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somecunttookmyurl · 8 days

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ooh i have a question about betting odds actually because i never understood how you could have like 1:10 instead (bigger number on right) like. would that not mean you pay them money? why would anyone ever place a bet on odds like that?

great question! common source of confusion.

so with betting odds the first most important thing to remember is this: you always get your initial stake back if you win

the odds are then what you get back on top of that

if something is 10:1 that means for every £1 you bet, you will get £10 on top if it comes true. a £1 bet would therefore come back as £11 (your initial £1, + your £10 winnings)

if something is 1:10 then for every £10 you stake, you gain £1. so your hypothetical £1 stake comes back to you as £1.10. something 1:10 is so basically guaranteed to happen (there's a 90% chance it does, 10% chance it doesn't) that bookies aren't going to give you much of a prize for saying it will. similarly most people won't bother betting on it because getting an extra 10p simply isn't worth the effort it took to do it in the first place.

sometimes you get funky odds like 9:14 or 17:2 but they all work the same way. the left number is what money you get (on top of your initial stake) if you bet the number on the right. bet £14 and win? get an extra £9. bet £2 and win? get an extra £17

tldr odds 'the other way' don't mean you owe them money, it means your additional payout on top becomes fractional. 1:100 truly would not be worth it because you'd have to bet £100 to get a whole extra £1

#1:1 would be 'getting the amount you bet on top of your bet'#so £1 at 1:1 would come back to you as £2 #in this way it is possible to make a (small) profit on most outcomes by going to multiple bookies and betting the opposite way #as long as - in one direction - the payout would cover both bets with a lil profit #this is spread betting and some bookies will just let you do it directly but with worse odds so it's better to just do it manually #often not worth it though vis a vis the amount you'd profit after paying for both bets #my uncle was a bookie. he was also a conman and these facts are related

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crocodilenjoyer · 3 months

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here’s the thing. about zolu. puts myhand on your shoulder Here’s the thing. luffy? aromantic. zero interest in romance. zoro? gay. very low interest in romance. has two braincells and they’re both devoted to thinking about swords. they are not dating. it is not romantic. it’s not sexual either because luffy, much like his views on romance, could not give less of a shit about sex. maybe if they both feel up to it at the same time, but that’s rare and when it does happen it’s more of a physicality and, to a lesser extent, affection thing than anything else. occasionally it’s a “hey wouldn’t it be weird/funny/fucked up if we [insert some david cronenberg-type shit]” thing and the other one goes “haha yeah do you wanna try.” but i digress.

however. HOWEVER. they Have A Thing. what that Thing entails is a mystery. luffy is both incredibly straightforward and frustratingly cryptic whenever he’s asked about it and zoro just kinda shrugs. they’re just luffyandzoro and zoroandluffy. the king and his lionheart. drift compatible. partners. captain and first mate. the sailor and the north star. sun and moon. they simply Are. what does that entail? well brother. they hang out

#welcome to riko’s ship opinions in which everything boils down to ‘well they chill’ and i find new ways to say queerplatonic #the inherent intimacy of being on the same page. yknow #zolu #riko.txt #they both approach it with characteristic irreverence but zoro’s flavor of it is also predictably Super Intense #not that luffy’s isn’t! they’re obsessed with each other. but also zoro is zoro and he’s got Complexes to the moon and back #but i think it’s something about how they work that luffy takes them and goes hmm i actually find it quite simple #someday i’m going to sit myself down and examine how some of my favorite parts of certain duos is the unspoken simplicity #but it won’t be today! teehee #anyway. i just think it’s easy for them. they met and something slid into place #and not in the cosmic meant-to-be sense. they just Are. they make the rules and they said ohh he’s coming home w me #someone asks how does that work. and zoro shrugs and says it just does. luffy was not paying attention to the question #they love each other very much.#this only makes sense in my head but you know. You Know

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fortes-fortuna-iogurtum · 1 year

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I've been reading Exodus lately and I've just gotten to the portions where God gives the first commands to the people via Moses (twice), and then goes on to give detailed instructions about the tabernacle and how it should be built, and I'm just... we think art is unimportant?? we think things only mean as much as their functionality?? we so easily fall into the trap of believing that beauty means nothing, that it's cheap and only worth whatever mindless distraction it brings, that it's barely more than a cheap sensual thrill, that buildings should just be practical and plain and cheap, that everything should be functional but ultimately disposable, that paintings and dresses and mugs and curtains and carpets are just pretty but have no real value, that beauty is fleeting and vain and therefore shouldn't be thought about too much, if even looked for at all... we fall into these traps so easily, and we forget that there are chapters upon chapters of painstakingly detailed plans to build one portable worship tent, and those plans have been handed down through thousands of years of human history, because beauty and art and skill in craft is important

#I have to go get ready for work now but I will come back to this #and don't even get me started on the parts about God calling specific craftsmen *by name*#he called them!! by name!!! he said 'this man is good at his job. he creates beautiful work. he will build my temple and make it beautiful'#and even more--God inspired him!!!! it was a calling of GOD for him to create beautiful carvings and tapestries and candlesticks!!!#look even if you're not jewish or christian or religious at all you have GOT to see what it means that all these incredibly detailed plans #for building this tent-temple are extremely important #because even if you don't believe in God and don't think that this is all significant bc he personally gave the instructions #and then helped preserve this record of them so we could still read them today #you do have to see how important they were to the people of that time who first wrote them down #and the extreme care that was taken to record all of those detail #AND the fact that it's been preserved for so long and we can still read all the care that was put into creating this incredible piece #of artwork and worship they made #gurt says stuff #I just. gahhfhhfj. I'm feeling emotional about chapters of the Bible that I can't even fully force myself to pay attention to #bc there's so MUCH and I'm bad at visualizing this stuff and I tend to zone out while listening to it #but the fact that it IS that much!!! that there SO MUCH DETAIL and it goes on for SO LONG that I even struggle to pay attention!!!#that this was THAT IMPORTANT to the people who wrote it and to God!!! as an artist and someone who has always cared about art #this means so much to me ok #christianity #bible verse #bible thoughts #exodus #art #theology

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silverwhittlingknife · 1 year

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I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.

YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot. I really love origin stories—I like stories that resonate through a character’s history.

And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.

"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)

Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.

I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.

Tim + watching / Dick + being watched / different dynamics

Tim's origin story

Being watched goes with vulnerability/exposure

Incomplete list of moments with Dick and Tim and vision

Tim + watching

The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)

Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.

And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.

Dick + being watched

Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)

Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.

At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.

Possible dynamics

Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face

"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?

You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!

One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").

And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.

When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.

And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.

Tim's origin story

Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)

I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.

Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.

And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.

... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.

But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.

So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.

Being watched goes with vulnerability/exposure

So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!

Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:

Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!

Here's Robin 49 - clambering through a tunnel into No Man's Land:

Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -

Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:

Dick: Gotcha! Tim: Augh!

I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?

Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:

Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)

Or here in Nightwing 6, when Tim wakes him up from a nightmare:

Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!

Or here in Gotham Knights 26, when Bruce is accused of murder:

(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?

Here's Tim spotting him before he can get away in Nightwing 110:

Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.

Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:

Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.

(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)

Incomplete summary of moments with Dick and Tim and vision

I think I already mentioned a lot of these but here is my LIST

almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;

Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;

in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";

there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;

in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;

there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;

Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;

there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;

in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;

in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!

(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)

In conclusion

Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!

In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.

And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah

Anyway I think they're neat <3

#ask tag #hi anon this is SO old i'm so sorry sdfsfs #if you're still here hi!! <333 #this was such a validating ask to get because as you can probably tell i think about the vision thing constantly #also this is SO long oh man. sorry i just started typing and it went on and on sdfdsf #dick grayson #tim drake #dick & tim #it's like. it's just endlessly fascinating to me because the paparazzi/photography stuff is one of dick's biggest triggers #and tim's introduced as a surreptitious amateur photographer #so there's no WAY they will ever get along #but then there's the Meaningful Photo from before the show #that low-key shows that tim's freaky obsessiveness comes from a place of genuine caring & this moment of real connection #so you have early days!dick kinda vibrating back and forth between 'I DON'T WANT HIM MAKE HIM GO AWAY'#vs. those moments when he IS getting attached to tim kinda against his will sdfsdf #and just. the dichotomy between paying attention as a form of love vs. being watched as a kind of violation and exposure #and that both are kinda the same thing?? and dick deeply craves the first and deeply hates the second #tim shows up being all I REMEMBER and what he remembers is exactly what dick was demanding bruce remember in b416 #but /also/ he remembers /everything/ 'i remember it all' he remembers the graysons dying in incredibly painful detail #and like. kid!tim is very tactless & has only two switches of 'TELL HIM NOTHING' and 'if forced to speak then overshare'#but the tactlessness is a fixable problem and the remembering is /not/#it's not like it's any better for tim to keep his mouth shut & dick to just be painfully /aware/ that he's thinking abt the graysons dying #bc ofc /tim/ remembering forces /dick/ to remember #but!! but also. you know. maybe that remembering /isn't/ entirely a bad thing #and dick's feelings about it can change over time #anyway tim's not the only person that dick has this kind of conflict with - wally & roy sometimes chase him down when he's withdrawing too #and he often doesn't really appreciate it from them either #and dick's not the only person who gets subjected to tim's particular brand of intrusive caring #conner's not thrilled about the dna thing & ives would be within his rights to resent the stalking even though he doesn't #but i am obviously personally most fond of the ways this plays out with dick & tim

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mctreeleth · 5 months

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They have this annual award at my work that is some corporate bullshit about recognising the employee who has made a significant contribution to the company and it's usually won by someone who is moving into a management role after being there for like a decade BUT while the winner is decided by the bosses the nominations are made by people working there and even though I have only been there 18 months and am decidedly not managing anything at all I found out today that apparently I got a half dozen different nominations so while I am almost certainly not going to win the actual award I have to imagine this means they will instead crown me Miss Congeniality and give me a tiara for being the friendliest most specialest girl in the factory.

#I got told like a week ago that I was nominated but there's usually like 40 people on the list #a lot of the time people make pacts to nominate each other #I assume for like resume reasons or something #I was not particularly invested in it on account of the aforementioned winner history #but today I actually asked who it was that nominated me #and it was apparently people from all over #am I making a significant contribution to the company?#no I don't give a fuck about the company #but I give a fuck about making cool things and being nice to people and helping people make cool things #I think that that is a lot more important than coming up with strategies to save the company $10k a year #oh and when I get back from holidays I am going to start agitating for them to start paying us the right amount of long service leave #so they are really going to love that #whoops I guess I COST you $100k a year by talking to the lawyers at the union and proving that you're not giving us our benefits #whoopsie daisy!

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thisismeracing · 4 months

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Since when did we start charging money on patreon for fanfics 😭😭😭😭 is this for real😭

hi, love. I haven't seen that many people doing the Patreon thing when it comes to fanfic, but it's pretty common for people who draw for example to set up a Patreon. I believe that everyone who does, just like myself, needs the money. I wouldn't be doing it if i didn't need to. I figured the Patreon setup was the best idea since it's not really that common for people to tip writers, we've been struggling with getting reblogs and comments, so you can imagine.

Right now, I'm applying and doing tests to get an internship, which still won't be enough because I'm also trying to apply for a master's. So, yeah, I'm really thankful for everyone who tipped me on ko-fi and subscribed to my Patreon, last month my savings were over, and the Patreon money was what helped me pay for some medical stuff I needed (Idk if you saw the whole mick schumacher's sick club, but yeah — huge thank you for everyone who subscribed/donated btw).

We often see fic writers as little robots who don't eat, drink, or sleep. We request stuff, and expect an instant reply, and when we get the content we don't even go back to the page to tell the writer our thoughts. We don't reblog, nor leave comments, but still, we expect them to keep writing and keep sharing everything as if it didn't take hours, sometimes days to come up with a 1k piece polished to what we think readers will like best. I hope I don't sound rude, I'm just trying to make a point because I'm tired of seeing writers deactivating, tired of seeing my friends getting writer's block and then people still demanding things.

On top of that, I'm still posting a lot here, from smau to blubs and long fic requests (and I won't even talk about how some pieces aren't even getting a hundred notes, which always makes me wonder if I'm doing something wrong, if my writing is bad, or if there's anything that I could do to make the reader's experience more enjoyable), and it takes a lot of time, it's even harder to balance the two profiles now, but still, I keep sharing some of my work for free. so please, please, don't make me feel bad about needing money. thanks ❤️.

#I'm still searching like crazy for the best internship that gives me enough time to study for my application and enough money to pay for +#the stuff that I really need #medical bills are expensive #school books and stuff are expensive #we do what we can #and I say we including other writers that relly on donations too #anyways #Im sorry for letting my heart run wild here but I really needed to share this because I'm tired #and I do feel a bit guilty some days for sharing paid stuff because I wanted everyone to read what I post #wanted everyone to enjoy it and gush with me about college!mick and ghost!lewis and so on #but right now that's the best way I found to deal with my current situation #so please please try seeing your writers side #and on top of that make sure youre supporting the people that are here everyday putting their hearts on each piece #and I mean support as in reblog and let them know you liked it and so on #if you can support someone with money thats great #but most of the times a comment and a reblog will make the writers days #it makes mine #I wish you guys could see the smile on my face whenever someone comes back like “hey Im the one who requested x and I loved it”#anyways Im sorry for ranting #I hope I did not come across as rude again #and Im not saying you don't reblog or support your writers this is more of a widely rant #<3 #millies inbox #anon #patreon #f1 fandom

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coquelicoq · 9 months

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me: how about...natori contracting some kind of youkai illness & matoba finding out about it & showing up to his set & natori dragging him off to his trailer bc it would be bad for his sparkly reputation to make the angry faces he feels coming on in front of his coworkers & matoba offering to help but in that smarmy condescending way that raises natori's hackles so he refuses but unfortunately he doesn't know how to cure it so matoba just keeps showing up every day & natori keeps carting him off to the trailer every time & being suuuuper cagey when people ask him who his visitor is & what if his coworkers get the wrong idea & matoba is fully aware of this & what if one day in the trailer natori reluctantly agrees to let matoba help him & matoba's like okay fine off with your shirt i gotta paint this spell circle on your bare chest & what if he's in the middle of doing that when they hear somebody opening the door to the trailer & obviously they don't want anyone to know what they're actually doing in there bc youkai-exorcist confidentiality so matoba's like no worries i got this & he KISSES NATORI omg classic kiss-as-misdirection trope & the person at the door is like whoops my b carry on gentlemen & after they've left natori is like wtf matoba????? & matoba's like well it's what they all thought we were doing anyway & your mouth was right there & it allowed me to cover the writing on your chest with my body & also you kiss people for a living so i figured it wouldn't be too complex for you & your part-time exorcist training to handle & natori recovers admirably quickly & is like WELL for your information that was a TERRIBLE kiss & no one is gonna buy that i professional makeout artist natori shuuichi would be swapping saliva with somebody on the reg without any of my considerable skill rubbing off on them & matoba's like so what do you propose we do about it & natori's like obviously i have to teach you how to kiss in case they come back -

the bedtime story fairy who thought this was gonna be an easy assignment: please just go to sleep im begging u have mercy ur brain cells are dying

#my other bedtime imagine also features misunderstandings in natori's trailer/dressing room but this time it's established relationship #natori and his costar are in his trailer practicing a kiss & matoba comes in & thinks natori is CHEATING 😲#& packs up & goes back to the matoba estate & natori's calling him daily like i LITRALLY dk what i did wrong...miss u baby...#but also tell me what i did wrong u asshole!! you just left & didn't even tell me if/when you're coming back! wtf!!!#and eventually matoba comes home & they talk & natori's like mkay well first of all kissing that lady is my literal job that pays me #but i understand that it upset you bc we were alone in my trailer & looked startled to be interrupted. hey i know #why don't you come with me to set & you can see just how incredibly unsexy these practice sessions are?#so matoba accompanies him & it's literally just natori & his costar like calculating exact face tilt angles & figuring out #their precise height differential during the scene in question based on the shoes she'll be wearing & testing out ideal #degree of mouth openness & choreographing switching sides of the face to correspond to the movement of the camera #(bc obviously it's one of those epic 360-degree shots with the swelling orchestral score and w/e 🙄)#& figuring out where they should put their hands & whether it makes sense for them to be smiling at this point in their arc &c &c #& matoba starts like observing them from multiple angles & critiquing their technique & giving pointers to the costar #& grabbing natori's chin & bodily arranging his limbs like a mannequin & showing the costar the best ratio of lip give to firmness #by demonstrating with his own lips on natori's lips. & so on & so forth. meanwhile #the sleep i am forgoing in favor of having these thoughts is something i will NEVER get back.#natsume's book of friends #horrible exorcists #f #my posts #i am such a clown to watch one of the sweetest and most poignant shows i have ever seen and for what?#to get fixated on imagining ways to get these chuckleheads to smush their mouths together? unbelievable.#like these scenarios barely (if at all) have anything to do with what makes them so fascinating as characters. i just want them to Kiss #idk though i do feel like their first kiss has to be some sort of dare or 'accident' or w/e like these weirdos can't just KISS each other!#who does that! have you heard of a little thing called pride and invulnerability and plausible deniability!!!!#but i also completely imprinted on this one established relationship fic i read last year so sometimes i just skip ahead #to the kinds of misunderstandings and shenanigans and conflicting priorities they could get up to as a couple #i guess i just want the fact that natori is famous for kissing people to be Matoba Seiji's Problem in some way or another #is that so much to ask #(i also CLEARLY imprinted on a fic in which natori teaches matoba to kiss at a bar?? i should reread that one)

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goatposter · 7 months

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happy autumn 🍁 i am a powerful asset and i will treat myself as such, Knowing what i deserve, accepting what i can gather for myself using my own abilities and working cleverly around my disabilities. not a burden, not unskilled, not tolerating low pay over my own health, not accepting or bending to any threat of dismissal over the simple circumstances of my life. charm against being stepped on, charm against those who would walk all over me. fall 🍂

#text #art #pen doodle #sketch #disability posting #epilepsy #I'm okay I'm being shown really amazing opportunities that save me from a path of reliance on those who lack their own skills/self reliance #being punished for making you do your job ?? you would punish me for making you actually come in to work your salaried job???#EVERYONE HERE IS LIKE THIS SAVE FOR 2-3 OF THEM #they get a safe guaranteed pay and then stop showing up and get MAD when they have to FULFILL A DUTY #gonna go back to streaming and I'm gonna cry from how much i missed doing it.#literally already excited

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