#(not me knocking on wood to prevent a jinx) | Explore Tumblr Posts and Blogs

beauty-and-passion · 3 years

Note

Heya!

So I remember reading your post about Eurovision a while ago, and since I'm now hooked on a certain collection of songs, I was thinking...

Would you think 'Zitti E Buoni' by Måneskin could be a Remus song, and 'Voilà' by Barbara Pravi a Roman song? Or do you have some ideas on any other Eurovision songs that would fit the Sides?

Just wondering whether you'd like to share some thoughts on this, but no pressure of course! As always, I absolutely love your theories and posts, it always brightens up my day to read :D

This will be a very self indulgent post.

First of all: “no pressure”?! I am HYPED to share my thoughts on this! And this is why it took me so long to reply to this ask: I’ve spent the whole time thinking about which song could fit which Side, going through the last editions, reading the lyrics, searching among my favourites...

So yes, this post will be a bit long. But hey, there is also good music and maybe, by listening to it, you will find something you haven’t heard before! :D

(Of course, in order to make this post understandable, I will translate all lyrics, but the songs aren’t all in English. In any case, every song has a link, so you can hear it on Youtube.)

And yes, I know there are billions of other Eurovision songs, but for the sake of “not making this post endless” (as if it won’t be already), I will stop at Eurovision 2014. If you all have other songs to propose for a Side, please feel free to add them and explain why! :D

And now...

Which Eurovision songs would fit the Sides

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EUROVISION 2021

Måneskin - Zitti e buoni

(Here the Eurovision performance because it’s just this good)

This song is PERFECT for Remus and I was a fool for not realizing it sooner. It's all about showing how different you are, embracing your uniqueness despite what others may think. Everything about this song screams “REMUS” so thank you, my dear, for opening my eyes and making me realize it.

They don't know what I'm talking about You are dirty, bruh, of mud Cig's yellow in between the fingers I'm walking with a cig Pardon me, but I really do believe That I can make this jump And even if the street is uphill I'm training for this now

The first line is already 200% Remus: they (aka the other Sides) don’t know what Remus is talking about. Remus is impossible to understand. Remus is weird, strange, dangerous - according to moral standards.

However, despite the other people’s thoughts, Remus still shows a high self-esteem - just like in his playlist. The others may not have faith in him, there could be obstacles on his way, but he still believes he will achieve his goals.

And good evening, ladies and gentlemen Bring out the actors You better hold on to your balls You better keep quiet and be good Here people are weird, like drug dealers Too many nights I've spent locked outside Now I'm kicking these doorways Staring up like climbers So sorry mum if I'm always out, but

“You better hold on to your balls” is a translation of the original italian line “Vi conviene toccarvi i coglioni”. This sentence is a more vulgar form of the English expression “knocking on wood”, something you preventively do to un-jinx stuff.

However, “knocking on wood” isn’t as strong as the italian expression, so I chose this translation that is more literal, but also more vulgar. It kept the original vibe more, it fits Remus more and it gives a stronger meaning to the whole thing. The singer isn’t just saying “beware of what you’re doing”, but he’s saying “get ready, shit if about to hit the fan”. It’s more powerful - and well, Remus would love this. It’s his time now, so the audience (the other Sides/Thomas) should "keep quiet and be good”.

I also really like the “Here people are weird, like drug dealers”, because it can refer to the dark sides in general. This is Remus’ show, so the Core Sides and Thomas should shut up. They are now in the Dark Sides’ territory, full of weird, sketchy people, morally gray villains. All things he loves, enjoys and that he definitely considers as compliments.

“Too many nights I've spent locked outside / Now I'm kicking these doorways” is another great line, because “being locked outside” is the perfect metaphor for Remus’ situation. He IS locked outside, he has been kept far away from Thomas, stifled by him, unable to fully express himself. And so he releases his frustration by kicking the doors that are shutting him down. That’s just so Remus I. LOVE. IT.

I am out of my mind, but I'm not like the others And you are out of your mind, but you're not like the others We are out of our minds, but we're not like the others We are out of our minds, but we're not like the others

This chorus is PERFECT! First of all: “I am out of my mind” is basically just like this line from DWIT:

[Patton]: Imaginative sure is a- a kind word for him. [Duke]: I agree! How about... DEMENTED?

But also: Remus doesn’t give a damn. He’s not like the others and he’s SO DAMN PROUD of it. Just like he is in canon and in his playlist.

He goes even further, by saying that “you” are also out of your mind. And who this “you” might be, if not the big man himself?

[Duke]: If I am awful... then so is Thomas.

Just like in DWIT, Remus welcomes Thomas’ weirdness with open arms. If he and Thomas are both insane and different, why hiding it and not embracing this difference? They are unique.

I've written pages and pages I've seen salt, then tears These men in cars Don't climb the rapids I've written on a tombstone "In my house there's no God" But if you find time's meaning You'll climb back up from your oblivion And there's no wind stopping The natural power From the right point of view You feel the intoxication of the wind With wax wings on your back I'll go look for that high If you wanna stop me try again Try cutting my head off Because

Woah, this part has a lot. There is:

Remus' creativity as a flow ("I've written pages and pages")

Remus seeing how different he is compared to others ("These men in cars / Don't climb the rapids" while he was ready to “make this jump” despite the obstacles on his way)

Religion because of course - and especially Remus rejecting it ("I've written on a tombstone / "In my house there's no God".")

And, most importantly, there is a nice reference to Icarus' myth. According to myth, Icarus escaped from the Labyrinth of the Minotaur, by flying on wax wings. But he flew too close to the sun, his wings melted and he fell to his death.

This has multiple meanings. First of all, it shows how stubborn Remus is: he could use simpler, more stable ways to reach his goals. But he's Remus, he's creative and he's different, he would rather use wax wings (aka more complex, unordinary means) to reach his goal. Also, it's a proof of his resolution: just like Icarus, his wax wings could melt and he could fail. And yet, he's so set in his decision, he's ready to do anything to succeed.

This last point is particularly evident in the following lines: "If you wanna stop me try again / Try cutting my head off". It's impossible to stop him, just like it was impossible to send him away or stop him from talking in canon.

Everything in this song is just HIM.

Unfortunately people talk They talk, they don't know what they talk about Bring me where I float Cause I lack air here

Once again, the people are the Core Sides: they talk about how he's evil and dangerous and useless. But they don't know what they're talking about. They're (metaphorically) suffocating him with their prejudices, that's why he asks "bring me where I float": he wants to express himself freely, to escape these biases.

Also: water. And with the whole octopus as his animal, it’s just even more fitting.

Moral of the story: this song is perfect for him, Remus should know Italian just to sing it - and he would love the glam rock style of Maneskin as well.

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Barbara Pravi - Voilà

I don’t know how you did it, dear, but these two songs are PERFECT. Zitti e buoni is perfectly Remus, Voilà is perfectly Roman. I feel blessed.

Listen to me, me, the half singer Talk about me, to your loved ones, to your friends Tell them about this little girl with black eyes and crazy dreams What I want is to write stories that you will hear about That's all

Roman, is that you? Because this is you. This is ALL you.

Roman is a "half singer": he cannot sing like he want, he cannot express himself in full. He has rules, laws, morals that forces him to quiet down and bent his creativity.

And, just like a tragic hero, Roman asks that his story will not be forgotten, that others will know about him, his unfortunate life, his "crazy dreams" and especially his passion: writing stories "that you will hear about".

This line in particular reminds me of this part from Recipe for Me:

And still, I continue to write because I have more dreams to fulfill Tales I hoped to tell when I was younger Ideas that I haven't made yet, but I will I'll find my way with my will

The concept is the same in Voilà. Roman is a "controlled" Creativity, surrounded by rules and morals that shut him, but he wants to be heard, he wants to tell stories.

And that’s just it. This is what creativity is all about: talking, puring out its ideas, as loud and freely as possible.

Voilà, voilà, voilà, here is who I am Here I am, even if I'm scared as I'm naked, yes Here I am in the noise and in silence

I love how this song is a way for Roman to express himself, to show himself despite everything. He's like this, he's a "half Creativity", he's scared, he's not perfect. But here he is, "in the noise and in silence". Because your creativity is always here with you, no matter where you are or what you are doing: it will never leave you and it will never stop asking to be heard.

Look at me, or at least what's left of it Look at me, before I hate myself What can I say that another hasn't already said? I don't have much, but I place here what I do have Voilà

Aaaah, yes, I like to wake up with the strong smell of Roman's angst in the morning.

Roman seeing himself as something broken? Perfect. We want more of the angsty boi. Even the fans of King Creativity may read this line as Roman seeing himself as “half of a whole”!

And, again I love how despite feeling broken and hating it, he’s still ready to give everything he has. This is the true essence of the concept of creativity.

Also, why not adding a little more angst?

I want to be loved, because I don't know myself how to like the shape of me

This is perfect, because it reconnects to the first episode, when Roman said his goal would be to love himself first. He never reached this goal after almost 30 episodes - and this line might offer an answer on why: because Roman doesn’t know how. He hates himself so much, he doesn’t know how to love himself.

And that’s probably why he needs another person to love: because it’s easier to love someone else, rather than himself.

Voilà, voilà, voilà, here is who I am Here I am, even if it's the end as I'm naked Here I am in the noise and in rage too Finally, look at me and my eyes and my hands All I have is here, it's my face, it's my scream Here I am, here I am, here I am

This last chorus is awesome: the quintessential of Roman’s desperation, of showing himself, of screaming hoping to be heard by anyone. Unlike Remus who is unstoppable and doesn't care about others, Roman cares. He needs a public, he needs to be heard, otherwise he would lose himself.

And I seriously love how these two songs both have the same idea (embrace yourself and your uniqueness), but talk aboout this theme in such different ways - and yet so fitting for the twins... they are just GREAT.

(On a side note: this song is so dramatically French Roman would love it and sing it with the same passion Barbara used and I would love to see that.)

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EUROVISION 2019

Bilal Hassani - Roi

Come on... Roi. Roi. Considering that "roi" means "king" in French, who could possibly be the Side I would associate this song with? Maybe the Side who already has a King in his playlist?

Nope, this song is for Remus.

Why Remus? The reason is very simple and you can just notice by reading the first verses:

I am me And I know I will always be I am free Sure I am inventing my life Don't ask me who I am

I am The same since I was very little And in spite of looks, opinions I cry, I go out and I laugh

You put me in a box Want me to be like you I don't follow the codes People are disturbed a lot At the end of the day You canno change me, boo! So, let me fly

This song overflows with confidence, the lines talk about someone who is free to be whoever he wants, who has always been the same since he was a child, who is rejected by others and doesn't give a damn, who doesn't "follow the codes" and refuses to be changed by them.

This isn't Roman, but this is the quintessential of Remus. This song is everything about him, from his confidence to his desire to be free.

And the chorus is even clearer:

I'm not rich but i'm shining bright I can't see my kingdom now When I dream, I am a king And I know o-o-ow Even now o-o-ow You try to take me down You cannot break me nah nah

That's him, that's Remus.

On a side note, if Remus also has his "King song", that would strengthen the connection with Roman, since they both would have a song about "being/feeling like a king".

And this song is Roi, king in French. Since I think Remus would definitely know French, this makes Roi an even more fitting choice, doesn’t it?

Who are we ? When we hide, when we fight for free Only god can judge you and me We did not choose what we are

Not only there is a nice religious reference, but these lines are a also a reference to the LGBT community: they hide, they fight, they didn't choose to be like that (no matter what idiots might think) and only God can judge them, not other, very flawled (and, honestly, very pathetic too) humans.

So, if we consider it, there is also a hidden "fuck society" and a "I am gay and proud to be" and those are both very Remus things.

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EUROVISION 2018

Saara Aalto - Monster

I would associate this song with Thomas. And, specifically, to Thomas at the end of the series. Why?

Here's why:

So tonight I'm making friends with all the creatures That are hiding there under my bed

I ain't gonna hold on to these monsters anymore Now I'm gonna let in all the light Tear down the walls At my worst, I found my army strong All the demons are gone You can try and scare me now But I ain't scared no more I ain't scared no more

At the end of the series, Thomas would have befriended all the Sides, especially the "monsters hiding under his bed", the dark bois.

The "final Thomas" will tear down every wall between him and his Sides and will stop hiding/rejecting them. This will make him stronger, because the Sides will be his helpers, parts of him, his friends. He won't be scared anymore by Remus, suspicious towards Janus, afraid of Virgil or terrified by Orange.

"All the demons are gone": the dark sides won't be villains anymore, but friends. And they would help him be stronger.

It's my life I'm ready to lead it I'm gonna roll the dice You better believe it

This part is great as well, because it proves another interesting detail: that Thomas is growing up. He's taking life into his own hands, he's leading it. No more "Oh no, I don't know what to choose between callback and wedding!". He's more confident, he's stronger, he's more mature.

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Hovig - Gravity

Honestly, I think this song can be something all Sides might sing to Thomas. It's basically a testament of how much they care about him:

Let me be your heart and your company I'll let you be the one who can lean on me I'll catch you when you fall When you're falling free Let me be, be your gravity

But the imagery just screams "ROMAN" so much, I can't help but think that yes, this is a great Roman song and it's all from Roman to Thomas.

I mean...

I can be your hero I can be your fantasy Oh, I can be the cure Yeah, let me be Your remedy

He IS Thomas' hero, so how can I ignore this? And he's also the embodiment of Thomas' fantasies, he's the wings that make Thomas fly.

Let me be your wings When you're flying high I'm gonna raise you up 'til you touch the sky I'll catch you when you fall When you're falling free Let me be, be your gravity

It's just pure love for Thomas and it begs me to being a Roman song, so... here it is. A Roman song dedicated to Thomas.

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Eleni Foureira - Fuego

Listen, not only Roman would rock this song, but also dance like a maniac while singing it just like Eleni and no, you can't change my mind.

Just look at how this woman sings and dnaces without never losing a beat until the end. And please consider that on the Eurovision stage there is no autotune: this was her voice and he delivered a great performance without cracks.

So yes, I want Roman singing this.

But the lines are great for him as well! I mean...

Take a dive Into my eyes Yeah the eyes of lioness Feel the power They ain’t lying.

and

Coz I’m way up and I ain’t comin’ down, keep taking me higher Ah yeah ah yeah ah yeah yeah ah yeah ah yeah Coz I’m burning up and I ain’t coolin’ down, yeah I got the the fire Ah yeah ah yeah ah yeah yeah ah yeah ah yeah

Fuego

Someone fiery and passionate, powerful eyes, pride... yep, this is definitely something Roman would sing. Especially because of the fire. Roman is a fiery guy, so fire is very him.

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Yianna Terzi - Oniro Mou

I actually already talked about this song in an old post and I still haven't changed my mind: this song is all about Janus telling Thomas how much he cares about him.

If you look into the depth of me You revive my dream And if you look into my heart I will take you into my arms How would you like me to say this I would die for you I would give my life for you End and beginning, you are everything

Not only the "take you into my arms" reminds me of Change (" I’ll be able to be honest, capable / Of holding you in my arms without letting you fall"), but the last three lines are so incredibly loving and honest I can't think of anyone else but Janus while reading them. Thomas is his end and beginning, Janus would literally die for Thomas and give his life for him.

So, well, it's just very fitting. And I love how dramatic this song is. It doesn't have the jazzy vibe Janus loves, but the drama is all here.

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Francesco Gabbani - Occidentali’s Karma

Do you remember how hard it was to analyze Algorhythm from Logan's playlist? Every line has a meaning and explaining every single one of them took me an eternity.

Well, this song is basically like Algorhythm, but with more philosophy and billions to references. You see the performance on the stage and ahahah, there's a funny dancing gorilla, what a cute song. Then you read the lyrics and BOOM.

I will not analyze this song here, because every line would require at least two paragraphs to explain it. And this post is already long enough as it is, but please, search the meaning of this song: there are references to Shakespeare, Heraclitus, buddhism, Andy Warhol, Desmond Morris and his book "The Naked Ape", Marx, Nietzsche and so on. Basically every line is a reference, a play on words or both at the same time.

What about the main theme? The main theme is the human and especially the contemporary human. In fact, "Occidentali" (Westerners) does not refer to the geographical place, aka Europeans/Americans, but to the western cultural model.

So the title “Occidentali’s Karma” (Westerners Karma) is an insight on contemporary society, on our values and on how, despite how many things changed, we are not so different from our ancestors after all.

This song might seem a perfect choice for Janus. There's a critique of society, there are philosophers and plays on words.

But I’m not too convinced, because even if Janus likes all those things, the number of references is just SO HUGE only a real nerd can find, recognize and appreciate them all.

So yes, this is a Logan song. A song he would probably listen and analyze, enjoying the whole process of knowing more things, finding out all the hidden meanings, the plays on words (we all know you like puns, ya big nerd) and the critical insight. After all, Algorhythm WAS a critique of society, so Logan should appreciate it.

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EUROVISION 2014

Twin Twin - Moustache

Not only the band is called Twin Twin but, as if this wasn't screaming "Creativitwins" enough, the title of the song is "Moustache".

Come on, you know who is the Side perfect for this song.

Psyche! It's both Roman and Remus.

Something is missing, but what? I want this, I want that When I'm dreaming, I'm dreaming in dollars, every day I'm wearing a different suit.

This is very Roman: Roman wants everything (let's not forget Primadonna from his playlist), Roman’s dreams are big. And Roman is Creativity, so he "wears a different suit" every day - aka he directs his creative flow in different stories/songs.

I want this, I want that there's never enough for me it's like this, it's like that there's always something I don't have

This part strongly reminds me of Primadonna. Roman wants everything, every day. He's never satisfied.

And then, Remus busts in and...

I wanted a moustache, a moustache

So my headcanon is that this starts as a Roman's song, all about wanting everything because "there's always something I don't have", until Remus pops out during the chorus and says all he wants is his gorgeous moustache.

*chef’s kiss* Perfection.

But I know what you want, dear audience. You want some angst, don't you?

Fine, so what if the "I want a moustache" line is Roman's subtle way to say that he wants the same freedom his brother has? After all, Roman has "everything one could ever dream of", "I have friends too / even some who like me". All he needs is more creative freedom and the moustache is a subtle way to say that.

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Aarzemnieki - Cake to Bake

This is the ultimate song for all Patton's fans, because it combines Patton's love for baking to Patton being an absolute disaster at it.

Also, it's an incredibly cute song.

I melted the ice of the polar caps Found the raiders of the lost ark Solved a case for the genius from Baker Street Helped to clean the Central Park I created the plan for the Chinese wall Went to desert, made it rain Swam through a shark tank bloodily Found Atlantis, by the way But today

The first verse is already awesome: Patton did a lot of great stuff, even impossible stuff ("solved a case for the genius from Baker Street" is a very nice reference to the Losing My Motivation episode).

But today, he has to face the most difficult task of them all:

I’ve got a cake to bake, and got no clue at all I’ve got a cake to bake, and haven’t done that before Don’t be proud, mate, please, don’t bother Go, come on and ask your mother How to bake, how to bake, bake that cake

Not only this makes me smile every time, but I can perfectly imagine Patton in a kitchen, with all the ingredients in front of him, everything ready and set... and he’s just absolutely lost. Should he use a spoon to stir the flour? And how can he open the vanilla beans? He doesn’t even know how to turn the stove on.

And so, he decides it’s time to ask someone else to help him. Bonus points if the mother is Janus. Also because he is a mom AND a witch, so

Also, this line:

Mix some dough, add some love, let it bake, wait for it

It's SO Patton, because the main ingredient of his recipes IS love! And cumin. And sometimes spit, depending on what he's making: pasta for Roman or some toasts for his angsty teen son.

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Carl Espen - Silent Storm

At first, I thought this was a Logan song: someone who feels empty and alone, who has a storm inside but it's a silent storm, because Logan would never express his feelings in any way.

But there are these lines:

And there’s a silent storm inside me Looking for a home I hope that someone’s gonna find me And say that I belong I’ll wait forever and a lifetime To find I’m not alone There’s a silent storm inside me And someday I’ll be calm Someday I’ll be calm

And maybe it's just me, but this reminds me so much of Virgil. He has a storm inside, his own symbol is a storm. He's searching for a home, after leaving the dark sides. And he hopes someone will say he belongs - Thomas will say he belongs, that Virgil is part of him and of the famILY.

And he's willing to wait all the time, just to get that tiny bit of recognition and acceptance. And, who knows, maybe when he'll get it, the storm inside him will calm down and he will finally be at peace.

____________________

Tinkara Kovač - Round and Round

I don't know if I'm insane (or just extremely self indulgent), but this song is basically Janus during the wedding/callback saga.

Uncertain between worlds Circle after circle, we're trapped in time When you're already familiar with every storm You're playful, and yet you're alone

The first verse sets the time and situation. Thomas is living an uncertain life (just like every actor), trapped in the same cycle, with nothing new coming: same job, same opportunities, no big chances, nothing stable. He's "familiar with every storm", aka Virgil has been accepted. Thomas is happy, but he's alone. No one is actually on his side, not even the Sides themselves. He's not taking care of himself enough, he's too ready to drop everything for his friends, he's spreading himself too thin.

And now I'm gonna show you how to breathe I'm gonna show you how to live I'm gonna hold your heart in hand I'm gonna make you understand

This can be a declaration from Janus: he's tired of working in the shadows, he wants to step up and help Thomas in person. And these lines make me think of him, because of how "firm" (and kinda villain-y) they sound.

He wants to show Thomas how to live, aka what are the best decisions to make). He's going to "hold your heart in hand", aka to have Thomas wrapped around his fingers, to take control and steer him with a strong, confident grip, away from the decisions he considers bad, into making him a lot stronger than before.

And, finally, he wants to make him understand. So if the lines before sounded more like a villain’s plan, this last line adds something more. Janus wants to explain to Thomas why he's doing this, why his decisions are better, why Thomas should trust him.

If we think about it, this is everything Janus tried to do since CLBG: he wrapped Thomas (and the other Sides) around his fingers and made them play the courtroom scenario he built, he tried to steer Thomas away from the selfless decision of going to the wedding. And he tried to make him understand why, with the pinata metaphor.

You don't know you don't know Is it love is it hate What are we changing (What are we doing) You don't know you don't but Can you feel it inside Feel the roses Feel the pride (Can you believe it)

Thomas doesn't know a lot of things. Does he really know what love is? Or hate? Or what he's actually doing, by listening to his Morality? What is Janus doing?

[Deceit]: What am I doing here right now, Thomas? Am I the snake come to trick you into sinning, or have you had your mind made up since the moment you received the news about the callback? (SvS)

Thomas doesn't know a lot of things. But deep down, he knows what he wants to do. He should "feel the roses / feel the pride", both things associated with Roman. He is the one Thomas should listen to. And Janus is hinting it.

Is a moment just a circle Just a song you play on repeat? If we can't change how we're living Isn't life just a lie that we feed

Janus is expressing his frustration here: is Thomas' life doomed to always be the same, a cycle, a "song you play on repeat"? Can't he really change his life because of his selflessness? Will he really miss all the opportunities life offers him, in order to always be a good person?

What's the point of living, then? This wouldn't be life, but "a lie that we feed": instead of living his own life, Thomas would submit it to what others want/need, in order to always be present for them.

This is basically a huge warning from Janus: don't fall into this cycle, break free, I can make you free, listen to me and I will make you understand what is wrong about it.

19 notes · View notes

caxsthetic · 4 years

Text

Agape

Iwaizumi Hajime x F!Reader

(n.) the highest form of love. Selfless, sacrificial, and unconditional love; persist no matter the circumstances. Always giving and devotes total commitment to seek the highest and the best.

─── ･｡ﾟ☆: *. 500 MASTERLIST .* :☆ﾟ. ───

The venue bathed in brilliant summer sunlight as the season changed. Spring had gone, replaced by summer that rolled into the world, giving warm tingle to everyone’s soul. Today the sky was painted blue, not even a glimpse of clouds could be seen on the horizon right now.

In the countryside, two families gathered together to celebrate this special day. The day when two different families moulded into one to create an endless linkage. The day when two souls become one, to begin an everlasting journey with each other by their sides.

The celebration would be held in a property with a private beach. It was tricky, knowing that too much wind could wreck the entire venue. But the couple took the risk anyway. It was a day that would happen once in their lives, and they wanted it to be special.

At one of the buildings where the groom prepared themselves, a couple of lovebirds could be heard through the entire room. It was soothing and rare to find those birds near the sea. Maybe, it was a sign, hopefully a sign for something greater.

Yellow light from the sun illuminated one of the rooms. A large mirror with gold intrication planted on the creamy wall. The room was filled with clothes, beverages, and some flowers that would be put in the suit pocket later on.

He stood there with a suit wrapped around his figure. The suit was chosen by his best friend, something that he was actually afraid to do since he knew how bad the fashion sense that his best friend had.

But he just had to do it, he cherished the friendship that has been going on for years between him and the professional volleyball player. And right now, he was actually satisfied with how well the suit complimented him. He was muscular, and it was hard to find a suit that was just right. So it made him feel grateful to find one that could glorify his figure perfectly.

Sweat started to form in his forehead even though the air conditioner filled the room he was in at the moment. Another man with soft chocolate hair stood there while humming a tone, the best friend that he cared so much.

“You are too tense, Iwa-chan~” Oikawa sang sung while once again styled his hair to the back, “Everything would run smoothly, I am sure of it!”

“Tch, don’t jinx it, Trashykawa.” Even though his words were malice, the intonation that followed didn’t scream annoyance at all, “I couldn’t believe you actually came, you know.”

The brunette stopped his doing and turned to look at his best friend, the man who was always there for him, even at his darkest time.

“You are my best friend, Iwa.” It was rare to hear the brunette called him without any honorific, knowing well his whole life he had to hear his name with a chan every single day.

The two men just looked at each other, a small smile plastered on their faces like they thought about the same thing, “Even though I am broke as hell to fly here and back to Argentina next week, it was worth it.”

The spiky haired man chuckled to hear the remark. He didn’t actually expect his best friend to accept the invitation, knowing that the professional volleyball player still had another year in Argentina.

But then, this is just a glimpse to show how powerful the friendship that he had. Once upon a time, the brunette even left the chance to go to an elite school because he didn’t get accepted there. It was still imprinted on his heart, to have a friend who would do anything to just stick together. Even though the said school could bring the brunette to a more promising future, his best friend didn’t care.

“Well, I want to be in the same court as you,” It was raining, the two high school boys walked side by side with umbrellas in their hands, “Not as foe, but as a friend, as teammates.”

Oikawa Tooru was someone that rarely showed his real facade. But when he was just with the ace, that’s when his real nature appeared without filter, knowing well that he couldn’t be hurt with the spiky haired boy by his side.

“You are so sappy,” Iwaizumi punched the brunette’s arms playfully, but it ended up more powerful than he thought, making the poor setter winched, “But thank you, Oikawa.” A little smile plastered on his face, “That means a lot to me.”

The brunette was dumbstruck. He really wanted to just take a picture since it was rare to see a gentle smile on his best friend’s face. But then he smiled too, knowing well it was a friendship that would last forever.

“You are always welcome, Iwa.”

The little knock from the door woke them up from the little memories that were running at the back of their head. The groom immediately looked at the grandfather clock at the corner of the room, only to find that it was time.

It was time to finally make you his, the woman that captured his heart in a blink of an eye.

“Ready, Iwa?” His best friend pocketed his hands while looking at him with a playful yet reassuring gaze, “If you are not ready, I don’t mind to be the one who stood at the end of the altar, you know.”

“You are a trash,” That remark annoyed him and he just walked past the cackling man who would never get tired teasing him, “Come on, or Mattsun will take your place as the best man if you didn’t stop laughing.”

The brunette snickered at the threat and followed his best friend outside. Once their feet touched the outdoor pathway, ocean breeze immediately caressed their skin. And for Iwaizumi, it felt like the ocean itself telling him that everything would work out perfectly.

The sun was now seated quietly at the west side of the horizon, lightening up the mood to be warm. Everything it touches would turn into a golden array of sun, enchanted the whole venue like nature gave a blessing already to the event that would unfold in minutes.

He stood in the middle of the aisle, family and friends started to sit in their arranged place. It was a wedding with some rustic touches, flowers embroidered on each of the wooden seats, complimenting nature with each other's superiority.

Slowly but sure, he walked towards the wedding ceremony arch. The wood was simple, painted white to make it look pure. A cordon of lanterns set on each side, lighten up the pathway around the arch. Flowers once again adorned the top of the arch to match the entire venue, some fell to the ground as the wind blew.

“It’s your day,” He jolted a little when he heard his best friend by his side, “I can’t believe you would be the first one who got married.” The brunne pouted. Even though he knew he didn’t think about marriage at the moment, it made him wish he had someone too.

“Well, not my fault you choose only sex and not the love.” Iwaizumi smirked, making the poor man pout even harder, “But thank you for being a trash sometimes,” A smile emerged on his face as he remembered the first time he met you.

“What?” The brunette was at loss, confused by the genuine confession, “Oh!” But then he remembered, he remembered at one point he decided to get early to the gym, leaving the ace behind.

“Trashykawa, crappykawa,” The wing spiker muttered under his breath as he walked alone to the school while rain pouring down from the sky, “I am going to throw some volleyball at him, I-”

Then he stopped all of a sudden when his eyes lain on you. It was raining, and you didn’t look like you had an umbrella or anything to save you from the merciless rain.

You stood on the sideways, body’s shivering with how the weather turned dark all of a sudden. The sun was out when you were out of your house, but luck decided to test you all of a sudden, turning the sunny day to be melancholic.

The fact that you hate getting wet didn’t help you at all. So you decided to just wait until the rain was gone. But after minutes, the sky was still dark, making you let out a long sigh, knowing for sure that you would get stuck here a little bit longer.

“You are Aobajohsai’s student, right?” You yelped when you could feel a hot breath on your neck. It made you shivered more than the freezing temperature, “I didn’t mean to scare you,”

When you were calmed down, that’s when you realised who the boy was. It was Iwaizumi Hajime, the ace of your school volleyball’s team, the boy that with his every movement could make your heart flutter.

You are too starstruck as you look at him, hearts thummering like crazy. You always found the man fascinating. How he cared for his teammates, the respect that he gave towards his opponent, all the little gestures from him was amusing.

And you couldn’t help to just stare at him as you absorbed the warm that he radiated with how close the two of you were at the moment. He was muscular for a high school student, you could see it even when the uniform didn’t do his figure justice.

“Are you alright?” He was genuinely worried with how red you looked right now, “Are you sick? Do you want me to accompany you back home?” The question caught you off guard. Who in their right mind would escort a stranger while they basically were late for school.

“N-No!” You cursed at yourself for stuttering, “I-I am fine, Iwaizumi-san.” He widened his eyes, wondering how he could never see you before. And he felt guilty for not knowing your name right now, “You should go ahead, the bell would ring in a few minutes.”

You fiddled your fingers, staring at him as you tried to usher him away. It’s not that you hate the company, and it would be a shame if the two of you didn’t end up as an acquaintance. But he was a student too, just like you, and you didn’t want to be the reason for his lateness.

“Then let’s go.” He pushed his umbrella to hover on your figure a little, “My umbrella may not be big, but at least it could prevent us from being soaked completely.”

“But, you still get soaked either way!” You tried to protest, “I don’t want you to be sick, you have a game this weekend and I need you- I mean, we need you to be healthy.”

He let out a long sigh when he realised that he just met a stubborn girl. Though he’s not going to lie, your little scold that you threw before made him feel warm inside.

“I am not going anywhere if you didn’t come with me.” But you were not the only stubborn human here, he was too, could be stubborn some of the time, “I will wait here until you agree to come to the school with me.”

You frowned, but in his eyes, it makes you look like an angry kitten instead. And he couldn’t help but blush a little, sadly, it went unnoticed by you.

“Alright, alright. But I want you to be under the umbrella completely.” You stood next to him, keeping some distance, “Come on, then.”

He was thinking of a way to make the two of you completely safe from the rain. Something appeared on his mind, a sight that he had once seen when Oikawa walked with his ex-girlfriend in the rain.

“Can I wrap my arms around you?” The question that he uttered made you lose your composure completely. Imminence blush crept on your face, jaw dropped and mind not functioning, “I am sorry, but I have to.”

Without waiting for your answer, he wrapped his right hand around your torso, making your body to flushed with his. He started to walk, occasionally glanced at you to see if you were soaked or not.

“W-Why are you doing this…” He could hear your little voice as you mumbled under your breath, “You didn’t even know me…”

He was too, didn’t know why he had the urge to just protect you from any harm when you showed how care you were towards him. And he was for the first time, proud for being an ace, making you realise his existence.

But it was just something inside you that was pulling his heart every time you talked. It was still there, tugging inside him as you were now in his embrace. The second he pulled you towards his arms, he felt something that he never had before.

Your body that was flushed with him didn’t only warm his body. But his heart too, started to feel the unfamiliar warm. And right now, he wanted to feel more, he wanted to know more.

He wanted to unfold the feelings that he had right now, and he wanted to do it with you,

“Then let’s change that.” He stated, looking down at you as you looked up, eyes locked with each other, “My name Iwaizumi Hajime, what’s yours?”

You knew you had a crush at the man. But right now, at this moment, you felt more than just a mere crush as the two of you walked under the same umbrella. It was something more powerful, you know what it was.

And you wanted to unfold the feelings that you had right now, and you wanted to do it with him,

“My name is (L/n) (F/n),” You gave him a little smile, realising that your embarrassment started to dissipate as the two of you walked, “But you can just call me (Y/n).”

A chant of violin filled his ears, notify the whole venue that the bride was ready. One by one, family and friends started to stand, eyes focusing at where you were standing right now.

Your hands gripped at your father, tightened when you could feel everyone’s eyes in the room. To say that you were nervous was an understatement of the century. You didn’t dare to look up, eyes focusing on the heel that you wear.

Since morning, you were a nervous wreck, afraid that you would trip even though you wouldn’t wear a stiletto. Your shoes were just a five centimeter heel, nothing that you couldn’t handle in your daily life.

Your father tried to reassure you that it would be alright, but his sweet whisper couldn’t dissipate the anxiousness that was tugging inside your heart.

“Sweetheart, please look up.” The two of you started to walk down the aisle, “Look up, I promise you didn’t want to miss this.”

Taking one last deep breath, you brave yourself to release your gaze and trust your father completely. And right now, you felt like you walked down towards an angel.

He stood there with a warm smile plastered on his face. His spiky hair caressed by the ocean breeze, making him look like he was a star in some kind of romantic movie.

Everything moves like a slow motion as you noted all the little details that unfolded in front of you. He was the first person that could make your heart feel like this, he was the one who could make you live, not just exist.

From the time he shared his umbrella with you, you knew for sure you wanted the event to be replayed for the rest of your life. You wanted to be in his embrace, falling to the deep love that his body conjured.

Your eyes never leave his figure, too transfixed by the magnificent human being that you proudly called your lovers. Slowly, your father gave your hand to him, to be cherished, protected, and loved, forever until the end of time.

And when your hand fell on his, you felt like some kind of power struck inside you, spreading all over your body as it strengthening you. His other hand helped you to arrange the lace on your dress that was unruly due to the wind that blew.

Once the two of you stood on a perfect stance, the wedding officiant cleared his throat, gathering the attention of all family and friends. You looked deep into his eyes, olive green eyes gazed into your soul, suffocating you with immense love.

“To (L/n) (F/n), the angel from the rain,” He called out to you, wanting you to hear every syllables that was out from his lips as he shared his vows, “From the day I met you, I know there was a foreign feeling inside my heart, tugging me to made me come back to you,”

Tears started to appear at the corner of your eyes, and he gently wiped it all away with his thumb, “You have always be there on every step that I took, boosting my confidence, reminding me endlessly that I am loved, even on my worst days,”

At this moment, he really wanted to just smash his lips into yours, but he held himself back, knowing the wait would be worth it, “So, I promise to support you during good times and bad times and to never let this world break your kind, loving spirit.”

He said every syllable with so much passion, letting it roll out from his tongue like it was the words that he had been chanting since he was born. Every word and every promise seeped into your heart, proud to call the man in front of you as your husband.

Being loved by him was like he was the last of your kind. As if he speaks the same language as you that no one could be able to. To be around him was like finally not being alone as when he pulled you to his embrace, it felt like you were strolling in summer meadow.

How was that he was so much more than sunshine? How did he breathe life for you when no other can? Why was that he became your medicine? And by time, no one could love you like he does. So you promised this to him- while you breathe, you would become his in mind, body, and soul.

And when the officiant allowed him to kiss you, he took his time. He cupped your face, caressing your tear-stained cheek with his thumb as he tried to imprint the sight in front of him into his heart.

Because your love was so whole, his missing pieces appeared. Because your touch carried such passion, what was scarred became soft once more. Because you were steady and patient, his open wounds have time to seal and vanish.

Perhaps that is why they say love was such magic, a gift from the universe, a sweet addiction to the someone he was born to find. For with his twin soul, you, the only other born in the same flame as him, the two of you were able to bathe one other in warmth and light as easily as you and him breathe, immune and oblivious to darkness.

And the love that you radiated was sealed, by the first kiss that you shared with him as husband and wife in the middle of the ocean breeze. The kiss that started your journey together, not as you and him, but together, as one soul.

✧･ﾟ: *✧･ﾟ:* ༶•┈┈⛧┈♛ ♛┈⛧┈┈•༶ *:･ﾟ✧*:･ﾟ✧

Tagged Lovelies:

@letmeshouyou @nitricflame @vventure @heccingdead @muffins-puffins @miyulovestowrite @nanashinanashi @vlovers-world @proplayer-kenma @kashika @cuddlyasahi @blacckdiamondposts @muffngw @baby-boy-taichi @of-heroes-and-dreams @for-ests @giyuwu-san @oli-imagines @lordeofthunder @miyatsunami @benewol @allywritesimagines @tendoustan @iwaixiumi @hihiq @gulfwanq @the-fandom-ness

#iwaizumi haijime #iwaizumi hajime x reader #iwaizumi #iwaizumi x reader #iwaizumi hajime imagine #iwaizumi hajime drabble #iwaizumi hajime scenario #iwaizumi fluff #aobajohsai #iwaizumi hajime fluff #iwaizumi wedding scenario #wedding scenario #haikyuu iwaizumi #haikyuu x reader #haikyuu fluff #haikyuu aobajohsai #haikyuu imagine #haikyuu scenario #haikyuu drabble

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jmd1027sd · 3 years

Note

I hope I didn't just jinx it and we come to find out Ewan is in all those categories I mentioned. Should I knock on wood to prevent the bad omens?

Omg yes... knock on wood, and light a candle.

And you're right about groomer absolutely belonging on that list. The Predators Club if you will lol.

Sidenote: now I have Don't You Forget About Me in my head...

#Ewan McGregor

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saltpepperbeard · 5 years

Text

Open Up ~An Everlark One-Shot~

A/N: Hello hello! Does this still count as an Everlark one shot with a particular character of a particular kind thrown into the mix? I’d hope so lol! But hey there; quite the unexpected twist from me, yes? Considering how much I absolutely ROAST the guy who shows up in this story.

I wanted to do it as a fun little exercise however! Oddly enough, I think it was burning his trading card at Toastcon that gave me the extra motivation to go through with this fjkdskds. CATHARTIC, PERHAPS? I have had a headcanon for quite some time though, one where Gale matures enough to actually come back to Twelve to face Katniss and consequently Peeta as well. I decided to play with that idea, and it was definitely fun/challenging figuring out how everyone would react, Katniss especially.

Now, I know this may be a little less than ideal content for some shippers lol! If you’re anything like me, his name alone is enough to send you into a “HMMNOTHANK” most of the time. But I’d definitely appreciate some open-mindedness for this one! Katniss may not throw up Gale, no, but she definitely has some OPINIONS.

So without further adoooooo...

Open Up

I feel relaxed for the first time in weeks. Curled up into the couch, my hands laced over my stomach, my unborn baby stirring softly within...

The scent of Peeta’s baking cheesebuns a comforting perfume in the air, the rain gently tapping against the glass of the window, the warmth of the fire blanketing both body and soul...

It’s nice. And very much needed. Getting this deep into my pregnancy has caused a whirlwind of emotion. Terrors have been frequenting my dreams more often than not. Panic has overtaken me more than relief has. Uncertainty has danced through my system in contrast to the usual steadiness.

I don’t know; something’s different about today. It feels like everything has fallen into place, everything’s where it should be. All my favorite things have lined up to swaddle me in comfort, swaddle me in relief. Seems like not too many things could threaten such a wonderful, easygoing morning.

“Love?”

The familiar, handsome voice calling from the kitchen breaks me from my thoughts, but not from my eased state, in fact adding to it. A warm smile stretches my cheeks as I reply back.

“Hmm?”

“Doing alright in there?”

I can hear him still working as he talks, pounding dough and bustling around the kitchen. I bite my lip, smiling more as I picture his concentration.

“I guess.”

Now, he halts, giving a firm slap to the dough before pausing.

“You guess?”

I shake my head softly; so protective as always. He’s got even more so with my pregnancy. Even the slightest bit of upset or discomfort on my part will get him leaping to action. If it were anyone else, it would almost be annoying. But with him, with my husband...it’s strangely endearing.

I worry my lip more, puffing with mirth. Shouldn’t worry him, I guess, so my response turns to teasing.

“Just missing someone. He’s wrapped up in his work though, so maybe I shouldn’t bother him.”

I can practically hear the tension in the kitchen break, Peeta sighing before falling victim to laughter.

“Oh,” he snickers, and continues on with baking, “Well, yeah, he is pretty busy making cheesebuns for his two favorite people. Not that he would mind the company, but such a distraction might put said cheesebuns on hold.”

“That might be a risk I’m willing to take,” I murmur back.

I know my husband’s grinning tremendously, the warmth from his smile outdoing the heat from the fire in the hearth.

“Really?” he chuckles, “You’d cast aside cheesebuns for this person? Are we talking about the same Katniss here?”

Now I’m laughing as well, shaking my head once more before heaving my rotund form off my perch, readying myself to saunter towards the kitchen.

“Guess I love him a bit more than his baking. Only a bit though.”

Again, Peeta laughs, a joyous, wonderful sound that brings me to the same level.

“Hmm, sounds about right,” he snorts, “Well, if not a cheesebun, he definitely has a kiss with your name on it.”

My heart flips, absentmindedly licking my lips as I picture his offer. Despite the aches and pains coursing through my body from being late into term, I begin to waddle my way towards the lovely enticements in the kitchen.

“He sounds cheesier than what he’s making,” I say, a blush dusting across my cheeks as I add, “Guess that’s why I love him more.”

“I’m going to cut this third person thing we have going only to say that I love you too.”

I blush even harder, and am just a few waddles away from entering the kitchen, a few waddles away from collapsing into my husband’s embrace, when my jinxing words decide to catch up with me.

Because the morning does indeed shift. Not with anything bad, per say, but with something very unexpected; a series of knocks sounds from our front door.

The warmth surging through me is quick to shift to the opposite, every part of me freezing. I try not to grow anxious, but it’s difficult not to. Though mysterious visitors are often just Haymitch, or Sae, or even Hazelle, some deep recess of my mind always worries about it being someone from the Capitol.

Especially now, with a pure little unscathed life growing deep within me.

What if they’re here to take Peeta and I back on some twisted Victors’ Tour. What if they’re here to reap us into a new set of Games. What if they’re here to take my child, our child, away, leading it to death before I could even ease it into life...

I hadn’t even realized I had been shivering with quick breaths until Peeta’s voice sounds to ground me.

“Katniss?” he asks, his tone a strong whisper, “Who-”

The knocks persist, cutting us both off. My anxiety hikes up, my arms subconsciously wrapping around my stomach. I take steps away from the outside world, visions rolling dark throughout my head.

“I...I can’t...” I wheeze, silently begging my husband for help. He understands almost immediately, our closeness seemingly connecting our minds.

“It’s alright,” he murmurs, his voice soothing, though I think I can hear a hint of concern, “It’s alright, Katniss. Let me just clean my hands off and then I’ll answ-”

Once more, we’re cut off. This time though, not from knocks. This time, it’s from my name, my name being uttered from someone different than Peeta.

“Katniss?”

I didn’t think it was possible to freeze more. But I do, every ounce of me locking up at the voice on the other side of the wood. It sounds incredibly strange, but all too familiar. Absolutely awful, but oddly wonderful all the same.

Following along with the contrasts, my body remains rigidly still, all except for my arm, which slowly and cautiously reaches for the door’s handle. I don’t know what or who I’m expecting to see. I don’t know what to expect. But when I hear a soft, “I know you’re in there,” I’m able to summon enough strength to breech the final barrier between myself and the “stranger.”

Although it’s definitely not a stranger. And it’s not Sae, or Haymitch, or anyone from the Capitol. And I’m not sure if it’s way better than seeing a Peacekeeper at our door, or far worse.

Talk about locking up; I go utterly cold. My eyes turn wild, my mouth hangs agape, my grip on the door runs iron. And once more, my body and mind go to war, leaving me awkwardly hanging in the middle, unsure of what to do, unsure of how to react.

Part of me wants to start sobbing, crying at the notion of something returning from the dead. Part of me wants to slam the door, to forget I ever saw the person standing before me. Part of me wants to scream until my voice runs raw, shrieking my pain from the past few years.

Instead, I’m left doing absolutely nothing, simply staring in complete shock.

The inner battle within me continues, and a reaction birthed from pure instinct presents itself. Vile things form on the tip of my tongue, anger being the first to pull ahead in my internal fight. But, just as fast, my heart is quick to douse the flames, preventing anything from being said.

It’s quite the brawl, between body and spirit. Before a side can come out on top though, before I can truly react, truly process, I hear shuffling behind me. Then, comes the voice the eases my soul, but unfortunately leaves me more aware of reality.

“Katniss? Who’s at the...”

Much be pretty extraordinary if Peeta finds himself speechless too.

We all remain in a tense, uncomfortable silence for a beat. But of course, my husband is the one to cut through. Amicable and wonderful as always, even in a situation like this. So I’m not surprised at all to feel him slide up behind me, his presence warm and welcoming.

And with a composure I wish I had, I watch as he extends a hand in greeting to the man before us, followed by the name I’ve tried not to think about in years.

“Gale...” Peeta murmurs, “It’s...a surprise to see you back in Twelve!”

Gale.

I’m not sure whether I want to vomit, smile, or dart back into the house.

But with my husband behind me, and the initial shock wearing off, I settle on actually looking at him, actually taking him in.

He looks so incredibly similar to how he did when we parted. I’m not sure how that’s even possible; it’s been years. I guess the only difference would be that he looks fitter, more composed. Like the kind of person who should be working in District Two.

But I can still see the familiarity in his grey eyes, the concentration in his gaze that I saw so often when we were hunting. Now, instead of using it to figure out snares and traps, I watch as it washes over my form. My very vulnerable, very pregnant form. It seems to settle on my stomach, his brow furrowing just enough to rouse a reaction from me.

I suddenly feel incredibly self-conscious, judged, and uncomfortable. I can’t imagine he’s not sneering at the fact that I’m pregnant with another man’s child, scowling in jealousy like he did not too long ago.

Bile rises in my throat, and I cast my gaze downwards, shutting myself out from the situation. The only thing I choose to focus on is my husband, inhaling his therapeutic cinnamon and dill scent, relishing in the warmth of his body pressed against mine.

The small ounce of my conscious paying attention braces for the usual snarky comment from Gale. But strangely enough, he simply returns my husband’s greeting, shaking Peeta’s hand back.

“Peeta. Yeah it’s...definitely been a while.”

His voice even sounds similar. Strong, authoritative, steady. It takes me back to the better times between us, but of course, it also takes me back to the terrible. I feel my throat tighten further, and I still find myself unable to look at him. Instead, I lean back to seek the same comfort I’ve been receiving all these years, my own true solace.

Peeta’s quick to deliver, slipping his hand around my hip when he retracts it from Gale’s, holding me close. I can’t tell if his arm around me is a protective or a possessive gesture. Either way, it does its intended purpose, soothing me and ironing out the high peaks of anxiety.

“How have you been doing?” Peeta asks, thankfully keeping the awkward silences somewhat at bay.

“Ahh, pretty good. Keeping busy in Two.”

The mention of Gale’s job, his life, causes me to shiver slightly. Though Peeta tightens his grip around me, every ounce of his warmth pouring into my veins, my nerves continue to wave. I want nothing more than to bury my face in Peeta’s chest, to hide myself away from all of this. Even though it’s not much, simply catching up and exchanging pleasantries, it’s...more than overwhelming. I wasn’t ready for this. I want to go back to the regular, gentle day we were having, go back to focusing on my life and the life I’m preparing to welcome.

But, Gale being stubborn and Peeta being more than polite, neither give me that option, continuing to converse.

“...Take it things are going well for the two of you?”

Even after all these years, I think I can recognize that tone. Seemingly well intended, but laced with jealousy and negativity. Does nothing but make my urge to flee stronger, my trembles more intense.

Peeta begins to softly caress my hip, my lower back, rubbing tender circles as he carries on with the conversation.

“Yeah. We’re slowly starting to rebuild. Opened the bakery back up, and the forest continues to provide. Life’s been...getting back to normal really.”

My husband definitely doesn’t disappoint; even if Gale had been making some kind of stab at our relationship, at my pregnancy, Peeta stepped entirely around it. It makes me relax a tad, leaning even further into his touch.

“That’s good to hear. You seem like you’re doing much better,” Gale says.

My relaxation is short lived, tensing back up at Gale’s words. That’s...strange for him to say. Years ago he didn’t want Peeta to get better; him being well was too much competition. And now he’s commenting on my husband’s well being?

“I am, thank you,” Peeta murmurs, before looking down in my direction, “It’s been rocky at times but...We’ve really helped each other through a lot.”

“I can tell.”

Gale pauses for a moment, before taking a breath and continuing in a softer voice, “I’m...glad you two have each other.”

Now there’s a silence that even Peeta can’t mend, the both of us stunned at such a different character. I raise my head slightly, though still not looking Gale in the eyes, confusion surging in to mix with the nerves. Almost as if on cue, Gale inhales before breaking through.

“Guess you’re wondering why I’m at your front door?”

It’s like Peeta suddenly becomes fully aware of his surroundings; I guess Gale showing up was enough to shock him into greying out as well. He tenses slightly, looking down at me, back to Gale, and then down at me again, his mouth flopping a few times. I hear him swallow hard, before he releases with a sigh, almost like he was fighting something as well.

“Oh, sorry; would you like to come in out of the rain?”

“Yeah, thanks. Not quite used to this weather anymore.”

The two share a good-natured chuckle, keeping the atmosphere cordial. But, cordial as it may be, and as friendly as my husband is, it doesn’t stop my vision from nearly blacking out. There’s something about inviting Gale into our household that almost makes the contents of my stomach reappear onto our porch. Maybe because inviting him in almost feels like letting him back into my life, neither of which I’m ready for at all.

I can barely handle my pregnancy, can barely handle my past nightmares. How the hell am I expected to handle an individual who carries such immense weight with him, who’s left such a hefty scar across my body?

My form signals to me that I’ve had enough, and before either of them can say anything more, I tear myself away. I move the fastest I have in weeks, practically ignoring the added weight in my abdomen as I glide across the cold floor. I’m quick to find a bathroom, and I barely have time to sink in front of the toilet before the retching begins.

I cough harshly, tears streaming down my face as I fiercely grip the porcelain. Nothing comes up, but my body continues to react, heaving all the while. A scream builds up in my throat, but it comes out as a gag, dampened by all my rampant emotions.

There I remain until both physical and mental exhaustion kick in, my entire form slumping downwards. I wheeze, breathing heavily as I claw my way across the floor, easing myself to the bathroom door. I prop myself against it, leaning on it as I rake my hands across my face, tears still a plenty.

I expect to be reduced to sobs, or screams, but I find that I’m numb instead. I’m motionless, remaining against the doorway, now impervious to the conversation on the other end. I have no choice but to listen in, to be subjected to whatever is so important.

I wait for Gale to drop some big news, some kind of something from the likes of District Two. But instead, the conversation between he and Peeta continues to sound entirely casual.

“Did you want anything to drink? Or eat?” I hear Peeta ask.

“No, I’m good, but thanks,” Gale replies.

I hear them pass through the house, the two of them heading to either the living room or the kitchen. They probably think they’re out of ear shot, or that I’m not listening. They’d be wrong; I’m entirely attuned.

There’s another awkward beat, one silent enough for me to hear my heart pounding in my ears. This time, Gale’s surprisingly the one to break it, with something rather unexpected.

“...So when’s the baby coming?”

I feel my fists tighten on their own accord, an ember of anger alighting within me. It may have been a perfectly innocent question once again, but it reeks of envy and bitterness.

Thankfully, my husband’s warmth combats the negative fire; I can almost feel the heat of his smile as he gingerly answers.

“In a few weeks, we think. That’s what the doctor keeps telling us anyway.”

“You excited?”

“Yeah, absolutely,” Peeta chuckles softly, “I’ve wanted to be a Dad for...a while.”

Picturing the look on my husband’s face and hearing his current contentment soothes me, my form easing a bit against the door. But because fire is here to combat my own, Gale speaking gets me tensing right back up again.

“And Katniss?”

I clench my jaw, my hands lacing protectively across my stomach. I’m half-tempted to burst out, to hiss at him to leave and stop questioning my growing family. But I still find myself locked up, Peeta tenderly speaking for me.

“She’s alright,” he murmurs after a breath, “She’s been scared of course.”

I tense further, wishing I had a knife to throw if Gale dares to make some kind of snide comment towards my husband, something about him not helping me properly or me not being ready. Once again, he surprises me, simply remaining silent and allowing Peeta to continue.

“But...I think she’s excited too. She already talks to the baby a lot, and I’ll catch her singing lullabies on the occasion.”

I hear Peeta chuckle gently, before he adds, “She’s going to be a wonderful mother.”

It’s astounding how well and how quickly Peeta can bring me back down, tension sapping from a body with a ghost of a smile to match. I blow out a soft breath, tenderly starting to rub my stomach, only to freeze when another voice interjects.

“...Yeah. She will,” Gale agrees.

That sort of melancholy-laced tone takes me back to when I was so confused, to when I didn’t know what to do with myself or how I was feeling. I expect it to trigger those same awful feelings of guilt, my throat tightening in preparation.

I’m pleased when nothing of the sort arises.

Because no, there’s absolutely no questioning it now. The baby growing within me is Peeta’s. And the heart pounding in my chest belongs to him as well. It’s something that Gale has absolutely no place in wiggling himself into now. It never was. So why the hell is he-

“Guess you’re wondering why I showed up here?”

I inhale sharply; guess he’s answering my question is more like it.

“Kind of,” Peeta admits.

“I came to Twelve for inspections. Decided to come here, kind of at the last minute. Partly because...”

He pauses with an exhale, and I’m barely breathing myself as he continues.

“Peeta, I wanted to apologize. And to thank you.”

It’s like everything in Twelve comes screeching to a halt. Nothing’s audible except for the rain just barely pittering outside, and my breaths puffing out in perplexed bursts. I sit up a bit, needing to shake my head and inwardly ask myself if that was real. Very out of character from what I’m used to, from what I’d expect from him.

Peeta must be on the same wavelength, his question just as soft as the raindrops on the window.

“...Pardon?”

I hear Gale take another breath, his voice taking an oddly soft tone as well.

“You’ve really taken care of each other. I can see that in the short time I’ve been here. But the way you’ve cared for Katniss...I never could’ve...”

He trails off, swallowing the old longing. I can feel myself scowling at the thought of his old self punching through whatever thing he has going now. Peeta must be making some kind of furrowed expression too, because Gale is quick to keep explaining.

“She was my best friend. And I cared about her a lot. Still do.”

I think I can feel my heart twang within my chest. Before I can think about that too much though, the flickering fire of annoyance within comes to the rescue.

“But I was just too wrapped up in myself,” Gale says, sighing, “Too wrapped up in the war. I don’t know. I didn’t pay attention to her as much as I should’ve. I didn’t realize what she wanted, didn’t know what she needed.”

He takes another deep breath.

“Obviously it was you. And I shouldn’t have fought against that as hard as I did.”

I can’t help but nod slightly against the door. Despite my distrust for him though, and the situation, I find myself continuing to listen intently.

“After the rebellion I was worried she’d never heal but...Here she is with you, alive, happy...pregnant...”

Almost as if on cue, the baby stirs softly, and I go back to rubbing my stomach. I can feel the tension levels easing down, only slightly, but still.

“Thank you for giving her this life. For being there for her. Trying to wedge myself between that was...inexcusable. I’m sorry.”

I’m surprised to feel my breath catch, and I lean my head back, looking towards the ceiling as I contemplate things, as I process. Where did this all come from? I never would have expected anything of the sort from him. The last time we saw each other, I was perfectly content on never seeing him ever again. And now he’s here, in my house, apologizing to my husband?

I shake my head again, scowling. Damn Gale. I guess I wasn’t safe from the confusion he inflicts after all.

Admittedly though, this...is far more welcomed. He’s perplexing, but not in the way I was so accustomed to years ago.

I am still annoyed with him though, for making me attempt to figure it out.

There’s another pause, less awkward this time. Peeta must be trying to process things too. I hear him heave a gentle sigh, before he speaks up again.

“You loved her. You didn’t know what to do. We both didn’t.”

It’s the first time throughout this exchange that my husband’s words have made my throat tighten. I find myself worrying my bottom lip, knowing it’s the truth but hating to hear it.

Following the pattern of oddity, Gale gives a sort snort.

“No, if I really loved her I wouldn’t have acted how I did. To either of you.”

The sigh that departs from deep within my lungs syncs up perfectly with Peeta’s.

“Don’t worry about it,” he murmurs, “It’s in the past now.”

“...You can’t speak for Katniss though.”

“No,” Peeta agrees, “I can’t.”

And he’s right. He can’t. Peeta understands me like no one else does, but I don’t even think he can figure out the complexity of what all I’m feeling right now. For the record, I don’t think I can either.

I didn’t ask for this. I didn’t want this. Things have already been so crazy lately. I didn’t need more wounds from my past to reopen.

And I don’t want to forgive him.

But I feel...eased. I feel slightly lifted. It’s equivalent to putting a bandaid on a scar, sure. Doesn’t erase the fact that the scar is still there. But...it still feels oddly better than having the scar ugly and untreated.

Before I can get too wrapped up in my thoughts, Peeta’s gentle and sincere voice breaks through.

“...Thank you though, Gale. I appreciate the apology.”

Some kind of movement is audible, and I imagine the two are shaking hands again. If anything, I guess I’m glad that Gale and Peeta are on better terms.

But where does that leave me.

It’s like they read my mind, my energy, directing their conversation my way after another pause.

“Should...we check on her?” Gale asks.

Peeta replies with a long breath, before audibly answering.

“I think...she just needs some time. This was all very sudden. Guess anything else will have to happen on her terms.”

I love you, Peeta.

I let out a shaky breath, feeling Gale’s tension before he relents.

“Right. Sorry for showing up with no notice.”

“It’s alright,” Peeta murmurs, letting out a huff of mirth, “Definitely took us by surprise though.”

They both share a strained, quiet laugh, before things go quiet. There’s the awkwardness again, like neither of them are sure where to proceed. They both know they can’t force me out. So after a few more pauses, Gale backs off with a sigh.

“Alright. Well, good seeing you, Peeta,” he says, “Take care of yourself.”

“You too. Safe travels.”

More pauses, before I hear a pair of departing footsteps, followed by another. I recognize the heavier tread of my husband, sounding like it’s slowly departing off towards the kitchen again. Gale sounds closer, likely heading for the front door.

And that’s when I feel completely strange. That’s when all the swirling emotions take hold. I don’t know what I’m doing. I don’t know is about to take place. But I find myself standing up and bursting through the door, tearing back through the house.

I round a corner, and freeze at the sight of him. His back is turned to me as he collects his things, but he raises his head and stills at my approach. I thought I had been silent on my feet, but I guess my pregnancy makes my footsteps a bit harder. That, or his hunting background must still be evident despite years in District Two.

Either way, I inwardly curse, and consider darting away before he can say anything.

I find that I’m still locked into place though. And he beats me to it anyway.

“I don’t expect you to forgive me.”

Him talking to Peeta was easy to stomach. But for some reason, him talking to me after so long instantly makes me defensive, a scowl hardening my features with building nasty words to match.

“I wouldn’t forgive me either,” he continues, still turned away from me, “But I have to apologize to you anyway.”

I feel myself trembling, close to bolting or yelling, I’m not sure which. Again, he doesn’t give the luxury of deciding. He instead turns to face me, our grey eyes connecting in a strange hold. It’s very quick to make me feel nauseous, the whole thing a bit much to handle. I don’t know why I chased him in the first place.

I want Peeta. I want to go back into hiding. I want...

“Katniss...” he says, his voice saddened and just barely above a whisper.

My nostrils flare, numerous responses attempting to surface but failing. He takes it as a cue to go on.

“Will you at least listen to what I have to say?”

My body tenses up, like a cat arching its spine. I don’t say yes, but I don’t say no either. That leaves us in a strange limbo for a bit, with Gale being the one to venture out of it.

“I was bent out of shape. I was too caught up in my own interests. So caught up that I forgot how to treat you as my best friend. Hardly anything else mattered.”

I’m heaving shaky breaths, feeling a glassy, angry sheen form at the bottom of my eyes.

“It wasn’t right of me at all. It won me the battle I was fighting but at what cost.”

I watch as he swallows hard, his expression dropping further.

“Katniss, I’m so sorry about...”

He chokes on his apology, unable to finish. I know what he’s referring to though. The thought is enough to break the glass, a single, hot tear rolling down my cheek. I want so badly to swipe it away, but I’m completely motionless.

At this, he seems to droop, pain clearly reading across his face.

“I’m sorry...”

I close my eyes, trying not to think too hard about anything. I attempt to shut it out, reverting to hardness as I always have.

“We’ve been here before, Gale,” I say, my tone cold but catching slightly at the utterance of his name.

“I know. And nothing I can say will fix it.”

“No.”

He heaves a shaky breath himself, and switches course away from that awful topic.

“So, I guess I’ll just say that...I’m so happy for you.”

This is enough to bring my eyes back into view, and I’m stunned to see him wearing a sad smile.

“I never would have been able to say this years ago. But really, I’m happy you’re here, with Peeta. He...really cares about you. And it’s good to see that you’re happy too. That you love him.”

I blink slowly, instinctively resting my hands atop my stomach at the talk of my husband, the talk of love.

“That’s all I could have wanted. You to be happy and safe. And he’s done that for you. All that and more. I’m glad, Katniss. I really am.”

I don’t want to believe him. I don’t want to believe any of this. But his expression, his voice...It all seems so oddly genuine. I mean, why would he show up here to say all of this if he didn’t really mean it?

My breath catches, and I blow it out slowly, beginning to shift my hands across the strained fabric of my shirt, comforting myself. I nearly stop when I see Gale’s gaze momentarily flit down to my stomach, but it’s too quick of a glance.

“Seeing you...like this...I know everything’s just right for you. And that he was right all along.”

“It is. He is.”

I of course expect him to sulk, but he simply nods, continuing to gently smile.

“I think I can breathe easier now, that’s for sure.”

I fall slightly agape, unable to hide the perplexity swirling around my subconscious.

“Why...do you...”

“Care?” he finishes for me.

When I give a slight nod, he continues, “Spending time away from home made me reflect I guess. It’s weird being there without really knowing anyone. It’s weird not being able to hunt.”

It’s his turn to look away, his eyes flitting down for a moment before reconnecting with mine.

“...I’ve missed you, Katniss.”

It’s back to me looking away, my throat tightening up as well. I can feel his gaze on me, and lets out a mirthless puff of air.

“Know that’s probably not mutual.”

I’m about to start scowling at what sounds like a guilt trip, but he sweeps away my building annoyance.

“Which is okay. And...understandable,” he huffs.

Another awkward beat, the two of us shifting on our feet. Of course Gale is the one to cut it, his voice the gentlest it’s been this entire time.

“I just had to apologize. Get that all off my chest. I owed it to both you and Peeta for too long. I really am sorry, Katniss. For everything.”

When I don’t respond, hanging my head as moisture settles in my eyes again, he lets out another sigh.

I won’t forgive him. I can’t forgive him. But I can at least...accept this, accept what he’s said. I can at least acknowledge that I appreciate his strange shift in mindsets.

Not with words though, of course. Not by saying something. So, almost as if on their own accord, my feet are carrying me towards him, closing our proximity for the first time in nearly a decade. I barely have the time to register his shocked expression before I’m against him, as best as my rotund stomach will allow.

The feeling of him against me, the ashen scent that floods my nose, is almost enough to make me gag, to make me think that this was a mistake. I’ve gotten accustomed to speaking through physical gestures. But with him, with Gale...

I tense, my breath speeding up considerably. But when he slowly and hesitantly completes the embrace, when his arms come around me...

There’s an absence of warmth, yes. But the familiarity, the promise of sincerity in his apology...

One or two tears manage to break free, streaming down my cheeks and signalling a breach in my composure. I have to break away before I let my emotions get the best of me. I guess after all of these years, after everything that happened, I still can’t let him see me cry. So I tug back against his hug, breaking it and avoiding his gaze.

“You and Peeta take care of yourselves,” he murmurs, finally signalling his departure.

I nod softly, starting to fidget with the bottom of my shirt.

“And...congratulations,” he says; I can see him nod towards my stomach out of the corner of my eye, “I can’t believe you’re about to become a mother...”

Again, I nod, my lip trembling ever so slightly.

There’s another pause, and then he murmurs his departing words.

“Good seeing you, Catnip...”

I heave at the utterance of the old nickname, finally looking at him again. He gives me one last saddened smile, before slowly turning back towards the door. He opens it, and is quick to venture out into the rainy weather, his form disappearing into the mists of Twelve like a shadowy apparition, like he was never even here.

I walk out onto the porch after he goes, before stepping into the gentle rain myself. I need it to stay in touch with reality. I need it to make sure that wasn’t some weird dream.

My grey gaze travels skyward towards the matching clouds, allowing the cold droplets to splash across my face. It feels cleansing, therapeutic.

Kind of like...the whole exchange that was just had. Cold, could be considered unpleasant even, but...perhaps needed. Cathartic.

Like some kind of weird closure to something that was so painful.

I open my eyes and lower my head, blinking away the tears and rain. I suddenly feel chilled out in the deluge, after such a conversation, needing warmth like nothing else. I spin on my heels and dart back into the house, seeking the only person who can give me that.

“...Peeta?” I call, though it comes out more like a whimper, my composure swaying dangerously.

“In here, love,” he tenderly replies.

I follow his voice into the living room to find him sitting on the couch in front of the roaring fire, a fresh plate of cheesebuns on the coffee table beside him. He’s wrapped in a blanket, and as grey meets soft blue, he holds it open in an invitation, one I don’t hesitate in taking.

In mere seconds I’m against him, burying my face into his neck, into everything that he is. And as he wraps half of the blanket around me, as he nuzzles me and peppers me with comforting kisses, all the crazy emotions that had been boiling up in me surface.

I cry. I sob. I wheeze my tears against my husband until I can barely breathe. He’s extraordinarily patient with me throughout, letting me get it out and not saying a word, simply stroking my hair or giving me soft kisses.

When I’ve exhausted myself, when I’ve drained myself of feeling, I sniffle and reveal my face again, snuggling further against Peeta. He of course is aware of the shift, and wraps his arms around me in a loving embrace.

“Hey...” he whispers, pressing his lips against my forehead, “You okay?”

“I...I think so...” I whisper back, my chest continuing to shiver with the occasional sob.

Peeta nods slowly, and continues to caress and kiss me. I have to give him credit; he doesn’t pry, doesn’t ask any questions about what happened. He puts the conversation entirely in my hands, only discussing what I feel comfortable with.

I allow the shivers coursing through my system to lessen, the fire and rain to soothe, and my husband to nurture, before I softly speak up again.

“He tried to apologize before...”

Peeta stops peppering me with his lips only to lean back a tad, listening intently to my soft explanation.

“After...after Prim...”

Her name comes out as a croak, which gets me another gentle kiss to the cheek before my husband leans back once more.

“I couldn’t forgive him then. Still couldn’t now.”

I can see Peeta’s mouth slightly tighten out of the corner of my eye, but he doesn’t say anything, simply nodding.

“I don’t know though...Something felt...different today...Better...”

“Yeah?” Peeta murmurs.

“Yeah...I don’t know. Maybe I’m just wrapped up in how unexpected it was...And weird...”

My husband lets out a puff of mirth, his hand softly drifting across my shoulder, rubbing gentle caresses

“It was...pretty weird, admittedly,” he agrees with a chuckle, before his voice runs serious again, “But...I think it was a good thing...”

I nod slowly, simply gazing towards the fire as I think things over. The flames have lessened a bit, not crackling and popping as strongly. Just like Gale; his flames seemed to have died down too. Neither are as aggressive anymore, as overpowering. That’s definitely not a bad thing at all.

A soft sigh huffs from my nose. I wonder if he’s ever going to stop by again. I don’t think I’d be affected if he didn’t. But I also don’t think I’d be full of hatred if he did.

Strange. I didn’t expect to make some sort of semblance of peace with so many things today. Everything really does seem to be easing into harmony, into gentleness.

“What about you?” I finally murmur into the comfortable silence.

“Hmm?”

“How’re you feeling about it?”

“Oh,” Peeta replies with a puff of soft laughter, “Ah, about the same as you I guess. Weirded out.”

I return the huff of laughter, and my husband chuckles more before continuing.

“I just...never expected him to show me gratitude.”

“Or apologize.”

“Oh, you heard?”

I nod, my voice dropping a tad in pitch, protectiveness and possessiveness swirling throughout.

“About time he actually showed you proper respect and appreciation.”

My sudden seriousness must take Peeta by surprise, because he halts his caresses and movements. When he gets a load of my scowl though, my grumpiness, he lets out another soft huff, his facial expression melting back into tenderness.

“I appreciate your concern, but I don’t really matter in this, sweetheart. What’s more important to me is that he showed that respect to you.”

“No, he needed to understand how much I love you, Peeta. How much you mean to me. I don’t think he does entirely, don’t think anyone does. At least he has a better idea now.”

Again, I’ve stunned my husband. Only this time, I can see a wonderful, shy smile slowly stretching his features. It reminds me of the smile he gave me when I thanked him for the pearl, or the smile he gave me when I first told him I loved him.

He hangs his head a bit, letting out a soft laugh.

“You’re...incredible, you know that?”

I feel my scowl shifting towards a smile now as well, shaking my head at his compliment.

“Alright. Well, how about we say that...it was good for both of us, and that I love you to the point where I can’t properly express it myself,” he murmurs.

“Hmm...Guess I’ll have to settle for that.”

This time when Peeta laughs, I’m unable to stop myself from doing so too. And I finally turn to look at him for the first time since sitting down, as he’s actually the person I can give a proper physical gesture to.

“Peeta?”

“Hmm?”

I take a moment to appreciate his tender stare, his striking features, his ever growing smile when our eyes meet. I cannot help but smile softly in return, my tone growing lighter.

“There’s...a kiss with your name on it...”

The way his face manages to light up even more, even brighter than the embers beside us, melts my heart.

We kiss and embrace until we run hotter than the fire, until the cheesebuns beside us run cold. We caress until the cold dampness still clinging to my skin shifts elsewhere, until the possessiveness really wants to take over. We ravish each other until we drown out the rain pounding on the roof, until we give each other all the love and appreciation we can offer.

Later, we lay in bed as both us and the evening weather cool down, our bare bodies tangled and our hands laced across our precious one nestled within me. Mental and physical exhaustion set in as I nestle closer to Peeta, lazily peppering him with kisses. But after everything, after such an odd turn of events...I feel whole.

My week had started with mounting worry, with growing fear. And now, it’s ending with heightening peace, with easing tension. It’s ending with things tying up in strange, lovely little knots. It’d ending with more of a focus on what’s ahead, less of what’s behind us.

In the loving arms of my husband, I don’t have any nightmares. And with the apologies still hanging in my conscious, my scars hurt a little less.

#Everlark #Everlark fanfiction #Katniss Everdeen #Peeta Mellark #Gale Hawthorne #(...i haven't used that tag since like 2014 lmao WHO IS SHE)#Galey Bird #thg #Mockingjay #...DOIN' ME A SPOOKERS THIS ONE IS LOL #i even had to get Sweet Sweet Validation from some fandom ladies before going through with posting #Listen #L i s t e n #I think deep down I'm totally okay with Katniss and Gale being friends #If he had been okay with Peeta like Peeta had been with him #And had respected Katniss' choices/decisions a bit more #And didn't let his emotions/wants get the better of him #MIGHT HAVE BEEN ABLE TO TOLERATE HIM WAY WAY MORE #He just...got way too wrapped up in his own interests #And so I like to THINK that after a long while of being alone in Two #He reflected and kind of came to his senses #And realized what he had done to both Katniss AND Peeta #Hence him coming to try and make better amends #Just to try and tie up the SEVERLY loose and painful ends #...YA FEEL LOL #I FEEL #I'M ALL ABOUT PEOPLE HEALING #SO I //GUESS// GALEY BIRD IS ULTIMATELY INCLUDED #you know what this story's called #Growth lmao

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unnecessary-database · 4 years

Note

So, idk about America, but in Ireland we "touch wood" to avoid "jinxing" something. So if you're saying goodbye to someone, and you're not sure when you'll see them again but you say "hope I'll see you soon," you'd knock on the nearest wooden thing (like the table) to stop bad things preventing that. I know a lot of Americans claim Irish heritage, so maybe it's a habit they've kept through generations? Like the meaning is gone, but the action's still there? Just a theory though!

Ooh maybe. It’s only ever been white women that have done this to me soooooo

#thanks!

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capmerthur · 5 years

Text

THE BODY SWAP

It’s all in the title :) Somewhere end S1 (after 1.11 Labyrinth, but pre 1.13 Morte). In a land of myth, and a time of magic, Arthur awakes inside Merlin’s body (and no, not in that way). Alternating Merthur POV. Bonus Gaius. Mentions of Will and George.

Excerpt PART X:

"Merlin? Are you threatening me with a spoon?"

Merlin grins wolfishly. He throws, and Arthur easily dodges, laughing.

"How long have you been waiting for such an opportunity?"

"Forever?" Merlin lies, before throwing another spoon, which Arthur blocks with an upraised arm.

Merlin can't help but scowl: "You're supposed to make the spoon divert its course; not block it or move out of its way."

(PREVIOUS CHAPTERS UNDERS CHAPTER X)

X. TRAINING (MERLIN POV)

Gaius is working on finishing Uther's draught when 'Arthur' surprisingly comes in without knocking.

"Sire? Do you need-"

Merlin hasn't prepared a speech on their way (how do you announce this anyway?) So he just blurts it out, as Arthur comes in after him and takes place at his side.

"We need your help, Gaius. Our bodies have been switched. (pointing to himself) Merlin. (pointing to his body) Arthur. We awoke like this this morning."

Gaius looks stunned - of course. Then, for the shortest of times, he looks unconvinced; but this is after all Camelot, where strange things always happen, indeed - and not only Arthur would most probably have better things to do than playing along with Merlin's pranks; but also Merlin wouldn't have the heart to make *such* a prank to start with - not to him. So Gaius looks concerned now, gaze jumping with worry between Merlin and Arthur, holding Merlin's eyes with a question in his eyes - and Merlin knows what's worrying him.

Merlin can only give Gaius though a fragile smile to assure him that he is all right along with an apologetic look in return. He isn't sure Arthur would want anyone else knowing about the magic too, so he will have to wait for a private occasion to explain everything to Gaius. For now, he just sticks to the plan.

"Arthur is expected to train soon, and we thought you could give us a way out of it. No one should be aware that Arthur isn't Arthur until we've fixed this."

Gaius doesn't even hesitate.

"Of course (nodding to Merlin). I'll go and tell you injured your sword arm (nodding to Arthur)."

Gaius goes out, mentioning coming back later to make Little Kathleen's balm. Once the door closes, Arthur says he wonders what Merlin has in mind for 'training'. So Merlin decides he should help them both at once.

Merlin looks around for something basic, and his eyes light up when they fall on two bowls - not only basic but also potentially useful, if it works? He sets them on the table in front of Arthur: one stays empty, the other one get filled with water.

"Here. Try to make the water move into the other bowl."

Arthur looks at the bowls, then at Merlin; incredulous.

"I'm not sure- I mean, even if I make this work, how am I supposed to put ourselves back into our bodies that way? How can I perform whatever must be performed if I am out of the performing body?"

"This is just a beginning, Sire. This is just a way to have you... feel your magic? Find it, and use it as you wish, when you wish. But if you need a valid reason, I promise this will be useful too, when you've mastered it."

Arthur seems perplexed. Merlin confides, voice low as if sharing a secret: "We won't have to disturb the fish anymore?"

Arthur is apparently too stressed out to even smile, sadly. But he gives Merlin a satisfied nod. "I'd better start trying then, huh." A helpless sigh follows though. "Any hint about how to feel it to start with? Where to find it?"

Merlin hesitates. Not only because he wonders how much he can tell without Arthur realizing he knows too much, but also because he struggles about how to put into words what he has always simply felt. He has never had to search for it; it had always just been there. But maybe he can describe it by telling what he doesn't feel, since he's in Arthur's body?

"Don't search for 'where'. It's not in one place; it's everywhere. Not only in your body; literally everywhere - earth, air, water, fire. Like a... warm... tingling... flow? When you've found it, try to concentrate on it, focus on it, in order to direct it towards what you want - with your hands, your eyes, your voice; whatever works?"

Arthur's brow has only deepened from the explanation, and Merlin can't help but sigh:

"I'm sorry. It's gibberish. I don't know how to explain-"

"What you can't know", Arthur cuts him with a wave of his hand. "Of course. I have to find it on my own. Thank you for trying, at least?"

And so Arthur goes to sit at the table, facing the two bowls, while Merlin starts on the balm for Little Kathleen's knee (hopefully for the last time, as her recovery seems to be going well, thanksfully) - both to feel useful and to give Arthur some kind of privacy. His moving around though must be disturbing, because Arthur switches place, turning his back to him. But it gives Merlin the freedom to check over his shoulders from time to time without risking to meet Arthur's eyes.

This isn't working though, Merlin can tell, by the time he's done preparing Little Kathleen's balm (he waits for Gaius to check if he got all doses and ingredients right though before finishing; he has only done it once) and a sleeping draught (for the guards guarding Kilgharra's tunnel) (Gaius has had him prepare Morgana's draught several times already, and has explained how to up the doses while keeping it safe): Arthur looks nothing but tensed, when he would need to be relaxed in order to feel... Trying too hard is nothing but counterproductive.

That's when Merlin realizes he's been going at it the wrong way. Arthur is not him. Arthur is *Arthur*. And when Arthur is at an impasse and needs a clear head? He trains. Activity helps him focus. Exhaustion helps him forget. To find his inner ground, Arthur must be physically busy; not sitting hunched over a table looking at two bowls.

Merlin eyes again his surroundings: spoons should work. Gaius has them in lots of size, both wood and metal. Merlin bundles them all in his tunic, and calls for Arthur as he passes in front of him.

"Let's try something else. You can work on the water later on."

Arthur's eyes follow him questioningly up the stairs. Merlin sets his collection down, then holds a spoon up.

"Try to stop it from falling to the ground."

Merlin let the spoon fall. It hits the ground, of course; but Arthur surely looks now interested by the new challenge. Merlin smiles, and lets another spoon fall.

After five rounds, Arthur gets up and gathers the spoons before handing them over to a crouching Merlin, instead of having Merlin going down, and up, and down, and up... A few rounds later still, Arthur picks up a spoon he has missed on his way and calls out for Merlin to catch it instead of walking back. Merlin misses it though, and it lands on his arm. And that's when Merlin thinks his new idea can even be perfectioned.

He takes the offending spoon off the ground and holds it at the ready, eyeing Arthur, waiting for him to understand. And Arthur does, of course.

"Merlin? Are you threatening me with a spoon?"

Merlin grins wolfishly. He throws, and Arthur easily dodges, laughing.

"How long have you been waiting for such an opportunity?"

"Forever?" Merlin lies, before throwing another spoon, which Arthur blocks with an upraised arm.

Merlin can't help but scowl: "You're supposed to make the spoon divert its course; not block it or move out of its way."

Arthur has actually the decency to look apologetic: "I know. Sorry. Reflexes." Then he smirks. "But please, indulge yourself and do go on."

And Merlin does. And it's glorious somehow, how they are suddenly both intent and carefree, spoons clattering everywhere on both sides as Arthur now throws the spoons back to Merlin too. Hits land on both sides too, as they both throw quicker and harder.

At some point, the door opens and a spoon hits... Gaius.

"Sorry", Merlin lets out, hurrying down to check he hasn't hurt Gaius.

Gaius looks at the both of them with incomprehension, but Arthur explains even before Merlin has even opened his mouth.

"We're actually working on something, Gaius; not destroying your chambers. (the slightest hesitation - but if Gaius is to be their ally then Arthur has decided he should know, well, everything, it seems) I have been jinxed too, on top of the body swap. It appears I have been given... magic; to be my doom - and well... Merlin's body end."

Gaius looks sort of disapprovingly to Merlin at the M word, but his gaze softens somehow, even though it turns outright anxious, as Arthur further explains his theory about their attacker's plan.

"So, now you know it all, Gaius. And we also need your help for something more than giving me an excuse not to train... We need... information. I thought... You and Geoffrey go way back, right? Maybe you could persuade him to lend you a few special books?"

Gaius nods, eyeing Merlin.

"I'll see what I can do."

Arthur nods back.

"In the meanwhile, I have to understand how it works, in order to prevent anyone finding it out until we've found a way to lift the spells?"

"Of course. Just let me take what's necessary and I'll leave you to it."

Merlin then shows Gaius his previous work (safely tucked away in his room after the first round of spoons throwing - and yes, it also gives Merlin the opportunity to silently let Gaius know where his book is hidden, so that he will be able to retrieve it later on and present it to them as coming from Geoffrey or something). Gaius proudly tells he got everything right and gathers it all into a bowl.

"I can finish the balm in the kitchens. I'll be back to bandage your arm though later on, Merlin; our Prince is supposed to be injured, and our King will want to check on his son right when he comes back from today's hunt and hears about it."

They start again where they had left, but nothing magical ever happens still, and after some time, Arthur exclaims in annoyance: "Maybe you should use knifes?"

And Merlin understands the logic; but Merlin just... can't. He counters with an idea of his own.

"Maybe I should tie you up on a chair so that you can't dodge them anymore?"

And Arthur gives a shrug... then goes to sit.

Merlin finds some rope and tie Arthur's legs and chest to the chair. He hesitates, then tie only Arthur's left hand behind the chair.

"In case it helps if you aim", he explains.

Then Merlin is facing Arthur again. The spoons hit; one at a time. But Arthur glares at them - never at Merlin; and so Merlin goes on.

And then... (they've been going at it for so long that Merlin has stopped counting rounds) a spoon finally *stops*, mid-air, before simply falling vertically to the ground instead of keeping its course.

Merlin's mouth falls open as Arthur keeps looking at his hand in wonder.

"Did you see-"

"Yes!" Merlin can't help but shout happily.

Arthur meets his eyes, looking even more resolute than before.

"Again."

Arthur doesn't stop lots of spoons (yet, hopefully); but he regularly stops or redirects one.

And then, Arthur looks at his hand, and then at him, both in wonder.

"It *is* warm!"

And that's definitely progress in the right direction, if Arthur has *felt* it.

The look they share is actually hopeful, for the first time since this began.

After some time, Merlin decides they should take a pause. Arthur still has to prepare him for tomorrow concil too, right?

So Merlin starts asking about what he should know for the coming concil right while untying Arthur's legs.

"Will was definitely lucky to count you as a friend."

Merlin's eyes jump to Arthur's in surprise; not only from the compliment, but also from the repeat mention of Will. Before today, Arthur had never mentioned Will, since they had left Ealdor.

Arthur doesn't notice. Or - more probably - Arthur notices but goes on anyway; he is nothing but brave after all.

"I never had a friend, but I believe friends are supposed to help each other out, right? And well, you're good at helping out, is all. And I know I have little to no right to talk about him; but I think you should know that I'm grateful, and that he has my respect, Merlin."

Merlin is utterly speechless. Arthur has finally found, it seems, a way to shut him up. And to get him teary-eyed to boot. Merlin lowers his eyes to the ground.

"I believe he was a kind man. I mean- He must have been, of course - I don't see you befriending someone cruel or-... But even taking only my own judgment into account? I suppose he could have probably done more harm than a whirlwind. But he didn't. He wanted to defend, more than to attack; there is nothing malicious in that. It's unfair his kindness caused his end though. Sometimes, maybe, it's necessary to be the first to strike; even if you can never know how actually well-founded that decision then is; and you have to live with it."

Merlin feels guilty, again. And angry. Does Arthur have to remind him that Will's death is his fault? For all his magic? Merlin is indeed nothing but *useless*, indeed. He works on finishing to untie Arthur as quickly as he can.

Arthur must have read the inwards directed angry shake of his head for something else though, as he lets out a somewhat apologizing sigh.

"I realize I'm very biased, Merlin; because if he had used his powers in a harmful way? I would probably have been the first to accuse him of being a monster. (pause) But he hasn't. And I haven't searched for any magical powers - yet here I am."

Another sigh; nothing but helpless this time. So Merlin *has* to look up. He has failed Will. He won't fail again. He won't fail Arthur. Arthur's gaze is lost inward though.

"Sire", Merlin pleads, hunting Arthur's eyes then locking onto them.

Arthur fidgets; Merlin can't help but note the oddity and rarity.

"I just- I realize this is the strangest thought to have while we are yet again under a sorcerer's threat, but... Maybe not everything is always as black or white as I've been told all my life? Maybe not everyone with magic is actually evil? ... Will? Me? ... Again, maybe I'm only very biased. Because who knows then how many might have been wrongly punished- (a heavy sigh; wondering and remorseful this time, as Arthur shakes his head, apparently thinking about his Father's deeds as his own - as he has allowed them to come to pass without opposition for so long...) But I *have* to believe that it's possible to have magic without being corrupted by it. I mean... What if it sticks? Even after..."

"Arthur", Merlin starts again as Arthur's voice falters - even though Merlin still has no exact idea about what he wants to say; at least not in what order. Arthur's genuine regrets and palpable fear are boring a hole right through his heart; just as Arthur's words about Will and about magic (it is a step in the right direction; no matter how small) spread warmth through it too. Merlin's possible soothing or grateful words in return all feel just tangled and messy and worthless and not enough and-

Arthur clears his throat, then softly exhales as he finally looks away: "I don't really know what I'm trying to say, Merlin. Except... I'm glad you're here?"

Maybe Merlin has conveyed what he couldn't put into words through his eyes after all...

And then Arthur stands up, and his voice is back to his usual, assured tone.

"Now. One problem at a time, right? About the concil tomorrow..."

And Merlin listens, you bet.

So yep, yet another 'I'm glad you're here' (MY HEART). And spoons just had to be involved, indeed (I'm weak, blame 5.03)

I. AWAKING (ARTHUR POV)

Arthur awakes; lying on his back - unusual - and rolls over automatically.

He surprisingly falls, down, hard; and jerks fully awake now - on the floor, near a so very tiny bed, tangled in an unknown blanket (harsher than his standards, even while on errands, he can’t help but notice).

In disbelief, he eyes his surroundings…

Where is he? Has he been abducted?

Think, he admonishes himself - trying to clear his mind; to remember what must have happened, to guess who has dared to commit such an act, and, most important of all right now: Find a way out.

His eyes then suddenly meet Merlin’s, and relief surges through him somehow - Merlin is alive - before his anxiety returns; and double: because poor faithful, loyal Merlin has obviously been taken too; and it’s Arthur’s fault - he must have failed to save them both from being taken, even though he cannot remember anything…

Except when Arthur reaches out to Merlin for him to come closer (they need to share information and plan, but must be quiet as a mouse), he realizes with fright but indeniable certainty that Merlin is in fact a reflection in a mirror; and worse: *HIS* reflection!?

It his NOT his hand indeed that is stretching out in front of him; NOT his clothes on his person; and definitely NOT his own hair falling upon his eyes, as he notices the black strings in his vision range…

Arthur is dumbstruck. He sees Merlin’s mouth shaping a silent O, and he sees the dread in Merlin’s eyes… except they ARE - he feels - *his* mouth, and *his* eyes; and everything is just plainly wrong, and plainly impossible - but undeniably REAL.

He is… Merlin? Or better said, *inside* Merlin? How can such a thing have even come to be?

Sorcery, Arthur understands with horror: Camelot is under attack!

But now armed with the knowledge of his predicament, Arthur realizes he is actually in Merlin’s bedroom. He’s been in here before, once; and he recognizes it all now.

So. Not abducted. All things considered, that still counts as something, right…

And, as it surely doesn’t feel as if Merlin is still somewhere in his own head too while Arthur is inside of it, well… Maybe? Logically? Merlin might then be in return inside his own body?

Arthur suddenly finds himself praying for this to be true. It would be for the best, if Merlin was in his body - if they were the only ones concerned by this unnatural situation; because what if *everyone* was awaking inside someone else’s body this morning? That would be… precarious - the general panic leaving Camelot completely vulnerable to whoever must have plotted this? The worst though would be if the one responsible for this was right now in control of his body, and acting as Crown Prince to do, well, evil deeds… So yes, you bet Arthur truly wants to find Merlin to be the one inside his own body when he finally finds it.

Arthur jumps on his feet, ready for action. Luckily (even though Arthur feels a bit guilty, as he notices his armour in pristine state against the opposite wall - apparently Merlin has been polishing it late into the night then) Merlin hasn’t bothered to undress before falling asleep.

So. First thing first: he has to go to his chamber.

Picking some weapon on the way for good measure, you bet …

Simply walking the few paces to open the door though turns out to be a challenge. His limbs are too long, and dangly; it feels like he has two left feet, and he has to try thrice before actually getting a grip on the handle - because he isn’t used to this body, of course - but maybe it is truly NOT Merlin’s fault if he trips over his own feet that often after all…

Gaius is already out - hopefully looking for herbs and not wandering out of his mind… Arthur would have preferred to be able to test right away his theories about how many people were affected by the damn body change; but unfortunately, it would have to wait some more.

The corridors are empty too, except for a stray black cat who walks at his side long enough for Arthur to start questioning himself about asking to the cat if he *is* Merlin - because Merlin HAS to be somewhere, right, as he obviously isn’t where he should be to start with; but then the cat takes another turn… Arthur feels stupid for worrying so much about his silly manservant - but he cannot deny that he definitely will worry less only after having indeed finally found said silly manservant.

Arthur relaxes slighthly though when he enters the kitchen: people are working as usual, apparently not in shock, apparently in their right bodies. He picks up the first tray he finds, along with an extra knife that he hides in his pocket for good measure.

He tries to put on a confident grin as he walks (with the most assurance he can muster in this awkward-feeling body) towards the guards at his bedroom’s door - and can only hope it will look the same as usual to them. They let him pass without trouble, and Arthur isn’t sure whether it’s a good thing. On the one hand, he *doesn’t* doubt Merlin - he simply, intrinsically doesn’t; and would never want him to feel like he did if his guards were to search him whenever he was about to enter his chamber. On the other hand… well, it isn’t Merlin right now entering his chamber, with knifes at the ready… This time, it’s only him; but what if it happens again, and if the one then inside Merlin’s body has ill intentions…

Deciding not to dwell on this for the time being, Arthur enters his bedroom - hoping to find Merlin doing whatever Merlin always does, but preparing for a fight, if need be…

II. AWAKING (MERLIN POV)

Merlin awakes as if in a cocoon; literally. He is surrounded by softness, flush, warmth; he cannot remember ever feeling so comfortable - and the world can wait for just another few seconds before he opens his eyes, right… Merlin wriggles, shifting on his back, sighing softly as he nestles some more into the cushions…

When Merlin awakes for the second time - culpability sinking in as he realizes he has overslept - his eyes open to a Pendragon red canopy he would recognize even among hundreds. Merlin freezes: what the hell is he doing, sleeping IN ARTHUR’S BED?!

Merlin sits upright at once - blankets falling all around him to reveal that he wears ARTHUR’S NIGHTGOWN too ?!

Whaaaaaaaat?!

This… just DOESN’T make any sense. The last thing he can remind is sitting on his own bed, polishing the last bit of Arthur’s armour before letting himself fall down to sleep (*AN). He surely doesn’t recall walking to Arthur’s chamber, and even less…

Merlin’s mind is reeling as he shuffles out of bed as swiftly as he can. Oh my… What is Arthur going to think? And come to think of it - true panic now creeping down on Merlin at that thought: *WHERE* is Arthur to start with?

His attention is drawn out right then by Arthur calling out his name (Merlin feels relief, no matter his current embarrassing situation) - in one of those thousands yet unmistakably always Arthurian ways to say his name: a myriad of moods and meanings in those simple two syllables - the voice sounding odd though this morning (is Arthur sick?), and tensed (well, he just found his manservant in *his* bed, that might explain it!).

Merlin turns to face his sovereign, trying to feel less self conscious because he mustn’t look guilty, while wishing for inspiration, and buying time until it hits: “There is actually a perfectly valid explan-”

But it is NOT Arthur he sees: it is… himself? His breath catches as ‘utter confusion’ gets a new meaning, you bet…

At the same moment, Merlin notices suddenly just how *not his* his voice has just sounded, and how he’s wearing a very particular ring around one finger of what’s NOT his hand, and how *blond* hair is falling upon his eyes… And still nothing makes sense; but at least it *does* explain how he awoke in Arthur’s bed in Arthur’s clothes: he *is* Arthur?; and… Arthur… is him? MUST be him. He has been calling his name right the right way, right?!

“Arthur?” Merlin barely dares to breathe out, both in wonder and in plea (because Arthur CANNOT be gone - the fear and pain and simple *impossibility* of such a concept slicing through Merlin’s mind like a knife).

There is a bright smile then appearing on his face - a smile that doesn’t entirely look like his own though - “Yes, Merlin. It’s me,” followed by a relieved sigh: “And it’s you”. And, despite the shock about them having apparently switched bodies (?!?!), Merlin can’t help but feel warm all over - because Arthur (and yes, it is so clearly Arthur, even in HIS body!) has apparently been worried about him.

(*AN) Headcanon time :

Merlin uses magic to clean Arthur’s armour in the beginning, indeed. And he still uses magic for most of the chores, as much as he can, of course (washing clothes, mending clothes, emptying chamber pots, sweeping fireplaces, preparing baths, refreshing beds, cleaning floors, cleaning everything, really (except for mucking the stables, because there are always others around, grrrr). But he quickly grows nearly *maniac* about Arthur’s food (picking at it as a way to make sure it’s not poisoned etc…) and about Arthur’s armour: it’s one of Arthur’s protections - so you bet Merlin definitely cleans and polishes and repairs and oils the leather ligaments that hold it together and EVERYTHING the hell out of it, with extra ardor and fervor, with his own two hands, all the while continuously trying to put on it any protecting spells he ever finds, and repeating those over and over at each occasion… Also, mirrors were probably not so advanced at the time… But let’s say Merlin has an enhanced one, after all he has magic, right…

On a side note, I’m never going to be over Arthur’s priority-thinking (I’m in trouble = CAMELOT IS UNDER ATTACK (babyyyy let me hold you - being Camelot Prince/King is NOT your only worth) and Merlin’s priority-thinking (what the hell is happening = WHERE THE HELL IS ARTHUR (babyyyy let me hold you - your devotion to The (brave, kind, admirable (shut up Merlin)) Prat doesn’t have to mean that you always must come second (and a bit self-preservation cannot be harmful)) *SIGH* I just love those two idiots so much !!!

III. DISABLED (MERLIN POV)

But soon, Merlin is terrified.

And not because of the puzzling body swap.

*HE HAS NO MAGIC!?*

(Not that Merlin knows of any spell to reverse their current situation at once, mind you; so he doesn’t actually try anything about it. But Merlin simply knows: there is nothing but blood running through his veins now - no vigorous warmth, no energic flow; there is simply nothing singing under his placid flesh, as he focuses on it.)

He cannot help but wish he’s wrong though, and desperately tries to move a quill on Arthur’s desk behind Arthur’s back - the simplest of things, really; yet he fails, indeed…

His magic is tied to his body. Not to his mind.

No, no, no, no, nooooooooooo.

Merlin is, to his core, *terrified* - as he has never been. Not only because he feels more powerless and utterly helpless than he has ever felt - and worse, unable to protect Arthur! But also because the longer Arthur stays in his body, the more chances he has to find out that he has magic!? (And even though Merlin has nearly told Arthur, once? He is still not ready for him to know right now… Will after all didn’t lie to protect Merlin’s secret on his deathbed for Merlin to take chances with his life so soon after…)

Merlin though decides to push his panic aside for the moment: he simply MUST focus. No matter which sorcerer has this week decided to deal with the Pendragon line once and for all, Arthur’s life is undoubtedly in the balance; and that’s dearer to Merlin than all the magic in the world - included his own.

Because Merlin’s life *has* tilted, on that rocky beach by The Great Seas of Meredor.

Merlin’s earnest readiness to lay his life down to save Arthur’s had been instinctive, beyond doubt visceral; and the concrete force of the impulse had surprised him. Because it hadn’t been related to his first supposed then anyway indeed wished upon destiny. It had merely been a reflex, a spontaneous reaction: what he had wanted to do; more than what he ought to do. And Merlin had realized right then that he had, somehow, but undeniably, actually come to *LOVE* Arthur? He had known, for some time, that he liked him. And he had felt oddly pleased when Arthur had turned up at Ealdor - maybe Arthur liked him too? But if your first thought when someone is threatened is 'I’d rather die than see him die’? Well, there is a kind of selfishness, even in seflessness, that goes beyond 'liking’, right…

It shouldn’t have been such a shocking revelation though. Sure, Arthur could be a spoiled, royal prat; an irritating, pompous ass; an arrogant, moronic bully - to list but the top of the iceberg of his massive shortcomings, and without even mentioning the complete dollophead he could sometimes be. But Arthur could also be truly brave, honest, and kind; willing not only to trust but also to actually defend the words of mere servants, ready to defy his father’s orders in order to save a child’s life, and volunteering to help a village not even belonging to his Kingdom, to note only a few examples. Also: at some point, Merlin had realized how what could at first appear as near manhandling tactility was in fact just Arthur’s disguised way to show (or ask?) affection (because one probably just doesn’t walk around asking for cuddles while growing up between Uther’s judging cold glares and Morgana’s sharp witty tongue; and the physical occasional playfulness of the knights training must have seemed like the only way to go…). And last but not least: Merlin owed Arthur his life - if Arthur hadn’t gone looking for a Mortaeus flower… So, in short: of course Merlin had gotten fond of the man. For his own values; and not because he was meant to be the other side of his coin or something. And notwithstanding how so annoyingly beautiful he always was (for the record on that particular subject: Gwen is so adorably beautiful, and Morgana so petrifyingly beautiful).

But, as Arthur - bound to be King one day Arthur - hadn’t even hesitate before choosing to sacrifice himself, in order to fix what he had recognized to be his error, instead of using the (even offered) life of a simple servant? Well… There is a difference still between having the conviction that Arthur is a good man ready to fight for the greater good, even knowing it could be his death; and knowing as a FACT that Arthur *is* a good man ready to *die* for the greater good, even knowing it *will* be his death. And you bet having been proven *exactly* how pure of heart Arthur intrinsically is has only cemented that burgeoning love deeper into Merlin’s heart - simply; truly; and maybe irrevocably. Merlin would now willingly die a thousand deaths to save his Prince.

(Feel free to shout with me about 1.11 because *MAJOR FEELS*!)

(And then hug me as I shamelessly cry because this is still NOTHING next to what’s to come - aka Arthur becoming ACHINGLY beautiful, as Merlin turns ready to KILL a thousands times to save his King, blackening his own heart in the process and thinking himself then unworthy of Arthur’s love because Arthur is just so BRIGHT; but wishing for it nonetheless?)

IV. PLANNING (MERLIN POV)

Arthur, miraculously (even though understandably; because he must be shaken too, right), is unaware of Merlin’s internal crisis as he shares what he’s uncovered until now: “It seems to be just us. The kitcheners and the guards all seem to be themselves.”

“So. Whoever has done this is targetting you - personnally.”

“Nice to see your wits are still so very particularly sharp, Merlin. Is there any reason for the one behind all this to be targetting you?”

It is beyond odd to *hear* Arthur’s usual tone in his own voice; but Merlin still has the grace to sigh, before pushing his point further: “But why you?”

“Well, obviously *you*’ve forgotten, but I am Camelot’s Crown Prince, responsib-.”

“Which is exactly what’s bothering me!” Merlin can’t help but interject. “Why take on the Prince when you can take on the King?”

“Oh… Do you think… Could someone be… training on us, then? Before attacking-”

“I honestly have no idea. Maybe you got targetted indeed because you’re head of security. We shouldn’t rule anything out.”

Arthur brings his fist down on the table, determinedly: “Well, whatever the evil plan might be, we just cannot permit for it to work. We’ll have to find a way to stop this nonsense - no offense. In the meantime, we must act as if nothing unusual is going on. It might be for the time being our best chance at keeping Camelot safe - making whoever planned this think the spell didn’t work?”

Merlin can’t help but let out a helpless (yet realistic) sigh: “That’s… a lot; on both accounts.”

Arthur echoes with a helpless sigh of his own: “I know.”

But if they are to keep up pretenses, Merlin is going to need to be prepared: “So. What’s on your agenda for today - besides the monthly open pleas this morning and the daily training this afternoon?”

“Nothing particular. And there are no coming feasts nor abroad visits planned for the coming time, thankfully. (worried sigh) But there’s concil, tomorrow.”

“Well, let’s start at the beginning. I should do fine enough for the pleas. It’s mostly your father’s duty; your presence is required, of course, but mostly you’re to hear and listen…” Fear grips Merlin at once: “But it’s public; so it would be a great opportunity to try to murder you!” He MUST protect Arthur’s body: “Will you please go fetch your chainmail in my room?”

“No.”

The tone is definitive, and Merlin is torn between begging, or growing impatient - because Arthur can be so obtuse sometimes (now really isn’t the time for Arthur to be feeling indignation about being ordered around like a simple servant; even though he *is* one at the moment - not that Merlin would ever think he was one, of course - but what if Arthur thinks he does and enjoys the chance at some payback?): “Arthur, please (again?). It’s the expected type of errands of the body you momentarily (because it MUST be momentarily, right?) inhabit - I can’t - You’re the target. I need your chainmail. I have no fighting skills, nor any kind of skills really to protect yo-”

“I cannot be seen wandering the castle in my chainmail without reason, Merlin; it would attract attention”, Arthur interrupts in a somehow gentler tone; and Merlin realizes that Arthur hadn’t registered at first how Merlin’s concern was about him, more than himself - and is obviously humbled by the thought. “Court clothes are required, anyway. We’re not supposed to look threatening, nor threatened, when our subjects come to present their wishes,” Arthur pursues, killing any possible protest in the bud. “Besides, the guards will be present. So don’t worry too much about anything happening to us”, Arthur ends in a lower voice; as if the last part had been more a thought to reassure himself than a phrase meant to be uttered - and Merlin just has to savour that precious 'us’…

Merlin though isn’t reassured enough about his Prince’s safety: “Please (yes, that’s thrice; adamant much?) Sire, at least allow me to wear your thickest leather under your tunic” - willing his voice to make it sound like a not-to-be-denied demand more than a true question.

Arthur holds his gaze; and it actually feels like a blessing when he finally relents: “As you wish; but it won’t be comfortable against naked skin.”

“I’ll manage.” Merlin can’t help but fidget some before pursuing - asking Arthur to do what is and should be *his* work feeling not only weird but even wrong: “But I’ll need your help to tie it in the back?”

Arthur dimissively tousles his hair, grumbling: “I *know*, Merlin.” 'My clothes’ going unsaid.

Merlin can be relieved about one thing, at least: Arthur obviously isn’t piqued about doing a servant’s work…

Merlin picks out the largest fitting of Arthur’s clothes. He puts on the braies and trousers while still wearing the gown, respectfully tying the belt blindly around his waist. He puts on socks, and shoes. Then only does he take the gown off, and turns his back towards Arthur so that he may help with adjusting the leather’s straps.

A surprised but definitely pleased whisper (“Impressive, ain’t I?”) echoes in Merlin’s ears, as the Prat Prince seems apparently unable not to comment about his damn broad back, angling Merlin shortly that way and this way as if to assess it even better.

'Believe me, I know’, Merlin can’t refrain from thinking; feeling a blush coming over his face, and thankful that Arthur is too busy looking at his own back to notice any of it.

“I think I might even have outgrown Sir Leon - in width at least if not in height”, Arthur concludes proudly before finally starting to work the ties - leaving Merlin suddenly ashamed of his initial internal reprimand, and oddly upset. Of course Arthur would only wish to see in his physique the strength of a warrior. Of course his first thought, when finally able to actually see his own back, would be to compare it to his given models - the Knights; and most of all among them, to his own chosen model, Leon - both the noblest and strongest of them all, yet young enough to play the part of the older brother Arthur could look up to while growing up… No one has probably ever told him that he is beautiful, Merlin realizes sadly. But the fact that Arthur is so unaware only makes him even more beautiful in Merlin’s eyes…

Merlin forces himself to tease Arthur, hiding his turmoil under their usual banter: “Well, I could ask Gabriel to take measurements, if you so badly wish-”

“Shut up, Merlin”, accompanied by a rewarding hit in the back of his right shoulder, which Merlin gladly revels in, no matter the unusual fist size. This, no matter their predicament, feels normal.

And in that short moment of normalcy, when everything feels just right as Arthur ends tying the leather, Merlin notices something he hasn’t noticed before, when all he could feel was STRESS.

Oh no.

“Arthur?” Merlin can’t help but wince at the intimidated tone in his voice as he turns around; and Arthur is eyeing him now with furrowed eyebrows. “I think I need - I mean you need… to… have to go?”

Arthur makes a face - with his face; except it still looks somehow like a typical outraged Arthur face (damn, this is just too confusing…): “Merlin!”

“He! Do not look at me like this is my fault! It’s *YOUR* body! Maybe you shouldn’t have drun-”

“Well, maybe you shouldn’t have brought a full pitcher at dinner then!”

They eye each other, both unrelenting over who is at fault.

And Merlin can’t help but think that somehow he is, indeed, no matter what. Because there are levels in intimacy; and he IS definitely crossing a line. There is a difference between being around and trying to avoid his gaze when Arthur walks in and out of his bath, or applying Gaius’s healing balm to bruises on Arthur’s back because it’s a place Arthur can’t reach on his own, and, well… watching and touching Arthur’s *manhood*, even if only for urinating, technically ensuring no mess is done while doing it?

Arthur suddenly sighs though, and his voice sounds kinder as he offers: “This will surely happens a few times before we sort it all out, huh. To the both of us. So. How should we proceed?”

Merlin scratches his head, summoning some courage: “Do you want to… hold-”

“Your hand, Merlin!”, Arthur demonstrates, lifting the would-be-culprit in the air and wiggling its fingers for good measure; and that’s a 'No way’ if Merlin ever heard one…

“Would you rather it to be your hand-”

“It’s *your* hand right now!” Indeed. So. Another 'No way’.

But suddenly Merlin has a solution, of sort: “What if I… go sit into the stream? There’s a quiet spot not so far from the castle I found while collecting herbs for Gaius… If I hurry I still can make it back before the pleas.”

Arthur actually claps his hands, obviously relieved: “Sometimes, I swear, you are a genius.” He hurries over, handing Merlin his tunic and grabbing the Pendragon red doublet before marching out: “Let’s go!”

“You’re coming?” (hastening to put the tunic on and grabbing a towel before following)

“Well, as I just said, it’s bound to happen to me - you - so I might just as well tag along, and know where it is.”

Once out of potentially spying ears reach, they plan the day further.

“We HAVE to tell Gaius, at the least, about our situation: no one will contest his word if he says you’re not to train for a while - because honestly how am I supposed to spare with your Knights? They will notice right away that something isn’t right. And, well…”

Merlin hesitates, not wanting to incriminate Gaius in any way. As it turns out, he doesn’t have to:

“You’re right. Besides, Gaius has heard about a lot of… stuff, in all his years. I was planning to go around Jeffrey and look for the forbidden books, but I have no ideas how many volumes are hidden down here, nor where they even *are* to start with… If anyone we know might have even the slightest clue about how to fix our problem, it’s him; even if it’s only about finding an adequate book.”

Merlin nods, relieved: “So. After the pleas, I stage a fall, and we go to Gaius, who tells you’re not to train for the time being. That leaves the rest of the day free, both for looking up about our situation, and briefing me on what I should be aware of for tomorrow’s concil. Do you address things in an established order; who’s whose specialisms; what you discussed by the latest concils which might be brought up again tomorrow; and so on…”

“I’m supposed to make the battle plans, Merlin? But as far as plans go, I have to admit this isn’t a bad one. Except I’m not you; I do not trip on my feet twice a day. So. I’ll make you fall. That’s more plausible.”

“No way! You’ll end up in the stocks!” Merlin realizes how - no matter what he might have been thinking just a few months ago - he simply doesn’t want Arthur in the stocks. Ever. “Which is NOT where you should be spending your afternoon.” Merlin quickly amends; hiding his concern under logic’s sake, knowing it to be the best way to persuade Arthur anyway. “So. You fall. I try to help you. But we both fall. I’m clumsy, as ever; you’re noble, as always; everyone get to laugh at me, and praise you; and your father might skip punishing me for you getting hurt in the process, as you obviously didn’t want me hurt to start with?” (pause, before adding earnestly, yet fiercely, as Merlin isn’t able to tone back the surge of threat in his eyes at the mere idea of having anyone disrespecting Arthur in that way) “If he doesn’t though, I’ll stand guard next to you.”

“Would you?” Arthur seems surprised; but touched: “Well, who knows, maybe I’ll return the favor the next time.”

Merlin can’t refrain a whine: “The next time?”

“Even I can’t save you from my father’s wrath every time; it’s bound to happen, either from your two left foots or your snarky mouth.”

They can hear the water now, and Arthur accelerates towards it, as Merlin lags behind, unable not to smile:

“I guess I’m supposed to say 'thank you’?”

“I might have forgotten to mention I’ll probably throw something in your face myself at the last moment. Prince’s privilege and all that…” - Arthur even turns towards him, giving him one of his goofy faces to boot (Merlin didn’t know *his* face could do *that*, by the way).

Merlin just keeps on smiling anyway. He probably hasn’t felt that brightly, positively, ridiculously happy since “I’m rehiring you - because someone needs to muck out my stables”. Arthur has a particular way to express fondness, and Merlin wouldn’t change it for the world.

V. THERE’S SOMETHING ABOUT MERLIN (ARTHUR POV)

Arthur is the first to reach the stream, and crouches down to test the water with his hand.

“It’s cold”, he warns, while Merlin walks in a straight line towards a tree with a low hanging branch and starts undressing - he does come here often, clearly.

Merlin shrugs: “Be grateful it’s not winter yet. Try bathing around Imbolc - that’s cold.” Merlin goes on; stating an afterthought while hanging his pants on the branch: “Still worth it though; everything here is just more… alive, you know. You don’t get that indoors.”

And Arthur has bathed on patrols enough to know that, honestly?: he prefers his warm baths. He can’t help but feel a smile on his face though at the words; they are so intrinsically Merlin.

Arthur had been struck, when they had met. No one had ever defied him, in any way. And it had stung; Arthur could admit. So. He had not been displeased at all when he had overmastered the fool and turned him over. The affront had been too public to be allowed to slide, and Arthur had decided he wouldn’t dwell a further thought about the goodhearted fool (Arthur knew terrorrizing people wasn’t right. He tended though to react badly whenever anyone acted cowardly (which was, well, all the time, around him); especially as he was actually *praised* for it somehow), but fool nonetheless, who should have known to mind his own business…

It had been nothing though in comparison to his surprise when their paths had crossed again. Arthur hadn’t been able NOT to taunt him - hoping, somehow… But the last thing Arthur had been actually expecting had been for Merlin to act *exactly the same*. Surely, now that he knew who he was, he would just scrabble around him as anyone else - not defy him again, knowing it would get him in chains again, right? Arthur had been *delighted* by Merlin’s untamable fire - the words, and then the look he had thrown at him while taking his jacket off? (Maybe Arthur had just been waiting all his life for someone to finally stand his ground to him, indeed…) Of course Arthur had let him go without punishment that second time - and any time since then (which was honestly difficult, as Merlin - always fighting for what was right more than for himself Merlin - frequently got riled up, be it in private OR IN PUBLIC, by literally anyone and anything).

Since he has been to Ealdor though, Arthur can’t help but see things under a new light.

Hunith is everything Arthur believes a loving mother to be. But there had been no father at home, nor any mention of one. (Arthur knows the sting of this kind of wound - missing a parent; and he had been saddened, as he had realized that Merlin bore such a wound too.) Arthur hadn’t dared to ask, but he had wondered: did Merlin ever got a father to start with; or had he been abandoned - intentionally or not? (Arthur knows how even an accident still feels akin to a betrayal in a child’s heart.) Which would be the worst anyway? But what if Merlin had been bullied through his childhood because of it? - children could be particularly malicious, when they intended to… Was it how Merlin had learned, the hard way, that fighting - both with his words and his fists - was the only way to end the pestering? And had decided it wouldn’t be only for his own sake, but for the sake of anyone who might ever need help? Was it what had brought Merlin close to Will - the fact that they both had lost their father? Was it the reason Will had wanted to learn magic to start with? (Arthur knows the near constant anger, too. As does Merlin, obviously.)

Arthur can’t help but feel grateful anew, somehow, and no matter what, still, that Merlin has had Will around: surely, no matter how bad the fights Merlin had jumped into, Will must have kept him safe - at least safe enough - *with his magic*. The thought had been unbidden the first time it had occured, and had definitely surprised Arthur; but he hadn’t been able to deny that it was what he truly felt indeed.

Because of course Arthur had come to care for Merlin. Isn’t it why he had gone to Ealdor to start with after all…

Merlin.

Definitely not an ordinary manservant. And probably not the champion manservant by any book (fast learner, and smart, and hard working, he was; but only about what *he* deemed important - hence for example his total disregard for any kind of storage? - but Arthur generally agreed with what Merlin deemed important or not anyway). But honestly the only manservant Arthur now could imagine ever having - or ever want to have.

Because Arthur likes Merlin as his manservant exactly just the way he is, and would now never wish for another - no matter (and specifically because of) how well-schooled and zealous to satisfy his every need (and whim) that hypothetic other might be… Arthur now sees what others might judge flaws as assets (Merlin’s clumsiness and chattiness are more endearing and uplifting than unefficient, especially as his opinions always sound reasonable; his sarcasm and insults are a sure way to keep Arthur’s head from ever getting inflated; and his challenging manners push Arthur to do and be better - from training with the knights to saving people’s lifes), and what others might judge insubordinate as being treated, for once, finally, as an equal, somehow (even though they both know and acknowledge they aren’t) - no matter whenever it comes out at Arthur’s expanse too, food getting shoved into his mouth and getting unceremoniously pulled out of bed included in their everyday banter, as Merlin can give just as much as he gets indeed. But that’s maybe what Arthur values the most: how Merlin’s respect feels earned and honest; neither forced by birthright or fear for repercussions, nor cajoling nor calculated.

Arthur has never had a private servant for longer than a year - his Father’s rule; but you bet Arthur is decided about keeping Merlin at his side when the year would end. He will have to strategize; he will need irrefutable arguments. But if he plays his cards well - and Merlin never ceases to hand him over cards to play - Arthur has no doubt that his Father will actually allow it: it’s in the best interest of the Kingdom after all.

Merlin.

A whirlwind. Always animated, always busy; never still, even when he’s doing nothing. But always so expressive - so easy to read - a fact Arthur has come not only to appreciate after decades around perpetually guarded scheming faces, but even to *trust*.

A chatty nature-loving poet with dangly limbs, gentle heart, and the brightest smile Arthur has ever seen - Arthur has come to know. Yet the sassiest mouth and the most unrelenting fighter Arthur has ever met; his utter lack of skills balanced by sheer defiance - Arthur has learned right from the start. (Merlin just never backs off, no matter the odds; which is very stupid, but also very brave.)

A confusing, clashing mess of contraries. But an admirable man, with a beautiful soul.

And you bet Arthur wouldn’t have him be any different.

Arthur shakes his head. Maybe - just like with his two left feet - it isn’t Merlin’s choice to be such a poet all the time. Arthur hasn’t been inside Merlin’s body for more than a few hours, and already he is turning into a maudlin bard himself, huh…

Arthur sighs; bringing himself back to the present - only to be struck by Merlin yet again.

Merlin has by now disrobed of everything except for the leather, which he has rolled up to his chest (logic; it would take too much time to tie it up all once more), and the tunic, which he now holds tightly in a bundle against his chest too, even if (and no doubt exactly because) it must get in his vision range as he enters the water. The lengths Merlin now goes again, simply to avoid to *see* - treating his body with the utmost respect, even when it is betraying him?

It should be insignificant, but the whole endeavour screams once more just how *devoted* Merlin always is, to him; and it is honestly dumbfounding.

He has been willing to die for me. And more than once.

The thought slices through Arthur’s mind; as usual charged with guilt, and heartbreaking, yet oddly sweet.

Arthur doesn’t understand: he has truly done very little to earn such high esteem - and that’s an euphemism. Getting the man in the stocks? Letting him drink poison destined for him? Having his only friend die?

But you bet Arthur cherishes it all the same. And he wants - oh, he WANTS - to be worthy of it. Not because it’s what he ought to do, repaying kindness with kindness, loyalty with loyalty; and definitely not because he owes Merlin a friend - you can’t replace a friend (even if Arthur never actually had a friend, he knows that it’s supposed to be a special, powerful, unique bond). Not even because Merlin does indeed makes him want to be a better man - even if that’s true, and definitely positive for the future of Camelot. But simply because HE. WANTS. TO. Arthur has realized by now how he is always tempted, whenever they are together: either to act silly in order to cause a smile; or to provoke Merlin until he bites. Both reactions feel peculiarly satisfying; spreading a pleasant warmth through his whole being - and Arthur just always has to smile…

So.

On impulse, Arthur disrobes Merlin’s lower half and enters the (indeed very cold) water while holding his tunic bundled up too, keeping his eyes stubbornly fixed on his own body sinking until the water reaches up to above its waist, as Merlin sits on his knees in the middle of the stream. And yes, the fact that Arthur has just chosen to abide by Merlin’s stubborn dedication on that matter, instead of letting his perpetual interest about literally everything run free, for once, (because yes, if he hadn’t witnessed Merlin’s commitment, Arthur might have taken a look at Merlin’s body, out of sheer curiosity; he wouldn’t though, not from now on…), is both a pledge and a self-serving whim.

Merlin, drawn by the sounds, turns to him with questioning eyebrows, and Arthur sheepishly drops on his knees next to him: “I thought it unfair to let you have all the fun on your own. Now, ready to scare the fish?”

Merlin howls with laughter. Arthur decides it’s definitely worth playing silly while freezing his ass off.

(Imbolc = 31 january)

Feel free to come and fangirl with me over 1.01 and then scream with me over 1.10 !

On a side note, I’m sorry but not sorry about that fish line? It was *totally* unplanned but then it just rolled out and I went 'yep, sure, arthur would, totally; it stays!’ ?

VI. THE PRINCE’S PART (ALTERNATE ARTHUR/MERLIN POV)

They get out; get dried; put their clothes back on. Merlin ties the towel to the branch, for future use.

Then, on their way back to the castle, Arthur asks Merlin about his agenda for the day.

Merlin gives him a look - like he’s unsure whether Arthur means it. Arthur gives him a look back - meaning he isn’t joking indeed.

Merlin smiles, eyes full of mirth: “Your chambers are a complete mess, your clothes need washing, your boots need cleaning, your dogs need exercising, your fireplace needs sweeping, your bed needs changing and, oh, *someone* needs to muck out your stables.” Merlin sobers up. “But we have more pressing matters at hand; so I think you can consider yourself free for the day.”

Arthur is taken aback. He recognizes his own words, of course. It’s both baffling and humbling - that Merlin can quote him, months later? and that Merlin has omitted one part and one part only in his old speech, because they both know his armour doesn’t need any repairing (the devotion Merlin shows those metal pieces echoing the devotion he shows to Arthur himself)? Arthur had first planned to give a playful thankful bow; but it would feel wrong.

“So. I’ll go bother Geoffrey. Try to get him to show me where the secret books are hidden. I’ll tell him Gaius has found a strange herb and wants to make sure it isn’t dangerous or something…”

Merlin has to give Arthur that: he is indeed insightful.

The mention of Gaius’s name though has Merlin slightly panicking again: Gaius doesn’t know yet about their current situation. What if he mentions 'something’ upon walking on Arthur thinking he is him? No. Merlin has to be there when they’ll get to see Gaius.

“Speaking about Gaius? Stay clear from his chambers. I doubt he’ll be as magnanimous as I am. He’ll do that thing with his eyebrow and have you pick herbs and brewing healing potions and concocting ointments before you even got a chance to tell him about our predicament - he’s really dedicated in my education as a physician, you know…”

“And I believe you rather enjoy it.”

“I do, indeed. I mean… It’s fascinating - do you know that the same stuff can cure you or kill you sometimes, depending on the dosis? Anyway, who wouldn’t want to know how to save lives?” Merlin can’t help but twitch. “I’m not sure I’m any good at it though…”

There is a flash of guilt in Merlin’s disheartened eyes, and Arthur realizes two things:

1) Merlin feels responsible for having been unable to save his friend Will. Which is understandable, because Merlin must have gathered by now some knowledge from Gaius’s lessons; but heartbreaking - because Arthur has seen enough arrow’s wounds to know that Will’s could never have healed - and perplexing - because Will has died to save *him*, not Merlin; so why would Merlin think the guilt was his to start with? and how come Arthur has never felt like Merlin might blame him for it either?

2) Merlin’s face is always *transparent* - a fact Arthur truly appreciates on Merlin’s face - but a fact that could turn out problematic, now that it’s on his own face…

“Let’s get back to my chambers. There is still something you should master better before the pleas.”

And that’s how Merlin finds himself positioned by Arthur in front of a mirror.

“What do you see, Merlin?” Arthur asks.

“Well, you?” Merlin feels he’s missing Arthur’s point, but he has no clue…

“Do you? Because I see my body, I see my clothes; but I do not see the Prince of Camelot - I’d like to think I play it better than that - and I must be, because my Father would not allow *this* I assure you - at least I hope or the kingdom is doomed.” Arthur ends on a sigh, shakes his head, and then turns commanding eyes back towards Merlin via the mirror. “Close your eyes, Merlin. Think of me. I mean, *picture* me; and more especially, picture me at any official activity you’ve served me through. See how I walk, how I stand, how I sit, how I move, how I look?”

Merlin does as asked, searching through his memories. After a while, he nods.

“Got it?”

“I think?”

“Then open your eyes, Merlin. What do you see?”

Merlin understands now. He can’t help but sigh helplessly. “Not the Prince of Camelot. Obviously. I’m sorry Arthur, I guess I’m just not… majestic enough to play you.”

“It’s not that hard, Merlin. Come on; I’ll explain. Ready?” Arthur grins at him via the mirror, exuding confidence - trust in him?; and Merlin would face (has faced) monsters to earn it indeed.

Merlin nods, their eyes still linked via the mirror.

“First thing first? You’re slouching.”

“Yes. (Merlin tries not to slouch; but is still not satisfied with the result) I think though the biggest problem is- There’s something wrong with your face.”

“Because you wear your heart on it, Merlin; and you mustn’t. Believe me, you do not want to be lectured for hours about this by my Father…”

Arthur moves away, and Merlin can’t see him anymore in the mirror. His voice is directing though, and Merlin focuses on the words to school his face.

“You’re a prince, so you *must* always look like one. No matter what you do, you must always, *always*, look confident. That’s the first strength of a kingdom - the strenghth of its ruler. That’s what keeps your people safe. So. Chin up, Merlin. Square your shoulders. Stand tall - stand *proud*.”

Merlin realizes the words are not Arthur’s; they’re Uther’s. He wonders how often indeed Arthur has heared those words - most probably often enough to give himself a internal pep talk before any official anything apparently…

“That’s better; but still not good enough. No matter how you feel inside must not show, Merlin. When you’re tired, hide it. When you’re sick, hide it. When you hurt, hide it. When you’re stressed, hide it. When you worry, hide it. When you doubt, hide it. When you’re bored, and even more when you disagree; hide it - it’s disrespectful; and we do not want wounded pride to fester, don’t we Merlin? When you’re afraid, definitely hide it. When you’re sad, hide it. And the trickiest part maybe: when you’re happy, hide it too - or risk whatever is making you happy to be taken away: weakening you is weakening the kingdom; and its enemies will never hesitate to bring you down, if you let them see even an inch of an opportunity.”

Merlin is shaken. He feels guilty, somehow. This is, certainly, too intimate. Merlin feels like he’s intruding. This feels even more trespassing than being in Arthur’s body. It’s like being forced in Arthur’s head, without his consent. It’s nauseating.

“Again, Merlin. Your eyes; focus. It’s a part; but it’s part of your job. So for the love of Camelot, Merlin, please try harder. Your people reckon on you to lead them and protect them; so it’s your duty to be a leader, and to be strong. Work hard; harder than anyone else. You *must* be an example, an inspiration. You must be admirable in everything, so that your people will follow you everywhere. But you must lead, Merlin; never follow. A ruler is alone - *must* be alone. Do not trust anyone; at least do not trust anyone more than anyone else, and surely not more than you trust yourself. Your own judgement must *never* be clouded.”

Merlin can’t help but turn towards Arthur at the words, both in disbelief and in ache… Because Merlin has grown up hiding, but he had never realized that Arthur had, too; and maybe even more than him. Arthur must not only always pretend and perpetually watch over his shoulder; he must pretend and watch over his shoulder *alone*. And Merlin can only imagine how hard that must have been, and be. Back at Ealdor, Merlin had (and still has) his loving mother, and he had Will. Even here, now, Merlin has Gaius. And somehow, yes: he has Arthur too, Merlin suddenly realizes; and then feels ashamed, because he can’t help but feel blessed - Arthur trusts him. Because Arthur is definitely less guarded around him, isn’t he? When it’s just the two of them; Arthur and Merlin? Arthur laughs, Arthur doubts, Arthur *shows*; maybe not everything - but that’s probably not possible as he is so trained - but something at least always shines through; even if it’s by putting his feet on his face… But Merlin knows now, how rare and precious it truly is. They can never be friends, maybe; but Arthur trusts him. That’s undeniable; and that’s everything, somehow.

“Do not look at me; look at the mirror, Merlin. Harden your eyes. Smile; always politely, even when you don’t want to smile at all; more genuinely, when it’s true - but never let it go up to your eyes. First thing about tomorrow too; as we’re at it. Hear everyone out. Listen with your full attention to everyone; whether you agree or not. Never decides right away; except if it’s necessary, in war time. Your decisions must be thought upon; never a spur of the moment. If something is unclear, do not let it show during concil. If you favor a position, do not let it show during concil. If you disagree, do not let it show during concil. You need further advice, or even only further information? Seek the appropriate person in private; ask man to man. They will see the honor in it if it’s positive, and be thankful you kept it private if it’s negative. Also. You must be ready to be impartial, Merlin; because you do not need to be kind, but you must always be fair. You may - and you will, unfortunately - make mistakes; but never ackowledge them. Fix them. If you can’t; repair as much damage as possible. Learn from your errors, in order to never make the same mistake again. But never apologize. Come on Merlin; I’m sure you can do it. You’re nearly there.”

More over, Merlin realizes the Arthur he gets to see nowadays - the true Arthur - has always been there already, even under the pretense of the moron. Kilgarrah is wrong. His destiny isn’t to change Arthur; because there is nothing to change. Arthur already has everything to be a great king, the greatest king, all on his own.

And so, Merlin is *angry*. He has now yet another reason to despise Uther, it seems - scarring his child on the inside in such a way. Of course Arthur always feels inadequate; of course Arthur feels lacking; of course the only bond Arthur values is the one with his fellow knights - ride to glory or death, together? It’s the only bond Uther has authorized him to authorize himself to ever have… But Merlin’s anger is a good thing, apparently - because whenever Merlin thinks about Uther, Arthur finds that he’s playing the Prince’s part better.

“There Merlin, you have it. See? Right there. Lock it; just like that. That’s good enough for anyone looking today; because believe me, someone *will* be looking, even if only my Father and not the one who switched us or anyone else with ill intentions - there is *always* *someone* looking, Merlin.”

Fine. Think about Uther; until the pleas are done. Merlin can do it; and he’ll gladly do it. He’ll probably gladly do anything; for Arthur. He can still have a cry or hit a wall afterwards, right…

Arthur needs a hug. I volunteer. Anyone with me? (besides Merlin, obviously…)

VII. DOOMED (ARTHUR POV)

With a last commanding yet encouraging nod, Arthur leaves Merlin by the Great Hall’s entrance and starts to make his way towards the Library.

He is stopped by Merlin’s name being called out twice - because he has failed to react right away; Arthur chastises himself. It is the headmaster recruiting hands: his Father wants his bath ready when the pleas end.

Arthur doesn’t want to bring Merlin in trouble, of course; so he takes on the ordered job - after all, how complicated can it be?

He is paired with a newcomer answering the name of George who looks up to him as if he holds the sun: the Prince’s manservant! Which isn’t that bad. Until he starts, seemingly embarrassed but curious all the same, to ask questions like “Is the Prince as terrible as they say?” or “Is it true he throws knives?” and such? Arthur tries to explain that the training field is, well, to train? He isn’t sure the message gets across though, as George only holds his eyes with a perplexed gaze…

Arthur can’t help but hope that Merlin at least understands that he’s not only training himself but also trying to get Merlin to know how to defend himself if not to attack whenever he comes at him with a mace or anything… He should maybe make his intentions clearer, apparently…

Anyway. After yet another round of carrying buckets full of cold or warmed-up water up and down and left and right, Arthur realises there is more to it than it looks; and the bath is only half full still…

And when they’re nearly done? His three coworkers and the headmasteer seem satisfied, but Arthur can’t help but think while bringing up the last two buckets that they achieved nothing more than a luke warm bath with a clean but no particular scent. Merlin’s baths are definitely of a superior category on both accounts, and Arthur doesn’t know if he should feel guilty and spoiled for regularly enjoying better baths than the king himself, or more amazed or worried about Merlin’s bath-preparing skills (is he even thinking about his safety? he wouldn’t actually carry boiling water up the stairs, would he?)

Arthur decides he should address the issue. And maybe take baths downstairs from now on just in case - a little backroom near the kitchen would be more practical than his chambers, wouldn’t it? When the space isn’t needed for banquets preparations and such of course…

Arthur misses the first step towards the second floor (it’s actually the eleventh time today that he misses a step - he still isn’t used to Merlin’s feet). This time though, his balance is too lost for him to compensate and he falls backwards, landing on his butt and ready to get soaked and hit by the water and buckets he has released when instinctively freeing his hands (one to help catch his fall; one to protect himself from the falling projectiles). Except nothing comes: no water, no hit - and no falling sound either. And when Arthur takes a look? The buckets and water are… floating above his head?

Arthur gasps in surprise, his mind going both blank and reeling…

Then only does Arthur finally get drenched and hit on the shoulder.

Arthur blinks. Twice.

What has just happened isn’t normal, at all. Only - only magic could make such a thing possible!

Arthur looks around, instinctively - scanning for a threat.

He is alone; the corridors are empty as far as he can see, and he hears no voices, nor steps.

Which is good, because no one is attacking him then.

Which is the worst though - because if there is no one around… then the only person responsible for what he has just witnessed must be - is - HIMSELF?!

Arthur gasps again; this time in panick.

His first instinct is denial. But he knows what he saw. And somehow, it just makes sense, doesn’t it?

It’s not the body of the Prince that whoever switched him and Merlin is after. It’s his mind…

Put him in the body of a servant, give him magic, and sooner or later (and most probably sooner) he is bound to die by his Father’s law. What is he supposed to say in his defense? That he IS the Prince, in another body which had been given an ounce of magic on the sole purpose of getting him executed? Who would ever believe him…

In the meantime, the schieming sorcerer must have judged that a servant in his body may be too delighted by the upgrade in status to be a threat to his plans and would gladly unknowingly collaborate, on top of being totally untrained and incompetent at any of his duties.

Then? One only has to kill the King, either by making him ‘ill’ or using the same trick again and - for sure - Camelot is doomed to get wiped out from the map by the first band of Saxons passing by (and most probably enticed to pass by very soon after its King’s death): its only true heir gone, and the supposed one obviously improper to defend it. All of it without casualties on the attacking side, and without anyone knowing how it all came to be, which means no one, even loyal to Camelot, would have a reason to stand against the new regime put in place.

Arthur is more afraid than he has ever been - and he has been in combat enough for that fact to mean something. He feels crushed; defeated, even before the battle - and honestly? He has never despised himself that much. No matter that he has never felt both so unprepared and so intrinsically useless - and not even able to trust himself: surrender is simply inexcusable. Camelot depends on it.

Besides, Arthur owes it to Merlin to fight, right. It’s after all Merlin’s body that’s to die along his spirit. Oh! The villainy, the cowardice in this attack! Use an innocent victim as a vessel to be sacrificed. Sorcerers definitely have no sense of honor indeed.

So. Arthur is angry now. A much more suited mindset, he decides - as long as he doesn’t allow it to blind him. And he won’t. Merlin’s body depends on it too.

Arthur takes a deep breath. He has been taught strategy even before he could talk, right? Time to make a plan of action.

First. He is not as alone as Camelot’s enemy has calculated him to be. He is, in fact, not alone at all. He has Merlin.

Loyal Merlin; not only willing but even devoted to getting back into his own servant body rather than happily playing the prince. Magic familiar and open-minded Merlin - which means Arthur has not only someone who won’t judge him nor fear him to confide in about his new endangering (and in so many ways) abilities, but also someone who might have some basic understanding of it; since he was Will’s friend? Heart-in-the-right-place Merlin: too kind, maybe (but he can at least get aware of it enough in order not to be lead only by it); but naturally just and fair Merlin. Brave, fierce, tenacious Merlin; too reckless though (but again: he can at least get aware of it enough in order not to be lead only by it). Ressourceful Merlin, fast-learning Merlin: he would master his body’s strength, eventually; and Leon would be here to lead the Knights in the meantime… Arthur takes an oath. Even if they fail to find a solution to their problem, Camelot won’t be left unprotected. Come what may; even the worst? Merlin *will* be ready to take his place. Having Merlin’s unique edges smoothed out feels wrong; but it just has to be for show, right?

Second. Well, there is no really second yet; at least not more than what they have already planned. They need to find some books - and pray that they will be useful. And Arthur will just have to be particularly attentive about not repeating the kind of blunder he just did with witnesses present.

Yes. Merlin. Books. Start at the beginning; and with luck, it might just work out in the end.

Arthur cleans up as best as he can, using and wringing his soaked tunic in the buckets, then runs to Merlin’s room for a set of dried clothes. Turning up to retake his place at 'Arthur’’s side while drenched would only draw unwanted attention…

So. Basically? Yep. This is a magic-reveal unreveal fic. But. I mean… It’s Arthur? Also: this fic (to me) is canon (fitting) - so it just can’t be a reveal fic. Bonus: it explains too why Arthur doesn’t get the courage-magic-strength trio hint later on. He thinks Merlin is magic; but only because there is some residual trace to sense from when his body had magic (aka this fic), not that he actually has magic still at the time… Arthur can be at the same time very aware yet very unaware, and he can be so very biased and decided to see things his way, no matter how circumvoluted, right? (Also, of course Arthur thinks in fact then that HE is magic in the trio: he was after all the one inside Merlin when his body had magic; and Merlin IS courage - Arthur has such a low self-esteem to start with…)

On a side note: Arthur would actually trust Merlin with Camelot (even despite his limits). If that doesn’t tell you all there is to tell then I don’t know how to express it. *SIGH* *GROSS SOBBING* (Gwen though is innately made to be Queen - but Arthur doesn’t know that yet. He isn’t wrong about Merlin though - for Arthur’s memory? Merlin would do his best to be a great King too, you bet…) *GROSS SOBBING AGAIN*

VIII. MERLIN’S CHAINMAIL (ARTHUR POV)

“Merlin! My boy! You’re soaked! Did you provoke Arthur again and end up under the well for it this time?”

Great. Gaius sounds half amused half concerned. Does actually *everyone* think him to be a brute?

Well; nevermind. Merlin knows better; for sure - and that’s what matters. Merlin is never backing away, Merlin is never really complaining nor saying no; Merlin just watches him with mirth in his challenging eyes: I dare you. Of course Arthur HAS TO then… It’s like… kind of a private wordless conversation only the two of them understand. But honestly? Arthur wouldn’t trespass Merlin’s limits - if anything, Arthur would probably even feel guilty, if Merlin ever made one known…

But then, Gaius is patting his shoulder, pushing him towards 'his’ room; and Arthur is stunned silent, as he can’t help but relish on the (for him unusual) affectionate paternalistic small gesture.

“Get changed. Get warmed up. You’ll tell me later. I haven’t heard the bell signaling the end of the pleas, it is already so late? I’ve just finished Sir Kay’s potion, and it should be drinken warm, as you know; so I’d better be on my way. We’ll prepare Uther’s draught and the balm for Little Kathleen’s knee when I’m back. Also, I’m afraid I’ve ruined my coat; if you could work your magic on it next time you’re mending Arthur’s clothes, I’d be very much obliged?”

And then Gaius is gone, and Arthur is still stunned, but now for another reason - it was but a polite turn of phrase, of course, and Arthur knows Merlin just isn’t capable of miracles, as proven by the state of some of his shirts - beyond mending; but Gaius would better not use some idioms that carelessly around the palace - who knows who might hear and takes things the wrong way… Arthur shakes his head as he hurries to change, feeling sorry for letting Gaius down, but not planning to stay around until Gaius comes back - he wouldn’t know anyway how to prepare his Father’s nor Kathleen’s medicine, right…

Arthur opens Merlin’s cupboard.

There are only two folded set of clothes (neckerchief included indeed), and Arthur just takes the one on top.

He’s about to close the door when his eyes fall on Merlin’s chainmail.

The first time Arthur had told Merlin that he had been assigned to lead some patrol, Merlin had right away asked:

“When do we leave?”

Arthur had been surprised, then had tilted his head, apprehending Merlin while explaining that coming along was to be Merlin’s choice; and not per se his duty as palace manservant. They usually asked for volunteers; there was extra coin to be earned and such.

Merlin had only repeated:

“Sire; when do we leave?”

Arthur had been surprised again, but definitely pleased:

“Tomorrow at first light.”

“I’d better start packing right away then. What do you need?”

After having listed their necessities, Arthur had mentioned that he would have a chainmail sent to Gaius’s for Merlin to wear. Merlin had countered that he had no wish for carrying extra weight around as it would only slow him down in his chores; and that he would rather wear his everyday clothes. Arthur had said it was folly to go unprotected - they would patrol the borders, and thiefs and saxons could fall on them - and Merlin had finally relented some and agreed to wear a chainmail he would self adapt as he wished above some clothing but under his tunic. Arthur had been suspicious when Merlin had turned up the next morning without even a cap showing out, and had actually moved his neckerchief aside to make sure Merlin was wearing metal under his tunic…

Without hesitation, Arthur takes the chainmail out too, deciding he should wear it under his clothes. After all, the longer Arthur might succeed in hiding his new abilities, the more chances there are that the one responsible for their troubles might choose to turn to more expeditive measures of his own. Killing a servant might go unnoticed for awhile, and would work just as well in case whoever had planned this got tired of waiting for Arthur to betray himself and get executed. Which means that Merlin’s body is just walking around as a mark waiting to get hit… and Arthur should do his best to protect it. Merlin’s chainmail is barely worth its name; but it does cover his chest, belly and back, at least.

Arthur makes it back to the Great Hall right on time for the end of the pleas. It was the moment they had planned to stage for Arthur’s injury; but Arthur discretly but authoritatively signals 'no’ with his head. It would be too risky; what if while falling he instinctively uses magic again - in front of the whole court? Merlin gives him a curious look but follows his cue anyway, thanksfully. There is still enough time to create an excuse before training; and they can still tell he fell even without witnesses anyway. It would have been a nice added touch at make-believe, but Gaius vouching for them should be enough on its own, right?

As they walk in silence back to Gaius’s quarters, Arthur feels Merlin’s eyes upon him, boring and questioning. So when they pass by his chambers, Arthur takes the opportunity for privacy. Once behind closed doors, Arthur leads them to the most private corner, as far from the door as possible. Then he takes a deep breath, and turns towards Merlin to explain… everything.

He hasn’t got the time to start though before Merlin hushes out, worry evident in his voice, pointing to Arthur’s side where a hint of metal is visible if you pay attention - and Merlin always pays attention, doesn’t he:

“Sire? Why are you wearing my chainmail?”

AN: It’s canon after all that Arthur doesn’t force Merlin to come along - he lets him leave before Camlann, right? But yes, this is just me giving some sense to the 'just let’s Merlin accompany us everywhere without any kind of protection’ unacceptable general policy. So. Merlin *has* some protection. We just don’t see it. Okay? And the few times he’s actually in armor on patrol, it’s because they need a decoy or something… Also, just so you know: Merlin of course thought that Arthur would probably think that he didn’t want to be seen in a chainmail because he didn’t want to look like a soldier in order not to seem a danger nor a target, but Merlin just couldn’t care: he HAD to be an unconspicuous nobody - it made it easier to protect Arthur with his magic if no one really paid attention to him. And to end with a cute note: whenever they ride out ? Arthur always checks that Merlin wears his chainmail - a fact Merlin can’t help but always secretly revel in…

IX. REVELATIONS (MERLIN POV)

Arthur looks anxious - which only makes Merlin worry more.

"I found out... why I was put into your body. I'm sorry, Merlin. I wear your chainmail because your body is in great danger; and it's all because of me... again. "

"Wha-"

Arthur cuts him with an imperative gesture from his hand, voice hushed - even though it echoes in Merlin's ears like a shout:

"I have- I mean you have... Magic!"

Merlin's breath catches; panick rising. Arthur knows! Arthur knows?

Arthur seems to read his struck expression though as simple denial.

"Yes, Merlin; you heard right! Magic! I saw water and wood floating above my head - floating, Merlin! - That's the only way to explain it! But I have no idea how it gets triggered, I have no idea how to control any of it - I fell and it happened, I guess, instinctively? Now you understand why I couldn't have us stage a fall... If people find out? *When* people find out? My Father will have me - YOU - beheaded!"

Merlin's eyebrow furrow. He doesn't understand. If Arthur knows he has magic? How come Arthur looks *contrite* instead of angry; afraid *for him* instead of afraid of him? Not that Merlin is complaining about the fact that Arthur obviously doesn't wish to see him beheaded, of course; his evident worry is even heartwarming, in a way... but heartbreaking, too, as Merlin can't help but feel that Arthur's reaction must be induced by some reason that he doesn't comprehend yet but that has little to do about him having magic at all...

Arthur then fully explains his theory about their attacker using his body to get to Camelot by erasing Arthur, then Uther, and marching against a Camelot lead by an unprepared servant playing Prince. Merlin is shocked, and shaken. Because indeed Arthur's reaction isn't about him having magic at all, but about Arthur feeling responsible for his body's impending doom. But what hurts the most yet is the heavy guilt that settles upon Merlin's chest - crushing, constricting, inescapable - as he realizes that in fact everything is his fault! Arthur's thinking may be flawed on one account; but the rest of it makes sense, indeed. And so Merlin cannot deny that Arthur has been targeted and put into his own body because whoever did this actually knows that he has magic.

And so Merlin feels panick rising again, and even worse than before. It is already complicated enough for Merlin to hide his powers - and he has had practice at it since his birth. How could Arthur ever successfully hide them for long... And to think that *HE* might be the cause of Arthur's death? It's worse than anything; worse than everything. And it's devastating. Merlin can't hold Arthur's gaze anymore.

Arthur probably thinks he is overwhelmed by the surprise of his body being a target though.

"And I'm sorry - again, Merlin - but I can't go and hide at some random remote place until I've worked out how to subdue it at least, if not suppress it. There is no time. I can't leave Camelot; not when it's so endangered."

Merlin feels like screaming: Arthur shouldn't apologize; Arthur shouldn't feel guilty - It's all on him!

"It's all right, Arthur. I know you're right: we have to stay here. After all, our best shot to end this mess is to find guidance in some books; and our best shot to find said books is staying here." (Also, you bet Merlin isn't willing to leave Camelot either because he is going to consult with Kilgarrah... Merlin had planned to go to the Great Dragon at the first occasion right when he had realized they had switched bodies; but he now can't help but wish for the night to come even sooner.)

Arthur looks surprised by Merlin's easy acceptance as he lets out: "I was going to point that out too?"

Arthur seems to hesitate an instant, taking a deep breath; but then, probably finally enticed by the fact that they still are on the same page apparently, he hushes out words that Merlin had never imagined he would ever hear, even in his wildest dreams.

"Now that's settled... Do you have any idea that might help me keep it in check? I mean... Back in Ealdor? Did your friend Will maybe ever share something with you that we could use? Anything?"

Merlin's mouth falls open; but nothing comes out of it. He realizes just how surreal it must have been for Arthur to utter those words. But Arthur looks decided, as always. He means it. And that's when Merlin realizes Arthur is in fact ready to *learn*. Arthur still doesn't trust magic, and definitely doesn't trust his magic now that he has some; he only sees it as a treacherous condition. But he is willing to face it outright, instead of wishing or pretending it isn't even there to start with. And Merlin realizes that this isn't only proof of Arthur's mighty heart; but that it also might actually be their saving too, with some luck?

And so Merlin just HAS to take a chance. Anyway, Arthur *needs* him; and how could Merlin ever let him down to start with... Besides, what if it made Arthur realize that magic isn't only to be feared; that magic can be good, too, actually?

"Maybe you shouldn't learn how to keep it check, but how to have it *work*?"

Arthur opens his mouth now, either in shock or to retort - or both; so Merlin hurries to push his point.

"Hear me out, please. Even when we do find an helpful book? The spell we're under must be very powerful - I mean, have you ever heard or thought this could even be possible? - so we might still require magic too in order to perform whatever will be mentioned in the book? So yes, your new abilities are supposed to be our doom; but maybe we can turn them to our advantage? You have MAGIC, Arthur. If you can control it and use it - on your terms? Maybe that's just what we need to solve our problem?"

Merlin waits. And Arthur isn't taking the opportunity to repel his idea. Silence goes on; and still, Arthur isn't refusing. If anything, he looks... thoughtful, even if doubtful. But there's resolve, too; and maybe, even, a spark of hope? So Merlin just takes the final plunge.

"As you said... I might have... some basic notions about it? It's worth a try, Arthur. What do you say?"

Merlin's heart is pounding so hard it's going to break his chest for sure, as they hold gazes for a long time - Merlin silently pleading for Arthur to just trust him. Then Arthur gives him a firm nod.

"I say this is probably folly but we have to try, indeed. So. You train me? And I train you."

Merlin tilts his head, unsure about the second part.

"There are things I want to teach you, Merlin", Arthur explains; pleads even. "In case we stay stuck in each others body no matter what we try; in case your body should- I know it's a lot to ask, especially as I apparently keep making your life a hell just by existing? But will you please let me prepare you to take my place, if necessary?"

Merlin's breath is knocked out of him. Arthur would trust *him* with *Camelot*? But Merlin cannot even contemplate it. Arthur cannot be gone; musn't be gone; will not be gone. Merlin's voice is fierce as it simply refutes the prospect.

"Sire, it won't come to-"

Arthur lays a hand on his shoulder.

"It would mean a lot to me."

And what can Merlin do then, but promise - and mean it:

"Anything, Arthur."

The hand leaves his shoulder, but Arthur's eyes stay fixed on him.

"Thank you, Merlin."

And Merlin takes another oath - this one to himself. They'll work it out. They'll make it work. They will.

They both feel guilty for endangering the other more than they are worried about themselves *heavy sigh*

#merlin #merthur #bbc merlin #bbcmerlin #merthur fic #merlin fic #the body swap #the once and future fic #text #fanfic #my own two spells #fic

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orange-plum · 6 years

Note

21, 31, 34?

21. Favorite word?

I’ve never really thought about it. But I think I like the word “hope”. It’s a powerful word that provides security and positive energy.

31. Are you superstitious?

Not about everything, but a few things. I won’t open an umbrella indoors or let someone do it around me, knock on wood to prevent jinxing, Friday the 13th is bad, 3AM is witching hour, karma, etc. Shit like that. I know it’s stupid and silly but better safe than sorry

34. Favorite holiday?

Christmas, but that’s because my family goes all out with decorations and stuff. I love the music, the lights, the movies, just the vibe. It makes me feel cozy and happy. Halloween is a close second tho. It’s my aesthetic.

#asks #ask meme #sequencefairy

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themurphyzone · 7 years

Text

All Time Travelers Go to Heaven Ch 7

Bon appetite!

Ch 7- Enter the Jinx

“So I heard these sorts of buildings are haunted,” Vinnie whispered. “The spirits of patients haunting the grounds on which they died, and they’ve come to take revenge on the living.”

Balthazar’s hand curled around his watch in a futile attempt to still the hands from ticking. “Merely ghost stories made up to gain notoriety,” he whispered. “Talk only when you must. We cannot alert the Bureau’s scientists of our whereabouts.”

Vinnie nodded.

They passed what appeared to be the remains of a lobby. Strips of paint were peeling off the walls, lying in flakes all over the gray, hard floor. A front desk had been overturned, its drawers broken and one front leg missing. Crumpled papers were scattered everywhere, from patient’s documents, to finances, to a discarded telegram.

After a silent debate over which direction they should take, they continued down the left corridor, passing by the wooden doors which once served as the patients’ cells. Many of them creaked on their broken hinges, and several slabs of wood had been torn off, allowing them a peek into the rooms.

One had tally marks scratched into the wall. Another had a dried splatter of blood near the bed. Balthazar stopped looking once he caught a glimpse of a handmade doll in the fifth cell. He quickened his pace, his footsteps echoing off the walls.

If it weren’t for Vinnie’s eyes flickering from wall to wall, Balthazar would’ve thought his partner wasn’t affected by the dreary atmosphere of this horrible place.

There was a thud from above them, followed by several voices talking in excitement.

“Pairing the rat with a simulation of a thunderstorm was a brilliant choice.”

“This is Phase 1. We will increase the danger level as the experiment continues. Henry and Lawson, I want you to continue setting up the robotic mugger for Phase 3.”

They needed to get the Jinx out of there before they increased the danger level. Not caring if their footsteps could be heard, Balthazar and Vinnie rushed up the narrow stairwell, stopping when they reached a door with a small window set in the middle.

“So what’s the plan?” Vinnie whispered.

“Use the robot to our advantage,” Balthazar replied. “But first we knock out the scientists.” He slipped on his brass knuckles. Vinnie pulled out a metal pipe from his jacket. “Wait, where did you get the pipe?”

Vinnie jerked his thumb over his shoulder. “There’s broken pipes everywhere. I just picked it up from the ground.”

“A weapon is a weapon,” Balthazar sighed. “Just wash your hands before you eat. This place is crawling with bacteria, and I don’t want to know where that’s been. Ready?”

Vinnie brandished the pipe over his head, nodding. Balthazar counted to three with his fingers, then kicked the door open. The scientists stared at them in surprise, one of them dropping the tools he was using to fix the robot.

“You take the one with that ridiculous mullet,” Balthazar said, his hands curling into fists. “I’ll handle the one with glasses.”

“Hey! My mullet isn’t ridiculous!”

His partner gave him an odd look. “I kinda agree with him on that one, Henry.”

“Nobody asked for your opinion, Lawson!” Henry charged at Balthazar, offended by the comment, but Vinnie tripped him with the pipe, and he fell on his face.

Lawson grabbed a wrench from his toolkit, taking a battle-ready position. His stance was strong, but his abdomen was completely unprotected. Lawson made the first move, aiming the wrench at Balthazar’s head.

Balthazar sidestepped, the wrench narrowly missing his head. Then he grabbed Lawson’s arm and twisted it. He cried out in pain, dropping his weapon, which Balthazar kicked away. It skidded behind a machine, out of sight.

Next to them, Henry and Vinnie were wrestling on the ground without regard to their surroundings, almost tripping Balthazar while he was trying to find an opening for his own battle. They had each landed a few good punches. One of Vinnie’s lens was missing, and his derby hat had been knocked off, smashed into a black heap on the floor.

A sharp pain shot through his leg, and he hissed in pain when he tried to put his weight on it. Lawson had an excellent kick, he had to admit. Balthazar dodged the next kick, managing to drive his fist into Lawson’s nose, breaking it.

Lawson gasped and held a sleeve to his nose as he attempted to stem the flow of blood. While he was distracted, Balthazar dealt a solid blow to Lawson’s abdomen, driving the wind out of him. He fell back, his head smacking the floor with a dull thud.

Balthazar glanced over to Vinnie, who was on his knees, panting heavily. Henry was out cold too, a pipe laying next to his head. “Ugh, I should really...take your advice...go to the gym...and get breadsticks.”

While Vinnie recovered his breath, Balthazar found a long coil of rope and tied Henry and Lawson up, double knotting the rope tightly. Then he looked over the robotic mugger, opening the panel on its chest to find an on switch. He flipped it, and the eyes lit up, the body giving a shudder as it came to life.

The robot resembled a stereotypical robber, covered head to toe in black clothing over synthetic skin. Its eyes glowed white, a sharp contrast to its dark ski mask. “Hand over all your valuables,” it intoned. A laser activated, bathing the entire room in a red light as it scanned.

“Valuables detected. A watch and gold chain. I will take them now,” the robot said as a compartment opened, revealing several weapons. “Picking weapon. Picking weapon. Standby.”

Balthazar clutched his watch protectively. “Dakota, we cannot let this heathen take my watch!”

“And I won’t let it take my gold chain!” Vinnie retorted. “It was a reward from the mayor of a small town for preventing the Mississippi Purchase!”

“Someday I’d like to hear the full story,” Balthazar said. “But for now, we shall lead the robot to where the other scientists are and cause mass chaos in the observation area. Then we shall take the Jinx and hightail it back to the 21st century.”

“Ray gun selected. Now cocking at victim.”

Balthazar flung the door open to the other room, where a dozen scientists glanced up from their observation sheets as he ducked behind a panel as a laser fired over his head. There was an entire room below them, surrounded by glass on all sides. There was a boy clutching an umbrella in the center, and he jumped at an invisible force.

Vinnie dropped to his knees next to him. While the scientists flung up their papers and panicked as the robot fired its laser guns all over the place, Balthazar and Vinnie crawled to a trapdoor that led directly to the simulation room below.

“Initiating sleeping gas sequence.” The robot held up an arm, a sickly green gas spewing out. Balthazar waved for Vinnie to go first, then climbed down after him, shutting the trapdoor above him so the gas didn’t escape the room. Balthazar could hear the scientists coughing as they passed out.

Balthazar reached the bottom of the stairs, taking deep breaths to bring his heart rate back to normal. “I thought they were simulating a thunderstorm,” Balthazar said. “This is just a white room.”

“I don’t think is any normal simulation,” Vinnie said. “You know how the Bureau uses that fear serum thingy to interrogate criminals?”

“That’s preposterous,” Balthazar scoffed, though his words rang hollow in his ears. A week ago, he would have dismissed the notion of the Bureau injecting serums on anyone other than criminals. Now, he wasn’t so sure.

The fear serum was a tool of torture. And here the Science and Tech Department was using it on a child in a more dangerous version of one of the most infamous psychology experiments of all time.

With the exception of a single rat scurrying around, the room was white and clean. It was strange to think that this area was part of an abandoned asylum.

The boy in the center was dressed in an old T-shirt and shorts, several bruises mottling the skin on his arms and face. The umbrella in his hands broke at the handle and fell uselessly to the ground. He pulled his backpack over his head to shield himself, his eyes widening when he saw Balthazar and Vinnie approaching him.

Vinnie knelt down to his level. “My name is Vinnie Dakota, and over there is my partner Balthazar Cavendish.” Balthazar tipped his hat as a greeting. “What’s your name, kid?”

“The Jinx,” he replied, yelping. “This is some thunderstorm. I’m sorry that my umbrella broke. Cause I don’t want you guys getting drenched.”

“But there isn’t a thunderstorm,” Balthazar said. “They gave you a serum that’s making you hallucinate one.”

“No, they aren’t!” The Jinx cried. “I’m soaked. You’re soaked. We can’t take shelter. It’s just a huge field and tree. There’s nowhere to take shelter.”

Balthazar’s heart clenched, and he wasn’t sure why. Then he saw the tears rolling down the boy’s face. The child probably couldn’t tell the difference between his tears and the hallucinated rain.

“I know a place we can take shelter,” Vinnie said. “But you’re gonna have to trust us, kid.”

“Okay,” the Jinx nodded, his head snapping up toward the ceiling. “The thunder’s getting louder.”

“I don’t think that was thunder,” Balthazar pointed to a large crack in the glass, which broke when the robotic mugger jumped from through the screen. It had a large bag slung over its shoulder, the objects inside clinking together with the slightest movement.

“The watch and gold chain,” the robot said. “Do not resist.”

Vinnie stepped in front of the Jinx, holding an arm out in front of him. “Stay behind me, kid. This robot’s dangerous.” He dug into his jacket, tossing the Temporal Transporter to Balthazar. “We gotta run back to the 21st century now!”

Balthazar ducked a swing from the robot and backed up to the wall. “Dakota, cover me! I can’t fight and calibrate this thing at the same time!”

“I’m covering the kid!” Vinnie protested.

“Here, use this!” the Jinx exclaimed, pulling a hammer out of his backpack and handing it to Vinnie.

Balthazar set the time for the 21st century, while Vinnie bashed in the eyes of the robot, exposing several loose wires. The robot sparked, dropping the bag, which Vinnie snatched up.

“The portal’s open!” Balthazar called. “Children first!” Vinnie pushed the boy towards Balthazar, then swung the bag at the robot, knocking it against the wall.

“Are we heading to shelter now?” the child asked, his eyes wide and hopeful.

Balthazar nodded. “Step up, be careful now. Okay, just stay there.” Once the Jinx was on the other side of the portal, Balthazar motioned for Vinnie to step through next. “We’ll take the bag too. There might be something useful in there.”

Tossing the bag to the other side, Balthazar climbed over and closed the portal, the white room disappearing in the blink of an eye.

“Is that our shelter? Cool! Are we sleeping in the hay? Are there horses? Could we stay long enough for me to pet a horse? I’ve never petted a horse before,” the Jinx grinned as he bounced from toe to toe in excitement.

“How long does the serum take to run its course?” Balthazar whispered.

“Not long,” Vinnie replied. “They didn’t give him a large dose. That’s probably why he was still able to see and hear us and the robot. Some people can’t interact with the real world after being injected with one of those things. Ugh, just thinking about it gives me the willies. Anyway, he should be fine by morning.”

Balthazar sighed. “That’s a relief. At least there’s the apartment. We’ll figure something out in the morning. Find the kid somewhere nice probably.”

“I was thinking we could pick a name for the kid,” Vinnie said, gently leading the Jinx up the stairs to the apartment. The boy’s eyes were drooping, and he let out a wide yawn. “He doesn’t seem to have one.”

“Rather unfortunate,” Balthazar said, digging in his pocket for his keys. When he put the key in the lock, the door broke off its hinges and fell forward. Groaning at the thought of having to put in a replacement, Balthazar quickly ushered them inside. Vinnie helped the boy lay down on the couch, covering him with a blanket. He was out instantly.

Balthazar set the bag in the kitchen. He was too exhausted to start looking through the contents.

“I can get out of the suit!” Vinnie cheered, throwing off his dress shirt and pants.

Balthazar rolled his eyes, folding the clothes neatly and storing it inside the dresser. “At least wear shorts to bed. We have a guest.” He changed into his pajamas behind the curtain.

When he came out, Vinnie was already lying on the bed. Balthazar crawled under the covers, setting his glasses and watch on the nightstand.

Even after he turned off the light, he could see Vinnie’s infuriating smirk. “What?” Balthazar growled.

“You care for the kid a little,” Vinnie said. “I can tell. More than me being shirtless right now.”

“One more smart remark and you’re sleeping on the couch,” Balthazar grumbled. It didn’t matter if he cared for the kid. It was just their part of the mission.

“But the kid’s on the couch,” Vinnie yawned.

“The floor then,” Balthazar mumbled, turning over. He couldn’t care less right now. He just wanted his rest.

#milo murphy's law #all time travelers go to heaven #balthazar cavendish #vinnie dakota

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itsworn · 6 years

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An Interview with John Staluppi, Owner of the Cars of Dreams Collection to be Sold at Barrett Jackson in April, 2018.

For nearly fifteen years, TV viewers of the popular Barrett-Jackson collector car auction have come to know John Staluppi for his solid taste in post-WWII American collector cars and his fierce ability to knock out virtually any opponent with a seven-figure bid. Though Barrett-Jackson bidders come in all shapes, sizes, and tax brackets, Staluppi made his mark thanks to a pint-sized lap dog named Dillinger.

A Maltese breed of canine, Dillinger was trained to bark on command. So before long the dog was placing the bids while poised in the arms of John, his wife Jeanette, or one of the Staluppi’s grandkids. Naturally, TV audiences ate it up and little Dillinger became “a thing” at Barrett-Jackson for many years.

With each winning “bark”, Staluppi accumulated another addition to his Cars of Dreams collection of more than 125 top-tier vehicles. Located in North Palm Beach, Florida, the Cars of Dreams collection is stored inside a former department store with more than 70,000 square-feet that’s been decorated with props and street scenes depicting New York City.

Only open four times a year, Staluppi’s private Cars of Dreams collection isn’t available for weddings or birthday parties. Rather, John works with charity organizations to help raise funding for law enforcement, children’s health programs, and heart disease and cancer-prevention research.

We recently visited with John Staluppi to learn more about his background, his plan to “shuffle the deck” by selling 125 cars at the upcoming Barrett-Jackson collector car event in West Palm Beach, Florida, and the plan to replace the sold cars with a whole new stash of classics.

Sadly, little Dillinger has gone to TV dog heaven to frolic with Rin Tin Tin and Scooby-Doo. But fear not, another Maltese pup, this one named Buddy, will take his place. Whether Buddy shares Dillinger’s passion for collector cars and being in the limelight remains to be seen. But either way, with Mr. Staluppi on the hunt for 125-plus new classic cars to replenish his Cars of Dreams collection during the next year, the story is far from over!

HRM) Where are you from?

JS) I was born in the Bensonhurst neighborhood of Brooklyn, New York. After a family move to Long Island, I then moved to Florida around 1977.

HRM) What was your first car memory?

JS) My father had a 1950 Nash four-door, one of those upside-down bathtub looking cars. It was a standard-shift car with the usual column-mounted gear lever, and Dad took the family to upstate New York for a vacation one time. Somehow I ended up alone in the car and was playing with the shift lever. When I got out of the car, I left it in Neutral. The next minute, the car comes rolling through the woods and my Dad was saying, “Whose driving through the woods?” Then he realized it was his car. I got in big trouble for that one. That Nash was one of the big ones with the fold-down seats you could camp in and a body that looked like a big beetle. The dash had this one central pod for the speedometer and gauges, they called it the “Uniscope.” It was a neat car.

HRM) At present I don’t see a Nash Ambassador in the Cars of Dreams collection, rather I see lots and lots of convertibles. What is your favorite car?

JS) I’d say my favorite car is the first Corvette I ever bought, a 1962 in Tuxedo Black. We didn’t have a lot of money, but my family helped me buy it by taking out a second mortgage on our home. It cost $3,100 back then and was a demonstrator model the dealership had for a discount ($4,038 was the base sticker price). I lived right around the corner from the Brooklyn-based Chevrolet dealer that had the car. But that was my first car that was mine. So to answer the question about what’s my favorite type of car, that’d be Corvettes at the core but followed closely by Chrysler 300 letter cars.

HRM) Wow, that’s the other end of the spectrum. Or is it?

JS) Those early 300’s could be very sporty cars. With their stiff suspensions, standard dual-quad induction, big tires, and upsized brakes, they handled better than you might expect. In a sense, a 300 convertible was like a four-seat Corvette. I had many jobs as a kid- I was a mechanic at the Chevy dealer I just mentioned, and a little later I worked as a lifeguard in upstate New York at a resort called Villa Maria. One of the head managers at the resort had a 1960 Chrysler 300F hardtop. It was blue and with the 413, and we used to go out and tear up the highway. It was an unbelievable car and started my love for 300 “letter cars.” It had the swiveling seats, the clear “Astra-Dome” bubble covering the instrument cluster, the massive Exner-era tail fins and being a 1960, was the first year for the ram induction setup (1955-1959 300’s had dual quads arranged inline atop a non-ram manifold). I remember everything about that car. It was a true bad boy and made the 1960 Chrysler 300F my absolute favorite car.

HRM) Your Cars of Dreams collection is known for being one of the few collections with such a wide variety of letter-series Chrysler 300’s. Tell us more.

JS) I have almost one of every letter-series Chrysler 300 here except for the 1959 300E. A total of only 690 1959 E’s were built, of them only 140 were convertibles. Finding a good survivor or even a solid restoration candidate is next to impossible. But that’s the fun of it. At present, I’m selling just about everything you see here in the Cars of Dreams collection. My plan is to fill this building one more time. This go-round, I’m aiming to have a truly complete collection of Chrysler 300 letter cars – including the elusive 1959 “E” – in both body types: hardtop and convertible. I’m a little bit on the fence with the 1962-1965 300s. First off, Chrysler abandoned the tail fins for 1962 but more seriously, Chrysler added a non-performance, non-letter 300 model that could be had with four doors. So to me, the 1962s aren’t as hard-core as the 1955-1961s. So I’m not sure I’ll expend as much effort acquiring 1962-up letter cars for this final go-round.

HRM) You’ve had some race cars, what was the first?

JS) That would be a 1955 Chevy. It was green, and I’m superstitious. Too many times to count, any green race car I’ve owned would blow up on me. It’d break a rear axle, transmission, or something else. We gave that ’55 the name “Mister Jinx.” Eventually we got all the bugs worked out of the car, and I ran it in C / Modified Production (C/MP). That was around the mid-1970s, and the track we used was Englishtown in New Jersey. Vinny Napp was the track manager, and we ran it often enough to hold the C/MP national championship title for a while. We also raced at Westhampton Dragstrip on Long Island and even as far away as Bristol, Tennessee’s so-called “Thunder Valley,” a great strip that’s still very active today. We had a lot of fun back then with Mister Jinx.

HRM) Did you do the driving?

JS) Oh yes! Modified Production allowed a fair amount of changes, so the original 265 V8 was replaced by a 327 with a Mickey Thompson cross-ram intake manifold. We had to remain naturally aspirated but worked in the usual modifications like high compression, a wild solid cam, hotter ignition, and, of course, a four-speed manual transmission. I ran a set of 5.38:1 rear axle gears and used to leave the line at over 6,000 rpm. It’d come out of the hole like a rocket ship.

HRM) Are you a stick man or do you prefer automatic transmissions?

JS) In the earlier days, I was a four-speed maniac. Three-speed on the tree is kind of sloppy- really antiquated. I do like the automatics of today, especially the types you can shift like a stick if you want to. They’re pretty much bullet proof. When you hit traffic, when you have to start shifting, that was fun when I was a kid. But now, at this point in life, I like to enjoy some comfort while I drive. Plus, most cars today only come with an automatic transmission, but again, the manual-shift mode does a pretty good job of simulating the old days – minus the left leg work.

HRM) You managed to locate – and buy – your first Corvette (the black 1962), so have you had any luck finding Mister Jinx, that 1955 Chevy drag car?

JS) Naah, that car is long gone. We sold it to a bunch of guys who continued racing it until it blew a tire and went off the track. I’m pretty sure the car was stripped to a shell then junked.

HRM) Beyond the Cars of Dreams collection, you’ve built and owned a series of 100-to-200-plus foot aluminum-hulled yachts and have a private jet. Success is obviously part of your life, how did it happen?

JS) I started as a mechanic in Brooklyn, then I opened up a gas station. Then a Honda motorcycle dealership franchise became available to me in Queens, on Queens Blvd. I was also a big motorcycle rider and we sold a lot of Honda ‘cycles in the mid-to-late 1960s. By the early 1970s, I was also selling the Honda 600 minicar in fair numbers. But it was the arrival of the larger Civic in 1973 that was really the beginning of true success. Sales were strong enough to allow the addition of more Honda dealerships, in Long Island and other locations. Those little Civics sold very well and I started making the real money. That allowed me to repay my debts to my parents, who funded my early efforts.

HRM) How many Honda dealerships did you grow to, and did you add other brands as well?

JS) In the 1970s, I had five Honda car dealerships and three Honda motorcycle dealerships, and then my first domestic brand was an Oldsmobile store. It was located in Brooklyn, and the success of that led to me getting some Chevrolet outlets. By the late 1980s, I had 42 car dealerships and was the largest privately-held car dealer in the world. Then interest went to 21 percent, and boy the debt load was heavy. I ended up selling off some of the good stores, and kept the bad stores, not that any were really that bad, but we turned them around and kept growing. Today, we’re the third largest privately held car sales company in the country. We do about 70,000 new cars per year, and about 30,000 used cars per year.

HRM) Who runs it all?

JS) It takes a great team, and my partner who helps keep the Long Island dealerships running is Michael Brown. My son John Jr. has stores in Las Vegas, and my son-in-law Scott has car dealerships in Queens, Great Neck, and Long Island. In fact, John Jr. is also a vintage car collector. He’s got about 35 or 40 classics out there in Las Vegas.

HRM) Are these many dealerships recognizable with names like “Staluppi Motors” or some name HOT ROD readers could seek out?

JS) They all carry the name “Atlantic”, “Advantage”, or “Millennium.” The Atlantic name stems from my first Oldsmobile (then later, Chevrolet) dealership, which was called Atlantic Oldsmobile.

HRM) Switching gears back to vintage and collectible cars, when you’re buying, what do you look for?

JS) I’m all about the hunt. I always buy cars I used to work on or knew about when I was a kid. Cars of the 1950s, 1960s, and 1970s were things I worked on, bought, sold, raced, and modified, when they were brand new. Not so much with the cars of the 1980s. By then, I had outgrown much of the hands-on, greasy fingers part of it. When I buy, I seek the finest looking examples and typically avoid unfinished projects. I prefer finished cars because it is all too easy to fall into the trap where you invest more than you’ll ever get back. Sure, if you can do the work on your own, and have the necessary skills to do good work, you can turn out a fine example. But when you add up the hours charged by any professional restoration business, a sure return on investment is rare. This is a labor of love. People who restore these cars spend thousands of hours on them, and finding missing parts is another side of it that can get costly, so I’m attracted to finished cars.

HRM) Are there any cars that you refuse to buy?

JS) I’m not a big fan of some of the more obscure vintage foreign cars. It’s about impossible to get restoration parts [for them]. I’m also not a huge Ferrari guy. Except for the pinnacle cars like the 250 GTO and such, I don’t really see the value.

HRM) No doubt it’s a lot of work to find, buy, and store so many cars. To some people, what you have here on display would be an acceptable life-long accomplishment. But you are about to sell 125 cars at the 2018 Barrett-Jackson West Palm Beach, FL collector car auction and start again. Why?

JS) I get bored. Again, with me it’s about the chase. My main business office is also contained within this structure (a former department store). When I need a break from the daily “brain damage” of keeping track of business, I’ll come out and restore my equilibrium with these wonderful vintage machines. It’s a lot of fun. I’m also a big fan of Lionel trains and have a large, running diorama in its own special room.

HRM) Anyone who has watched the televised Barrett-Jackson collector car auctions knows that you are known for buying the best examples available. Consignors also understand it’s a very good thing when you are bidding on their offerings because price is not an obstacle. Once these cars become part of your Cars of Dreams collection, are they treated differently versus other car collections?

JS) One thing that sets my collection apart from many, is the fact you can jump into any one of the cars on display, drive it out the door and go for a cruise. On the four-speed cars you don’t have to worry about it jumping out of gear because of bad synchros, the lights all work, they are all ready to go. I keep a staff of full-time mechanics led by Dave Crews, and there’s a multi-bay garage at the back of my display room to assure each car is road ready. If I buy a car and issues present themselves, we correct them. That way, when someone buys a car from my collection, they can buy it with good confidence. We exercise our cars, and that’s crucial in this day of reformulated gas that goes bad and gums up carburetors. By exercising the cars, the seals don’t get dried out and it makes a huge difference compared to cars that might sit idle for years at a time in other collections.

HRM) What’s more important to you, matching numbers, or a quality presentation?

JS) I like numbers-matching, but to me what’s more important than that would be the quality of the car, the quality of the restoration. Most of my high-end cars are numbers matching, but the plus to me is the way the car is restored- the quality of the chrome, the quality underneath the chassis, the nooks and crannies. Were the body mounts replaced? Are they detailed to the same degree as the grille? That’s where the value is. When you pull up to a car show, 90 percent of spectators don’t know what numbers matching means. But they do see a quality build, and that’s what I go after. The truth of the matter is, when I worked at Chevrolet, and we would get muscle cars with damaged engines, we simply changed short blocks and tossed the original “numbers matching” parts in the trash. Truth be told, after the repair, the engine was like new. The tiny stamped numbers on the block didn’t play into the equation whatsoever. On most pre-1968 cars, and the vast majority of 1950s cars, numbers-matching status isn’t as important because many cars simply lacked the numbers in the first place. So that’s where we turn our focus to the quality of the paint, chrome, interior, glass, and overall restoration.

HRM) How about resto-mods?

JS) That’s an area that I appreciate. Numbers-matching status has no bearing here, and that’s liberating. I have a number of resto-mods in this collection, and I bought them for the quality of execution. But again, in every case, you could take it out of my building and drive it to California. The air conditioning works, they handle well, the transmissions have overdrive, and they’re usually much faster than any original model. I think resto-mods and resto-rods are where the value is. I think resto-mods are worth a lot more money than a stock restoration. I understand the allure of original equipment, but in today’s world, a top tier resto-mod with good ingredients and craftsmanship is a better buy than a relic restored with original-type bias ply tires, a three-speed manual transmission, drum brakes, and king pin front suspension.

HRM) What are some cars that are under-valued in today’s marketplace?

JS) Big Cadillacs from the 1950s and 1960s. Cadillac is like a symbol, especially with the Eldorado and Eldorado Biarritz, those are real cars. You look at the bumpers, the stainless steel roof material, the interiors with golden threads, I think these cars are very much undervalued. I feel they will climb much higher as more people understand what they represented. Taking it further, I think all of the finned cars from the 1950’s are poised to appreciate. I’m also big on Chrysler finned cars of the Virgil Exner era. Not just the letter-series 300s we talked about already, but the Dodge D500s, Plymouth Furys and DeSoto Adventurers are really important cars that are blue chip investments.

HRM) Modern cars have to pass so many government crash, pedestrian safety and efficiency standards, their designers’ hands are tied. Its’ rumored that Dodge Challenger stylists intentionally gave up something like 1/2 of a mpg in 2008 to allow for the distinctive tunneled grille and “frowning brow” headlamps that give them so much identity. Do you think new cars will ever be distinctive again?

JS) I have a hard time looking at a Lexus or a Mercedes or a BMW, and I’m in the business as a dealer. Its’ hard to say make and model is which. Back then, you knew- that’s an Oldsmobile, that’s a Buick, that’s a Pontiac, that’s a Dodge, etc. You don’t see that now. I feel the carmakers need to add more visual variety and identity to their offerings.

HRM) Can you hint at what direction the next Cars of Dreams collection will take?

JS) This is something that’s a passion to me. Doing this one more time in my lifetime, my next collection of cars will be more of a variety. At present, Cars of Dreams celebrates the convertible body type. But for the next go around, I want more variety. Yes, there will be convertibles, but I also want to go after hardtops and even some wagons. Then I can take it in a different direction. At present, if you look around Cars of Dreams, the only reason you don’t see a convertible on display is when the factory didn’t offer it that way. An example would be the 1956-1957 Lincoln Continental MKII. Except for two factory prototype convertibles in 1957, the MKII is strictly a hardtop. If ever there was a car that deserved to be offered as a drop-top, the MKII is it. And know this, if one of those factory prototype convertibles surfaced, I’d pay the money for it! Another thing I want to point out is that there are two vintage fire trucks in the collection right now. They actually run, and I use them for parades. I had my shop install air conditioning inside one of them because it was so popular, we decided to make it more enjoyable here in the Florida heat. Commercial and emergency vehicles are interesting to me as well; I even have a Ford neighborhood ice cream truck I’ll be selling.

HRM) When you say the word “collection,” how many cars do you have?

JS) I keep about 130 cars here plus another 8 cars I keep at my home. Again, every one of them is ready for the road. Sometimes for fun, I’ll invite four or five buddies to come by then I’ll ask them which cars they want to drive, and we’ll gas them up and then attend a car show or cruise night.

HRM) Besides vintage cars and Lionel trains, you also enjoy ship building. Tell us about it.

JS) I’m building a new yacht now, which will be the ultimate, ultimate boat. I sold Diamonds Are Forever and Skyfall (Google them, dear reader, you’ll be amazed). This new one is a 230-foot boat that is going to be the ultimate yacht that’s ever been built by a person. We are hoping that for next year to have a party on it.

HRM) Back to the next collection, how does that get started?

JS) It isn’t about buying 130 cars, it’s about buying 130 great cars. In addition to having one of every 1955-1962 Chrysler 300 letter-series body type, I hope to focus on Oldsmobiles from 1950 through 1960. I want one of each model in each body configuration. More Corvettes will be added from each era, and I’m not against resto-mods representing specific years.

HRM) What does the future hold for the Cars of Dreams collection?

JS) After the next round of acquiring cars to replace the ones I’m selling at the April 2018 Barret-Jackson sale, I want to eventually pass it down to my son, John Jr. and my grandchildren. John Jr. lives in Las Vegas. He is mostly into Mopars and has about 35 cars there. As for the next round of purchases, I’ll open the door to a wider variety of cars. I’ll be at the auctions, buying and buying and buying. I’m excited to do this again.

HRM) What is it like when you are bidding on a car and suddenly there’s a TV camera pointed at your face?

JS) I gotta be honest- it’s fun. Sometimes when I’m bidding, it becomes like a war with me. Sometimes my wife Jeanette will be there with me while I’m bidding, and she’ll be asking, “are you crazy?” Then my cell phone will go off with calls from friends who see me on TV bidding who want to chime in on the action or they’re texting me “don’t lose that car, it’s a good one.” Meanwhile I’m thinking to the auctioneer “drop the hammer, drop the hammer!” The best is when my grandkids are there and they’re saying, “Poppie we’re not going to let that guy beat us? I say, ‘no way, no way’.” Sometimes it’ll cost me because the ego gets in front of the brain. One thing that used to happen to me at auction that I don’t let happen anymore is when a car shows up under the lights and I haven’t really checked into the underlying quality. When there’s a car on the docket list that catches my eye, now I make sure to get a close inspection in the days before it hits the block. That’s one of the reasons I like Barrett-Jackson, they stage the cars under the tents and in the lines for several days before they sell. This gives ample opportunity for close inspection. Once the car is on the block, there’s really no time to inspect it very closely, it becomes like a big race. But overall, I look forward to every Barrett-Jackson auction. I love it. It’s fun.

The post An Interview with John Staluppi, Owner of the Cars of Dreams Collection to be Sold at Barrett Jackson in April, 2018. appeared first on Hot Rod Network.

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