waist, resting on his hips; Sitting on his lap when there are no other spaces available – and then eventually when there are seats available; saying his name like that – “Köni,” when you need help.

“I just can’t do it all by myself. I need someone big and strong to do it for me.”

And, regardless of how sincere you sound when you say it, regardless of how you bat your eyelashes and plump your lips when you look up at him, König is far too whipped to say no.

At first, König genuinely doesn’t think you’re doing it intentionally.

And neither do you, until you see the effect it has on him.

Making his cheeks flush and a pillow find its way to his lap when he sits on the sofa, your head placed precariously close to the growing issue between his legs.

Now, König isn’t the type to go throwing accusations around.

But when he catches you wearing his favourite hoodie, balancing on the edge of the kitchen counter to reach something placed on top of the cabinets (and I don’t mean the top shelf; I mean on TOP of the cabinets – like when you’re hiding a Christmas gift), your underwear peeking just below the hem, he can’t take it.

He knows what you’re doing.

And now that you’ve let onto him, with your doe eyes and your exasperated “Köni, I need you–” he’s gone. Snapped.

Just because you’re “innocent” doesn’t mean you’re exempt from König’s wrath.

To put it plainly, König didn’t seem so shy or frightful of damaging that night as he pinned you to the wall and took you for the first time <3

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

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svsss-fanon-exposed · 4 months

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Exposing SVSSS Fanon: 16/∞

LUO BINGHE HAS A "STEREOTYPICALLY MASCULINE" APPEARANCE

Rating: FANON - CONFLICTING

In fanworks, Luo Binghe is often portrayed as particularly muscular and buff, broad-shouldered, often with tanned skin and sharply-defined features-- all traits that are considered to be stereotypically masculine in the west.

All of this directly contradicts his canonical description.

Necessary disclaimer: I'm not talking against depicting Luo Binghe with a naturally darker skin tone. While that still contradicts the canonical description, I can understand going against colorism (something very rampant in east asian beauty standards!) in fanworks. This sort of discussion is particularly toward those who portray him as fair-skinned on Qing Jing Peak, darker skinned after the abyss, hence "tanned." While this sort of thing might have issues of its own, that's also not the topic of this post, and as a light-skinned Asian person, I don't feel particularly qualified to talk about it.

In truth, deep down, Bing-ge’s fair and clean pretty-boy type didn’t really suit the tastes of “Great Master” Airplane Shooting Towards the Sky.... The art of growing stallions was grounded in science, and the research was clear: women preferred men who looked cultured, pretty, and even a bit soft and feminine. (7 Seas, Ch. 26)

The buff and bulky Luo Binghe often seen in fanworks is not what I would consider to be cultured, pretty, soft, and feminine.

Luo Binghe is described this way just before the conference:

A seventeen-year-old youth, slim and tall and graceful, dressed in white robes, lips turned upward in the hint of a smile, gazed at him with a pair of shining eyes. (7 Seas, Ch. 4)

And again after his return:

The other party was a little taller than [Shen Qingqiu], slender and willowy, dressed in clothes as black as ink that exposed only a fair neck. (7 Seas, Ch. 7)

And a description of his hands later on:

That hand was slender and unadorned. It didn’t look like the hand of a young lord of the demon race who had already taken countless lives, but rather one whose master had been born to pluck strings, his hand to burn incense and bathe in snow. (7 Seas, Ch. 14)

Consistantly, Luo Binghe is depicted this way-- slender and refined, with fair skin and a softness to his appearance that contradicts his actions.

Furthermore, Luo Binghe is also described as looking very similar to his mother:

Luo Binghe was beautiful, and he looked quite like his birth mother. (7 Seas, Ch. 4)

and

Yue Qingyuan’s knuckles slowly brushed along Xuan Su’s hilt. “I was able to meet Senior Su Xiyan once at an Immortal Alliance Conference, many years ago. Luo Binghe’s appearance is seven-tenths identical to his mother’s. (7 Seas, Ch. 18)

As for Su Xiyan's appearance, not much is directly stated-- it can be inferred that she likewise looked quite similar to Luo Binghe, but the only description of her physical appearance that we have is found here:

Even if she wasn’t burly and heavyset, she should at least look like a martial arts master with fierce and ferocious eyes. For all that, when he finally met the culprit behind Tianlang-Jun’s bout of philosophical soul-searching, which had tormented Zhuzhi-Lang for many days, he realized that the culprit in question was not quite like what he’d envisioned... ... Just as these two tourists were standing penniless in the street, a tall woman dressed in black strolled by, sword on her back. (7 Seas, Ch. 25)

The only positive descriptor here is that she is tall, but it can also be implied that she does not have the appearance of a martial arts master, and did not look as fierce and ferocious as Zhuzhi-lang expected, especially in terms of her eyes. However, she is described as a cold person-- whether or not that carried over into her appearance, though, is up for debate.

Su Xiyan's eyes are another matter for discussion--

In appearance, Luo Binghe resembled his mother Su Xiyan, but you could more or less see the shadow of his father in him. For example, in the eyes. Tianlang-Jun’s eyes were deep-set, his brow strong and heroic, the irises dark like fathomless water. In this, he and Luo Binghe were very much alike. Luo Binghe had a pretty boy appearance in the first place, but if his eyes had resembled his mother’s too, his face would have been excessively feminine and the effect would be lost. (7 Seas, Ch. 15)

Here, specifically, Luo Binghe is noted as having his father's strong brow and deep-set eyes, as opposed to his mothers, which based on this passage were most likely to be round, soft, and "feminine"-looking. It's also interesting to see that if not for having his father's eyes, Luo Binghe's features would be "excessively feminine," therefore implying that the softer look applies to all parts of his face except for his eyes and brows.

(thanks to @furbygoblinxiv , @bijoumikhawal for bringing up this point)

So, Luo Binghe is a lithe and petite pretty-boy. Nonetheless, he is still notably muscular. Specifically with a surprising amount of lean muscle-- something that Shen Qingqiu actually remarks on:

Luo Binghe was on top, and Shen Qingqiu was on the bottom, so he was smushed under a considerable weight and almost unable to draw another breath. What had this child been eating?! He looked quite slim, so how was he this heavy?! ... A person’s abdomen is supposed to be the softest spot on their body, but Luo Binghe’s was uncomfortably hard against Shen Qingqiu’s stomach. The farther down he pulled him, the more he was sure that Luo Binghe had an eight-pack. Was that a rock slab down there? (7 Seas, Ch. 16)

(thanks to @verycharismaticdragon for bringing up this point)

As for where the fan depiction of buff, tanned, "hyper-masculine" Luo Binghe may have originated?

I'm not certain where the first such depiction came from, but as for the logic behind it, such phenomena could be explained as thinking of Luo Binghe, the stallion protagonist, as having an "ideal masculine" appearance.

For western audiences and beauty standards, this would certainly be that same sort of muscular, tall, with tanned skin and defined features. Naturally, when first thinking of what a "stereotype of an ideal man" would look like, these traits would come to mind to a western audience.

It is a bit different in eastern standards. While muscular appearances can still be favored, lean muscle is vastly, vastly preferred over bulky muscle, and fair skin, which represents elegance and status (as those with fair skin tones are perceived as those who are wealthy, and do not need to work outdoors) is preferred over tanned skin. This is, of course, a generalization-- but as a representation of ideal masculinity, Luo Binghe's appearance would also be a generalization.

Particularly, Luo Binghe's figure and appearance is described not as those favored by men for themselves, but as those favored aesthetically by women. Therefore, that gentle, refined appearance is a must.

While western vs eastern beauty standards may play a role in this, it is also possible that western vs eastern character design standards may also be coming into play. While in eastern character design, things such as color and style of clothing and hair play a very large role in creating visual contrast, in terms of western designs, body shape and style, along with hair shape and style, seem to be far more important, with the idea that a character should be recognizable by silhouette alone. This may lead to western-trained artists, and also those who grew up watching primarily western cartoons, unconsciously applying those same standards to their own design-- such as making Luo Binghe broader-shouldered and with rounder shapes, the "heroic" type character design, in contrast to sharper, narrower shapes for Shen Qingqiu, the "villain" type character design.

(thanks to @gaywarcriminals , @mu-qingfang-stan-account , @temporoom for bringing up this explanation)

One additional possible reason would be the potential for heteronormative/"het-coding" standards being applied to a gay relationship, where the gong is being given more "traditionally masculine" features in order to align with gender roles. This is something that is fairly common in BL/MLM shipping and designs in general, so it wouldn't be unreasonable to think that it might apply in some fashion to Luo Binghe's fan-design as well (Note, this does not apply to actual fem/masc mlm pairs, because those do exist and it isn't always about heteronormativity. This is specifically referring to taking characters with roughly similar build like SQQ and LBH and making their designs distinctly more masc/fem based on who tops and who bottoms).

(thanks to @mysteryteacup and @gurggggleburgle for bringing this up)

As for the true source of these design elements, it probably cannot be narrowed down to just one-- rather, it would be an amalgamation of bits and pieces of all of the above, as well as the popularity and spread of certain designs throughout the fandom and artists taking inspiration from one another.

So often i've seen that Luo Binghe's bulk and muscles are shown as key traits of his physical appearance, despite the fact that this directly contradicts his actual depiction in the novel. Thus, it is inaccurate to depict him this way.

Luo Binghe's canonical body type and build is tall, slender, and willowy with lean musculature, and his features are soft and a bit effeminate. The best example I could give for reference would be to base his body type off of a pretty-boy type idol.

Of course, fanartists are perfectly free to continue drawing him however they please, but it should not be assumed that a Luo Binghe with bulky musculature, tanned skin, and sharp features is a canon-compliant depiction.

Luo Binghe is a pretty-boy.

#fanon exposed #conflicting #svsss #luo binghe #edited

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ellecdc · 4 days

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hello! would you maybe be willing to consider writing a kind of follow-up to the poly moonwater fics where reader is pregnant? maybe when she has the babies and everyone’s reactions?? ty for reading my request🙏

I love this little family so damn much 😭🫶

poly!moonwater x afab!reader who gives birth to their twins

CW: pregnancy, hormonal fits, brief discussion of Regulus' childhood, brief discussion of Remus' childhood, going into labour, portrayal of breastfeeding though nothing is described, Barty losing his fucking mind, Uncle Sirius for Best Uncle 2024, also the babies look like their daddies to avoid describing/labelling the mother's features

Remus felt for you. He really, really did.

But also, he was a little afraid of you.

Scratch that, he was very afraid of you.

But his sympathy for you ran deeper than his fear, which is how he found himself sitting in one of the (many) gliders Regulus has purchased for every room in your shared home as you fought to find a comfortable position in your bed.

And yes, your bed.

Because you had since kicked Remus and Regulus out of your shared bed.

And though they didn’t feel particularly bad about it, you claimed it was their fault.

You see, after a particularly worrisome fall - that took place at six and a half months pregnant (with twins, no less) as you missed a step on your way up the stairs of your townhouse - unfortunately for you, and fortunately for Remus and Regulus, it happened in front of all of your friends one night when they were over for dinner, which resulted in a lot of fussing by James and Sirius, and caused Barty to go marching upstairs and begin moving all of your furniture and belongings into the spare room on the main floor.

“Like fuck my Treasure is navigating these stairs in her condition. The two of you are sodding useless; this should have been done months ago.” He spat venomously as Evan shouted at him that it was “not polite to reconfigure someone else's house without permission.”

You vehemently protested the move.

Regulus and Remus didn’t think it was such a bad idea.

Because of their ‘betrayal’ (read: their lack of support in your arguments against your most capricious friend devotee), the boys were not allowed in ‘your room’.

So, perhaps Remus was already pushing the limits by taking up residence in the glider as you tried and failed to find a comfortable position to read in, determined to take a nap.

“The babes giving you grief, dove?” He asked softly, earning him a derisive scoff from you.

“What do you think?” You spat.

Remus grimaced but decided to soldier on. “They may be ready to come any day now.”

That was the wrong thing to say if your quick glare was anything to go by.

“No they are not.”

“Dove,” he started, closing his own book and leaning forward, resting his elbows on his knees as he considered you. “Anywhere from 34 to 38 weeks is full term for twins. The fact you’ve made it to 35 is incredible, baby.”

Your lips pinched as your brows dipped, and Remus was sure you were close to tears. “No, I’m not ready, I-” you let out a breath as you cut yourself off, alerting Remus to the fact that you were about to give away the sex of (one of) the babies. “Baby B, they need more time.” You admitted, voice quieter as if you were afraid saying it any louder would somehow jinx it and trigger your own labour.

“They’re going to come when they’re ready.” He repeated.

He left the room after you threw your book at him.

He followed the sounds coming from the kitchen where he found Regulus on his hands and knees underneath the cabinets, of which he’d emptied of all their contents.

The second Regulus found out that the three of you were expecting twins, and due to the nature of the superfetation and thus the risks involved, he quit his job and strong-armed (read: lightly encouraged) Remus to do the same.

And while Remus focused on catering to you and ensuring you were comfortable (or…as comfortable as humanly possible when you had two little freaks using your organs as trampolines) and well fed, Regulus focused on…whatever this was.

“Reggie?”

“Mhm?” He responded quickly, voice muffled from where his head was still shoved deep within the lower cabinets.

“What are you doing?”

Regulus shifted and his head made a painful thump sound when it connected with the top of the cabinet before he pulled himself out of it.

“Cleaning.”

One of Remus' brows arched at that. “The lower cabinets?”

“Right.”

“Why?”

Regulus rubbed the back of his head as he looked between Remus and the mess he was currently surrounded by in the name of ‘cleaning’.

“Well…the babies-”

“Won’t be concerned with the lower cabinets.” Remus cut him off, looking down at his boyfriend lovingly.

Remus watched as Regulus took a deep breath and deflated significantly.

Remus pushed aside some large pots and various cleaning products as he joined Regulus on the floor and pulled him closer by the ankle.

“What’s going on inside that head of yours, love?” He asked him quietly, rubbing his thumb along his Achilles tendon as Regulus seemed to organise his thoughts.

“I don’t think I’m going to go back to work.” Regulus blurted finally.

Remus fought to school his expression as he tilted his head in consideration. “Ever?”

Regulus shook his head and rested his chin on his knees. “I don’t know. Maybe just part time or something…I just- I don’t…I don’t want to be like him.”

“Like who, sweetheart?”

“Like my father.” Regulus bit out, bitterness colouring his tone. “Avoiding my family and responsibilities by hiding at work. Coming home to find out the babies have done something wonderful and I missed it. I…I want to be here, and I’m afraid; I’m afraid I’ll be more like him than I mean to be.”

Remus smiled sadly at Regulus as he squeezed his ankle twice. “I already know you’ll be nothing like him, my star. Considering you’re so worried about it, I know you’ll be 100 times the father he was. But, I’ll be here to make sure that stays true, okay?”

Regulus’ eyes met Remus’, and he felt his heart squeeze at the redness rimming Regulus’ eyes as they turned glassy.

“I’ll take care of you - both of you; all of you. You’ll never have to want for anything, you know that right?” Regulus stated urgently.

Remus smiled softly at him as he nodded. “I know, love.”

“You could stay home indefinitely too, you know.” Regulus offered shyly.

Remus chuckled. “You just don’t want to have to face our little mama bear all by yourself.” He teased.

Regulus chuckled in response but his eyes morphed into a lovesick gaze as he stared unseeingly out the archway of the kitchen. “She’s just uncomfortable and stressed right now.”

“She’s gonna be such a good mum.” Remus agreed quickly.

“The best.”

“We’re so lucky.”

“Rem? Reg?” Your voice sounded from the hall before your form hobbled into the archway as you used the door frame for support.

“What’s the matter?” Regulus asked quickly, kicking his feet out and sending various pots toppling over on the tile floor.

Whatever you had been on your way to say seemed to be placed on the back burner as your brows pinched and your eyes darted across the chaos that was currently your kitchen.

“What were you doing in here?” You asked slightly breathlessly. Both Remus and Regulus stood sheepishly.

“Erm, uh….cleaning?” Regulus answered in the form of a question.

One of your brows raised as you continued scanning the mess. “You’re not very good at it.”

“What did you need, dove?” Remus asked gently.

Your face softened as you looked up at him worriedly.

“I think my water broke.”

You could have heard a pin drop in the messy kitchen as Remus and Regulus stood staring at you dumbfoundedly.

“You…” Regulus started before clearing his throat. “You think?”

You grimaced as you looked down to your stomach sheepishly. “No I…I’m quite sure. I think-” You paused to suck in a breath through your teeth. “I think it’s time.”

The breath that followed the end of your sentence bordered on a groan and the boys jumped to action.

“Okay, come here amour.” Regulus said gently as he supported you with one hand on your elbow and the other on your lower back and he guided you to a chair in the dining room. “Rem, can you grab the babies’ bags?”

“On it.” He answered quickly and went running to the nursery to grab two matching nappy bags. Merlin, babies come with a lot of stuff.

“Are you grabbing our bag?” Remus called to Regulus who was then running up the stairs to the ensuite bedroom.

“Oui! Amour’s bag is in her closet.”

“Got it!”

Regulus and Remus reconvened in the living room with four bags, two baby carriers, and enough panic to fill an olympic swimming pool.

“Okay, baby bags have nappies?” Regulus asked, reading off a list in his hands.

“Check.” Remus responded.

“Snappies?”

“Check.”

“Blankets?”

“Check.”

“Hats and booties?”

“Got it.”

“Okay. And who packed mama’s bag?”

“She did.”

Regulus let out a relieved sigh. “Okay, no need to check that one then.”

Remus offered him an unimpressed look as he re-zipped the babies’ bags and threw them over his shoulder.

“Okay, you grab the carriers and our bag, I’ll grab the rest.” Remus instructed, which Regulus complied as they stepped up to the floo.

“Alright, St. Mungo’s.” Remus said clearly as the flames surged green and the two men stepped through to the intake room of the magical hospital.

Both men were breathless as they nearly collided with the desk where an unimpressed mediwix looked them both up and down.

“We’re checking into the maternity ward; our partner has gone into labour.” Remus explained in an exhale.

The mediwix moved his gaze between both men, their stomachs, and the various belongings they were carrying.

“Right,” he drawled before his eyes returned to Remus’. “And, your partner?”

“Y/N L/N.” Regulus added quickly, causing the mediwix to move his judgmental stare to him.

“Right….and where is she?”

Both men spun to face each other in a mixture of horror and embarrassment.

Remus rounded the corner of the kitchen to find you sitting where Regulus had left you, one hand massaging a point of your stomach as you considered him with a look full of judgement and mirth.

“Where’s Reg?” You goaded as Remus helped you up from your chair and started making the slow trek back towards the floo flames; his face burning hot with shame that he was sure was spreading to the tips of his ears and well down his chest.

“He was too embarrassed.” He admitted quietly.

You sounded like you were getting ready to laugh when you doubled over and a pained whimper escaped your lips.

Remus quickly bent down so he had one hand on each of your arms, trying to help keep you upright.

“I’m sorry sweetheart, I’m sorry. We’re going to get you in a bed and feeling better, okay?”

You whimpered again and looked up at Remus sadly. “I’m sorry.” You cried quietly.

“Dove.” He admonished sadly. “What on earth are you sorry for?”

You took in two large breaths as you tried to breathe around the pain. “You have to do this every month.”

Remus wanted to cry. For you, or for himself, he wasn’t sure. He loved you so sodding much he couldn’t even tell what exactly it was about what you said that touched him so much.

“You’re so much stronger and braver than I am though, dovey. So if I can get through it, I know you can too, yeah?” He offered softly, pressing a kiss to your temple.

“I’m only brave because I learned it from you.” You gritted out through a sob.

“We can argue about this later, okay? Let’s get you checked in; I’m sure the mediwix is glaring daggers at Regulus for having abandoned his pregnant partner.”

He managed to coerce a small laugh out of you which he considered a win before you both stepped through the flames.

Remus didn’t grow up expecting much out of life.

Bitten at only four years old, he was certain something would go wrong with his little body during one of his transformations and he’d be dead long before he ever hit Hogwarts age.

He couldn’t attend muggle school growing up due to his affliction and the risk of performing accidental magic in front of muggles.

Though he was certain he was going to die before age 11, he was even more certain that should he make it to 11, he’d never be accepted into Hogwarts.

When he was accepted into Hogwarts, he was certain he’d never make any friends.

When he made friends, he was certain they’d hate him if they found out about his lycanthropy.

When his friends accepted him for his lycanthropy, well….he never imagined he’d be so lucky as to find a partner who was just as accepting.

Let alone two.

For as long as Remus Lupin could remember, he never imagined ever feeling as much love or as loved as he currently felt in this exact moment.

Not only did he have two people who he loved beyond measure, but those two people gifted him two of the most perfect, tiny little beings he could have never imagined possible.

And suddenly - sitting here in a hospital room with you resting in a bed with your eyes closed as Regulus wiped lovingly at your face with a damp cloth, with a tiny little black-haired baby swaddled to perfection fast asleep in a see-through bassinet on your other side, and with an even tinier fawn-haired baby snuggled perfectly into Remus’ bare chest - every single full moon was worth it.

Every broken bone, every scar, every ache and pain and sleepless night that brought him here was absolutely, without a doubt, worth it.

“Knock knock!” Remus could hear Lily murmur quietly yet brightly from behind the closed hospital door.

“That is so cringey, Red. Why wouldn’t you just knock?” Sirius muttered.

“Because!” She hissed back and he could hear what sounded like Sirius being swatted with her purse. “They could be sleeping! I don’t want to startle them with a loud knock.”

“Oh yeah, Rem and Reg are definitely gonna piss their pants at the sound of you knocking on the door. Shouldn’t mama be all drugged up right now anyway?”

You chuckled under your breath as you peeled open one of your eyes to look over at Remus who was looking at you with a matching smile as you listened to Sirius being walloped three more times.

“Okay, well, you guys settle this out here then.” James decided as he pushed the door open.

He smiled at you and Regulus before his eyes met Remus’ form in a glider as he was currently doing skin-to-skin with his miniature doppelganger.

James made a very embarrassing cooing sound (if you asked Remus) as he made his way into the room, tiptoeing like he was avoiding invisible trip wires.

Lily and Sirius stopped their scuffle as they followed James in, beaming widely at Remus.

“Oh my Godric, Moony.” Lily cooed, looking awfully close to tears as the nickname so unusual out of Lily’s mouth caused Remus’ eyes to well up similarly. “It’s you as a baby!”

“Who was right? Girl or boy?” Sirius asked quickly, daring to reach forward and lovingly stroke a finger along the downy soft skin on the baby’s cheek.

Remus snorted and Regulus groaned.

“Girl, Pads.”

“Yes!” Lily and Sirius cheered quietly as they gave each other double high fives, clearly over whatever tiff they were having in the hallway mere moments ago.

“Better luck next time, Reggie.” James called towards him, causing you to narrow your eyes dangerously at your friend.

“Wait.” James said as he caught sight of a little something in a bassinet behind Regulus. “WAIT.”

“What?” Sirius asked, craning his neck to see what James was looking at.

“No…” Lily breathed out disbelievingly.

“Twins?!” Sirius shrieked.

“What?” Regulus asked derisively, and Remus had to work really hard to keep his face neutral at that.

“Wha-” James started, violently whipping his head back and forth between the two infants in the room. “What do you mean, what!?”

“There’s two!” Sirius exclaimed.

Your mouth dropped open in ‘shock’ as you looked at Sirius aghast. “You see the other one too?”

The room fell painfully silent as James, Lily, and Sirius all looked bemusedly between the family of five before Remus couldn’t take it anymore and started giggling.

His daughter began to stir from the rumbling of his chest causing Regulus to scoff in faux admonishment.

“Would you knock that off, Remus; you’re going to give her shaken baby syndrome.” He muttered before he was gently prying the tiny infant from Remus’ chest and wrapping her up in a blanket before holding her close to his chest.

“Mama.” Lily breathed out. “Two!?”

“Two.” You confirmed. Remus delighted at the shy yet proud smile you adorned as you tucked your chin to your chest.

Throwing his jumper back on, he moved over to perch on the opposite side of your bed and pulled the little bassinet closer to the two of you.

“Are they both girls?” Lily asked.

“Yes.” Remus laughed, causing Sirius to cackle from where he stood looking over Regulus’ shoulder at one of his nieces.

“You were wrong twice little brother!”

“Sod off, Sirius.”

Sirius smacked Regulus up the back of the head. “You watch your mouth around my nieces, hellion.”

“Isn’t hellion a swear word?” James queried.

“It’s not a swear, it’s a noun.” Sirius explained.

“But then wouldn’t fuck be a verb?” Remus asked, causing the room to fall silent as everyone pondered that for a moment.

The silence didn’t last long as the sound of two heavy footfalls grew in volume before they stopped abruptly in front of the hospital room.

“Am I too late!?” Barty screeched (albeit quietly) into the room as he and Evan stood in the doorway catching their breaths.

“Too late for…what, Junior? What did you think was happening here?” James asked.

“Shut up.” Barty spat as he moved into the room, shoving past everyone to press kisses against your forehead.

“My beautiful, sweet Treasure. All this work for two tossers. We could still run away, yeah? You, me and the baby; just say the word.”

“Try babies, Junior.” Sirius taunted, causing Barty to straighten up so quickly he nearly collided with Lily as he turned to look at Sirius incredulously.

“What!?”

Sirius smirked as he pointed to the baby in Regulus’ arms as Barty moved to inspect the tawny-haired babe.

“A Lupin. That’s too bad.” Barty muttered quietly, causing Regulus to kick at his shin and you to shout a reproachful ‘Bartemus!”.

“And there.” Sirius continued, pointing to where Remus was picking up a black-haired babe from a clear bassinet to pass into your waiting arms.

“A Black!? Even worse!” Barty shrilled.

“Barty!” You chided again, though the smile playing at your lips severely diminished the severity of your tone.

“Oh, oh gods, oh my. I-”

Barty didn’t seem to know where to look; pained puffs of air leaving his lungs as he spun comedically on the spot, dividing his attention between you and the two baby girls.

“Rosier, your boyfriend’s about to combust.” Lily teased as she leaned back into James who quickly wrapped his arms around her and rested his chin on her head.

“Barty.” Evan tried, causing Barty to look at him in horror.

“There’s two!”

Even Evan seemed to find some humour in the state of his boyfriend as his lips quirked up into a smirk. “Yes, babe. I counted that many as well.”

“Two!?” He shouted again as he turned his sights on you.

“How’d….How’d you have two in there!?” He barked as he pointed accusatively at your stomach.

“Magic?” You asked shyly, looking down at your daughter who was beginning to fuss.

“Way to go, Junior. You’ve upset her.” Sirius grumbled.

“She’s hungry.” Remus corrected, stroking her dark hair before moving his hand to stroke yours in much the same way.

“Her?” Barty asked quietly, watching as you helped the infant latch.

“Two girls, Uncle Barty.” You offered quietly, smiling softly up at your fiercest friend.

“I’m a girl uncle.” He said in awe, moving his smile towards the baby in Regulus’ arms.

“What are their names?” James asked eagerly.

You looked shyly up at Remus who in turn fielded the question to Regulus.

“This here,” Regulus started, pausing to clear his throat as he looked down at his daughter. “Is Rome Valeria Lupin.”

Lily let out a breathy ‘awe’ as she touched her hand to her chest, and Remus pretended he didn’t notice Sirius wiping a tear from under his eye.

“Named after the Empire, just like her daddy.” James commented with a soft yet proud smirk.

“And that one there is Soleil Pax Lupin.”

Sirius’ gaze moved to the little head he could see nuzzling at her mother’s chest. “A Sunny little girl.” He whispered quietly.

“Pax, that means peace in Latin, yeah?” Evan commented, smirking as Barty scoffed at him.

“Of course it does, Evan. Everyone knows that.”

James’ eyebrows furrowed as he looked towards Remus. “I didn’t know that…” He admitted quietly.

“And Valeria means strength; Rome was a little younger than her sister, but she was a powerful little fighter.” Remus explained, pressing a kiss to the top of your head.

“They’re perfect, you guys. Just perfect.” Lily commented emphatically, earning nods in agreement from James, Sirius, and Evan.

“With no help from these wankers, surely. You did a great job, Treasure. They may have lost the lottery in terms of fathers but these girls couldn’t have asked for a better mum.”

And though Regulus rolled his eyes with an annoyed shake of his head, no one bothered to argue.

These two girls really lucked out when it came to their mummy.

“Oh gods.” Barty whispered as he stood hastily.

“What?” Regulus asked cautiously.

“Oh gods.” He shrieked, turning a withering glare towards his friend. “You sods should have told me!”

Remus helped you right your robe as you pulled Soleil away from you and began patting gently at her back. “We thought it would be a funny surprise.” He explained.

Barty scoffed derisively and turned his ire onto him.

“Well ha ha, very funny.” He deadpanned. “I’ve only bought one of everything!”

Regulus waved him off after he passed Rome to his brother’s eagerly awaiting arms. “That’s fine, Barty.”

“No! It's not fine, Barty!” Barty volleyed back. “Evan, let’s go.” He ordered as he bent to press another kiss to your head, kissed his hand and gently pressed it to Soleil’s shoulder and did the same to Rome (much to Sirius’ chagrin).

“Where?”

“Shopping! I need to go back and buy another of everything that we’ve bought!”

“Over the past seven months!?” Evan asked incredulously.

“Yes!”

Remus could hear them arguing all the way to the floo flames.

Lily offered to take Soleil from you to finish burping the baby as the room fell into a comfortable silence.

“So, when can we start trying again?” Regulus asked, causing Remus to grimace and you to level him with a look that would send a lesser man straight to his grave.

“Okay,” Regulus acquiesced. “We’ll talk more next week.”

Sirius laughed as he looked down at the babe in his arms.

“Sounds like your papa’s going to be sleeping on Uncle Siri’s couch, Roro.” He cooed.

From the look on your face, Remus was sure Sirius was quite right.

A/N: thanks to some of the ideas that were sent to me from anon's, like the idea that they rushed to the hospital and forgot reader at the house 🤣

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i-hope-this-is-a-phase · 1 month

Text

Regarding the GeorgeNotFound Situation

This entire conversation should not have happened publicly.

It was clear from Caiti's initial post that there was a breakdown in communication rather than any "assault" or "molestation." In her own testimony, she never described explicitly stating no, nor giving any indication besides "getting up" to stop the attention (which was later disproved).

That does not mean she wasn't uncomfortable. That does not mean she was not hurt by George's actions. It also does not mean George is a molester because of it.

From Caiti and George's statements, it is clear that this took place over a couple of hours (3-4), and besides the texting afterward, there were no further physical interactions between them. To use a single incident to describe George's behavior is a stretch at best and downright misinformation at worst. In the Wilbur situation, the violations of Shelby's boundaries happened over months with repeated attempts to tell him to stop.

In George's situation, it happened over four hours, in which there were no explicit tells to stop.

That said, I do hope George takes this incident and rethinks his behavior with strangers. Even if it should not be described as molesting, it still hurt Caiti, and if I were him, I would make strides to not repeat the mistakes made here.

Moreover, I think that some parties involved should not have been. Some individuals used the volatile situation to spread their own hate toward the Dream Team. They used Caiti's story to push their own agenda, which, in no way, is supporting a victim. Her friends should have helped her find closure by seeking reconciliation from her "abuser;" instead, they made the situation a public massacre where she would most likely be harassed after already feeling vulnerable.

My hope is that, behind the scenes, the two will talk about what happened and try to find peace. George clearly did not know he hurt Caiti, and he apologized for making her feel uncomfortable. That does not make him a villain: it makes him a person who made a mistake.

The moral of this whole fiasco is not to support or not support victims. Support can be weaponized for personal gain, and to support blindly is almost as bad as not supporting at all.

Instead, we need to listen. From the beginning, Caiti's story was a plea for an apology from George, and all she needed was George's apology (which she received). She did not need people calling him an abuser, she did not need her friends to utilize her pain to attack George's friend Dream, and she did not need people to pry into both her and George's life for answers.

All of this could, and should, have happened off-screen where the two parties could reconcile and heal.

To Caiti: I wish this had not happened to you. I am sorry you are in pain, and I am sorry your friends used your pain for their gain. I hope you find peace from George's apology, and if you do not, I hope you find peace in life.

To George: I wish this did not happen in the public light. Your mistake did not need to be publicized and scrutinized and instead should have been between you and Caiti. I hope you will help Caiti find peace, and if she does not want it, I hope you grow as a person and do not make this mistake again.

As of right now, this blog will remain positive about the Dream Team. I probably will not be supporting George enthusiastically right now (since I want to be certain this isn't a repetitive behavior and just one incident). However, I will be happy to talk about any fandom content regarding him and the other members.

It has been a rough few days, and I am grateful for the lovely positivity we created between my anons and followers. I give you all many squishes of happiness. Thank you for being kind.

Now, let us all move on to a better and brighter future in this fandom. We have a lot of content coming up, and I'm very excited. Feel free to send any asks regarding the situation; I would love to read your opinions.

TL;DR This conversation should have happened off-camera. Caiti's story should not have been used for clout, and George should not have been attacked for clout. Both need to heal off-camera, and we should support that.

#georgenotfound #gnf #dreamwastaken #dream #dream team #caiti #support caiti #Rei speaks #dicey

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writingquestionsanswered · 5 months

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How do I figure out what motions/handlings to write? (Hand gestures, moving in the scene, etc).

I am autistic and have never paid much attention to the way people move. I only do so now because I have been reading and noticed it was missing from my own writing. I never see anyone struggle with this, so I feel like I am missing some understanding on how to structure a scene

Guide: Working Body Language Into Your Writing

Body language is the process of communicating nonverbally through conscious or unconscious movements of the body.

Th four types of body language:

-- Facial Expressions -- Posture -- Hand Gestures -- Body Movement

Facial Expressions communicate thought and emotion using the features of the face, such as eyes, mouth, nose, and eyebrows. Some examples of facial expressions are:

-- an upturned mouth -- dimples -- a raised eyebrow -- flushed cheeks -- a scrunched nose -- rolling eyes -- gaping jaw -- eye signals (winking, narrowed eyes, twinkling eyes, etc.)

Posture communicates thought and emotion using the positioning of the body, head, and limbs. Some examples of posture:

-- sitting up straight -- slouching -- leaning toward someone -- hugging oneself -- crossed arms -- hands on hips -- slumped shoulders

Hand gestures communicate thought and emotion using intentional movements of the hand. Some examples of hand gestures:

-- pointing -- "face palm" -- waving -- beckoning with hand or finger -- thumbs up -- middle finger -- clenched fists -- covering mouth with hand -- placing hand over heart -- gesturing at someone/something -- clapping

Body movements communicate thought and emotion using bigger actions, like gestures using the head/neck or limbs, or moving the entire body. Some examples of body movements:

-- jumping up and down -- cowering -- flinching -- bowing/curtsying -- handshakes/hugs -- hitting/kicking/pushing -- taking a step back -- moving toward -- shrugging -- shaking head/nodding -- tipping head back -- dancing in place Choosing Body Language to Show Emotion

A character's thoughts and emotions can be conveyed using a combination of different body language signals. Every body language signal (such as a wink, smile, frown, shrug, wave, etc.) has a bunch of emotions it can be tied to.

For example, we all know that smiling is typically a sign of positive emotions like happiness, joy, satisfaction, triumph, and affection. Shrugging is usually an indication of indifference or not knowing something. However, we can also modify body language using adjectives. For example, a "nervous smile" or a "sad smile" tells us something very different from just a regular smile. An "apathetic shrug" clarifies indifference, whereas an "enthusiastic shrug" implies excitement about something but not having all the answers or facts.

Sometimes, choosing the right emotion to illustrate a character's thoughts and feelings is as simple as considering what you yourself might do in that moment. Or, perhaps someone you know who is like your character. Other times, it can be beneficial to research which body language signals are typically indicative of a particular emotion. For that, I would strongly recommend purchasing a copy of The Emotion Thesaurus by Becca Puglisi and Angela Ackerman. This handy reference lists a variety of emotions along with the body language that often indicate them, and it goes even further in that it also describes the internal sensations that often go with these emotions, which is handy when you're writing in first-person or third-person close/limited. The book is available for purchase in print and e-book, and you can find samples by searching for "One Stop for Writers Emotion Thesaurus."

I hope that helps!

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fairuzfan · 2 months

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i seriously don't even have the words to describe what it's felt like as a native person learning about "holocaust exceptionalism" or whatever for the first time during all of this

the first time i saw a tweet talking about how it wasn't appropriate to compare any other genocide (and specifically this person was talking about the native american genocide(s), along with several others i've seen since & most of the "historians" who go this route, too) to the holocaust because unlike in those cases, where there was a clear logical reason for the wholesale slaughter of millions of people, the holocaust was senseless! it was just killing innocent people for no reason, which is completely different from when they got rid of all those dumb indians standing in the way of Progress & wasting the precious resources the colonizers needed much more... i thought they were just some random dickhead saying intentionally terrible shit online for engagement

but then i just kept seeing people saying similar things, and eventually while reading up on palestinian history, i find out that this has apparently been a zionist (and in many cases non-zionist, which maybe feels even worse) talking point for decades now?

(and increasingly, over the last few weeks, i've seen it shift to this more broad claim that comparing any genocide to any other genocide is harmful, actually... which is such a dumb argument to try to pass off as genuine when, among other things, there's literally an entire field called "genocide studies" that it's honestly almost funny)

i can't think of anything in recent memory that's felt like such a brutal slap in the face as finding out the belief that the systematic murder of my people was a completely logical, understandable course of action--arguably a net positive, even, in the long run--is now and long has been this commonly held. i've felt sick since ever since. how do you say shit like that and not understand that you're implicitly rationalizing and, to some extent, justifying it? how do you not hear yourself?

forgive me, i know it must feel very eye-roll-worthy to have someone come yelling to you right now about how badly their people are treated by zionists, but every time i see someone parroting off an argument along these lines, i swear i can just feel my faith in humanity slip a little more lol

yeah, fuck off with this bullshit for sure

oh don't apologize, i totally understand why you would want to talk about this. thank you for sending this, and I'm so sorry that youre going through this. it really is an inconsiderate talking point at the very least.... i wish the best for you and yours in these times.

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erosuguru · 9 months

Text

Bimbo doll

MINORS + AGELESS BLOGS DNI, Satoru gojo x reader, all characters are 18+, reader is heavily bimbo coded and loves pink, satoru's gross here, 1.3k words approx

CW: Masturbation, satoru gets horny over reader sending him pics of her dresses, satoru has fantasies of reader and she's unaware, again satoru is gross here you've been warned, some proof reading but very little

Notes: I'm so sleepy and I'm too lazy to fix any other mistakes so if you see mistake no you didnt. had to write sth for Satoru, as wit all of my creative works I hate this but I hope u like it though!!

Satoru thinks you're absolutely adorable. From the moment he was blinded by the absurd amount of pink you were wearing, he thought you were the cutest thing on this planet. The coordinated color palettes of your clothes that always had a splash of pink, that shiny layer of gloss on your lips that you regularly reapplied, he gets so happy when he hears the clack of keychains because that means you're near.

Of course he couldn't keep himself away and you both exchanged numbers at one point, you gladly gave it to him after he shot you a lame pick up line— to which you laughed and smiled, simply telling him "you're funny! Sure!"It was almost too good to be true.

You got along well with each other, you both liked sweets, complimented each other's fashion sense, shared a similar sense of humour— when satoru asked you to describe him, you told him that you love being around him because he's fun (you said something about how he 'gets it', a quote about girls.. getting it and others not getting it..? He didn't understand, but he deduced that you like him, and that's all that matters.)

Satoru notices you love sharing tidbits of your day, and most of the time, you usually share a photo related to it in some way along with multiple typos, abbreviations, and emoticons.

"(Name)💘: Toru omg look at these shoes! Super cute right :3" Attached image sent.

"(Name)💘: I went 2 that cafe u told me, the strawberry shortcake is soooo good" Attached image sent.

"(Name)💘: I have 2 go 2 a party tonite, which dress should i choose!1!!??" 4 images sent.

Being friends with you had its benefits, you were comfortable with Satoru, so comfortable that he almost dropped his phone when he opened the images you sent; all of them were minidresses, all of them different shades of pink, all of them hugging your figure so tightly and snuggly he was tempted to stalk your social media to know where this party is.

He couldn't see the details that differentiated each dress, or at least he didn't focus on them as he felt his cock throb in his sweatpants.

"Ooooohhhhhfffuuck..." he mumbled longly to no one in particular, Satoru almost choked on his spit as he sat up from his position in his bed, all the heat rushing to his face as he examined your photos closely. Your poses so cute as you stared at your phone screen in the photos with a small pout, you had the pretty sparkly gloss on this time, that's his favorite..

(Name)💘: TORU OMFG PLZ ANSWEERRRR MY RIDES ALMOST HERE >:(

he almost forgot your little dilemma.

"Sorry lol I was eating, go with this one!!" he forwarded one of the four dresses with his response and sent his text, he felt guilty about lying but what was he supposed to say? 'My bad! You were so hot I got a little hard like some Virgin!' No way in hell.

You answered back quickly, how did you type quicker than he did with nails longer than his? He has a hunch it's because you don't care about typos but the dedication is admirable.

(Name)💘: TGANK UUUUU ill text u after the party!

(Name)💘: thank* lol

He let out a small laugh at your typo, scrolling back to the photos he zoomed in on one of the four he hadn't picked, and the reason why he didn't choose this dress is that he knows no sane rational person with a sexual libido would be able to resist you in this.

You looked so cute, so perfect, Satoru let out a small sigh as he pulled his dick out of his pants hissing at the cold air, his thumb smeared the precum over his tip. He should feel bad– terrible even, but how can he resist? There's no way you have no idea what you do to him, he tried justifying in his mind as his cock throbbed desperately in his hand.

Biting his bottom lip, the image of you in his phone fueled his imagination as he envisioned arriving with you at this party you mentioned, having such a pretty thing like you on his arm would be a major ego boost too. The length of your dress could easily allow him to pull down your panties (did you even have a pair on under that dress?), bend you over the host's bathroom sink and slam his cock balls deep inside you, relentlessly filling you then demanding you to pull your panties back up and come back to the party with him as his cum would be dripping between your thighs.

As Satoru bucked his hips up into his hand, he stopped briefly to spit into his hand, deciding there's no time to look for lube, he went back to fucking his hand to the thought of you. If only you knew your new friend got off to these innocent pictures you sent him, if only you knew what he wanted to do to you– he's confident you wouldn't wanna be friends anymore. Shaking his head he pushed aside those thoughts and focused on his current pleasure, his fantasy, his goal of cumming from the pictures of you in those dresses you handpicked to show him.

He mumbled words of encouragement as if you were there with him right now bouncing on his dick instead of the reality of his hand moving up and down, mutters of 'good girl's and praises like "so good, baby" and "yeah? You like that?", desperate to convince himself of his fantasy. Satoru tossed aside his phone long ago after making sure the photos were engraved in his mind, he wasn't expecting you to update him until sometime near midnight.

his eyes closed as his other hand slid up his stomach pushing up the material of his shirt until it reached his collarbone, his fingers trying to find any weak points on his body to rub, pinch or entice as his hand rubbed his dick to the pace of his imaginary storyline; where he dreamed of driving you back home and stuffing you full of his cock until the only word that was in your vocabulary was his name.

"Yesyesyes, (Name)..! Mmmmmhffuck..!" He groaned out as he felt his end near already, his face warming up to a soft reddish pink reminiscent of the tip of his dick as he fucked his hand, soft gasps and groans escaped him as he imagined all the filthy things he could do to you, all the filthy things he wanted to know about you.

What type of panties do you always wear? What type of men make you horny? Who have you been with? Would you let him fuck you? 'Please lemme fuck you, lemme fuck you..! Wanna fuck you..!'

The vulgarity of his desperation made him blush but brought him dangerously close to the edge, squeezing the base of his cock Satoru covered his mouth instinctively, he bucked up his hips as his cum coated his abdomen, stomach and some droplets even reached his chest. He moaned behind his hand as he felt the waves of pleasure shock through his body. He slowed his hips, mumbling for the imaginary you once more. "Take it, take it all, baby.."

He didn't want to move, he knew he had to but he wanted to relish in his fantasy a little longer, he wanted to pull you close and sloppily kiss your cute glossy lips and praise you for being a good girl, taking his load like that. He imagined his cum oozing from your slit but he wouldn't let it go to waste, he'd use his finger to slide it back in where he knows it belongs.

He remembered to save those photos for.. 'next time', reaching over to get his phone, he paused as he received a notification.

(Name)💘: party was lame, coming 2 ur place!! >:3c

Sitting up, the sweat that collected at his back from his 'session' cooled him off, he cleaned himself up and couldn't help but grin at your adorable message.

You don't need to worry, he'll entertain you more than any dumb party could.

#gojou satoru x reader #gojo x reader #satoru gojo x reader #gojo satoru x you #satoru gojo x you #gojo x you #satoru x reader #gojo satoru x reader #jjk x reader #jjk x you #jujutsu kaisen x you #jujutsu kaisen x reader #jjk smut #gojo smut

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patricia-taxxon · 1 year

Text

In art, positive feelings are dumb and negative feelings are smart. This is an association I've noticed in especially online discussions of media, it is an error that has gone uncorrected for entirely too long.

This association is bolstered whenever someone says that you shouldn't criticize the mario movie too harshly because it's "fun" and light frivolous things are self justifying. This association is bolstered whenever people continuously categorize media that makes you feel bad as a strictly adult afair, that anything sad or disquieting or revolting is somehow trying to outsmart you and you're actually very cool & hip for rejecting it in favor of dumb pleasures.

This association leaves two categories of art completely outside of discussion and dying for air. Firstly, art that is joyous and life affirming in a mature and reflective way. It'd seem almost sacrilegious to describe Kiki's Delivery Service as "Wholesome," even though it is such prime comfort cinema there's just so much more to it than that. It's a tangibly adult perspective on the themes it presents. But the "happy=dumb" association is set so deep that nearly all critical discussion about miyazaki's movies is about how pretty and sweet they are. They exist in this category of being overexposed yet somehow still unappreciated.

But then there's the inverse, art that makes you feel like shit in a simple and single minded way. Irreversible is the worst time you can have with a movie, probably, and it (affectionately) has nothing going on under the hood. It's a pain box. This category of art tends to confound folks far more than the previous, it elicits a "what's the point??" usually, or if any concession is made towards allowing uncomfortable art to exist it's with the caveat that it has to "justify" it's discomfort. Simple displeasures don't have the same assumed good faith as simple pleasures. The surface level ways in which a film like Irreversible makes you feel like you've been beat up after it's finished? Not worth mentioning.

There's graver consequences to these two boulder-sized blindspots in artistic conception. Like, because negative emotions are smart, people think that making entertainment out of real life tragedies can be de-facto respectful so long as they make the emotions in their entertainment negative enough. It doesn't matter that Netflix's Dahmer plays defense for the killer and uses the image of black people as a boringly virtuous collection of punching bags to milk tragedy from, if it just makes you feel bad enough, gives the surface level impression of graveness, then it's fine that you're making entertainment out of real life people's personal real life tragedy that still exists in recent memory for many people.

I want to elevate joy, bring it into critical attention, stop taking it for granted. I also want to de-elevate misery, take it off it's false pedestal, let us realize that it's all art. FEELINGS are self justifying, not just good ones.

#cilantromixture #mini essay

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comicaurora · 5 months

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Hey Red, I'm trying to build a better understanding of mathematics, because to my mind math has always been a collection of arcane sigils that I had to memorize to pass tests in school. I must know how these sigils came to be and why they mean what they mean. Are there any resources you recommend I use in my pursuit of these secrets? Please and Thank You 🙏

It's good you described math as something you "build," because I think that's the best analogy possible.

Mathematics, in its purest form, involves no memorization. Math is the process of taking a very small number of established truths and defined operations that preserve truth, and using those operations on your established truths to expand your space of known truths. As long as you start from a point of truth and only use operations that preserve truth, you will derive truths. If you understand the base principles from which a branch of math is constructed, you can rederive it from first principles. Memorization is easier, but you can rederive it.

For instance, we can start with two things, the number "1" and the operation "+". 1 means "a single thing" and + means "put them together." If those two concepts exist, then we also have 2, 3, 4, and every other positive integer, because we can derive them by using + on as many 1s as we want. If we drop a rock on an empty patch of ground, and then drop a rock on that same patch of ground, that patch of ground now has two rocks on it.

If we include within the definition of "+" that there exists an identity value 0, and every value has an inverse that when added to it produces zero, we also get 0 and all the negative integers, producing the group of integers. Every integer can be expressed using nothing but the number 1, the + operation, and its inverse - if we're feeling spicy.

If we decide to add another truth-preserving operation, "*", with identity value 1 and the same kind of inverse property that "+" has, we rederive every rational number. Every number in this field of rational numbers can be described as a combination of 0s and 1s using only + and * and their inverses; truthful objects combined in truth-preserving operations. We started from the truth and we used it as our only building material to create something equally truthful.

We can memorize a multiplication table, but multiplication is just iterated addition. If we forget, we can just do the addition again.

Algebra is a simple rearrangement of a simple beginning math problem by way of other truth-preserving operations. When you're starting out, you might expect to see something like

3 + 5 = ?

Algebra starts when we replace "?" with a placeholder, "x". This is just a change of terminology. It preserves truth.

3 + 5 = x

This isn't what most algebra problems look like, though. Most basic algebra problems look more like

3x + 7 = 31

But these two formulae are the same, because we can turn one into the other through operations that preserve truth.

3x + 7 = 31 -> subtracting the same value from both sides of the equation is an operation that preserves truth. We subtract 7 from both sides, getting

3x = 24 -> dividing both sides of the equation by the same value is also an operation that preserves truth. We divide both sides by 3, getting

x = 8 -> addition is associative, so we can break 8 up however we want if we do

x = 1 + 1 + 1 + 1 + 1 + 1 + 1 + 1 = (1 + 1 + 1) + (1 + 1 + 1 + 1 + 1) = 3 + 5

Solving an algebra problem is the process of breaking down the things that make it complicated using the truth-preserving operations that defeat them. Added values can be subtracted. Multiples can be divided. Exponents can be root'd.

We understand what it means to put a placeholder in a math problem. We realize, by the same token, we can put in more than one placeholder, if we want. This gives us problems that don't have single numerical solutions, but spaces of solutions. Consider

2*x = ?

We do what we did before, replacing that "?" with something that means the same thing. We use a different letter to avoid confusion.

2*x = y

Now we have multivariable algebra. Instead of getting hard numbers for both variables, we have pairs of numbers. If we pick an x, we get a y. If we pick a y, we get an x. The relationship between the values is clearly defined; x will always be y/2. If x is 3, y is 6. If x is -1.8, y is -3.6.

Now for the sake of convenience, we create shorthand - another change of terminology that preserves truth. We come up with a term that describes this relationship between x and y. We decide to call y a "function."

y = f(x) = 2*x

A function is what we're calling one half of an equation; what goes on the other side of the equals sign. It's just a rename, like when we turned ? into x. It preserves truth.

The trick at this stage is that every element of this seeming increasingly complexity is actually an attempt to make the process simpler as we handle more and more things. We don't technically need any numbers other than 0 and 1 if we're just dealing with rational numbers. We could write 378/5 with nothing but 1s and +, -, * and /, but by god we wouldn't want to. We could write [x^3 + 2x + 5] as ?*?*? + ? + ? + 1 + 1 + 1 + 1 + 1 and it would mean the same thing. The shorthand and symbols get dizzying if you lose track of what they mean, but when you remember what they mean, you understand why you need them.

Any piece of mathematical shorthand basically means "for this thing we're talking about, this set of things is known to be true." We can rederive those things if we need to, but the shorthand is there to help us avoid doing it unnecessarily. We call the integers a group because that means it has an associative operation that is invertible and has an identity element that, when used in the operation, leaves the operated-on value unchanged. We don't want to write that out every time we use + or remember what 0 means, but we can if we have to.

Calculus is where most people think math turns into wizardry, but derivatives and integrals are just another pair of inverse functions like + and - or * and /, and the building block of this branch of math is the derivative. Any formula for a derivative can, in a pinch, be rederived by calculating the difference quotient (f[x+h]-f[x])/h as h approaches 0. If f(x)=x^2, we may memorize that its derivative f'(x)=2x, or we may calculate

[f(x+h) - f(x)]/h =

([x+h]^2 - x^2)/h =

(x^2 + 2xh + h^2 - x^2)/h =

(2xh + h^2)/h = 2x + h

And the limit of this as h->0 is 2x.

Everything in math can be broken down to first principles. Everything. Sometimes it's very hard to figure out what tool you need to break it down to its next stage of simplification, but it was built from first principles and it can be broken down the same way. If it isn't making sense, break it down with truth-preserving methods until it does - even if you have to go all the way back to zeroes and ones.

#asks #not aurora

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watatsumiis · 1 year

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Sitting in their lap (part 1)

Exactly what it says on the tin, how various Genshin characters would react to a reader who just decides to sit on their lap randomly!

Content: Gender neutral reader (referred to as 'you'), described/implied to be physically smaller than most of the characters (simply because I am and that's how I project, but if you'd like an alternate version, send me an ask and I'll whip it up!), pre-established platonic relationships (though this may border into romantic if you consider physical affection to be that way, so be warned).

Characters: Albedo, Al Haitham, Ayato, Arlecchino, Capitano, Childe.

Albedo just sort of... lets it happen. He's got no qualms about you making yourself comfortable in his lap - unless you start to get in the way, in which case he might just politely try and redirect you elsewhere. He isn't particularly fidgety or squirmy, and he finds that the pressure of your weight in his lap actually helps him concentrate a little better, and sometimes he'll let you stay, even long after he's finished up whatever he might be working on. Be warned, though, he may rope you into holding art or writing supplies for him! He doesn't care if others see, he's never really been one to care all that much about what others think or say. If it's benefiting you both, there's no real reason to stop it.

Al Haitham gets pretty irritated the first time you plonk down in his lap like you have every right to sit there. He's almost downright rude about it, making snide little remarks and grumbling to himself about how you're in the way - you may find that he just outright boots you off if you're somewhere where others might see you (especially Kaveh). As long as you stand your ground, though, he'll eventually settle for it, and he may deny it but sometimes he sits a little further out from his desk, just so you have space to slip into his lap and snuggle up to him if you so desire. If you ask him about the sudden change of heart, he'll quote something about how pressure can help the parasympathetic nervous system kick in, and how humans are a social species and how he's read that physical closeness every once in a while is good for physical and mental health. Damn know-it-all.

Ayato openly adores it. He has a lot of paperwork to do on a day-to-day basis, and any excuse to have some silent company is good enough for him. He can be absently fidgety, twirling your hair around his fingers or rubbing a loose part of your clothing gently - he hardly even seems to notice that he's doing it at all. He's ambidextrous, so you have a lot of freedom in how you decide to sit, he's happy to work around you, so long as you aren't too loud or distracting. You may even find that every once in a while when he knows he'll be swamped with paperwork, he might call you into his office and subtly try to goad you into sitting with him (while making it seem as if it was your own idea all along, cheeky thing he is). The pressure and physical closeness of someone else helps him concentrate on the tedious, repetitive papers he works on.

Arlecchino can be... finicky. It largely depends on her mood and what sort of day she's had whether or not she'll allow you to sit on her lap. She's pretty touchy on the days she allows you to sit in her lap, constantly adjusting your position and tugging you closer to herself - if you didn't know any better, you'd say she was actually enjoying this, but she vehemently denies it, citing the fact that she figured you were in need of comfort and she was just trying to provide it, or that she just hadn't switched out of 'working with the children at the orphanage' mode. She may scold you if you wriggle around too much, or boot you off with very little rhyme or reason, so it's a bit of a gamble if you decide to try and settle in with her for the long run.

Capitano silently takes it. No protests, no comment, nothing, he just leans back in his chair and adjusts his position so it's as comfortable for you as it could possibly be (which is surprisingly nice, considering all the armour he wears). He won't complain, even if you won't stop wriggling around or chattering or playing with his hair or the chains that hang off of his plate mail. He quickly gets very good at reading your intent, and eventually he seems to realise what you want the moment you step in the room, and he'll just silently push his chair back and give his thigh a pat like an open invitation. He may occasionally use you as a chin-rest, or wrap his big arms gently around you if you seem to be getting restless, but otherwise he's silent and hands-off.

Childe is a little all over the place. He loves the idea of you sitting in his lap, he loves physical affection, but in practice, he can't stay still for more than a few minutes without his senses going haywire, and it won't be long until he's bothering you, asking you a million questions or fidgeting with your clothes or accessories in a manner that's downright disconcerting. He never gets any paperwork or anything done when anyone else is in the room, let alone so close to him, but he loves it anyways. He'll chatter away excitedly about anything and everything that comes to mind as he snuggles up to you and smiles, glad that you came to him, of all people, in your quest for affection.

Please don't repost, steal, copy or otherwise plagarise my writing! This includes posting translations to other sites.

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uglyducklingofthe2000s · 3 months

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More Than A Handful - Mick Schumacher

this was a request by @i-wish-this-was-me for a reader with big boobs. they said any driver and i have written for Mick but i wasn’t happy with the story plots so i ended up just not posting them.

Gonna makes this kind of like an obsession/appreciation of big boobs. No smut for Mick yet. Lot's of love, lot's of fluff.

Mick is generally a sweet, softly spoken and very romantic man. He loves his girlfriend unconditionally and he actually has the likes of Esteban and Lance to thank for pushing him to find the courage to ask her out.

She was actually a stylist for Mercedes via Tommy Hilfiger.

Y/n is not a size 0 despite her position in fashion. She's probably better described as a healthy weight for her height and age. She doesn't have some unhealthy relationship with food and she does workout when she decides she's up for it.

But something Mick absolutely adores is completely obsessed with. Her boobs.

He doesn't publicly go out and grab her boobs to hold like he does when they're alone.

"Y/n?" Mick calls out as he walks into her apartment, she actually lives in Paris because there's offices based there and while she is usually travelling or simply working from home. She likes being close to the office when needed so living there is ideal.

"Hey, baby." Y/n smiles appearing very much dressed down. Clearly having what she'd dupe as a "deep clean" day. Which is essentially her way off spending a day off that she wasn't expecting to see her boyfriend. "I thought you were-oh ok."

Mick sighs lifting her up onto the kitchen island, pulling her vest top and reaches back to unclip her bra, getting it off of her with ease before cupping her boobs.

It's a ritual that she should certainly be used to by this point and she definitely is used to it.

"I finished the sim session early. I think they got all the data they wanted to use." Mick explains while gently kissing her skin. "It's a deep clean day?"

"Well, I mean I haven't got to clean around here for a while, so I figured it'd be good to just try and spend the day catching up with myself." Y/n sighs then laughing when Mick hums rubbing a thumb over her nipple.

Now don't be mistaken. Mick is just as focused on her boobs during sex as he is right now, but this is actually completely innocent. His love of her body isn't always sexually motivated, especially with her boobs and she's never felt as confident about herself as she does since their relationship started.

"I can help." Mick states slightly absently before finally tearing those pools of blue up to meet her own eyes, that soft smile gracing his features as he locks onto her gaze. "You are so beautiful."

"You think so?"

"I know you are." Mick smiles then leaning down and kissing her and of course giving each of her boobs.

Going on a trip with Esteban and a few others for the summer break. It's not probably the most relaxing trip that y/n could imagine. Even if her boyfriend is practically acting as a bra with the amount of time's spending just keeping his hands cupping her boobs.

Thankfully no one cares and it's been pretty normalised as just how Mick is with y/n, but when they are just dozing in the sun. Y/n does jump a little when she gets that weird falling sensation.

"Hey, you're ok." Mick soothes as she rolls so she's chest to chest with him, whining a little at the fact her sleep disturbed itself. Her face moving to hide in his neck.

He sighs gently rubbing her back and gently before he smiles and kisses her neck. Eventually he sort of joins her, just sleeping in the warmth. Though admittedly Mick is just so aware of his comfort coming from the feeling of y/n's boobs pressed against his chest.

Some might be foolish enough to think that Mick's love of y/n's body is shallow but those who know that love includes loving someone's body for the way that it's made. Is one of the best feelings in the world. Y/n couldn't appreciate his constant need to touch her more, even if it's focused in one area. She knows he'd never put her boobs above her personality or a whole other list of things that he loves about her. It's just one of the most physical things about her that he won't even deny himself the pleasure of loving.

Eventually they are woken up and move to join everyone for food.

Y/n works closely with George and Lewis, though Lewis insists he doesn't need to help when y/n pulled up photos of outfits he had previously worn and she give him every reason that they weren't his finest fashion choice (though she also used many of his previous looks as inspiration to move forward too).

"I think Mick should be allowed to style you." Lewis comments as she rummages through the new stock that Tommy Hilfiger has sent over trying to find a specific piece that she thought looked cool.

"I tried that once." Y/n hums making Lewis look at her. "He uhhh...just wanted as close to having my boobs completely out as possible. Which was fun and sort of empowering but I think Toto might say there's a dress code of at least covering under boob."

"If he did, I'd be there to defend you and I'm sure Mick would be too." Lewis states making her smile for a moment before none other than the blonde angel himself appears, very obviously looking for his girlfriend.

"Lewis, Toto is asking of you."

"And you came for me." Y/n smiles moving to hug her arms around his neck. "Lewis was just saying how he's help you teammate up against any accusations of me breaking team dress code with your suggestion of what I should wear for work."

Mick hums leaning down to kiss her as Lewis exits from the wardrobe room. Smiling to himself at the sight of seeing Mick so obviously lovestruck with someone who is easily the most perfect person for him.

"Speaking of you boobs. We have some free time and you said you wanted to spend time at the hotel pool. Would you like to join me?" Mick asks making her roll her eyes before she laughs and shakes her head at him.

"That sounds pretty amazing to me." Y/n giggles before she looks around. "Might steal some of the Lewis rejections. They'll just toss them out and god knows that I can pull any one of this looks off."

"Can I help you find the best pieces?" Mick asks making her eyes sparkle in a way that he knows is exclusive to him.

She has friends in the paddock, she's close to Lewis and George through work and a slowly formed friendship. But the ways he looks at her is returned in the way she looks at him. Nothing but love and admiration runs deep in their affection for each other.

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