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nobodysdaydreams · 1 year

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The Mysterious Benedict Society Liveblog Season 2 Episode 3: A Gold Bar in Fort Knox

Alright folks. I'm tired, I'm procrastinating, and ready to hyper fixate. Will SQ Garrison and Martina finally come back in this episode? Or was Disney+ unable to get the actor's contracts renewed and are hoping we don't notice? I hope not, but either way I'm still watching. Just the episode summary is getting me excited "Benedict takes a gamble with Curtain"- after a season where they didn't interact until the last episode (and in flashback land), I really want to see that dynamic between the brothers.

1:30- Alright her comes the polo team. Oh this is when they are hiding on the rope thing from the trailer aren't they? Yep I knew it. Time for the theme song!

3:00- Good point Reynie. There's really only two reasons someone as crazy as Curtain would kidnap you. 1) to cover his tracks and 2) get his son some friends. And he's clearly shown where his priorities are at considering how much of his son we've seen this season.

3:30- in hindsight it was very considerate of Curtain to kidnap them around the same point the scavenger hunt ends so that the kids can find them. He could have just kidnapped them at a random point, sent his spies after the kids, and made this impossible on their end, but at least he plays fair.

4:00- "People are becoming dependent on an artificial state of mind", do I smell social commentary coming? Because I'm just here to see Curtain get hit with the golf cart. YES TACTICAL FUNGAL INFECTION. PFFT- "to infect my brother with love" "he craves my approval", oh my gosh, poor Nicholas. Out to destroy his brother with the power of love and friendship. "well that was on his turf" "So is this" lol, what would Benedict's turf even look like, didn't Curtain's spies kick him out of his house multiple times?

6:30- Oh my gosh they are searching for phones, I told y'all last episode: you have the tech for brainsweeping. Just invent an iphone, it's much less complicated and will save you the trouble of looking for a landline.

6:30- "at least they are away from danger" and... cut to danger. Yes. I love this flight announcer. Yes Rhonda, helping everyone out, she's honestly the most stable person in this show.

7:17- YES NOLAND AND CANNONBALL. I've heard their characters in the show are nothing like the books and I don't remember and I don't care they are funny, so they get a pass. I love how into this conspiracy they are and I love when B plot characters act like they are not only the A plot, but the be all end all of everything. "Not just stowaways...they undermined our culinary excellence" "why haven't you found them" "some are quite small" I mean, he's not wrong. TWO HOURS LATE? THREE? oh dear. Faltering Marriage? Losing his house? Man Noland is going through it.

8:50- are the kids finally gonna get to hustle people like in the trailer? Of course the girls want to gamble. I'm with you Reynie, but I also saw the trailer and know you're gonna make bank. I love how the guy looks at Constance like "ok kid, you're in" IS CONSTANCE PLAYING WITH LOADED DICE? I know 7 is the most common combo, but that was a lot of 5/2 dice combos. Yeah Reynie, you probably should have sat this one out.

12:00- Oh my gosh his stupid little television show. False. Your name is Nathaniel Benedict and you are known for being a pathetic fool who has no idea where his son is. Oh great is he hypnotizing him.

13:30- not the cough drop ad, poor Milligan. Very true about the worrying. Not sure how I feel about the potential relationship here. Never really shipped anyone in the show. No strong positive or negative feelings yet. I do love that they can talk about their parenting struggles together.

16:00- Reynie, it's just card counting, I don't know if I'd consider it cheating. HAHA-- KATE. It was very obvious cheating too, I'm surprised no one caught them. Sticky's version was the smartest option here. Reynie, calm down, Sticky's money is fine, it was strategy. Awe Sticky <3. CONSTANCE. "when Benedict is in the ground"? She is hurting bad. Oh this is such an awkward confession.

18:40- Awe, he's so nice to them. Honesty really does pay. Too bad those water polo players are gonna steal all their money. Maybe they'll apologize and give it back later.

20:00- YES TELL HER KATE RESPECT THE SPORT. Yes Cannonball! Oh dear he's pretty winded. Take a breath man, you've worked hard. Lol, "reformed gamblers". I love how he says stowaways as if he's saying the world "murderers" and asking zero questions about the potential kidnappers or gamblers.

21:00- I love these extras. "and you always show up at the same time every day?" "WHY AS A MATTER A FACT I DO SHOW UP HERE AT THE SAME TIME EVERY DAY INDEED NEVER LATE JUST THOUGHT I'D LOUDLY REMIND YOU OF THIS FACT"

21:30- "I care about everyone" ok Curtain. meanwhile SQ is still stuck in that well

21:50- oh poor Nicholas that applause is insufferable. How much attention can one man need? Hold up is the applause like, a trigger for his hypnotism?

22:00- that's right cannonball tell him! Oh my gosh Constance's backstory gets darker every time. Poor Cannonball, he was really tested there, clearly he knows something about her fake "parents".

23:00- whoever does the announcements on the flight deserves a raise "hopefully you can experience the raw, terrifying beauty of nature's power" haha... "very slight deflation issue", we will need to throw your bags overboard. Such a professional delivery on that.

24:00- He's so proud to have caught them <3. And yes maritime court, finally what the season has been building up to. Yes Kate. Offer your engineering skills. Oh dear poor Cannonball, all his work traded away.

25:50- "abandonment and betrayal can come from anywhere even family", oh shut up Curtain I see exactly what you are doing, trying to make him feel guilty and make him susceptible. "I didn't let it affect me" ok Curtain, do we need to flashback to your season 1 episode 8 breakdown. "I'm not sad, I'm completely fine" *falls over*? Heck, you're clearly letting it affect you, you started a cult.

27:00- I really hope this works out for number 2. Oh no. Sebastian. Poor Sebastian. I love how Jillson and Jackson are treating him like he's their pet. "he never misses dinner, we should go out and look for him" like he's a stray dog. OH NO. Curtain you better not do this to your son. Or your brother. Or the world. "Seize the power together" is he trying to hypnotize Nicholas into this world domination plan?

29:00- Yes Sticky, getting your name out there. Um.. what does took care of them mean... no not tangerines, the only thing worse than stowing away. That's right drag them to prison. Kidnapping is forgivable, but tangerines? "citrus allergy', please, something tells me that story is not gonna hold up in maritime court.

30:30- "they have to be ok". "Mr. Benedict is not strong" Oh no. Poor Constance. She knows her dad too well. But there’s nothing wrong with have vulnerable emotions. And yeah, I guess Sticky's friend is coming in and out of the story now. Awe, see Reynie, you do matter to him, you're his best friend.

31:40- Ah, hello Jeffers. You're not the SQ, Garrison, or Martina we wanted, but you're funny so I'm glad to see you. I love how Curtain makes a point to get the name "society" right. He even seems to have some respect for them, oh yes he just said it... oh dear. Without mercy, dude calm down, that's pretty much what you've been doing the whole time. Lol, Reynie's broken polite Portuguese while Kate just yells go at the poor driver.

And that's all! Still wondering exactly what Curtain's end game is here. Does he want Nicholas to join him and love him or does he want him to suffer? Maybe both. Still wondering where SQ, Garrison, and Martina are. Don't hate love or care about the maybe maybe not adult romance. Need more Constance backstory ASAP. Nolland and Cannonball will be missed, and I hope they come back.

edit: also, I think we’ve covered most of the trailer shots in the first 3 episodes, so hopefully the plot is gonna start picking up here (@ SQ, Garrison, Martina, Constance Backstory, flashback land, etc.)

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vivispec · 1 year

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so. absolution. i watched it last night and boy howdy am i a fan. i’ll give my non-spoiler thoughts above the read more, and then some more spoilery thoughts under the cut, keeping in mind i’m pretty easy to please. like golden retriever levels of easy-going.

first of all, can i just say what a wonderful surprise? when I first heard netflix was in charge of this, I was not exactly hopeful. the team did great, though. the whole thing was very respectful to the world bioware built, while still being unique and interesting. they used the lore to build a great story, and didn’t seem smothered by it.

honestly my high point? the action scenes. they were incredibly well-animated, and had an amazing flow. easy to follow, but still packed with movement and stunning. i usually don’t give two fucks about fighting scenes but these were mesmerizing. the dialogue was quirky, but i didn’t find it annoying. honestly, felt pretty da to me, like banter. characters were well-written (though it felt a bit rushed. like everybody else I wish there had been more time to set them up, but they did a lot with the 6 eps they were given) and there were lots of twists and turns, but they weren’t surprises for the sake of surprises. i feel like everything was foreshadowed pretty well, kinda in the vein of solas’ whole deal: hard to see it until you know, but once you do its so fucking obvious. still, might bother some with how much whiplash you get.

as said by many before, the pace is a little wonky in the first episode, but the rest of the series really smooths it out. they had to estabilish already built relationships and characters in a way that made you care for them from the start, and they did it pretty well, if awkwardly. but i can’t see it working any other way.

my stepdad, who only ever played origins all the way back when it came out, seemed to enjoy it with very little context. most of the episodes seem to be enjoyable for people who don’t know a thing about dragon age, but the final reveal of the series will not be very impactful if you haven’t played/watched da2. it’s such a small portion of the series, however, and i would still recommend it for anybody who wants to watch it before playing da:d, but who doesn’t want to play da2.

okay here’s my real actual spoilery thoughts yippeee

i am so sorry fairbanks you and your wife deserved so much more

can i just say how chilling the conversation between rez and hira is after we know the truth? like got damn. that was....something holy shit.

i actually really like rezaren as antagonist. i was kinda rolling my eyes at his whole deal when they set him up like he was going to be sympathetic but...then he just. turned, when miriam didn’t do what he wanted. and it was chilling. he is an evil, evil antagonist in a series that loves moral middle ground and i love it.

and that one line he says, oh my god. something like ‘how many lives taken to control one beast’. and you can’t tell if he’s talking about miriam or the dragon. chilling. maybe one of my favorite moments for that reason alone.

and i loved that neb turned away from rez like that! and towards miriam! he knew!

which btw....spirit neb was so pretty. god i wish he wasn’t a corpse.

speaking of middle ground antagonists, i won’t claim i saw her betrayal coming from the getgo but i was getting strange vibes from hira from the start. i think they handled her really well, all things considered? you can tell she legitimately cares for miriam, but that her desire for revenge is just. too strong. not unlike a couple other mages i know and love.

like, does being a mage just make you the most passionate motherfucker on thedas by default or?

i was going to ask if it was the oppression but she’s still a tevinter noble so. not quite the same as somebody like, say, anders. who really went through it huh.

on that note, because everybody has opinions about miriam wanting to stay with hira....i really do think its in character. they seem to legitimately love each other, and miriam hasn’t known love like that before. she’s desperate, and so very hurt. she just lost her brother a second time. i think it’s very in character

that doesn’t mean i want to see them together again. hira trying to sell her back into slavery is something you don’t get over. even if sapphira gets some kind of ‘redemption’ (next season? in da:d?) and they’re friends again...i think that trust should be gone. but that’s just my two cents.

i maybe possibly am on the qwydion/miriam train though so i am possibly maybe biased. legitimately don’t know yet if i ship them romantically or platonically though, either way i just. want them to be together and supporting each other. i love them i love their hugs.

i love love love seeing their interpretation of the demons and shades. memory was super cool, too. and the fact that you could tell what spells the mages were using? they could’ve opted for just ‘ah yes fireballs and lightning’ but they chose to use abilities that are pretty specific, like crushing prison.

going back to what i said before, where you can’t tell if rez is talking about miriam or the dragon, i really like them releasing the dragon like that at the end. you can tell just how painfully euphoric it is for her, to see something that had been shackled and chained and used as a weapon be recognized as simply a living thing that wants to be free. to be treated with kindness, and understanding, and love when all to often it is instead feared and hated. i wanted to cry, such a beautiful scene.

and the fact that its qwydion doing the healing, and releasing. the fact that she was the one who freed it in the first place? foreshadowing maybe? not my lil wlw heart jumping on this ship and setting sail. romantically platonically i just.....want them to be together holy shit

and finally, that fucking ending. holy SHIT. i was watching it with my stepdad (who only ever played origins, back when it came out) and i could not stop yelling. i think i scared him. when i heard her voice i lost my shit. like it makes sense: lyrium has a connection to the fade, red lyrium has some restorative abilities, and if i remember correctly there have been reports of regular lyrium holding onto memories, so...i could see it being that the red lyrium trapped her spirit before it could make it into the fade and restored her over the years, or a number of alternatives. but damn i did not think that i’d see her ass. poor hawke and varric. can the tyrants they kill just. stay dead, pls.

bioware seems to be acknowledging da2 a lot more and can i just say i am living for it.

i do think it was very evil of the writing team to make me think that we were going to see varric when hira said she had a contact in the hanged man and i do not forgive them.

and lackland? holy shit. i didn’t say anything about them here because what more can i say. their dynamic is so good, i love how roland teases and flirts but is seemingly just as invested as lacklon is. despite how little time they get the team did such a great job of building up their chemistry with the training and fighting scenes, which isn’t easy when there’s so. much. action going on. really, truly, they used what little time they were given so efficiently. they heard that we wanted a dwarf romance and boy did they deliver.

#dragon age #dragon age absolution #dragon age absolution spoilers #all spoilers are under a readmore #the mayor is speaking

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liesonthefloordramatically · 3 years

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Let it all burn down around us Let the cruel consume the just Let the sin we swim in drown us Let the world shatter Into dust Nothing else matters Only us

#今日の気分は #okay so a friend rec'd this song and I put it on loop as is my wont #then went to look up the lyrics and it's about Game of Thrones wwwwwwwwwwwwww #god. do you remember when that was A Thing #(I watched 6 episodes and then quit for obvious reasons OH WELL)#music #Miracle of Sound

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ilici · 3 years

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bfb.

Summary: You grew up with Dream and Drista your whole life, but as you got older you soon realized your feelings towards Dream. (You are 19 in this and the reader is female for the plot)

MINORS DNI

Warnings: oral fixation, dumbification, choking

Word Count: 2234

Sighing, Y/N looked at Drista then towards her tv, “Hey Drista?” Y/N asked, gaining Drista’s attention.”Yeah Y/N?” She asked, looking over at her best friend, “Does it bother you that your best friend is like 6 years older than you?” They asked, and Drista frowned once she heard the words. “No I like it a lot, I grew up with you and saw you as an older sister to me. You are always there for me, and you can even pick me up early from school so that’s a bonus.” Drista laughed as the last part left her mouth, which caused Y/N to softly punch her arm. “Can I ask you something and you not laugh at me?” Y/N asked, and Drista made a noise, shifting around so that they could face one another.

Y/N took in a deep breath, and looked at the younger girl, “I've known you and Dream all my life, but around the age of 17 I started to realize my feelings for Dream were a bit different.” She explained, stumbling over her words a bit scared of how Drista would react. “I know, I can tell by the way you look at him.” Drista explained, which made Y/N relax a bit, “Is it that obvious?” She asked worriedly, and Drista shrugged, “Maybe to me, but boys tend to be oblivious.” Once the words left her mouth, Drista gasped, “This is like that episode of Victorious!” She said excitedly, and Y/N furrowed her eyebrows throwing her a confused look. “You know the song BFB?”

Y/N slowly nodded her head, and Drista groaned, “You’re about as dumb as a pig.” She complained, “BFB means best friends brother.” She said, making exaggerated hand movements. “Oh yeah.” Y/N laughed, and softly pushed Drista, “I swear you are a nerd.” She said, causing the younger to giggle. Shaking her head, she got up, “You have school tomorrow, so you need to sleep. It’s two hours past your bedtime. Your mom would kill me for letting you stay awake this late.” Y/N said, and Drista pouted, “Fine.” She said giving up, “I’m going to go take a shower, and I’ll be back. I will try not to wake you if you are asleep by the time I get back.”

Nodding her head, Drista switched the movie over to Princess and the Frog, turning her lamp off on her bedside table. Y/N walked over and grabbed a pair of clothes from her closet as she practically lived there. Walking out, she mumbled a ‘goodnight’ to Drista as she turned around she slowly made her way to the bathroom. Putting her clothes in the bathroom, she walked downstairs into the kitchen to get a glass of water. “Thirsty?” A voice spoke up making Y/N yelp and jump. “Holy shit Dream. You scared me you dick head.” She mumbled shoving him, as he was leaning against the counter. “Why were you even standing in the dark you weirdo.” Y/N said, getting a glass cup, getting some water.

Dream watched her movements, and he shrugged to himself, “I have this kitchen memorized like the back of my hand. There’s no need to turn on the light.” He explained, and Y/N was now facing the sink, finishing up her glass of water. “I suppose that’s true.” She said nodding her head, pouring the rest of the remaining water out and put the glass in the sink. As she was about to turn around, she felt his body against her backside. Gulping she kept her eyes glued to the window where she could somewhat see their reflection. “Don’t you want somebody to love?” He whispered, moving Y/N hair over her shoulder as he wrapped his fingers around her throat.

Freezing, Y/N felt herself melt at the gesture, her eyes locked with Dream’s reflection on the window, the only light source being the light above the sink. “What makes you think that?” She asked, trying to keep her voice at a confident tone. Dream chuckled, leaving one hand around her throat, while his free hand reached up grabbing a handful of her hair pulling it back roughly so her head was leaning back. Wincing slightly, she bit her bottom lip not allowing herself to make a sound. “So you’re telling me..” He whispered, leaning down so his lips were right next to her ear.

“You don't want me to just fuck you senseless right here, right now?” He asked, and Y/N felt her entire face flush. “What are you saying right now?” She asked embarrassed, and Dream chuckled darkly, tightening his grip around her neck before he let go, and released the grip on her hair. “You’ll see with time princess.” He whispered ghosting his lips over her exposed neck, which caused a shiver to go down her spine. She finally let a whimper escape, “Dream..” She whispered and turned around to see he had left already. Soon it hit her like a brick, she blushed madly and her heart raced.

“What the fuck just happened..” She mumbled, steadying herself on the counter. Letting out a frustrated sigh, she moved her hand up to touch her neck, where his hand once was. Groaning, she shook her head, “Fuck you for messing with me.” She said, frustrated by confusion and touch deprivation. Walking up and into the bathroom, she started the shower and slowly stripped of her clothes. Getting inside the shower, her body relaxed as the heat consumed her. Letting out a content sigh, her eyes shot open when she heard someone enter the bathroom.

“Dri?” She asked, not daring to look out in case she would lock eyes with the green eyed boy she once saw in the kitchen. “Yeah?” The voice of Drista spoke up, letting out a sigh of relief she relaxed instantly, “What are you doing?” She asked and Drista cleared her throat, “I overheard Dream talking to who I assume was George and Sapnap. But he said that you and him had an interaction in the kitchen.” Drista said, and Y/N instantly tensed up at the reasoning. “What did you hear?” She asked, and Drista shrugged even though Y/N could not see her, “Something about you and him bumping into one another.” She said, and Y/N was thankful Dream didn’t go into detail with his friends.

“Well I am going to bed now.” Drista said, walking out, “Oh hey Dream.” Y/N heard as the door was being shut, Y/N couldn’t help but feel on edge. Her body was craving for Dream to touch her like that again, but she refused to believe it. Hearing the bathroom door open again, this time the culprit tried to make it as quiet as possible. “Having a nice shower princess?” His voice ricocheted off the walls of the shower, and into her ears. Shivering even though her body was under scalding hot water, she looked over his outline visible through the shower curtain. “What are you doing in here?” She asked, her voice wavering a bit from both excitement and fear.

“I also needed a shower, and I figured why not save water?” He said, alarmingly calm. As soon as the words registered through her brain, the shower curtain opened. This wasn’t the first time Dream and Y/N were close to having sex it almost happened when he was 20 and Y/N was 18. They had gotten into an argument which led to a heated makeout session, which they both agreed to forget. “Dream!” Y/N shrieked when she saw his body come into view. Her entire body froze, as her eyes just took in his bare body. “Like the view? It’s not the first time you’ve seen it. Or the second, or third.” He said, grabbing her hips pulling her towards him.

Yeah they’ve made out and saw each other naked multiple times, some accidental. But never did she think this would be happening, “I will not touch you, or anything without your permission princess.” He whispered into her ear, and Y/N felt her insides melt at his words. She wanted this, she has for quite a while. Dream has too. But he had patience, but he was no longer patient once he overheard their conversation about him earlier when he was on his way to the kitchen. “Please Dream.” Y/N spoke up, knocking Dream out of his trance, and a smirk found its way onto his features. “As you wish.”

Turning her around he shoved her onto the shower wall, and she leaned against it for support. “Your safe word is Dove.” He said slowly, as his hands trailed over her wet body. He moved over a bit, so the water could hit him as well. “I will then ask for your color. Green means keep going after a short break, and red means stop completely, okay?” He explained, and Y/N nodded her head. He slowly and teasingly trailed a hand up, and wrapped his hand back around her throat, “Will you be a good girl and keep quiet?” He said in her ear, and Y/N nodded her head, “Yes sir.” She said, and Dream growled at the name. “Good girl.” He said, and slowly he used his free hand to finger her so she could be prepared.

Moving the hand up, he tapped her lips as he inserted two fingers into her mouth, “Suck.” He ordered, and Y/N happily obliged since she loved to have things in her mouth she could chew or suck on. Sucking on his fingers, he slowly removed them from her mouth. Moving his hand back down, the other hand still wrapped around her throat. Slowly he inserted one finger, and she let out a quiet moan as she bit her lip. Slowly he started moving his finger in and out, loving the way her body reacted to it. She wasn’t a virgin, she had lost it when she was 17 with some random guy at a party. Picking up the pace, he slowly inserted another finger, and she bit her bottom lip to hold back the moan.

Picking up the pace of his fingers, he started to curl his fingers searching for the certain spot. Y/N accidentally let out a loud moan when he hit a spot that sent pleasure everywhere throughout her body. Dream smirked once he knew he had found it, “Quieter princess.” He warned, and she nodded her head leaning it against the wall. Thrusting his fingers quickly, making sure he repeatedly hit that spot, she found herself growing close to her climax. Dream noticed this by the way her legs started to shake, and he slowly pulled his fingers out. He licked them clean, and she whined at the loss of pleasure. Smirking, he grabbed his dick aligning it to her entrance.

Slowly he inserted the tip, and kept going until he bottomed out. Y/N winced from how big he was, “Fuck..” She whispered, in both pain and pleasure, “Please move.” She begged, and Dream knew she wouldn't be able to keep quiet by how she reacted when he entered her. Moving his free hand up, he forced his fingers into her mouth, instantly letting them go to the back of her throat. She gagged around his fingers, as he started pounding into her. Letting out choked moans on his fingers, she felt tears rolling down her face. It was mixed with the water from the shower head, on her left side and her tears. Dream picked up the pace, pulling her body back against him so he could see her fucked out face. Groaning once he saw the tears, and her crossed eyes, he moved his hand from her throat down to play with her clit.

Getting overwhelmed with the sensation she felt herself grow close again, Dream on the other hand didn’t care if she made noises now. He wanted to hear her, he quickly pulled his fingers out of her mouth and held her steady by her hip with his other hand. Y/N felt herself cum on his dick, and Dream felt her clench around him making him hiss at the feeling. He kept pounding into her, making her grow overstimulated. Screaming out, she grabbed his wrist that led to the hand that was toying with her clit. Digging her nails into his wrist, her eyes rolled back and she started babbling out incoherent words, “Is my princess fucked dumb? Is my dick so good that she can’t talk?” He cooed, feeling himself growing closer. Y/N nodded her head, moans and blabbering was the only thing she could let out. Pulling out quickly, he felt himself cum on her ass and some on her lower back. Groaning he leaned his head back and bit his bottom lip. The water was now getting cold, so he quickly cleaned her up and washed her hair, and body before he got out drying her off as she was clearly out of it.

Dressing her, he himself quickly got dressed carrying her to his room. Laying her down, he laid beside of her and wrapped an arm around her waist, kissing her neck softly. “Goodnight princess.” He whispered, and Y/N tiredly mumbled it back.

#mcyt #mcyt imagine #mcyt smut #mcyt fanfiction #dreamwastaken #dream x reader #dreamsmp #dreamwastaken smut

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garrothromeave · 3 years

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mcd garroth + laurance headcanons for the sake of me posting something while working on my long-ass post, also happy birthday blaze ily,

garroth - total momma’s boy. seems obvious, but it’s true -- back in o’khasis, he was practically glued to the side of zianna. whenever she had to leave for a few days when he was younger, he’d cry if he couldn’t go with her. when he left for the guard academy, he wrote to zianna on a daily basis. to put it simply, he had separation anxiety. the hardest thing about faking his death was not being able to see or talk to his mother. - incredible piano player. his father made him take lessons when he was younger for quite a few years, but he was naturally very good at it. he never mentions this skill to anyone. while they were at malachi’s castle and were looking for materials before they left, garroth stumbled upon an old piano and played something. he got really into it, and laurance ended up stumbling on him playing. he made laurance swear to never tell anyone about it. - when garroth was around eight or nine, his stutter was so bad that garte didn’t let him speak in public or around any people other than the family out of shame. vylad and zianna used to help garroth with his stutter.

- garroth is very sensitive to the saying “oh my irene.” growing up in the ro’meave house, it was taboo to use irene’s name in vein. or anywhere in o’khasis, really. nowadays he’s still very caustious whenever he says it, because he thinks that someone is going to yell at him. - horrified of getting hurt. back during the days of training in the guard academy, while he was very good with technique and fighting itself, he had a very bad flinching problem. overall, for the longest time, wounds and pain made garroth very uncomfortable. because of this fear of getting hurt, he has a bit of a stubble because of the one time he hurt himself while shaving. - 6′4, because 6′11 is unbelievably tall and i honestly don’t even think that it’s canon? s’yeah. he seems 6′4 to me.

- garroth often sees new things and (internally) has this very child-like wonder response. he was sheltered for the entirety of his childhood and teenagehood. and after the guard academy, he stayed put in the same village for 5 years -- so he hasn’t experienced very much. he often wants to ask dozens of questions, but because of his shyness, he tends to just observe anything new very closely. which leads me to my next headcanon,

- because of o’khasis’ intolerance to many things, he was not very commonly exposed to magick’s users. the first magicks user that he directly met would be zoey, and he was very nervous when talking to her the first time he met her. when garroth gets to know her more, she catches on that he’s curious about a lot of things, and offers to tell him about things. he declines, and he regrets that decision to this day.

- as stated before, o’khasis isn’t very tolerable of things, which caused garroth to develop incredibly bad internalized homophobia. when aphmau comes along, he gets a very strong desire to protect her (little do we know, this strong desire comes from his connection with esmund) and confuses it for/tries to convince himself that it’s romantic love. it is in fact love, just platonic. so basically, this man’s gay as hell.

- garroth has more freckles than any other ro’meave family member. he’s mildly insecure about his freckles, seeing them as a ‘childish’ trait, which is why he wasn’t very bothered with the idea of hiding his face with his helmet.

- his hair is super curly. it used to be more tame, but as he got older, it got more curly. it’s usually a mess because he doesn’t know how to take care of it, but it somehow looks hot as hell. (no homo ofc.)

- garroth is allergic to blueberries.

- raven was garroth’s first genuine connection since he left o’khasis. zenix was his second. he loves raven a lot, and hates that he can’t see him as often as he’d like to.

- garroth is a total cat person. don’t get me wrong, he loves dogs, but if he were to choose between having one or the other, he’d choose to have a cat. he had a pet cat when he was little that he still thinks about a lot. (probably named sprinkles, just for the hell of it.)

- because of how he grew up, garroth’s actually a very picky eater. while he’d never admit it to himself or anyone else, he misses the more “rich-people” food he was spoiled with.

- garroth isn’t actually that stupid, when he first arrived at pheonix drop, he had a name in mind that he wanted to go by (to better hide his identity). however, when his name was asked by someone, he panicked and “garroth” accidently slipped. he beat himself up for the longest time after that. the only reason he finally let go is because no one had ever pointed out how/seemed suspicious he had the same name as the deceased first-born son of o’khasis.

laurance - his hair grows decently quick, so even after cadenza cut it for him, it only took about 4 months for it to grow back just past his shoulders. he prefers it having some length to it anyways, and usually ties is back into a ponytail. after the irene dimension, he would let nekoette braid his hair. - has a very lanky body type. naturally has long limbs, and would often get called a ‘stick’ when he was younger. he’s about 5′11. but don’t confuse his thinner stature for weakness, he matches garroth’s strength easily.

- bi icon. fuck that “you were my first kiss” bullshit he gives aphmau, the list exists and while it’s stupid and weird, according to it, garroth was his first kiss. which is fuckin funny as hell if you think about it.

- laurance is very good with animals. more so rodents and smaller creatures, like squirrels, birds, rabbits, etc. cadenza was convinced that laurance could talk to animals for the longest time. he even had this little mouse that would pop in his house. however, on the contrary, larger animals -- not so much. he’s shit with horses and cows, especially.

- incredible singer. has serenaded aphmau on multiple occasions, and has even gotten her to sing along with him from time to time. he sang for malachi to help him fall asleep every night since the day they met him. this caused him to start singing for levin at night as well. when laurance saw malachi again after the 15 year jump, within the first few days of his return, malachi asked for laurance to sing for him again just like he used to. which brings me to my next headacanon,

- laurance saw malachi as his own child, and treated him as such. they were very close, and malachi was the most heartbroken over laurance’s disappearance since he saw him very much as a father. it wasn’t that laurance favored malachi over levin that created this bond, it was the fact that laurance first-hand saw a child in need of a home and someone to love him, and it reminded him of when he was small.

- he’s a sucker for bets. gambles, wages, anything like that. while he’s not directly a gambler, if someone offers he’s sure to accept. he’s a risk-taker, and ends up getting really into it. this also branches into his competitive behavior. he’ll be really upset and possibly a bit petty if he loses. why else do you think he still hadn’t given castor the 5 dollars he owes him?

- slingshot master. you give this motherfucker a slingshot he can kill someone with his impeccable aim. he’s also very good with a bow and arrow or any sort of projectile, but he’s the best with a slingshot. when he was younger, he hand-made slingshots from materials that he’d find around the forest.

- speaking of the forest, laurance is a very nature-loving soul. when he moved to meteli when he was adopted, he’d often go and explore the forests nearby. he and cadenza would use their imaginations and play all sorts of games. laurance and her especially loved to climb trees, and would jump from branch to branch. this helped laurance become very flexible. this is also how he met sasha, she was sitting in his favorite tree one day and they just hit it off from there.

- after he was rescued from the nether, laurance frequently had nightmares that would lead into sleep paralysis episodes. the first time it happened garroth had been looking over him (since this was around the time when laurance first got back and garroth had allowed aphmau to go do her lord tasks while he watched over him) and when he had the ability to move and speak again, he started freaking out. garroth had to calm him down and assure laurance that he’d talk to zoey about what happened. garroth and zoey are the only ones that know of laurance’s sleep paralysis, mainly because he didn’t want to worry aphmau or anyone else. zoey often gave him ways to cope with it. it didn’t happen every night, but it did occur at least 5-6 times a month. his sleep paralysis stopped the moment he entered the nether for the second time.

- the first time laurance heard he’d made the list for the jury of nine, he felt honoured. when he was oblivious to how corrupt it was, he saw it as a huge opportunity. after learning about it’s true nature, he was still glad that he’d made the list -- because him being on the list prevented another person from risking being on the list and being chosen to be apart of the jury.

- yes, laurance can cook very will in this universe as well. it’s not that he was taught, it’s more that he can look at ingredients and just throw them together to make great combinations. zoey also taught him a few things.

- laurance does not know his real birthday. malachi does not remember his. since cadenza had “given” laurance a birthday, he offered to let malachi share his unofficial birthday with him. malachi accepted.

garroth + laurance

- laurance began referring to garroth as “pretty boy” after seeing his face. he continued to call him that for the first month of their friendship. garroth hated it, and that’s the only reason laurance eventually stopped.

- laurance and garroth are both very good story tellers, but after one incident where garroth was telling levin and malachi a story, he started stumbling a bit over his words and couldn’t articulate correctly, so laurance picked it up and continued it. from there, they took turns with the story and occasionally interrupted one another to add a detail or plot point, and after that, malachi refused to listen to garroth or laurance separately when telling stories, because their collective minds came up with the most fascinating shit.

- garroth isn’t the best at coming up with insults because he’s simply too nice, but laurance loves to make fun of garroth (in good fun, of course). however, there is one thing that garroth could hold over laurance; and that was their height difference. whenever laurance would mess with him, garroth would just bring up height to piss laurance off.

- when laurance regained his sight, him and garroth sparred very often. that’s when garroth realized how much strength laurance actually had, since he’d originally underestimated him. laurance, in all honesty, was equally surprised. their spars were pretty evenly matched.

- while these two are best friends, the amount of arguments they’ve had is insane. most of them were light-hearted and were more so disagreements, but sometimes things escalated and would result in yelling. that’s because laurance always took it a step too far. that, or garroth would try to disregard what they were talking about, which only made laurance more heated. but they’re both incredibly quick to forgive each other. once they had a really bad argument and didn’t talk for an entire hour afterwards, but once they saw each other again it was like they’d never fought.

- since garroth grew up with everything and laurance often had to hunt and shit, garroth wasn’t amazing at it. laurance found out, originally teased garroth, but gave him tips and took him out and taught him how to hunt. garroth’s still shit at it when he does it alone, but when he does it with laurance he’s pretty decent.

- garroth doesn’t drink. laurance does. laurance once tried to convince garroth to drink, but he refused -- which laurance respected, but garroth had to deal with drunk laurance for the rest of the night at the guard station. he learned things that he really wish he hadn’t that night.

---

i had more for garroth and laurance’s relationship, but uh, i don’t really have time to write them down, so take these for now! i hope y’all enjoy them as much as i did writing them :]

#minecraft diaries #garroth ro'meave #laurance zvhal #aphmau

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kirain · 4 years

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Hazbin Hotel and VivziePop Drama

I've been hearing/seeing a lot of drama concerning Hazbin Hotel and it's creator VivziePop, and while I don't know her personally or really care what people think, I do hate slander and the spread of misinformation. Truly nothing in this world upsets me more than when people believe rumours while making no effort to fact check, and that's exactly what's happening right now. That said, I wanted to try and clear up some of the rumours going around about Vivzie and the show, because I think some of them are absolutely outrageous and need to be addressed.

1. Vivzie hired an abuser onto the show.

Now, I’m not here to burn anyone at the stake, especially since I don’t know anything about Chris Niosi (the alleged abuser), who I believe openly admitted to the allegations? Regardless, this is a moot point. He’s not credited anywhere at the end of the episode. So either he was booted before production wrapped up or he had nothing to do with the show in the first place.

2. Vivzie supports bestiality.

Admittedly I thought this one might be true, since she draws so many anthropomorphic animals. In the very least, I figured she was probably a furry, but I haven't seen any evidence supporting this accusation either. Near as I can tell, this rumour started for two reasons. One, because of her famous Zoophobia comic, which revolves around a therapist named Cameron who gets assigned to work with human-like animals. Ironically, poor Cameron suffers from crippling zoophobia, which makes for some pretty decent comedy. I didn't read the whole comic because, quite frankly, it’s not my cup of tea and I just don’t have the time. But from what I saw there are no examples of bestiality anywhere in its contents.

Two, this message, which blew up all over social media:

To me, this just proves that people are more interested in virtue signalling than checking to see if their claims are actually true. Everything about this message is 100% false, which I’ll touch on in my next point.

3. Vivzie is a pedophile and she’s drawn child porn.

This is hands down the worst allegation and holy shit, I really wish people would stop using it to defame someone when they don't have any proof. This is a life-ruining accusation and you're disgusting if you believe it based solely on hearsay. This rumour began to spread when Vivzie allegedly shipped the two underage characters in the above photo and drew them NSFW-style. At the time, one character was 19 while the other was 14, and the relationship was a very illegal student-teacher relationship.

This is WRONG! The characters were not 14 and 19, they were actually 18 and 19, the legal age of consent! Additionally, the relationship wasn't student-teacher. One character is a student and the other is Alumni (a student teacher). This one pisses me off the most because it’s obvious the person who sent that message didn’t even bother to conduct any research. They said, “He’s a teacher, she’s a child.” Both characters are MALE!

Since then, Vivzie has apologised for any NSFW art she drew in the past and stated that it's not a reflection of her art today, and I'm inclined to believe her. Almost every artist has drawn NSFW content at some point in their career, and hers wasn't even distasteful. Other than this one example, there is no evidence anywhere that suggests she’s drawn “child porn”. In fact, she’s never even drawn explicit NSFW.

Please stop spreading this rumour. It’s dangerous and completely incorrect.

4. Vivzie said the "N" word!

No, she didn’t. It was a fabricated tweet. That is all.

5. Vivzie is copyright striking every video that criticises her!

No she isn't. YouTube’s DMCA is automatically striking people who are using full clips without permission. Vivzie has gone public several times, telling people exactly how to avoid getting a copy strike from the algorithm, which is something she absolutely does not have to do. At this point, she doesn't owe you anything. In my opinion, she should just sit back and watch these channels burn.

6. Vivzie copies and traces other artists’ work.

This is another one I’ve seen going around, but I looked into it as thoroughly as I could and failed to find any concrete evidence to support the allegations. As of right now, there are only two examples of Vivzie “copying” or “tracing” other artists’ work, and both of them can be explained. The first is a gif she made with a character from her Zoophobia comic, which looked a lot like the girl from ME!ME!ME!:

Damn, that’s pretty incriminating. She obviously stole-- oh, wait. This gif was part of a ME!ME!ME! MEP (multi editor’s project) and Vivzie didn’t take full credit, despite the fact that it’s not even a direct trace. It’s supposed to look like the original, which she fully cited. The second example comes from a short dance sequence from her Timber video, which seems to have been inspired by several Disney movies. As Vivzie herself stated, that was an homage to the original animations. Lots of artists and shows do this, including the beloved Stephen Universe series.

Regardless, this doesn’t count as stealing character designs or plagiarising someone’s work. It’s meant to be respectful, an admiration of other projects. Other than these two instances, however, there is no evidence of her tracing or stealing other people’s art. From what I’ve discovered, all other designs she’s been accused of “stealing” are characters she bought and paid for. They’re quite literally HER characters.

7. Vivzie supports problematic creators.

I’m getting really tired of guilt by association. Vivzie follows and enjoys some controversial figures, but who cares? We can argue all day about whether or not the accusations against them are true, but it ultimately has nothing to do with the show or Vivzie as a person. I do the exact same thing, to be honest-- follow and listen to people on all sides so I can learn, understand, and form my own opinions. The fact that some people think this is bad, to me, is absolutely mesmerising. Vivzie doesn’t control what the people she follows post, and if they do something overly questionable she publicly criticises and denounces it.

From Vivzie:

Now that that’s been dealt with, I’d like to address some complaints/claims about the actual show.

8. Vaggie is an angry Latina stereotype and a lesbian stereotype. Vivzie is appropriating Hispanic culture and misrepresenting the gay for profit.

First off, I see a lot of people passing around yet more misinformation regarding Vivzie's race. So many people seem to think she's white? Well, I'm here to tell you they're wrong. Very incorrect. Vivzie is in fact Latina, and Vaggie is meant to mirror some of her own personality traits.

Second, who is Vaggie mad at? Context matters, and if we take a look at the episode, we see that Vaggie is literally only mad at two specific people: Angel Dust and Alastor. Why? Well, for starters, it's her girlfriend's dream to run a rehab hotel for sinners, and Angel Dust nearly demolishes that dream single-handedly. Vaggie has every right to be over-the-top vitriolic. Then there's Alastor, a known sadist, narcissist, and murderer who loves trapping people in his nefarious schemes. He invites himself in, effectively takes over the hotel, and pushes both her and Charlie aside. At one point he even sexually assaults her by slapping her butt during his musical number. So yeah, I think her seething ire is totally justified. Keep in mind, however, that when she's around Charlie she's calm, collected, and happy. I wouldn't call that a stereotype.

Thirdly, the lesbian stereotypes. I keep hearing this argument but I really don't see it. Both Vaggie and Charlie have so much personality and trust for each other. Maybe I'm wrong, but the stereotype I know always totes a more butch, tomboyish woman with a ditsy, innocent, naive woman. Charlie is optimistic, but she isn't stupid. She refuses to shake Alastor’s hand because she knows he’s likely trying to screw her over. She’s also not entirely innocent herself and uses words like “fuck” and “shit”. I also wouldn’t call Vaggie butch or tomboyish. She has a cute, girly presentation, complete with a pink ribbon in her hair, lace stockings, and a dress. She's protective of her girlfriend, as I think we all are with our partners, and there's nothing wrong with that. They're flawed characters, as every character is meant to be. This isn't a problem.

9. The show is racist, sexist, homophobic, transphobic, blah, blah, blah.

I’m amazed this is even an argument. The show is supposed to be a dark comedy that takes place in HELL. You know, the place the worst of the worst end up after they die? What were you expecting? Everyone gets a shot or two fired at them, but that doesn't make them bad characters nor does it make the show itself horrible. Take, for example, Katie Killjoy, the news reporter so many people are up in arms about. She says she doesn’t “touch the gays” because she has “standards”. Well, here’s a newsflash of my own: we’re not supposed to like her! She’s an antagonist. Not to mention ten seconds later Charlie insults her and isn’t the least bit slighted by her pretentious attitude. The characters are strong and don’t take shit from anyone, because to some degree they’re all terrible people who can throw down when it’s called for.

Obviously if you don’t like the show or think it’s offensive, I’m probably not going to change your mind. That’s perfectly fine. You’re entitled to your opinions and you don’t have to watch the show. Just stop lying and stop trying to take it away from everybody else. Stop attacking Vivzie and spreading misinformation without checking the facts. I realise a lot of people probably aren’t trying to be vindictive and only want to do something good, but just remember this: the road to hell is paved with good intentions.

#hazbin hotel #vivziepop #vivzie #alastor #angel dust #vaggie #charlie #timber #stephen universe #drama #radio demon

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jadoue1999 · 3 years

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The X-Men and the member they lost (sequel to Wanda and the life she deserved)

Summary: *Important to have read "Wanda and the life she deserved (She'll make sure of it)" at least until chapter 4 or 7 (Though until the end is the best) Sister fic, it goes before, during and after "Wanda and the life she deserved (She'll make sure of it)"* Peter is missing and all they can find is a transmission of a Wanda Maximoff. The team will do what they can to bring their missing member back from whatever this place is. Though someone needs to do the difficult thing and tell Erik that he once again lost his family.

Next parts: chapter 1, chapter 2, chapter 3, chapter 4, chapter 5, chapter 6, chapter 7, chapter 8,

Chapter 1: Missing

Peter was fiddling with his Walkman, switching between songs, he wasn’t sure what he was in the mood for. He finally settled on a random one, not really caring about his choice. He was thinking way too quickly to concentrate on a song anyway. Erik was back at the mansion, he had showed up, unannounced and walked in like he owned the place. Maybe he did, who knew what was going on between him and Charles. He didn’t stay with the students, preferring the company of the professor. The speedster had no idea where he could have gone, it’s not like he could rent a room or a house without immediately being recognized, but the last year seemed to prove the contrary. Though, Peter now faced a dilemma, he could pull off a reverse Darth Vader and tell him he was his son (hopefully without the hand chopping and the rejection) or he could just let it be and not bring it up? Raven would certainly give him death glares if he did nothing. But for now, he was alone and unsure of what to do.

I had a brother

Peter removed his headphones in confusion, what was that voice? It almost felt... familiar?

His name was Pietro

The speedster froze as he heard his name, his birth name. One he hadn’t used since he was a child and his mom decided that having an Americanised name would be easier. The only person that knew it was his mom and-

No, it couldn’t be her, she had died years ago, Wendy couldn’t possibly be calling him. Just as he pushed away his hope, his room was suddenly bathed in a red glow. The very same color of his twin’s magic, or wiggly woos as he liked to call them, had been. He slowly saw a flicker of red light materializing in the middle of his floor. The flicker grew bigger and bigger, and he watched it, entranced by the magic he hadn’t seen in nearly 15 years. He couldn’t look away and he wasn’t sure he wanted to.

‘Be with me...’ The voice called out to him again, sounding more desperate. He put his Walkman at his side and stepped out of his bed. On the contrary to the two other times, it hadn’t felt like someone had spoken. It was more of an involuntarily projected thought. Like his sister had sometimes done when she made a nightmare and accidentally projected it to the whole neighborhood. The portal grew bigger, and Peter felt drawn to it. He took a breath, should he follow the voice? No, definitely not. Could it kill him or harm him in any way? Most definitely. Would he let that stop him if it gave him a chance to see Wendy again? No, he had to try.

He took a step forward and was greeted by red lights wrapping over him and dragging him in the portal. He was vaguely aware of the feeling of free falling into an endless void and then Peter knew no more.

...

“Has anyone seen Peter?” Kurt asked as he walked into the cafeteria. He had expected the speedster to be eating his weight in food like he usually did in the morning, but he was nowhere to be found.

“Not sure,” answered Scott, between two bites, “but knowing the guy, he probably took a casual stroll to Europe because he wanted real crepes.”

Jean nodded in agreement and Kurt felt his worries subdue as the teen spoke. It was logical, Peter had done it quite a few times before. He would probably be back in the afternoon with stuff he had liberated and stories about whatever shenanigans he had gotten himself into. He let it go as he sat down next to Ororo and ate his own food, they talked about training and different strategies they could use for the next time they were in the danger room. Once their meal was done, Kurt went to the library, he had some reading to do. He spent the next few hours glossing through various books and accidentally scaring students when he teleported unexpectedly next to them to get a new novel. Diner time was approaching, and the mutant realized that Peter still wasn’t back. Fearing for the safety of his friend, he teleported himself in the main hall, where the professor usually was around that time. As expected, he was talking to Raven. He walked up to him as the professor turned around.

“Are you alright? I can hear your worry without any effort on my part.”

“It’s Peter, I think he’s missing,” declared Kurt with a grave look. The professor shared a glance with Raven before turning his wheelchair around and motioning forward.

“Come with me.”

...

Charles, like any sane human, was very concerned when Kurt shared his worries. He telepathically called the rest of the team to the briefing room, perhaps together they’d be able to solve this mystery. Once everyone had arrived, he filled them in and asked each of them when was the last time they had seen the speedster. Both Ororo and Kurt had seen him at diner the day before and Scott had seen his silver blur when he found himself suddenly covered in silly string and Jean laughing at him. No one had seen or sensed anything anormal about his behavior. Charles had then concluded that Cerebro should be used to try and locate him. Concentrating on the different mutants, he found no trace of him, no one had seen or heard him. No report of unexplainable disappearance of twinkies or records either. He removed the helmet with a sigh and exited the room. His disappointment must have been obvious because everyone suddenly started worrying, their thoughts all meddling in and all about their missing teammate.

“What if we went to check his room? Suggested Raven. “If that’s the last place he was, there might be clues there that might help.”

They all agreed, all hopeful that a logical and harmless reason was behind his sudden disappearance. The walk was a short one and the tension in the air was almost palpable, as if they were all expecting Peter to be sitting on his bed, laughing at them for worrying so much. When Scott opened the door, no such pleasure took place, it was unbearably empty. After combing his room for clues, the only positive thing they could think of was that there were no runaway notes, and the Walkman wasn’t there. That meant that Peter probably left willingly. Charles brought a hand to his face, deep in thoughts, he didn’t notice Jean stepping forward.

“Professor,” she said absently, “there’s this... strange energy.” She walked to the very middle of the room with her eyes closed and her palm stretched open. “Here. Something happened right here.”

The professor wheeled himself to his student and closed his eyes in concentration, trying to feel what Jean was perceiving. He frowned when he sensed nothing, “Are you sure?”

The redhead nodded, “yes, I can almost make out... voices? It’s hard to see.”

The room was quiet, no one seemed to know what to do. That is, until the white-haired teen spoke up. “Cerebro,” Ororo declared. She sighed when everyone looked at her confusedly, “she could show us what she sees with the machine. As far as I know, it amplifies powers.”

The professor looked at Raven, feeling ridiculous for not thinking about it before. He ordered Jean to make sure to keep the connection as everyone walked back to the room that kept Cerebro. They held their breath in anticipation as she put on the helmet and concentrated even harder. For a few seconds, nothing happened. They were about to admit defeat when piano was suddenly heard throughout the room, followed by, what seemed to be a 1950s sitcom. They all watched in silence as the footage unfolded in front of them.

‘Oh, a newlywed couple just moved to town

A regular husband and wife’

Scott snorted at that remark, “sure, a normal couple where the husband needs to hide his face from the neighbors.” Ororo smiled at his joke before focusing on the screen once again.

‘Who left the big city to find a quiet life’

The team froze as the woman made a ‘sold’ sticker appear on the sign at the front of their house. They continued watching as the husband walked through the door, without his bride. He opened it and took her in his arms again, passing through the sofa as the lyrics chanted.

‘WandaVision!

She’s a magical gal in a small-town locale

He’s a hubby who’s part machine

How will this duo fit in and pull through?

By sharing a love like you’ve never seen

WandaVision!’

The song ended with them sharing a kiss and then the episode started. But the group didn’t focus on it, instead, they all looked at Charles for answers as the woman was identified as Wanda Maximoff. Jean paused the transmission, seemingly in control of the broadcast.

“What does this mean? Is she a mutant?”

If he was honest with himself, the professor had no clue, it did look like a normal sitcom, complete with practical effect, but it didn’t make sense. How could the energy responsible for Peter’s disappearance lead to this? The woman couldn’t simply be a normal actress, the very concept of the show was too strange for it to be a coincidence. And then there was her name: Wanda Maximoff. It had to mean something.

“Does...” started Raven, looking as confused as everyone else. “Does Peter have a sister named Wanda?”

Jean got up from the chair as she removed the helmet. “He did mention a sister, but she’s about ten years younger, her name was Lorna, I think?”

Ororo and Kurt nodded in agreement. Still, that didn’t answer the question. Who was this Wanda and what role had she played in Peter’s disappearance? Or did she have nothing to do with it and she was a victim as well? They decided to continue the broadcast, perhaps playing it would reveal some answers.

They quickly learned that it truly was a stereotypical 1950s sitcom, minus all the magic. The classic misinterpreted conversation gag was the main plot point, which lead to a strange encounter with the husband’s boss. It also turned out that the android, Vision as he called himself, could change his appearance to look human. They all felt uneasy as the couple was questioned about their past, the boss getting angrier and angrier. Suddenly, he began to choke on something, and the camera plans became all wrong and the wife kept telling her husband to stop being silly, but he continued choking. Nobody seemed to be able to do anything. Finally, after what seemed like an eternity, the robot saved his boss, which apparently marked the end of scene for these two characters. They left quickly which both Wanda and Vision were relived about. Interestingly, they constructed their past and the episode ended.

As the credit rolled, the team was meet with a thousand questions and not many answers. Everyone was silent, but Charles could feel their thoughts racing through their heads, they were all confused.

“So... they’re all trapped?” Intervened Ororo. “Because it was obvious that neither Wanda or Vision had any idea what they were doing there and what their past was.”

The professor let his eyes examine the credits, it truly made no sense. They were only credited as their character names, did that meant that they were playing themselves? They didn’t seem forced to love one another, but they did seem on the run from something. Perhaps the creepy commercial had something to do with whatever danger they were escaping.

Kurt’s voice was what broke him from his thoughts. “Are there any other episodes?”

Jean sat down again and put the helmet back on, clearly exhausted from the previous episode. She concentrated for a few seconds before shaking her head.

“I can’t see anything, but I might just be tired.”

She removed the helmet and Scott held out a hand to help her up. Everyone walked back to their own room, promising to start searching for solutions in the morning.

...

It had been a few days since the first episode had been discovered. Hank had made adjustments to the machine so it could be broadcasted at any time and without the need for Jean to be there. He also made sure that they would be alerted if another episode were shown. The scientist had also been the one to suggest that they should be tracking the signal to its source. Perhaps this Wanda woman could lead them to their missing teammate. The only downside was that he needed Jean to work with him since she could feel the energy and determine if it was the right frequency.

That’s what the pair were doing, under Charles supervision, when the screen surrounding Cerebro suddenly light up. He mentally called the others, and they were in the room just as the episode started. Nothing much happened other than the magic show, and a bad cut when the radio glitched. There were also the creepy cultish way people kept repeating “for the children” but it might have been 60s idea of humor. Other than that, everything seemed fine. They were now back at their house when the woman got up and was suddenly pregnant.

“I might be behind on the human body,” interrupted Kurt, clearly lost, “but doesn’t it take longer than a few minutes for a baby to grow that size?”

Charles kept looking at the screen, he was now convinced that this woman wasn’t just a normal human. A banging outside the couple’s house frightened them and they ran outside. The X-Men watched in astonishment as a beekeeper slowly emerged out of the sewers under the scared eyes of the pair. When the unknown man suddenly turned his head, the professor watched in stunned silence as the camera was once again in the woman’s face, who seemed more determined than ever.

“No,” Wanda said.

There was a rewind effect, and the couple was back in their living room, acting as if nothing happened. Then the screen changed from black and white to full color. The team was surprised to see the man was bright red and the woman had hair a similar shade to Jean. The episode ended with them watching tv. Nobody talked for awhile, they weren’t sure what they just witnessed. Was the woman aware of what was happening? If she was trapped, it was obvious she had a certain control over her environment. Could it be a prison that she was kept in for everyone’s safety? How was Peter involved with this woman?

“What are your theories?” Asked the professor to his surrounding students.

“I think she’s the one controlling it,” intervened Scott. “The rewind showed us that much.”

“Yeah, but she was just as lost last episode, what if she got trapped there by accident and acts on instinct to protect herself?” Raven argued.

“I don’t think it’s just a show,” interrupted Hank, walking forward to the commands. He was looking over the part where the radio had glitched, playing the part just before the bad cut. “There’s someone calling to her. I think we might be viewing a parallel universe.”

Scott stepped in closer to Jean and took her hand, making sure she was alright before turning to Hank. “A parallel universe? Is that even possible?”

Charles sighed, “we don’t know the extent of this woman’s power, perhaps she is able to broadcast her life without knowing it.”

A sudden gasp from Jean made everyone turn to her. She was grasping her head in pain, using Scott as a way to stabilize herself. “There’s another transmission!” She screamed as the screens lit up once again.

They were now in the 70s, both of the couple’s hair had changed to fit the era. They watched as the pregnancy took all but one day to get to full term. The inconveniences of being pregnant were covered up by silly jokes and puns, such as showing that her water broke by the sprinklers activating. As Vision was off to get the doctor, Wanda was distracted by the doorbell and the woman she had met last episode came in. She was, of course, oblivious to the pregnancy. It went by quickly, Wanda tried to hide her belly as she could but then she went into labor. Geraldine helped her deliver the first child as Vision came back. The X-Men all frowned as it was revealed that she still had another child on the way.

‘Twins, a clever way to fix the name discourse,’ thought Charles to himself.

Wanda was now watching over the twins, her friend walked over, congratulating her on the sudden birth of not one but two babies.

“I’m a twin”

A quiet “what” was heard from Scott, Charles saw him look around, probably wondering if he had heard right.

“I had a brother. His name was... Pietro,” the redhead seemed lost in thoughts as she began to sing to her boys in a language they couldn’t understand. The group was stunned as they watched her rock her babies. The professor was feeling all kinds of weird; did she mean Peter? Had she killed him for the sake of a plot point?

“He was killed by Ultron, wasn’t he?”

Charles felt slight relief, perhaps it didn’t have anything to do with the speedster, because he was alive and well as far as he knew. Perhaps the brother’s name was a simple coincidence.

They watched in muted horror as Wanda turned to her friend, asking her to explain herself. Geraldine played dumb, but it was obvious that it was just a cover up. The woman was aware of the sitcom world. The confrontation escalated to a point where both were hostile to each other. Both trying to get answers. The tension was immense and when it seemed like something horrible would actually happen- Nothing did. There was another cut and then Wanda was once again watching the twins, alone this time.

After the strange talk Vision had with their neighbor, he ran back in, asking his wife about Geraldine’s whereabouts.

“Oh, she left, honey,” Wanda said in a sing song voice, “she had to rush home.”

The camera focused on her face, showing her eyes that had a slight glint of determination. It was no doubt she had gotten rid of her neighbor. They briefly talked about leaving, something Wanda didn’t seem keen on and the episode ended with them watching television with their children in their arms.

“What... the... hell?” Came Raven’s voice. The others had to agree, it was by far the most unsettling episode they had seen. Charles was asking himself the same question as everyone else in the room. Was Wanda the true villain?

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ridleycraft · 3 years

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what IS miko? - a glitch techs theory

there’s been a theory circulating in the glitch techs fandom about the possibility of miko being a glitch, stemming mostly from the fact that she can’t be reset. while i really enjoy that headcanon and even use it in my own personal fanworks (read red light on ao3 NOW), i don’t believe this is the case.

however, i do believe something else like that could be completely possible...

starting out with the most obvious thing about her that could indicate that she isn’t human: miko can’t be wiped. many people have said that they think this is because of the concussion she was dealt while being wiped for the first time in “age of hinobi”, but having watched most modern cartoons, the reason is probably more elaborate than that.

as much as i’d hate to admit this, mitch also makes some pretty good points in “find the glitch.” she has quick reflexes, is very skilled at gaming, and is the cause of a majority of the glitches we encounter in the series, most notably the one back at the smash jam tournament. not to mention that, at the end of the same exact episode, inspector seven makes an ominous comment about the possibility of a glitch being able to imitate a human.

then there’s the whole thing with her hair. it’s blue and pink, colors that are definitely not natural in human hair. “but kit!” you might say. “she’s just dying it!”

well, i have evidence to counter that. in her flashback in “ralphie bear is back,” her hair is the exact same color as it is in the show, albeit lighter. note that’s she’s around six in the flashback.

while yes, she could just have dyed it the same way, do you really think that some kid with issues regarding focusing would have the dedication to dye her hair the exact same way for ten years straight? INCLUDING HER EYEBROWS? yeah, probably not. it’s more likely that its natural.

oh, and hey, here’s a moment you could completely miss if you aren’t paying attention. at the end of “tutorial mode,” inspector seven says this.

notice how she says “the subject and her friend.” not “the new recruits,” not “the subjects,” but “the subject and her friend.” it’s almost as if they’re focusing on miko specifically for a reason...

oh, yeah. another “blink and you’ll miss it” moment. in “age of hinobi,” upon hearing her younger sister’s phone ring, THIS HAPPENS.

look, i could be stretching here. this could be for exaggeration or something. but i can’t find anything that could suggest this was for comedic effect. like, even the SOUND EFFECTS are reminiscent of a machine.

“so what you’re saying is that she’s a glitch?” no, not at all. quite the opposite, actually.

we haven’t gotten much in terms of content for the next glitch techs season, but we’ve got a small snippet of the storyboard for the bolypius episode. in the small clip we have, it’s mentioned that bolypius kidnapped miko (as deciphered here)

but why miko specifically?

well, in the season two finale, it’s stated that phil discovered something in the development labs that ended up getting him reset. but what exactly are the development labs? perhaps its where bolypius was developed...

or what if it’s something else?

from the looks of it, phil was probably somewhere in his 20s when the message was recorded. in the series, he’s at least in his 40s. i’ll just say his age is around 40-43 for the sake of convenience.

so now we’re going back to elementary school, kids! if you subtract 16 from 40-43, you’ll get 24-27. wonder why i picked 16 specifically?

because it’s miko’s age.

and now we’re returning to bolypius. why would bolypius be interested in miko specifically? what about miko would drive her to literally abduct her?

well, let’s go back to the ending of “tutorial mode.” miko is called “the subject” by inspector seven for a reason. it’s clearly connected to her and five being the ones assigned to locate bolypius. but how so?

...let me paint a bit of a picture for you.

you’re working at hinobi as a glitch tech, just minding your own business, when you stumble upon a room that wasn’t there before, labelled “DEVELOPMENT LABORATORIES”. it’s dark and eerie when you enter it, apart from a small light pulsating on what looks to be an operating table of some sort. when you get closer to it, you see a little girl, perhaps around 5-6 years old, just lying there, as if nothing’s out of the ordinary.

you crouch down to see where the light is coming from. there’s a monitor on the side with a bright cyan screen. in bold white letters, you read this.

“ANTIVIRUS PROJECT: SUBJECT #XXXX”

okay, look, i probably sound absolutely insane right now, but i sincerely think miko was an antivirus computer program made to defeat bolypius. think about it for a while. it makes sense. hinobi made her as an antivirus, but after their workers starting finding out about the development labs, they programmed her with false memories and amazing gaming skills, and gave her to a family that would take decent care of her. they knew she’d show up to the smash jam tournament and set off the chain reaction of events that would end up with her joining the glitch techs. they set everything up so that she’d end up back with them.

but bolypius couldn’t let that happen. so when she could finally track miko down, she kidnapped the very thing made to destroy her so that she’d never have to be contained.

in conclusion, miko isn’t a glitch, but much rather the exact opposite; an antivirus. thank you for coming to my ted talk.

#glitch techs #glitch techs theory #miko kubota #miko glitch techs

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evakuality · 3 years

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Mia, episode five

1. One thing Druck is super good at is these aesthetic shots. This whole opening bit reminds me of the scene with Amira when she’s praying in her room. Lots of beautiful shots of the room, curtains and stuff, which are just super pretty with a few hints of colour. I dunno, this is just an aesthetic I like and I appreciate that Druck caters to me. Mia is so cute, too! Like both the way she looks and also how kind she is. She still doesn’t really like Alex a lot (though you could see in that montage from the previous night that she’s warming up to him) but she still feels like she should leave things looking nice. These little post-it notes are sort of cute too, and you can see that she thinks they’re sweet. I don’t like this Bjorn though.

2. Interesting that we get a clip specifically one week later. I have no idea how that must have felt while this was live, and I’m really glad that I didn’t have to live through these long gaps in any of the things I did watch in real time. This one was reasonably low key though, so maybe the wait wasn’t as agonising. If you didn’t know who Bjorn is (I’m assuming the Niko character) then nothing in the last couple of clips would have felt all that alarming. But Mia’s so flirty here - that one conversation at his house must have really charmed her. Pity we didn’t really get to hear a lot of it because he still hasn’t charmed me!! And actually that ‘show a montage of how things are going while a song and/or other conversation plays overtop’ is a huge thing Druck does, I think. I feel like in some cases (Matteo and David after their first pool kiss moment, for example, or Hanna and Jonas breaking up) work quite well. But here, I think we needed to hear more of Alex to actually believe that Mia would be this flirty with him. For me, this is too big a turnaround from her very cold manner with him at the piano and an actual proper look at that conversation might have helped. But also, I am super biased because William and so maybe a more reasonable person might like it okay. This bit with Linn is weird. Genuinely creepy, and I’m not sure why they’re setting her up to feel like this. Maybe some sort of hint of the creepiness to come with Bjorn (I’m assuming it’s coming, anyway).

3. I don’t get this bit with all the pictures at the school. I assume it will become obvious later but I’m not sure what exactly they were trying to do with this. You’d think they run the risk of having the whole Abi chaker clan thing shut down - if this happened in my school there’d be so much trouble. A groups of kids once put post-its all over one teacher’s room and they got in SO much trouble for it, and that wasn’t obscene like this is. This thing here seems so targeted at the Abi thing, using their plan specifically, that it feels like someone outside the group wants them not to be allowed to run their theme. Or someone in the group who wants a different motto maybe. I don’t know, but it feels very mean and very specifically directed at this group of people.

4. Hmmm, I’m with Leonie on this one. I’d be giving Carlos the super evil stare too. It may be ‘funny’ to some of these people, but given that there are younger kids at this school (I assume, right? They still have classes running for the smaller ones at the end of Matteo’s season, allowing their prank to go ahead) this is sure to go down really badly with the school itself. I’m rolling my eyes at the ones who are outraged that the school is considering reporting it - what did they expect? Also, surely they can figure out who was doing it - people were literally throwing handfuls of the pictures over the stairs. Surely they could work out who it is. It’s pretty clear that Alex still thinks this is funny and I’m losing patience with him. Every time it seems like maybe he’s getting less gross he goes and acts like this again. Bleh. I’m not often rooting for Leonie and feeling for her, but wow today I really am. This is shitty and she has a right to be angry.

5. Ew, Alex, why are you stalking Mia again? She’s made it pretty clear she’s not happy with you. Turning up out of the blue like a creep isn’t a good way to go about winning her over again. His ‘we were drunk, what can you do?’ is so... stupid??? They’ve lost money from this, the school is really angry, they could easily have some pretty bad consequences and he’s all ‘meh, it was a drunken prank’? I know money isn’t an issue for him, but there are issues here beyond the money. I’m also kind of annoyed that everyone keeps suggesting she’s upset because she’s jealous. I’ll be really annoyed if the show carries on this way - this isn’t just a silly little prank, and people have every right to be angry and annoyed. Diminishing it to jealousy isn’t cool. Is Leonie also jealous? The people who are angry and upset they’re being blamed and their money has been taken?

6. I do love scenes where the whole girl squad is together. They make me happy and I miss seeing them together so much. But OMG, Alex is blackmailing Mia again???? I mean I guess it worked the first time so why wouldn’t he? But this is seriously shitty behaviour. Honestly, in clip one I was mildly starting to warm to him with the post-its and all, but he’s managed to speed run right back into ‘asshole’ category. This was the problem in the og as well - William was such an asshole, that in order to make him likeable, we had to see a much more genuinely villainous character. Alex is still super dislikeable and so we need someone ‘worse’ to make him look palatable, which I assume is coming. We’re halfway through - we should like him by now. I dunno. Maybe some people do? But he still has done nothing to make me think he’s nice or someone who Mia might be attracted to.

7. Oh a long Friday clip? Almost half the episode? I guess it’s going to be a rough one for Mia then. More reflections again - her whole face in the mirror now, but it’s surrounded by graffiti. I’m always fascinated by the way mirrors and reflections work, and it’s fun to see Mia slightly obscured in her mirrors even now. It’s not as disjointed as it was at the start but it’s not a fully clear reflection either. I may not like the way Noora/Mia’s story goes but I do like some of these things which show the progress.

8. I feel kind of sorry for Jonas, because that break up wasn’t his choice. But seriously, he seems to be blaming this on Hanna a bit and like ????? He chose to make her feel small and unworthy through her whole season. She’s allowed to try to figure herself out outside of him and his wants and needs. Eh, I know he’s hurting and all, but that’s actually his issue and he shouldn’t be pushing it on her.

9. This scene with Mia and Alex bothers me. He still seems to have no idea why she might find his actions (selfish and self-serving and filled with blackmail) offputting. ‘I fixed it, so we should totally be together now’ is such an immature and childish take on this. These types of guys need to grow up and learn that they can’t just buy and/or coerce their way into whatever they want. I like the way they decide to have Kiki walk past just as Mia has to choose whether to say she doesn’t want Alex or not. It adds a poignancy to it and Mia obviously chooses to stick by her friends. I do wish it felt more conflicting, like if Alex genuinely had changed or had shown he has depth or something it would be a bigger ‘wow she’s rejecting him for her friend’ but instead he’s still such an unpleasant character that I don’t care.

10. I’m not sure why Mia does the brushing off of the makeup - I feel like it made more sense when Noora did it (I mean I watched it once a very long time ago so who knows, but my memory is that it was her way of trying to reject being ‘pretty’ and having guys liking her because it was messing her up). With Mia, I don’t understand. Someone help me out?

11. I still don’t get what Mia sees in Alex. Again, I know I have a really big bias against him because of William and I know it was always going to be tough for him to be someone I care about. But even so, this feels like a huge whiplash when she says of course she likes him. I’d get it if we’d seen any of his development, but every time he took a mini step forward he shoved himself right back into dislikeable territory. Once again, I mourn the actual conversation between Mia and Alex. This all feels far too fast, and the fact that this is suggesting his blackmail is all good is very worrying. All the post-it notes in the world can’t make me think he’s nice enough to want to kiss.

Overall, I didn’t really like this one. I feel like the pacing is still off; I don’t believe the speed at which Mia has fallen for him and honestly it hasn’t been very long since Kiki was with Alex and had her heart broken. The fact that Mia even saw her and told him she doesn’t like him only to turn around immediately and change her mind is strange to me. Mia has always come across as a caring person who tries to do the right thing and help out her friends. That she has apparently no qualms at this point is difficult for me. They’re acting the hell out of this, but I can’t buy it. Unfortunately. Sadly, because this is based on a very flawed original, I don’t think it’s going to make me enjoy these two. There are things that I’m interested in seeing as we go forward but most of those have zero to do with Alex.

#druck #mia - episode 5 #didn't like this one #update on feelings about Alex - still don't like him #honestly I don't see why Mia goes after him #none of this makes sense to me

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renegadewangs · 3 years

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Van Zieks - the Examination, part 6

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3 Part 4 Part 5

And here we have the second half of The Unspeakable Story, because the case was so long I had to split it into two.

Episode 5: The Unspeakable Story – Part 2

When we last left off, Gina was allowed to testify about the omnibus murder two months ago. Sure enough, she talks about what really happened and how she was threatened into lying in court of law. The judge realizes that he made a grave error in letting McGilded walk. Again, I'm not sure why he's only realizing this now when that trial ended in disarray, with the entire gallery shouting about whether it was or wasn't a gross miscarriage of justice.

I'm giving Van Zieks an additional scumbag point for this remark, since Ryu had already admitted to his wrongdoing and, despite Van Zieks's repeated warnings of 'are you sure about this', brought the details of the falsified testimony up himself. Don't pretend to be understanding about the position this puts Ryu in if you're going to be a jerk about it afterwards, Van Zieks.

Some shenanigans and Gregson whispering to Graydon later, Scotland Yard returns with the small box! Turns out it's a music box! When suggested that the court should listen to the music on the disc, Gregson interjects and unconvincingly claims the music box and disc are unrelated to the case. Ryu objects to say that the disc is fundamentally important for understanding the motives of the crime and Van Zieks, on his own accord, chimes in that the prosecution has no objections. When Gregson continues to stammer that the disc is police property, Van Zieks says:

“But it is policy of this prosecutor to leave no avenues unexplored. And you, Inspector, have no jurisdiction here to prevent that from happening.”

So Gregson and Van Zieks are definitely not buddies. Since Gregson is a key player in this case (and I mean that in a negative way, since Gregson is actively hiding important knowledge from the court), the fact that Van Zieks is turning a deaf ear to his pleas does in fact make Van Zieks an accomplice of ours in a roundabout way. Only for this particular context, though. The point is, so long as the prosecution continues to agree with the defense about unveiling key pieces of evidence, Van Zieks is helping Ryu achieve his ultimate goal. Also it's just plain fun to watch Gregson panic. We're having a jolly old time in this courtroom!

Unfortunately, when the box is played, there's no music. It's just weird tones. So Ryu is confronted with the question of whether the music box's sounds are relevant to the case or not. Naturally, I chose that they aren't relevant to see what would happen. I don't know why I expected any different than this:

“When you speak, you must mean what you say. ...Or be prepared to suffer the consequences.”

Penalty from Van Zieks! He's right though, I never learn. Okay, so let's say the tones are relevant. Van Zieks jumps onto that like a cat pouncing on a mouse toy, of course. He wants to know just what that relevance is. Ryu says that the chimes aren't necessarily music, and Van Zieks pursues relentlessly. “Well, now that you've told us what they are not, I'm sure the court would like to hear what they are. Do enlighten us, my Nipponese friend.” This is all very standard fare, of course. In any Ace Attorney game, the player has to outline their reasoning in steps, which means the prosecution and/or the judge will continue to ask for elaboration until all the details are out in the open. Of course, Van Zieks has to be a jerk about it as he follows it up with the words “Surely you have an idea in mind? Because if not... It will be the death of your ill-formed argument!” Eesh. Harsh wording for such a simple concept of 'your argument is void if you don't tell us exactly what you mean'. What's bothersome about these moments is that often, the player already has an exact idea in mind, but the game's dialogue will beat around the bush a bit more and really rub it in. (example: Iris telling Ryu at this very moment that the music box isn't broken at all and it's meant to play these particular chimes.) But because the player isn't given the option to just figure this out for themselves and then gets scolded by the prosecution for 'taking too long', naturally the player may get frustrated.

I'm getting there! SHEESH! It's not my fault Iris is distracting me! I had the evidence ready to present like two minutes ago!

Anyway, Ryu finally links the chimes to government messages being intercepted and leaked to other countries. These messages are usually telegraphed in morse code, so it should be obvious where Ryu's going with this. Van Zieks looks horrified at the notion of the disc containing secrets in morse code. Still, alongside Ryu he works through the logic of what happened and how McGilded would've been involved in this. Graydon, who works at a telegraph office, is of course the prime suspect for intercepting those secrets and that's the reason why he broke into the pawn shop to recover the disc. Graydon is outraged by the accusation, saying “I've had to stand here in silence while that pretentious foreign lawyer has been prattling away!”, but Van Zieks cuts him off with an objection.

“The prosecution demands the witness testifies... in response to the accusations brought by the defense!”

It's Mrs. Garrideb all over again! Yes! So just to reiterate, the prosecution has nothing to gain by doing this, the way I see it. Ryu can't actively prove any of his theories, he's got no hard evidence. The only thing Ryu can do at this point is have Graydon testify and hope that he'll slip up; and Van Zieks is supporting this notion instead of demanding to see this currently non-existent evidence. So Graydon testifies, the topic of morse code comes up again, and we get a lesson in the basics of how it works with the dots and the dashes.

Surely it can't be that a prosecutor in an Ace Attorney game is being passive aggressive again? Anyway, turns out the music box doesn't play morse code at all because instead of dots and dashes, there's only one of the two. The testimony continues on to address that Graydon's last name used to be Milverton, a fact which causes Graydon to react very heavily and attempt to deny it. Van Zieks subtly reminds him that this effort is futile, since Graydon is a communications officer attached to civil service. His personal details would've been thoroughly checked when he was appointed to his position.

I enjoy it when Van Zieks finally gets turned around to point his sharp finger and sharp words towards people who actually deserve it. Yes, he's ferocious and a somewhat horrible person, but Graydon had this coming for being, y'know, a literal murderer who tried to frame a teenage girl. Van Zieks even reminds Graydon of the same sentiment (“it would really take no time at all for the court to subpoena those records”) later when Graydon continues to deny that Mason Milverton was his father. Good boy, Van Zieks. You're learning that not all British citizens are upstanding and it's okay to accuse some of them of wrongdoing. Because remember, in earlier trials when Ryu would indirectly accuse witnesses (or juror no 4) of lying or criminal activity, Van Zieks would overreact with an “HOW DARE YOU, SIR” of sorts. But not this time, oh no. How dared Graydon?

So with the relation between Graydon and the victim of the omnibus murder proven, we've made headway, but still not enough. So long as the music box chimes seem irrelevant, we don't have the full story to pin Graydon down for anything. For this reason, Ryu gets back on that topic and insists it's very much possible for the disc to contain secret messages. Van Zieks is still not quite convinced.

Covering his insecurities with fancy speech, I see. Van Zieks can act as smart as he wants, but the brutal truth of the matter will always be that he's not smart enough to take evidence in his own two hands and flip it over or open it up. Ryu's the only one who takes the practical approach, opens the bottom and finds out that the music box can actually play two discs at the same time. One for dots and one for dashes, which means there's a second disc out there. So with this out in the open, it's time for everyone's favorite type of Ace Attorney tennis: The back and forth truth reveal! Ryu and Van Zieks take turns in detailing the chronology of Graydon's illegal dealings with McGilded, with negotiations apparently turning sour in the omnibus two months ago, and thus the brickmaker met his end. McGilded attempted to hide the stolen disc by sticking it in his coat and pawning it at the pawnshop, but Graydon found out about this, etc. We've all played the case, we all know the story.

Graydon ultimately admits to having been at the crime scene that night, but still refuses to admit he worked with McGilded or stole government secrets. (Okay okay, ALBA, your denial is too powerful to let this game end, have it your way.) Ryu surmises that only Graydon could have shot Windibank, as he would've been the third intruder holding a third gun. Graydon flips this logic around; now that he's admitted he was at the crime scene that night, he can also admit to 'what he saw' as a 'key witness'. He claims that he saw the moment Windibank was shot by the pickpocket and he took the third gun afterwards, and he's ready to testify about it. Van Zieks, who should technically be jumping at the opportunity to hear decisive testimony for his precious guilty verdict, is instead not amused at all.

“If it is shown that your claim is false, you will have incriminated yourself as the killer.”

And these are some very telling lines once again. Why would he warn Graydon about this if he didn't have reason to believe those claims would be proven false? Why would he think Graydon could incriminate himself as the killer if he were 100% convinced that Gina is the culprit? He must know by now there's a strong chance that Gina is innocent and Graydon is the real killer. But sure enough, Graydon testifies about watching through a peephole and seeing blood spatter over the coat. Blood which he couldn't know is there unless he saw the murder happen. So the judge wonders whether the coat can be tested for blood and indeed, Van Zieks confirms that it can. A German scientist discovered that test 'very recently' and it's already being used in several courts around the globe because this test was actually, y'know, verified in the field of science.

“Ideas are no use to us here. In science, as in law, theories must be proven before they stand.” “We could shatter all vestiges of doubt within minutes!”

rip. To be clear, it doesn't seem as if Van Zieks actually knows for certain there's blood on the coat, because how could he? His insistence on the blood test doesn't seem to be motivated by hope of 'cornering Gina because the blood will definitely be there'. Rather, I think he just wants to either prove or disprove Graydon's testimony so we can all get on with our lives. Plus, I think he may want to flaunt these 'official methods' just to diss (S)Holmes's methods some more. While waiting for the results, Ryu is allowed to cross-examine the very suspicious peephole testimony. Despite Ryu being the one to press Graydon at every statement, Van Zieks will occasionally chime in with questions of his own to get some clarification. Which is funny, because the prosecution isn't the one who has to cross-examine witnesses. Van Zieks should technically be staying out of it. The fact that he's butting in to needle Graydon some more is just... I don't know, it's another one of those very telling moments, I suppose. Again, he probably already suspects that Graydon is the real killer.

The cross-examination is put on hold when the test results finally come back, confirming the blood on Gina's coat. Ryu still tries to save his case by saying the blood actually belonged to Mason Milverton, but that's obviously a very dangerous route to take.

“Did you not argue fervently for McGilded's innocence? And yet now that the man is dead... You brand him as a murderer? Your conduct shatters any shred of respect you may have earnt for yourself in this country!”

We all know he was a murderer for real. Van Zieks knows this more than anyone in the courtroom (well, except maybe Graydon). Besides, Gina testified about this like fifteen minutes earlier. To be frank, the fact that Ryu is admitting to this openly should actually warrant more respect as opposed to breaking it down. Because, remember, Van Zieks gave Ryu several options two months ago to blindly defend McGilded and instead of taking those opportunities, Ryu instead admitted he couldn't say for certain whether there was foul play happening. I think what's going on here may be that Van Zieks is emotionally conflicted. He was already buying into the theory that Gina is innocent and Graydon is the real killer, but the blood on the coat threw a wrench into it all. Graydon hypothetically could only have the coat knowledge if he'd seen it happen, which makes Gina the real killer after all. With something so conclusive, any belief he might've invested into Ryu's integrity has just been 'betrayed' and indeed, if Ryu's integrity is in doubt, anything else to come from him will also be relentlessly drawn into question. That doesn't just apply to Van Zieks; all the jury members who were on Ryu's side before immediately, unanimously vote guilty. Van Zieks assumes that there will be another Summation Examination, as has become the norm.

Ryu grows desperate, because changing the jury's minds is going to be exceptionally difficult now. Thankfully, our hero (S)Holmes appears! That mischievous scamp!

“Detective (derogatory)”. I think it would've been an interesting plotline if (S)Holmes actively investigated the Professor case back then, perhaps even at Van Zieks's request, and failed to find the killer in time to prevent Klint's death. That would explain why Barok now thinks so badly of (S)Holmes and the amazing detective he's described as in the novels. Unfortunately, the second game never really addresses whether (S)Holmes played a part in the Professor investigation and if so, why it ultimately came down Genshin's duel and Gregson forging evidence to 'close the case'. You'd think that if (S)Holmes investigated the deaths, he and his partner would've tracked down the real killer long before things could escalate that badly.

Anyway, (S)Holmes asks for five minutes of the court's time to pass some evidence on to the defense. Van Zieks begins by saying that the trial has already taken up many hours of the court's time. So 'having spent that long already...' Gregson cuts him off to agree, saying that since they've spent so long already, they don't want to waste even more time. Unfortunately for him, that's not what Van Zieks was about to say at all.

So he's fully on our side again! Hurray! All well and good, but he does still fling one of his chalices later to signify the five minutes are up. (S)Holmes thanks Van Zieks for allowing the brief recess, the reply being that he needs no thanks, since “the die is cast”. In other words, they've already reached a point of no return here. At first this seems like a very cryptic dismissal of gratitude, but what Van Zieks is actually saying is that the jurors have already made up their minds and settled on guilty. “Any attempt to alter the verdict now would be utterly futile.” Which still doesn't say much about whether Van Zieks believes they're headed in the right direction, it only says that he doesn't believe Ryu can convince them to change their minds this time.

Surprise! Ryu doesn't have to! When (S)Holmes came into the room in disguise to deliver the lab results of the coat, the cross-examination of Graydon was actually suspended. This means that, by law, Ryu has the right to continue that cross-examination instead of turning to the jurors for the Summation Examination. Van Zieks suffers through his damage animation (which has been rarely seen by this point in the game and honestly, it's a delight to watch), calling the whole matter absurd. This is the law, Ziekie boy! Deal with it! So with this final chance granted, Ryu presents the catflap device to debunk Graydon's testimony about the peephole. Susato tampered with the crime scene and made that cat flap mere minutes after Windibank was shot. So if the cat flap wasn't there before, how could Graydon possibly have witnesses what he claims to have witnessed?

Oh, he's thrown off now. He's got no idea what to believe anymore. I can't blame him; who would expect a trial to take a turn like this? We're getting close, but Van Zieks has one more obstacle to throw our way, as all prosecutors do. How can we prove that the peephole flap was made after the crime as opposed to before it? “When was the peephole cut? The prosecution demands proof of your answer!” Again, this is par for the course. This is what any prosecutor would demand. Evidence is law in Ace Attorney world and Van Zieks needs tangible proof that Ryu isn't just a 'lying traitor' like Genshin was. Naturally, we have proof and Van Zieks is the one we have to thank for that.

Considering Van Zieks is the one who showed up to court that day with a big stack of photographs from that very same 'infernal camera', this line will never stop cracking me up. So now we know for sure the peephole was made after Windibank was shot! Unfortunately, in submitting evidence we now also know one other thing.

To be fair, Susato didn't know it was a legit murder scene until the cat flap was created and they could see the body. Up until that point, it was just a scene for breaking-and-entering, along with (S)Holmes shooting. I'm sure that was taken into account when discussing the punishment later on, though. Anyway, we've proven Graydon's perjury, but Van Zieks insists we still haven't quite proven that he's a killer. Luckily, Ryu's already two steps ahead of Van Zieks here. Since we've proven that Graydon was lying about what he saw, the question is now how he knows about these things to begin with. He couldn't possibly have seen the peephole with his own eyes, so how did he know it was there? And how did he know about the blood on the coat? Gregson once again decides to interject, asking Van Zieks for 'a word, please'. He wants to leave the courtroom and return to the station to put in his report.

“You will remain exactly where you are until this trial concludes.”

Heeheeh. Brutal. So with Gregson forced to stay, Ryu is free to insinuate that information about the crime scene must've been leaked to Graydon. And since Graydon had no idea he'd be summoned to court to testify on the murder, he could only have received the information after arriving at the Old Bailey. The only person with the opportunity to pass that information to him (in the middle of a trial, I might add) was Gregson. Gregson immediately barks that he had no reason to leak information about the investigation to someone like Graydon, but we know that's not true. Ryu suggests there was a deal.

I really enjoy this particular expression on Van Zieks, and it fits especially well in this context. While he usually looks very calm and cold on the surface, he now looks outwardly ferocious, slightly unhinged. Perhaps even in pain. This is the face of betrayal and humiliation. We learn in the second game that Van Zieks had already suspected Gregson of having dirty hands when it comes to the Reaper, so I expect this insinuation hits extra hard now. It's confirming to Van Zieks that Gregson is indeed not above dirty tactics. He doesn't take it lightly, of course. “With the stakes so high, the prosecution is not prepared to listen to baseless charges. It is incumbent on the defense now to present evidence in support of this diabolical claim.”

So let's do it. It all comes down to the music box disc and the stolen government secrets, of course. Gregson admits that he was ordered to retrieve the stolen information and do it “on the q.t.” Top secret mission, this one, though earlier on it was implied to have been ordered by Stronghart. Van Zieks concludes that Gregson objected so heavily to the disc being used as evidence because he knew of the information on it. Gregson replies that he realized there was a possibility of it. Since we know the music box plays two discs, the deal must've involved this second disc. Van Zieks is now thinking ahead very quickly, here. He asserts that since Gregson is a Scotland Yard detective, he would've approached this deal with extreme caution and not simply taken Graydon's word for it. He would have asked for the article in question to be handed to him immediately and so, it stands to reason the second disc is in the courtroom at that very moment. Gregson doesn't take lightly to the accusations and when Ryu suggests a cavity- sorry, I mean body search, Gregson agrees to it without so much as a flinch. Suspicious behavior, to say the least. But this means the body search is allowed and everything rests on the outcome.

“If, following the search of the inspector's personal effects, no disk is found... You will be deemed unfit for court service, this trial will end and my country's government will formally demand of yours that you are severely reprimanded.”

But Van Zieks, if Ryu were deemed unfit for court service, who would you face in hectic turnabout trials? He's your one true nemesis now, remember? The judge agrees with Van Zieks's sentiments, but Iris has some very interesting insight: “You're just threatening Runo because you're scared!” Since Iris is one of the most clever characters in the games, we have to examine this statement further. If he's scared, then what's he scared of? My guess would be the firm, undeniable confirmation that Gregson is willing to screw with a fair trial and let a killer walk free. Yes, he was ordered to do this by his superiors (STRONGHART), but it doesn't change that Gregson is throwing an innocent girl under the omnibus to get what he wants. And again, keep this in mind, Van Zieks already held suspicions that Gregson had something to do with the Reaper curse. But they were friends once; Gregson was Klint's friend. There's a difference between suspecting an old buddy of being up to no good and hard evidence that it's true. What adds credence to this being the reason of Van Zieks's fear is one of the game's recurring themes: You mustn't look away from the truth, no matter how blinding it is. No matter how painful, it needs to be acknowledged.

So the game asks whether Ryu still insists on the search, knowing there'll be grave consequences if nothing is found. By this point I was so tired that I didn't choose any of the other options and went straight for the correct answer: Search someone else! Gregson's being so cool about it that we can already surmise he doesn't have the disc on him, but he did have the perfect opportunity to hide it on the taller Skulkin brother earlier in the trial. So Ryu insists on there being a search, and Van Zieks says:

“But your typical Nipponese stubbornness may well land you in hot water this time. Perhaps the lesson will do you some good.”

This sort of implies to me that Van Zieks has also realized the disc isn't on Gregson's person. He's known the guy for a very long time, and so, he'd also know that Gregson is easily flustered with zero poker face skills. There's no way he could look so cool if there was a chance of the disc being found in his pocket. So this is the point where Ryu reveals that he doesn't want the search done on Gregson, which does succeed in ruffling our dear old inspector. Gregson starts accusing Ryu of having lost his mind and the court shouldn't have to put up with this nonsense, with the gallery also erupting into chatter. Iris snaps and tells everyone to be quiet. Ryu's just doing what he was told to do and having the courage of his convictions, so they should all respect that and listen to what he has to say. The judge admits that the court is in awe of the defense's convictions and I could write an entirely different essay here about Ryunosuke's growth throughout the games, but I won't. Point is, the cavity- sorry, I mean body search of Nash Skulkin is allowed. Gregson absolutey has zero poker face without a doubt, as he tries to object to the search in the name of Scotland Yard.

“In this courtroom, only the prosecution and the defence have the authority to object.”

Gregson tries to sputter his way out of this, but Van Zieks says: “I have no idea what forces are in play that might influence your actions, but personally I have no intention of obstructing the course of this trial.” (Gregson literally said that Van Zieks needed “Stronghart's paw print” to get more details on the top-secret investigation into McGilded's shady activities, but sure. No idea what forces are in play. Okay.)

Pin 'im down and use the rubber glove, bailiff! The missing second music box disc is pulled out of Nash's jacket and Ryu explains why he knew it'd be found there.

Uhhhhhhhhhh. I think what Ryu's trying to say is that Gregson would rarely fly into such a rage that he'd assault someone physically, but... This man absolutely loses his composure all the dang time. Just ask the fish n chips he keeps aggressively chomping down or scattering over his shoulder. He doesn't strike me as a composed character at all, so to say he behaved “extremely out of character” is kind of off to me. But whatever, it proved our point so I'll let it slide. When the judge asks why Gregson didn't just submit the second disc as evidence the second he got his hands on it, Van Zieks surmises that if the information on the disc were revealed in court, it'd be problematic. Gregson once again confirms he's working under direct orders from the ministry (STRONGHART) to keep the stolen info on the down low. But now we've got a problem. Neither Graydon nor Gregson will admit that they made a deal for the disc (it just magically appeared in Gregson's possession then, sure) and so long as they don't admit to that deal, we still can't prove Graydon lied about his testimony in regards to Gina being the shooter. The judge is ready to turn the matter over to the jury for their final learnings, and if these people had any common sense they'd all vote not-guilty because Graydon is getting away with his nonsense through a sheer technicality. Even so, Ryu intends to put the squeeze on Gregson by playing the second disc along with the first to determine whether there's truly morse code involved. Either Gregson admits to unlawful dealings with a witness to protect state secrets, or those state secrets get played out loud for everyone to hear. Gregson warns him he'll be making an enemy of the entire British government if he lets those secrets out into the world. Ryu insists he'll stop at nothing to do his job and protect his client, no matter who he makes an enemy out of. Van Zieks pours himself another glass of wine in silence.

Yeah, a real shrewd, calculating man. Uhuh. Again, I want to take a second here to point to the symbiosis we usually have between prosecutor and lead detective. Even in the case of Fulbright and Blackquill, with their unique circumstances, they still worked in tandem. You'd never catch them bickering about whether or not to present a certain piece of evidence. It's fascinating to watch Van Zieks consistently ignore Gregson's pleas. Speaking of which, let's have a leg slam to shut Gregson up.

“I'm a prosecutor. ...I'm no Scotland Yard puppet. In this courtroom, my duty is to the law. So let me propose a toast. To uncovering the truth... by fair means or foul.”

YOOO!!! Get him, Zieks! There's absolutely no denying now that Van Zieks is 100% on Ryu's side. He knows that playing the secret message will cause Gregson to cave and admit to his shady deal. And once we know for certain Graydon's testimony is one huge sham... Well, as Van Zieks already said earlier, Graydon will be incriminated as the real killer.

So the box plays for about ten seconds with actual morse code this time and Gregson cracks like cheap porcelain. When Ryu confronts him with how this dealing would lead to the defendant being wrongfully accused of murder, Gregson just kind of shrugs it off. On its own, you might be thinking Gregson is a scummy asshole for this, but there's some very important factors to keep in mind here from the second game. First of all, very simply, Stronghart ordered Gregson to retrieve the info 'no matter what' and Gregson isn't in any position to refuse at this point. But then there's the Reaper's curse, which is way more important. Even if Gina were found not guilty, she'd still have to die. Not just die; Gregson would have to arrange for her death. I doubt he enjoys being in that position, so it's easier for him to just willfully sabotage the trial and have Gina be executed by the government. Some of the blood would still be on his hands, but at least he wouldn't have had to orchestrate some elaborate death trap himself, leading to all the blood on his hands. (Cool justification, still second-hand murder.)

Uh, wait, this is a Van Zieks essay, not a Gregson essay. So anyway, after Gregson gets choked by Graydon and nobody steps in to help him, we finally get the truth, the whole truth and nothing but the truth. Graydon has a semi tragic backstory and he was the one who cause the omnibus fire.

I guess Graydon wasn't too familiar with the Reaper's curse. Either that, or he didn't believe it was real. So now, to reiterate, we're told several times that anyone prosecuted by Van Zieks is doomed, but only one of the defendants Ryu's had so far has died a tragic death and it wasn't even because of the Reaper's curse. It was because someone else sought revenge, so even if Van Zieks hadn't been the prosecutor, McGilded still would've died. Graydon then goes on to talk about what happened in the pawnbrokery and how he shot Windibank without even thinking about it. Van Zieks has something to say about this.

“A man who used his wealth and influence to distort the facts and escape justice for the crime of murder. What tragic irony... For what you have done... is exactly the same. You've become the very monster you saw, and despised so deeply, in McGilded.”

I feel like this is even more elaborate setup to the fact that Van Zieks's brother, a wealthy and influential man, was actually a mass murderer. For bonus points: 'someone realized the wealthy man was a murderer, knew he wouldn't be confronted with his crimes and therefore took matters into his own hands with vigilante justice'. Does that sound familiar too? Gosh, I love foreshadowing. The judge tells Gregson he'll have to face charges as well, with Van Zieks chiming in that even if it was in the line of duty, Gregson's crime is a serious and inexcusable one. With that, the attention is turned to the defense. The judge says that the morse code thing was an unexpected revelation (and this is said in a complimenting sort of way), with Van Zieks unable to stay silent on this:

“In fact, I think we should applaud my learned friend's courage here today. I propose a toast. To demanding that government secrets be disseminated before the entire courtroom!”

Hee hee... Well, Gregson did warn him beforehand that he'd be making an enemy of the British government if he played those music discs. Ryu becomes very flustered and apologizes, but the telegraph juror interjects here to say that the dots and dashes weren't really morse code. Rather, it was just gibberish to her. So despite Iris looking thoughtful, it seems we didn't spill any beans after all and the matter is dropped. We move on to our verdict, a unanimous not-guilty for Gina Lestrade. Hurray!

Now there's a very clumsy scene transition of Ryu and Van Zieks standing in the abandoned courtroom, facing one another. I suppose Van Zieks made some sort of gesture for Ryu to hang back so they could speak in private? It's odd for them to still be standing behind their respective benches, though. Since court's dismissed, it'd be easy for them to just walk up to one another instead of shouting across an empty room. It may be symbolism that there's still a gaping void between the two of them; the Professor incident. Or maybe I'm giving the game too much credit there and they just couldn't be bothered to animate new backgrounds for this single scene. So here we have a very important conversation. I'll type it out:

“I must say you've surprised me, my Far Eastern friend. Despite being a Nipponese, you saw through the pretence to the malice that festered within that Englishman. And at the same time, you saw through the grime to the surprising heart of your English client. You have a curious talent for judging character, especially considering our very different cultures.”

So here we have a telltale problem with racial prejudice. Van Zieks assumed that because Ryu has a different background, especially culturally, he wouldn't be able to understand or relate to English citizens. We've seen this sentiment before in case 1-4, where Van Zieks is shocked that Ryu would understand the mind of an English policeman. Ryu says that he doesn't think there's anything curious about it at all, because whether people are from Britain or from Japan, they're all human beings. They're not so different on the inside. Ryu is effectively saying that Van Zieks needs to stop categorizing people based on their nationality because that doesn't work. Human beings are human beings; some of them are good and some of them are bad. Van Zieks doesn't directly reply to this, instead confirming what we already suspected.

“You know, I took this case for one very simple reason. To lock swords with you once again here in the courtroom. When I encountered you for the first time two months ago, it reminded me... of toasting friendship and trust with another Nipponese... only to find my trust betrayed. Through you, I hoped to look into the eyes of the man I once knew... and try to understand.”

So remember in the previous essay when I surmised that the torrid look of hatred in Van Zieks's eyes was directed at someone who died ten years ago? Well, it's confirmed here. Van Zieks didn't see a fresh newbie whenever he looked at Ryu; he saw Genshin Asogi. The betrayal which took place ten years ago was never given closure. Sure, Van Zieks managed to send Asogi to the gallows to exact 'justice' and get some form of payback, but he was never given Asogi's motives. He never got to confront this man with the emotional turmoil or the hurt, because he wouldn't have been given the opportunity to do so and even if he'd tried, he wouldn't have gotten satisfactory responses. Asogi was abruptly executed and Van Zieks never learned just what possessed a dear friend to murder his brother. He was left with boiling hatred, grief and a whole lot of questions. So indeed, now he hoped to 'understand' Asogi through Ryu, but that was never an option to begin with. Ryu has no relation to that man, so Van Zieks might as well have tried to grasp that understanding by 'locking swords' with Beppo. It's about the same level of futility. Van Zieks's misguided attacks appear to be born from the assumption that it must've been a cultural thing; that perhaps betrayal is something which comes naturally to people from Japan. It's an incredibly stupid, naive way of thinking, because by simplifying Genshin's motives down to his race and cultural upbringing, it takes away the option that there's a far darker truth to be found. Quite frankly, I think Van Zieks is afraid of that truth, just as he was afraid of confirmation that Gregson's not above dirtying his hands. To affirm that Genshin Asogi's friendship was genuine and he truly was an honorable man would imply that he'd had a reason to take Klint's life. I'm not saying it was a good reason! I'm just saying... a reason. When Ryu asks for more details on what happened back then, Van Zieks won't reply.

“Coming to be known as the Reaper of the Bailey, and my retirement from service five years ago... It gives me cause to wonder if our meeting has some deeper purpose. So... Farewell, my learned Nipponese fellow. Until we meet again.”

(He crushes another chalice in the process of saying this, because of course.) The deeper purpose alluded to here, along with the earlier line that Ryu may one day learn the answer, can only mean that Van Zieks foresees something of a journey here. A path to walk down together with Ryu in which, eventually, the Professor case will once again surface. Whether that's a good thing or a bad thing for Van Zieks, we don't know. I'm not sure he knows. But he did admit to having been pleasantly surprised by Ryu and he had a civil conversation with him just now, so the sentiment here is that Van Zieks is slowly letting go of some of his earlier grudges. He doesn't outright admit that he was wrong to be a scumbag to Ryu, nor does he apologize, but by admitting he was only attacking Ryu to make sense of something that happened in his past, he's basically admitting to his behavior being irrational. He's softened up a little, and with a second game on the way, it means at the very least the option of further character development is there.

The conversation ends and in the defendant lobby, Gina is reminded she's not in the clear yet. There's the curse, after all. Gina's not afraid, because he say she sees it, “the Reaper is a bit like Him upstairs.” Sort of funny to equate the Reaper to God, but what she's basically talking about is karmic retribution. Rotten coves like McGilded get what's coming to them, but she knows she's a good person deep down and so, she thinks she'll escape the curse just fine. Which doesn't say much about all those other victims who came before McGilded, mind. We can't say for certain they were all rotten too. Well, the second game will tell us whether she escapes with her life or not. And normally I would also take a look at the little 'bit' that characters have in the end credits, but Van Zieks didn't get his own bit for whatever reason. He's only briefly mentioned by Pat and Roly Beate, so that's it when it comes to his character in the first game.

Next up, we're moving on to case three of the second game, taking place six months after The Unspeakable Story!

#dgs #dgs spoilers #tgaa #tgaa spoilers #barok van zieks #hot dang #this trial escalated quickly #I took like 500 screencaps when Graydon went for Gregson's throat

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prettywarriors · 3 years

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Ok ill bite whats the worst mg series

alright, whats the worst magical girl series in your opinion?

Thanks you two for letting me do some yelling. The obvious guess would likely be one of the recent edgelord shows right? Magical Girl Site or something similar? But nay I say, for while MGS and Day Break Illusion and such and what not generally tell you what to expect right away. Don't like super violence and suffering? Watch something else is the clear message from the get go. One of the bait and switch series then like Madoka or maybe Yuki Yuna? For what faults they may or may not have, at least these series do something and are interesting, even if you're not huge on what goes down in the series. A parody then? They range from affectionate to banned in New Zealand but regardless of quality and their feelings for MGs, it's a parody. It's a joke and shouldn't be taken seriously (plus they're usually short so you can just forget about them forever).

So what makes a series terrible then, I am sure you are asking. IMO? Setting expectations for an interesting and enjoyable series, and then dashing them to hell.

Come with me below the cut, as I talk about Key Princess Story: Kagihime Eternal Alice Rondo!

Spoilers abound so if you care about those for a 15 year old series, click away.

Background: Kagihime was a 4 volume manga that ran from 2004-2006 that was picked up for a 13 episode anime adaptation near the end of its run. The manga is created by a pair (Kaishaku) who you may know for making Magical Nyan Nyan Taruto. Kannazuki no Miko, and Steel Angel Kurumi, and the anime had a script written by the same writer (Mamiko Ikeda) for Tenshi Ni Narumon who also did some script writing for Princess Tutu and Seven of Seven. The anime also had 6 character music videos which are fairly simple but a nice addition to the series for the main girls. Discotek has been publishing the anime in the states in recent years, and the manga was brought over by *squints at book spine* Dr Master Publications.

The Premise: Girls transform and enter weird outside of reality spaces to fight each other with giant keys to take each other’s stories to create a third Alice In Wonderland story.

Well, an off-brand Alice story written by Alternate L. Takion, rather than Lewis Carroll/Charles Dodgson, that while the series uses all the aesthetic hallmarks of the tradition Alice, the little we see of the in universe Alice story is clearly different. Which is fine, at the end of the day, it’s still about someone who loves the Alice stories and wishes there was more, and even makes his own fanfiction version. His? Oh yeah, while the girls do all the fighting, the main character is Aruto, a teen boy who loves Alice, and for reasons we don’t know till late game, can enter the liminal spaces that the ‘Alice Users’ fight in. He chases a girl who looks like the Alice he sees in his story, who is named Arisu, and gets roped into this fanfic battle royale. He is also the older brother of the very needy Kirihara, who also ends up being and Alice User. As does Kirihara’s bff Kisa. To round out the group of enemies-turned-friends-who-will-work-together-to-collect-the-Eternal-Alice-without-having-to-fight-eachother group is a young genius researcher Kirika who wants to know more about Aruto’s connection that allows him to enter the spaces where the girls fight.

Then there’s all the other girls, some of whom still have real importance to the story and some who have a few panels or 2 scenes total. But with a whole bunch of girls to design, the creators reached out to a whole lot of other people to have them create designs! Eventually the battle gets down to the last few girls, there’s a confrontation with the guy running the whole thing, and while the anime and manga vary quite a bit the whole time, in both version Aruto ends up with Kirihara. Oh and Arisu was created by Aruto’s super imagination powers.

The Promise: Here on is subjective, particularly with what I personally saw as potential from this series. because I need you to understand how much I want to like this series.

~Alice in Wonderland themed: I know some people aren’t alice fans and that’s fine you do you but as a big alice fan this is great. We have a few alice episodes and themed characters amongst series like CCS and MGRP, and even Alice themes in other series like Tweeny Witches and Alice 19th. But damn it I am down for Alice series.

~Giant Keyyyyyyyys: Yeah yeah Kingdom Hearts but these keys are much more staff like for a lot of the characters which ads and air of elegance rather than the KH ones that for me at least feel well designed for big ol props rather than actual weapons. We also get...

~Weapon variety: It counts as a key if it’s a thorn whip that can be shaped like a key right? How about a giant pocket knife? Crossbows can also be keys. Hush. And we have this variety because

~Guest Artists: For magical girl series where we have a variety of outfits designed by different people, we have Kagihime, Uta~Kata, and uhh I guess Magia Record? But that’s a mobile game with a hella number of characters and with how mobile game works I wouldn’t count it just because it’s less the intent of the series to have variety and more the nature of having lots of girls. (Precure doesn’t count because unless I missed a memo each season’s set is still by one designer). If a series isn’t about a team and therefore doesn’t need cohesion, bringing in other artists is a great way for variety and new looks.

~The long term goal: Fighting with other people who love the same piece of media you do in hopes of creating new material that will be viewed as official? That’s just fandom nowadays. But it’s a legitimate interesting concept, and opens up so many doors for a message for the series, be it ‘what you create is no less valuable than the canon work’ or ‘it’s hard to let go when something you love doesn’t have more to it but you can still love it for what it is’ or ‘bond with the people who like the thing you like ya idiot instead of fighting about it’. The concept is interesting and there are so many narrative ways you can take this.

~Gays: Between the anime and manga, we have at least 5 wlw. Is it a magical girl series without some gays? (side note- the manga had a short thing where the MC wears a girl’s uniform and is pretty comfortable in it and while there is no way this was the intent, between that and the emphasis on the stories that live in girls and how the fight zones have no men, I’m just saying, Trans girl Aruto.)

~Greater Fairy Tale Premise: We meet a Little Match Girl based MG who is obsessed with Andersen rather than the Alice books, and touch on a Sleeping Beauty character in the manga. The manga at least implies that classic stories and fairy tale authors uh. Live on in a liminal space as immortals with world warping powers within that world and there could be opportunities for other girls in the real world to fight for Little Mermaid 2: Electric Boogaloo.

The Good: Everything has positive points, no matter how bad it is.

~Character Designs: Some of those looks slap. As do most of their weapons.

~Backgrounds: I have a strong opinion on backgrounds in anime that can be easily boiled down to old watercolor backgrounds good, modern filtered photos as background bad, and as a 2006 series, this might not be Memole nice but they’re quite attractive.

~Splash Pages: Easily my favorite thing after the designs, each chapter’s title page for the manga just has a character standing in a setting. Which is not everyone’s thing I’m sure but it’s a nice simplistic way to let the characters breathe imo. Even if at least some of the settings were deffo traced. But that’s how backgrounds work to some extent? If I ever get to the Met again, I am tracking down this exact photo, but here is a likely candidate for an example.

~Different Versions: I do not understand the need to make an adaptation that tries to be a 1:1. Kagihime had the same ideas and characters and did some of the same beats but very much had a different finale story and a lot of changes in the middle (like the Alice cops in the manga). Again, not something everyone probably wants I’m sure, but I very appreciate this, especially since the Anime kept good pace with the number of Manga chapters (reading the manga again while watching the anime at 3.8x speed just now was very interesting to see the different interpretations of events in a different medium.)

The ‘Fine’: Yeah.

~Anime Visuals: Look 2006 was still early enough into digipaint that I will give it a total pass on these. The colors are too bright but in a very bland way, the lineart is nothing interesting, and the faces are. Iffy. But it’s not total garbage to look at (probably helped by backgrounds and character designs...) it just came out in an era where not enough people knew how to stylize things to account for the weakness of the tools of the time. (It was 4 years earlier but I feel Kagihime is the polar opposite of Chobits with its painfully bland color palette while still being just. Flat. Sorry for the drive by Chii.)

~Music?: There sure were songs. Obviously, they are nothing to me.

The Bad: CW for.... somehow all the big things to an extent.

~Fanservice: Look, I am fine with fanservice, especially for a series that’s, ya know, not targeted at kids, big Mai Hime fan here even if I would recommend skipping the panty thief episode. And honestly the series generally isn’t fanservicey, at least by the modern standards of having the camera choosing under the skirt rather than an over the shoulder shot like I’ve seen plenty in other shows. Even the sexier outfits like the rose whip dominatrix aren’t bad BUT. When the girls fight. One takes her phallic key and drives it into another girls chest between the boobs while the loser cries in pain and then her book comes out and when the victor rips out pages, the loser’s clothes also rip. It is very SuperS Amazon Trio assault metaphor-y. There’s also a bit of fanservice with the sister becauseeeee....

~Incest: If you read the premise up there, first wow good job because I’m sure not re-reading that, you might have noticed I said MC ends up with his sister. As someone who is a big mythology fan and watches plenty of anime, I have a decent tolerance for your obligatory ‘oh we’re siblings but actually cousins so our feelings are okay’ or whatever the fuck Citrus has going on I don’t know that series and I don’t vibe BUT. I have limits and boy did this series go beyond that because multiple episodes are dedicated to the sister being in love with the brother? And the brother returns her feelings but knows that they are wrong so he put everything he likes in his sister into his version of Alice who, of course, physically manifests as Arisu who he creates accidentally with his uh. Magic imagination powers. But again in both versions MC still ends up with his sister. Hey, at least the manga eventually said the boy was adopted when the sister was like, 3, so if nothing else no blood relations? The anime did not ad this. -_-

~Under Utilized Characters: Arisu’s gradual revelation that she has no childhood memories because she isn’t a real person is so interesting and they don’t do nothing with it but also? That’s the kind of thing I personally would love to dig into and Kagihime, while touching on this world shattering revelation, easily loops back to So Anyway She Should Fight For The Man and to hell with developing a life or personality outside of what has been written for her. The rest of the main 5 were 2 note characters which. Could be worse? The most interesting character ends up being the child genius who accidentally murdered her childhood bestie (and/or lover? depending on version) and her coming to terms with that (the friend is alive but the version changes how and why she thinks she’s dead). Then the villain has the motivation of ‘i lost my creativity and now have become an immortal living outside of normal space and am getting girls to fight each other because that’s like a story so I’m still relevant right?’. But shoutout to the anime for then taking death of the author literally. The numerous other girls are canon fodder outside of like. The manga version of the dead gf and the little match girl.

~Battle Royale: This is not a thing I have an issue with generally. Again, but Mai Hime fan, I need to read MGRP 11, BUT by not developing the non-main girls there is no emotional connection which makes them just canon fodder and that’s boring as sin for a royale system. The initial main character fights revolve so much around the MC guy being there that they fall flat, and the 2 or 3 final battles in both versions still feel without any stakes. Also for a royale thing most of the characters don’t actually die, which cool! Neat! Except when they do? Some nobodies and a somebody are murdered (at least in the manga) and the tone never feels like it’s supposed to be upping the stakes, it’s just. Some people are dead now. And do you want to guess which of the main characters died?

~Gays: Oh boy the best friend of the brother-complex sister is in love with her and (in the manga) dies. She does apparently get better for the last chapter but the death itself is only felt by the rest of the cast for a page or two before we go back to feeling sad big brother wants to kiss his mentally generated sister clone rather than his actual sister u_u. Bury your gays is nothing new, but I wonder if it was also intended to be justified because Guess Who Is Creepy and a bit Perverted? Oh look the lesbian keeps the used swimsuit of her beloved and manipulates events to get an indirect kiss and when she sees the sister trying to strange Arisu for a moment she decides to do it for the sister? It’s not good. You want bad gay rep in a magical girl series, well here ya go. We also had a nobody in the first(second?) episode whose story pages reveal her having a kiss with a girl, and then we also have the prodigy again and- in the manga- her. Uh. childhood lover who she thought she killed but the girl has been wiping her mind over and over so prodigy remembers ‘killing’ the friend and not the she’s alive so she can keep? fucking with her? Toxic!

~Sexual Content: But wait you say, you already covered fanservice! Ah but that is sexual content for titilation. This is sexual content for dramatic backstory! The red riding hood character was sexually assaulted, another character was manipulated into sex first as a teen and then more often to ‘get into the publishing industry’, and the same writer forces some aggressive kisses on the MC. None of it is gratuitous which is nice, but also, was it necessary? Not making a new point for this but read riding hood’s dog was also murdered so unnecessary animal death gets tossed on in there.

~Male Lead: You can have a male, non magical character as the main character surrounded by magical girls. This is not how to do it. If I can make a vicious and hopefully not understood reference, Aruto is basically Tate from the Mai Hime Manga. If you understood that, I am so sorry. If you didn’t, congrats! Don’t read the manga. Or do and send me asks about the iconic final page of the first volume (18+). Anyway, this dude is boring, everything revolves around him, BUT I’ll be generous and say at least this isn’t a harem series? It looks like it out of context but it’s just a triangle with a fun attached scientist and token lesbian.

~Premise: They didn’t make good use of it. The initial goals of ‘take other girls pages from their soul books because if we get enough we unlock a third alice book’ is good! And then we add the twist that that was never going to happen and either if we get all the pages we can grant a wish, or these fights are just happening for the amusement of and asshole. Either way, yeah okay I guess. But at no point do we ever achieve this forbidden wish granting book and the asshole just. Lives. Nothing happens to him. His peers don’t even dunk on him. The only real changes from the beginning and the end of the series are: the siblings are now chill with dating, and the scientist lady won’t turn into a child in magical spaces. Oh. Yeah.

~Why did we make this adult a child sometimes?: I think we know why. Stop trying to get those types of folks to watch your already meh series. I also could have sworn at points in the past looking up images for this series I’ve seen extra art for Yuuri the Thumbelina-y Alice User that seemed like it would fit alongside anything by POP. You know, the Moetan guy. If you don’t know, god I wish that were me.

Wrap Up: I have definitely forgotten some points and am well within my rights to ad to this whenever I remember more points but uh. Yeah.

Listen you want an alice themed battle royale with nice outfits? Rozen maiden is right there. Battle Royale magical girl series that’s good with fanservice? Mai Hime. Series with different outfits while being based on a classic story? Pretear.

Hope anyone who read all of this at least got what I was saying, even if they don’t agree with it. And thanks for reading because whoops.

#why do ya'll let me write so damn many words #thanks ya'll for letting me write so many words #kagihime eternal alice rondo #long post #text #not fashion #whoops 3k words

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statusquoergo · 3 years

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Can we talk about how much of the ending montage of the finale was just marvey moments? They weren't even chronological, it was all these other moments with other people (the one clip of Jessica was from the 'How do you know I'm thinking about Mike Ross?' 'Who else would it be?' scene) interspersed with classic marvey faves especially from the pilot, like Harvey just kept coming back to meeting Mike as the thing tying it all together, his underlying theme at the end of his journey was Mike Ross.

p.s. re: the ending montage, it's even more obvious if you watch it without the music somehow

We sure can talk about that ending montage! (Before we get into the Marvey-ness of it all, though, I just gotta say that especially watching it out of context, and especially with the soundtrack muted, Donna approaching Louis at the elevators and then him biting his lip and them holding hands as the doors close definitely reads to me as a Lonna moment.)

So. Structural critique. A couple of things read weirdly about this whole setup; first of all, they cut immediately, and I mean immediately, from Harvey looking...nostalgically? Mournfully? Reverently? at the painting his mother gave him of baby!Harvey watching Lily paint that stupid duck painting to the first clip of the montage, i.e., Mike’s briefcase breaking open at the interview. So this is either a “Look how far we’ve come” overview, in which case I’m confused that it starts off with a reference to Lily, since she doesn’t come up again so the painting has no referential anchor point, and the montage itself doesn’t specifically reference Harvey’s childhood or life before coming to the firm in any way (which isn’t to say it’s not a nostalgic overview, but if so, it’s very poorly arranged), or it’s a commentary on important people in Harvey’s life, in which case it sure is interesting that we go straight from Harvey’s mother to Mike, given that literally the only link between them is that Mike showed up at her funeral to support Harvey.

Getting down to a granular level, the clips in the montage are:

1. Mike crashes Harvey’s interview (s01e01) 2. Harvey lectures Mike about the importance of a good first impression (s01e03) 3. Jessica advises Harvey to support Mike in being himself (s04e02) 4. [Flashback] Harvey and Louis give each other shit right after Louis becomes a junior partner (s02e08) 5. [Flashback] Harvey and Donna's first meeting (s04e16) 6. Harvey invites Mike to come with him to visit Ava Hessington (s03e03) 7. Harvey yells at Mike for not coming to him when Jessica threatened him (s03e01) 8. Mike tells Rachel he’s a fraud (s02e16) 9. General cycle of clips of everyone supporting each other over Harvey’s dialogue that “We’re not just colleagues, or even friends. We’re family.” (s05e10) 10. Mike does finger guns and Harvey swerves out of the way (s01e01) 11. “Life is like this. And I like this.” (s01e10) 12. Mike and Rachel reunite when Mike gets out of Danbury (s06e09) 13. Harvey and Donna make out (s08e16)

And for a bit of analytical commentary:

1. The start of the series and introduction of the premise, this is an obvious choice. 2. An interesting direction; possibly a commentary on Harvey’s general life philosophy, this could also be interpreted as a continuation of the Harvey-Mike dyad established in the pilot being the show’s central focus, particularly when one considers that it comes on the heels of Harvey’s rather...interesting first impression of Mike. 3. Lacking context, this is just an excuse to showcase Jessica in the montage as Harvey’s mentor; with context, it’s easy to interpret as another reminder that the show is centered around Harvey and Mike as a pair. 4. This is a weird moment to choose because while it fits the direction of Louis’s ultimate story line quite well, from struggling in Harvey’s shadow despite his considerable accomplishments to becoming head of the firm, it doesn’t fit in with the other incidents Harvey’s recalled up to this point; this is for the benefit of summarizing the show, not consistency with the direction of Harvey’s thought process. 5. Another moment for the benefit of summarizing the show that comes otherwise out of nowhere. 6. While this gets us back on track with Harvey’s train of thought prior to the Louis interruption, it really has nothing to do with anyone other than Mike and Harvey; in fact, it’s very much about a moment of reconciliation between the two of them. (On the surface, it’s merely circling back around to the Harvey-Mike dyad, but if you want to go full conspiracy theorist, it’s like...an apology to the viewer, or to Mike, that the narrative got distracted for a minute. And that’s an extremist interpretation that I’m not advocating as truth, but it’s also kind of funny, so I’m mentioning it anyway.) 7. Harvey needs Mike. Harvey needs Mike to need him. There’s not a whole lot of maneuverability in that one. 8. The interesting thing here is that the clip stops right before Mike and Rachel kiss. Showing it would require an extra two seconds of footage and could have been fit in, but the way it’s cut puts the emphasis not on them as a couple but on Rachel’s sense of betrayal after Mike’s deception. 9. The first clip of this montage-within-a-montage is of Rachel hugging Louis, which follows naturally from Rachel interacting with Mike as a way to ease the focus from Harvey-and-Mike to...literally anyone else, but also sets up this quick cycle of clips as kind of a catchall for “characters being supportive of one another because they’re not just colleagues they’re also family but also we need to fit in everyone who isn’t Harvey and Mike because this is technically an Ensemble Show™.” 10. Okay what the fuck, there’s absolutely no reason for this to be in here except to emphasize Harvey and Mike’s camaraderie and easy friendship. It’s from the pilot, for crying out loud. 11. This one is a little bit of a wildcard in that it both re-centers us on Harvey and Mike as partners (reading just slightly deeper into things, Harvey hired Mike in the first place in part because he likes taking risks, but also, having Mike around makes his life exciting), and could also serve as another general commentary on Harvey’s life philosophy. 12. Yet again, this is a Mike-Rachel moment that ends right before the Machel part. Mike walks out of the prison gates and Rachel gets out of the car, but they don’t noticeably move toward one another, let alone actually hug. Maybe this is out of sensitivity toward Meghan’s status as the Duchess of Sussex? (Or it’s a liability issue, I don’t know.) 13. This makes sense as a conclusion to the montage because the final season is largely focused on the Darvey narrative, or trying to establish the Darvey narrative, but it also comes out of nowhere in that very little of the rest of the montage has featured Harvey and Donna as a couple, or even a pair, with the exception of their first meeting (which was right on the heels of Harvey and Louis interacting, making it less an intimate start-of-something type of scene and more of a “Hey remember when the show was just about these six specific central characters, well, now we only have three of them left” tag).

In summary: Boy that sure is a lot of Marvey and Marvey-adjacent content for a series of clips that are supposed to be about everyone but are in fact badly disordered and don’t tell much of a cohesive story. Looking back, especially with this legend of episode citations, it really does seem to be a pretty slapdash collection of some editor’s favorite scenes, or more likely Korsh’s; it doesn’t even have a very smooth emotional trajectory, it’s just a bunch of stuff that happened in no particular order. Oh well, I’m sure they had fun putting it together probably.

Thank you for...asking? Well, thank you for bringing this up, anyway!

#marvey #analysis #Anonymous

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jjongleurs · 3 years

Text

Here we are, yet again on my great 2020 re-watch of Supernatural. Just for a bit of context: I have not watched these earlier seasons in maybe about 6 or 7 years, and although I do remember some some things like general plot and some of my favorite moments, a lot of it is pretty blank. Between then and now, I have also had my Great Bi Awakening (this is a little important for when I get to talking about bi Dean).

I am now on 5x3 “Free to Be You and Me” and THIS EPISODE. Before I start babbling about how much I love this episode and the multitude of reasons why, let me just debrief about what I have seen so far of the Dean and Cas dynamic.

They started out simply just working together, but they’ve slowly built up trust and some affection for one another at this point. It’s still very fresh and new, and it’s starting to solidify into their friendship. Dean has begun to genuinely trust and depend on Cas which is HUGE, and Cas... oof. Cas has already started to have feelings for Dean he doesn’t understand. We see him struggle with these feelings through his facial expressions quite a bit. The confused head tilt we all know and love, and the more subtle yet somehow more obvious look.

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Start playing at 1:24 to see what I mean by the look. Cas observes intensely, then looks down. I think in this particular instance Cas was feeling some kind of faint jealousy he doesn’t know how to recognize yet. We all know Cas had begun to change from the moment he pulled Dean out of Hell, and with that came human emotions. Moments like this keep happening in regards to Dean, and its not always exactly romantic. Cas often has these moments where the gears turning inside his head are practically visible as he tries to decipher whatever new emotion Dean stirs up in him. Here it was jealousy, but we have also seen doubt, defiance, affection, and the emotion we are beginning to see more and more often is care, specifically towards Dean and humanity. Cas’ feelings for Dean start developing in season 4, but Dean’s? They start developing in season 5.

This is where my blabbering on how much I love 5x3 begins. Dean, the ever repressed bisexual—yes, even before Cas, it was becoming apparent around 2x11, I can also make a post about this if y’all want—has already cemented his friendship with Cas, but now he’s dealing with attraction! This attraction, I think, is both of the romantic and physical sort. And Dean’s already kicking himself for it.

So, this is where my background (and many of yours, I believe) as a queer person becomes important in deciphering Dean’s attraction to Cas. When I first saw these episodes for the first time, I had no idea who I was (well, the sheer amount of repression I dealt with made it so) and was doing the same dumb things as Dean. Now, having come to understand myself and my past actions as a bi person, I feel like I can understand Dean, too.

Firstly, let’s take a look at the Thelma and Louise clip from this episode. For context, it’s a reference to a movie which ends with two women, friends who have been through a lot together, holding hands and kissing before driving their car off a cliff to escape being captured by the authorities.

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Dean here is drawing parallels between himself and Cas to Thelma and Louise which FLOORS me every time. This is also where I think the romantic attraction comes in because Thelma and Louise is the reference he chose to make. This is where my experience as a dumb, repressed bisexual comes into play. It’s hard to articulate what this exactly means to someone who hasn’t experienced it, but being a repressed bi comes with something akin to intrusive thoughts (which are just the gay feelings we don’t yet understand) and lack of a filter at times. Not to mention the mentally kicking oneself à la why did I even say that, that was so stupid of me, what does that even MEAN, oh my god I can never speak to this person again why am I so dumb. You can see Dean doing just this and mentally kicking himself at 0:14 where he’s closing his eyes for a second and slightly shaking his head. He knows what he just said is low-key REALLY gay, and it doesn’t matter that Cas doesn’t understand the reference because HE understands it but he has no clue why he said it. He probably laid in bed awake in the middle of the night ages later asking himself why the hell did I say that???

Second, this hilariously glorious clip wherein Dean says, with certainty, that Bert and Ernie are gay and that Cas isn’t going to die a virgin.

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Dean is amused and surprised by the fact that Cas hasn’t done the deed, and I can almost certainly guarantee that his first thought wasn’t to take Cas to a brothel. His first thought was probably a more... involved plan *cough cough* but he treated that like an intrusive thought like the poor repressed bastard he is. The reason why I think this? The “There are two things I know for certain: 1) Bert and Ernie are gay, 2) you are not gonna die a virgin.” line. There was NO REASON for those two things to be put in the same sentence other than the weird inner-workings of the repressed bisexual. See, our brains are kinda funny like that. Even when we are trying our hardest to not think about our physical/romantic/whatever attraction to someone in a non-heterosexual manner, sometimes we fail spectacularly. The filter between our mouths and brains? Temporarily gone sometimes. Things just slip out without us meaning them to, and sometimes they’re accidentally super gay.

(Also, because I can’t just not mention it, Cas being all flustered and ruffled feathers about being asked if he’s a virgin by the one human that makes him feel things? *chef’s kiss*)

In conclusion, Dean is a disaster bi and Cas is starting to feel things. This is the first episode I can point to and say, specifically in regards to Dean and Cas, there is no heterosexual explanation for this. And it’s just the beginning.

#destiel #deancas #dean #cas #castiel #supernatural #somehow both dean and cas are my comfort characters #maybe it's because they do the same stupid shit i do #but come on they're ridiculous #how can they be *that* gay for each other and *that* oblivious #the typical oh no I've fallen for my best friend but I'm not straight so I'll only realize that after I process it for ten years gays #they're falling IN LOVE #and we GET TO SEE IT #rewatch rambles #aria rambles

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commentaryvorg · 3 years

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Digimon Data Squad Dub Comparison Episode 6 - The Ultimate Team No More?

This is a companion to my commentary on the original Japanese Digimon Savers! Reading my commentary on the original version of this episode (which you can find here) is recommended before reading this dub comparison.

Original name ~ Dubbed name

Masaru Daimon ~ Marcus Damon

Yoshino Fujieda ~ Yoshino “Yoshi” Fujieda

Tohma H. Norstein ~ Thomas H. Norstein

Sayuri Daimon ~ Sarah Damon

Chika Daimon ~ Kristy Damon

Captain Rentarou Satsuma ~ Commander Richard Sampson

Katsumata ~ Boomer

[Since several characters share the same name between the original and the dub, quotes from the dub will always be in italics, while quotes from the original will not, in order to distinguish them.]

Yoshi: “But does he wait? Of course not! Not Mister Reckless!”

Yoshi has some added exasperation at Marcus in the dub and I approve.

Masaru: “Aw, he’s annoyed at himself.”

Agumon: “Yeah, he’s annoyed.”

~~~~~

Marcus: “What’s wrong, ya jealous?”

Agumon: “Sorry, but no autographs!”

how does Agumon know what an autograph is

Agumon: “As if any Digimon could beat us when we’re fighting together!”

Masaru: “Yeah! Because we’re the strongest combination ever!”

Agumon: “Ever!”

~~~~~

Agumon: “We’ll just win again, of course! There’s no Digimon that can beat the ultimate team!”

Marcus: “Yeah! Agumon and I are the strongest team ever!”

Agumon: “Yeah!”

The original brought in Masaru and Agumon calling themselves the strongest combination ever kind of transparently for the purpose of this episode. However, because Marcus and Agumon have already called themselves “the ultimate team” before in the dub, this works better and doesn’t seem quite so obvious.

Dub-Agumon doesn’t have that quirk original-Agumon has of echoing the last word or so – or maybe a whole sentence as in the previous quote – of Masaru’s lines for emphasis. Not necessarily a bad thing, just that the dub Agumon has different quirks.

Lalamon: “This is the worst…”

Yoshino: “That’s my line.”

~~~~~

Lalamon: “Well, at least they don’t lack confidence.”

Yoshi: “No, they just lack common sense.”

Lalamon doesn’t get to steal Yoshi’s catchphrase, but instead she and Yoshi do some very warranted snarking.

Agumon: “Sarah, you’re a genius chef! Yum!”

Marcus: “Hey! How many times do I have to tell you not to call my mom by her first name!”

In the dub of the earlier episode where original-Agumon started doing this, dub-Agumon actually didn’t happen to use Sarah’s name, so this is the first time he’s done so onscreen. Still, I suppose Marcus’s line implies he’s done it multiple times before now, so this is the dub catching up by implying it’s been happening for a while even if we haven’t seen it.

Agumon: “But Sayuri is Sayuri. Chika is Chika. And Aniki is Aniki.”

Masaru: “That’s not what I mean!”

~~~~~

Agumon: “Kristy is Kristy, Sarah is Sarah, and Boss is Boss.”

Marcus: “‘Boss’ is not my name!”

Agumon: “Oh. Well, still.”

Instead of Masaru failing to articulate why it’s weird for his friend to call his mom by her first name, Marcus shifts to an entirely different argument which almost might be implying he doesn’t really want Agumon to call him Boss? That could be considered relevant to this episode, but it’s almost certainly not deliberate.

Masaru: “It’s manners for the follower to hold back!”

Agumon: “Look who’s talking! Giving things to the follower shows off an aniki’s generosity!”

~~~~~

Marcus: “Whatever happened to me being the boss here?”

Agumon: “Consider this an employee profit-sharing program.”

????? Agumon how on earth do you know what one of those is. I don’t even know what one of those is. Also, way to make this sound 1000% like a small business even though that never made any amount of sense.

This is basically making the same point as the original that Agumon feels Marcus ought to let him have the last fried egg as part of a boss’s generosity, but man does that get kinda lost in the ridiculous small-business joke.

Sayuri: “Oh my, they really know what they’re talking about…”

Chika: “That’s because they saw it on TV yesterday.”

Sayuri: “Still, it’s amazing that they’re studying while watching TV.”

~~~~~

Sarah: “Oh boy. Well, dinner just got a lot more interesting.”

Kristy: “Why do boys always have to act like boys?”

Sarah: “Oh, believe me, Kristy, one day you’ll be glad they do.”

The original exchange between Sayuri and Chika here was very strange – I think the subbers didn’t quite get what was meant to be going on there, because their take on it doesn’t really make sense – so the dub changing it to something else is quite reasonable. But Sarah being heteronormative at her daughter was really not what they needed to change this to.

(Is this implying that Sarah was/is into guys who are this kind of ridiculous idiot? Actually, uh, knowing about the kind of person Marcus’s dad is, that’d make… a good bit of sense. Oh dear.)

There’s some similar bickering about snoring here, but then also, still in the background:

Marcus: “That’s it! You’re fired!”

Agumon: “You don’t even pay me!”

Can we not with the small business jokes! It makes this whole thing so difficult to take seriously as a meaningful bond between fighting partners, which is kind of what this whole episode is meant to be focusing on. Also, as usual, how does Agumon even know that an “employee” is supposed to get paid; his entire experience with the word should be limited to what he is to Marcus. And Marcus saying “you’re fired” really should be taken as him officially breaking off their partnership, but this isn’t the part where that happens yet. (Though honestly I’m glad that when we do, we won’t be doing the small business jokes there.)

Agumon: “Well, I’m not gonna bail you out any more, Aniki! If I wasn’t there for you today, you would’ve been screwed!”

Masaru: “What?! Don’t be so damn egotistical! You can’t even evolve without my Digisoul!”

~~~~~

Agumon: “Fine, don’t count on me to bail you out any more! Face it, you’d be totally lost without me!”

Marcus: “What?! Gimme a break! Without me you couldn’t Digivolve! Without me, this team would be nothing!”

I’m quoting this whole thing even though it’s basically the same as in the original, because this exchange is very important to the entire episode and I’m really glad the dub kept it intact. Boy could they have ruined the whole episode if they messed up this part, but they didn’t.

(I shouldn’t have to bring this up like it’s remotely remarkable, but after the fire-punching fiasco in episode 3, apparently it is.)

Marcus’s “without me this team would be nothing” is a bit harsher and more jerkish than originally, though that’s probably partly because the dub had more lip-flap to fill. It’s making Marcus more of a jerk like usual, but at least in this instance, Masaru being something of a jerk originally was actually the point, so this doesn’t stick out as much as it does sometimes.

The noises Agumon initially makes in reaction to Marcus’s comment here are a lot angrier in the dub, whereas originally it was more like upset floundering at the realisation that that’s true, before he snapped.

Agumon: “Damn it! I can’t do this any more! I’m done being your follower!”

Masaru: “Oh yeah, well, I’m out too! We’re not Aniki and follower any more!”

~~~~~

Agumon: “That’s it! I can’t take this! I don’t want you to be my boss!”

Marcus: “That’s just fine by me! I don’t wanna be your boss, either!”

At least the dubbers had the sense to deliberately avoid using the word “employee” here and keep the small-business nonsense out of the part that really matters.

Tohma: “You’re arguing over something so trivial.”

Masaru: “It’s not my fault!”

~~~~~

Thomas: “You’re being immature, even for you.”

Marcus: “Y-Y-*You’re* immature!”

The joke of Marcus proving how immature he is means that instead he’s snapping at Thomas, somewhat shifting away from the issue with Agumon. Meanwhile, Masaru was more subtly and relevantly showing his immaturity by trying to insist that their argument is totally all Agumon’s fault and not even slightly his.

We also lose the interesting implications of Tohma thinking this whole argument is over something trivial.

Masaru: “Fine! I’m more than enough for one or two Digimon!”

~~~~~

Marcus: “Hah. It’ll probably be *easier* without you, just you wait and see!”

Marcus’s extra jab about it being easier without Agumon shifts this more into an insistence that Agumon was somehow holding him back, rather than focusing on the more relevant point that he simply wants to feel like he can do this without help from anyone.

Agumon: “We’ll see about that, Aniki!”

~~~~

Agumon: “Hmph. Good luck, ‘cause you’re gonna need it!”

By wishing Marcus good luck, even if he means it as an insult, dub-Agumon is implying somewhat more of a sentiment of at least not wanting Marcus to get himself hurt doing this, which original-Agumon didn’t realise until later.

(Dub-Agumon doesn’t happen to call him Boss in this line, but he did so in an earlier line, so he is still doing that in the dub, too.)

The point I made in the original post about how these two scenes feel like one connected scene that ends on the note of Masaru going off to prove himself rather than them falling out doesn’t quite apply as much in the dub. Partly it’s because the dub doesn’t have the opening here, which isn’t its fault, but it also uses different BGM in each scene.

Elecmon: “So many toys to play with!” [evil chuckling]

I’m sure you can tell without me quoting the van driver’s line that this is not Elecmon echoing anything that any human said at all. Apparently it’s coming to the human world just because it genuinely personally likes messing with electronic devices. That is not how this is supposed to work, at all. Not even in the dub’s slightly different version of things!

Masaru: “Now there’ll be peace once again in the Daimon family.”

~~~~~

Marcus: “Finally I have some peace now that Agumon’s not around.”

Marcus not mentioning his family makes this less about the petty eating and snoring concerns that the argument started off about. But this still does very much carry the tone of him trying to insist to himself that he’s totally happier this way when he very obviously isn’t.

Masaru: “I’ll do it all by myself.”

~~~~~

Marcus: “Soon he’ll see! I don’t need *him* around!”

This, though, I don’t really like. The point was never specifically about Masaru proving anything to Agumon, and it wasn’t even specifically about the fact that he needs Agumon in particular. Masaru just wanted to prove, to himself, that he could do this (whatever “this” was) by himself.

Marcus’s intonation here is also quite overly-moody, making this come across a lot more like just a temporary tantrum rather than that this is connected to something that runs deep.

The dub decides to put a commercial break after this scene rather than after the Elecmon scene where the original opening went, even though this scene is short enough that they could probably have just as easily put it before it. I… think I like that choice? The Elecmon scene was always a bit unnecessary, so lingering more closely on the note of Marcus’s moodiness feels better. (Though it specifically lingers on that dub-changed line that I don’t like much, so, eh.)

That said, this next set of scenes cutting between Masaru out on his own stewing in his frustration and the DATS members trying to talk to Agumon in his Digivice does feel like it’s supposed to be one long connected thing in the original. So I dunno.

Megumi: “Look, it’s your favourite! A cheeseburger wrapped in another cheeseburger! With a cheeseburger for dessert!”

Um, that sure is a way to have a cheeseburger. Since she’s holding what looks like a perfectly normal burger, I can only assume she’s lying to try and make it sound more enticing to Agumon. (Also, haven’t you got the memo, Megumi? Agumon’s favourite is Sarah’s fried eggs, obviously.)

Yoshino: “How will they ever make up?”

Tohma: “It’s not something we should interfere with.”

~~~~~

Yoshi: “You think those guys will ever be partners again?”

Thomas: “I have more important things to do than second guess those two.”

Originally the implication from Tohma was definitely that he imagined they would make up sooner or later and just felt it wasn’t any of his business to try and force it to happen. But Thomas sounds like he’s implying he wouldn’t care if they didn’t ever make up at all. That’d have been reasonable for him before he came to respect Marcus, but not now.

Satsuma: “They must learn why they’re important to each other. If they don’t find that answer, this is as far as they go.”

~~~~~

Sampson: “They need each other. But if they can’t see that, there’s no place for them here.”

Sampson is spelling things out a lot more explicitly for us. And it also sounds like he’s only thinking about this in terms of their suitability as DATS agents. The sense I got from Satsuma was that he was thinking more broadly about their growth as individuals and is concerned about that, DATS agents or not.

Masaru: (That little shithead. He was the one who first said he wanted to be my follower.)

~~~~~

Marcus: (I can’t believe him! He was the one who said he wanted me to be his boss in the first place. Then he gets upset when I act like a boss.)

That last dub-added part misses the point a bit. This is supposed to be about Masaru still having room to feel like he doesn’t need anyone, because Agumon initiated their partnership and looked up to him. This isn’t about Marcus acting in any particular way while being in that “boss” role at all.

(Maybe this could be read as Marcus deflecting from the real point here – but that’s not even necessary, since the real point is him being able to tell himself he doesn’t need Agumon. Masaru was also essentially deflecting from that.)

Masaru: “Damn it!”

~~~~~

Marcus: “This day just keeps gettin’ better and better…”

Marcus has more to say as he almost falls over from his missed baseball swing and leaves. I’m not sure I like his comment here, like he’s just thinking about this as one of those Bad Days where everything goes wrong, as if he was playing baseball as a totally unrelated way to pass the time and then this mishap just added to the Bad Things pile. Really, Masaru’s playing baseball because of the initial problem, as a way to physically let off some steam, and then he probably messes up as a result of that frustration of his, which only serves to amplify it.

Maybe it’s just the tone I don’t like as much – Marcus simply sounds fed up and exasperated, rather than actively frustrated about something that isn’t really the baseball at all.

Lalamon: “You always said you hated being in the Digivice because you were alone.”

~~~~~

Lalamon: “You said you hated being in the Digivice because it’s cramped and lonely.”

Ayy, the dub is still consistently sticking with its added emphasis that Agumon doesn’t like cramped spaces. I’m so weirdly pleased at this one bit of extra nuance that they manage to be completely consistent and also not-too-unsubtle about – probably because they’re not usually nearly this good. It’s to the point that I’m starting to have a strong theory that someone on the dub writing team had claustrophobia themselves and was projecting this onto Agumon, making consistently writing it this way personal to them, because they otherwise do not usually care enough to think about and follow through with the implications of minor changes like this.

Agumon: “You two wouldn’t understand.”

Gaomon: “That’s for sure. But that’s why I’m interested.”

~~~~~

Agumon: “Just drop it, you guys, you don’t understand!”

Gaomon: “It’s disgraceful. A member of DATS should take pride in his partnership.”

Original-Gaomon was simply curious here, perhaps showing a side of him that’s similar to his master’s very scientific approach to things. Dub-Gaomon is also showing similarity to Thomas in his strong sense of duty (plus pride in his partnership because he’s a dog)… but he is also kind of being more of a dick in the process.

Gaomon: “Fighting with your master…”

~~~~~

Gaomon: “Arguing with your superior…”

Since dub-Gaomon doesn’t call Thomas “Master”, this had to be changed, and this is a perfectly reasonable change, but it does still give Gaomon more of a sense of being an army grunt rather than a loyal dog.

Gaomon: “Interesting. And why do you argue so often, do you think?”

Gaomon’s tone at the end here is also kind of dickish, like he’s implying that it should be obvious why Lalamon and Yoshi argue a lot. Geez, dub-Gaomon, chill.

Lalamon: “Yoshino’s always really lazy! She doesn’t clean up her room, she doesn’t fold her laundry, she has bad sleeping habits and—”

~~~~~

Lalamon: “Yoshi’s great, but she’s bossy and messy! And you should see what she does with her toenail clippings—”

“Bossy” is a lot more in line with the Yoshi we already know (at least towards Marcus, who kind of deserves it), though the “messy” part is similar to the original in hinting at a side of her we don’t usually see. But overall – no thanks in large part to the toenail clippings joke – there’s much less of a sense in the dub that Yoshi’s an entirely different person at home and that she doesn’t work nearly as hard in her home life as she does at DATS.

Katsumata: “Da… Daimon!”

Masaru: “Katsumata? You’re still hanging ‘round here?” [he turns to walk away]

~~~~~

Boomer: “Huh? Oh… Marcus!”

Marcus: “Hey, Boomer. Uh, sorry I can’t really talk right now. I’ll see ya.” [he turns to walk away, muttering under his breath] “Doof.”

Masaru’s interaction with Katsumata is obviously somewhat unfriendly from the start, based on both their tones and Masaru’s implication of “I thought I drove you out of this turf”. But Marcus and Boomer are both being… polite to each other? I would have assumed they were friends based on this, until Marcus insulted him under his breath.

Which, since they’re evidently not friends – especially given what’s about to happen – just makes it come across as incredibly off that Marcus even pretended to be polite to him in the first place. Masaru would never do that; he never beats around the bush and would never hide it if he had a problem with someone. That straightforward sincerity he has is a really big part of his character and I am sad to see so much less of it there in Marcus.

Since Marcus was enough of a jerk to pretend to be nice and then insult them under his breath, it then also comes across like Boomer and his cronies surround Marcus for a beatdown mostly because of that, rather than that they’ve had a run-in with him before and want revenge.

Masaru: “What bad luck.”

Katsumata: “Cursing your fate won’t do you any good.”

Masaru: “I was talking about you. I’m extremely pissed off right now!”

~~~~~

Marcus: “You *don’t* wanna start a fight with me today.”

Boomer: “Just ‘cause it’s five against one? Hah. We’re callin’ the shots this time around.”

Marcus: “Is that what you think? Back off, Boomer, before I teach you bullies a lesson!”

Boomer: “Yeah, right. Get him, guys!”

On the other hand, Marcus’s “today” does imply that he might have had a fight with this dude sometime before. (Unless he just means “start a fight with me” in the very general sense that people often come to him looking for a fight and not necessarily this guy in particular).

That line is also the only part of this scene that gets across the important sense that Marcus is especially in the mood to give someone a beatdown right now because of everything that’s been going on.

The rest of it… really doesn’t. Bullies? I don’t know if this is trying to say that these guys are known bullies that Marcus has heard of or dealt with before (in which case, why would he bother being nice to them?), or just a comment on the fact that they’re surrounding him five-on-one (though Marcus isn’t entirely innocent in this, since he insulted them first). But either way, this is the dub trying to reassure us that, hey, really, it’s okay that our protagonist beats up these guys, because they’re bullies! They’re bad guys! Marcus is being the good guy here, see!

That is not supposed to be the point of this. Masaru wasn’t beating up unwilling bystanders – he would not do that – and only did this because these dudes were looking for a fight. But this is very much supposed to be Masaru doing something that is kind of not okay, as a result of his frustration with himself set off by his argument with Agumon. That’s the point! It’s good for this to not be a great thing for Masaru to do! Characters – even good characters – are allowed to do bad things. That’s what makes stories more interesting.

Marcus also at least tries to de-escalate the situation by warning Boomer to back off. That makes the resulting beatdown a lot more on Boomer for refusing to listen, and a lot less on Marcus, who is at this point mostly acting in self-defence. Apparently Marcus would have been perfectly happy to walk away from this if they’d had second thoughts and left him alone.

But Masaru never gave them that chance. Once they’d incited aggression first by surrounding him, Masaru took that as a free excuse to start letting loose on these dudes without giving them an opportunity to change their minds. He wanted an excuse to vent his frustration through violence and wasn’t going to back out of it once he’d been given one. Again, that’s the point.

Agumon: (Aniki hurt my pride.)

~~~~~

Agumon: (You really hurt my feelings, Boss…)

This is almost the same, but hurt feelings is a bit more of a general idea that hurt pride. Pride in particular is especially relevant here, since Agumon and Masaru both have a lot of it and that’s a big part of the reason why this is happening.

At least the musical cue as Marcus stands over the beaten dudes is appropriately sinister and painting Marcus as very much not a hero in this situation. The dub soundtrack people have the right idea, even if the dub writers don’t.

Marcus: “See? I don’t need help from anyone.”

Marcus has an added silence-filling line as he walks away, pointing out things that were already implied in the original because who needs subtlety. Also, hey, look, it’s almost like he really did just beat up those guys for his own issuey reasons and not because he was being a good guy defeating the bullies, how about that!

Though I also think this is somewhat missing the point. Yes, a lot of this episode is about Masaru trying to insist he doesn’t need anyone’s help. But this particular part is also here to show that his usual pastime of street fights against other humans isn’t enough for him any more, that he needs something more that fighting Digimon can give him. That’s what’s supposed to be the main thing on his mind as he walks away from this too-easy victory, rather than the more general don’t-need-anyone issue.

This whole part is one of my favourite delightfully-subtle bits of this episode, and the dub watered it down so much.

Old man: “Well, well, my angry young friend.”

Pfft. Not an inappropriate thing to be calling him right now.

Old man: “The things you truly need appear even when you’re not looking for them. That’s because you understand why you need them.”

~~~~~

Old man: “The things you truly need appear even when you’re not looking for them. So look for what’s new in your life and figure out why you might need it.”

Unlike last time the old man showed up to be vague and metaphorical, this time the dub actually translates his speech almost entirely word-for-word! Amazing. This is the one bit that’s slightly different – but if anything, the dub’s version makes more sense at a part where the original was a little bit “???”, so, hey, good job. This does also mean that the old man is somewhat more actively giving Marcus advice in the dub than in the original, but that doesn’t really make a difference anyway (because Marcus is still not listening).

Boomer: “What luck. I can’t believe I lost to Marcus again.”

Okay, so the dub is definitely going with the fact that Boomer is someone Marcus laid a beatdown on before today. They really shouldn’t have thrown doubt on that to begin with by having them sound like they’re being polite to each other in that earlier scene.

Katsumata: “Damn it, the stupid light’s taking too long again! Come on, change!”

Elecmon: “Lights, change!”

~~~~~

Boomer: “Why won’t these stoplights change already?! C’mon, c’mon!”

Elecmon: “More toys to play with!”

…So, yep, Elecmon coming here is totally unrelated to anything Boomer is saying or feeling. And therefore it’s nothing to do with Marcus that this is happening. (Which also makes it a hugely convenient coincidence that he happens to be nearby to this Digimon incident when he doesn’t have DATS to tell him where to find it.)

Agumon: “I decided I wouldn’t come out until Aniki apologises.”

~~~~~

Agumon: “I’m staying here until Boss apologises, so blame him if something goes wrong!”

Dub-Agumon is being more of an immature dick here. If something goes wrong that he could have helped with, it’s totally not his fault for choosing to put his personal issues above the importance of the case, sure.

Bystander: “I still can’t believe that no-one was seriously injured!”

Yeah, sure, dub, you just fill a silence with this to reassure the kids. It’s a huge flaming car crash, but it’s fine! Nobody was even really hurt, let alone killed!

Masaru: “It’s okay. You’re not hurt anywhere.”

~~~~~

Marcus: “It’s okay, kid, you aren’t hurt. Thanks to me, of course!”

Marcus, unlike Masaru, feels the need to make things about himself here, somewhat putting the damper on his selfless moment of heroism. Not completely, but he comes across as slightly less genuinely selflessly good as a result.

(It could be read like that comment is a result of the I-can-do-everything-alone issues he’s having this episode, but it feels like now of all times is when he should stop acting that way at all. That was the idea behind this bit in the original. Marcus’s tone for that part is still quite soft, so it also doesn’t sound like it’s part of his overcompensating.)

Agumon: “Aniki!”

~~~~~

Agumon: “Oh no!”

Because “Aniki” is two lip-flaps, they can’t just replace a lone “Aniki!” with a lone “Boss!”, so instead Agumon says this, coincidentally sounding more worried than he did originally.

Yoshi: “Marcus, where’ve you been? Why didn’t you contact us?”

Marcus: “I’ve been busy doing my job!”

Yeah, sure, doing your job definitely includes playing baseball and beating up some random dudes. (Masaru did not try and make any such claim.)

Yoshino: “You don’t have a partner, so just wait here.”

~~~~~

Yoshi: “Without a partner, you’re useless, so just stay out of the way, Marcus.”

Yikes, Yoshi. Calling him outright useless like this is going to rile him up even more.

With the dub’s insistence on using its evolution music every single time someone evolves, at least these shorter evolution animations mean that the music doesn’t awkwardly loop exactly twice, and instead it plays smoothly through the two animations.

Masaru: “Even if I am [being absurd], I’ll use it to cut through a new path! That’s what a man does!”

~~~~~

Marcus: “An ultimate fighter never quits! Let’s go, you overgrown puppy!”

Even aside from removing the manliness part, they also removed the rest of what was fun about this line. Masaru has a delightful insistence about how he doesn’t care if he’s being absurd, that can be a good thing that’ll help him win! Marcus is just… never quitting, and then trash-talking his opponent. Which is fine, but… simple.

Agumon: “Aniki!”

~~~~~

Agumon: “Oh, Boss!”

More ways for the dub to get around the lip-flap issue with short exclamations like this.

Yoshi: “Chasing something we may not be able to catch, to save someone who doesn’t want to be saved! Marcus must be terrified all alone.”

[cut to Marcus on Garurumon’s back]

Marcus: “Yaaaaa-hooooo!”

Look, I get the joke they’re going for here, but doing so compromises two characters. Why would Yoshi even worry about Marcus being terrified, after she literally just complained that he won’t want to be saved? She knows him, geez.

And then Marcus having great fun riding the Garurumon would normally be perfectly fine – see Drimogemon last episode – but one of the interesting points about this part in the original is that Masaru wasn’t having nearly as much fun with this as he had with Drimogemon before, as a sign that he knows deep down how outmatched he is without Agumon.

Masaru: “Hey, asshole, how far are you gonna go? Stop sometime! Damn, my arms are giving out! Are you trying to see which of us lasts longer?”

~~~~~

Marcus: “Hey, you digital dimwit, give it up! You’re never gonna be able to shake me off you! …Except my arms are starting to get tired. Well, let’s see who gives out first!”

He’s also a lot more openly cocky about being able to hold on, generally, despite that he does admit his arms are getting tired. Masaru’s lines gave more of a subtle sense that he was hoping it would stop so he wouldn’t have to keep holding on, if still not directly admitting that.

Masaru: “Hey. Don’t underestimate me!”

~~~~~

[Garurumon growls]

Marcus: “Woof.” [he lets out a wordless battle cry]

As much as I am kind of amused by Marcus aggressively making fun of his enemy being a big dog, I am sad that this comes in place of that fun original line in which Masaru had decided Garurumon was totally underestimating him, which definitely wasn’t him projecting his own self-doubt onto it.

Masaru: “Damn it, what do I do now?”

~~~~~

Marcus: “Oh, that’s right! I’m on my own here!”

Somewhat less of a sense in the dub line that Marcus is starting to wonder how the hell he’s going to win this now.

Marcus: “…Not fun.”

Marcus has this little comment about how it felt to be slammed into a wall, and I enjoy it.

Masaru: “Am I not… strong enough to beat him…? Is it really only a Digimon that can stop a Digimon…?”

~~~~~

Marcus: “Man, maybe I’m not strong enough to defeat this guy… Maybe it really *does* take a Digimon to defeat a Digimon…”

Despite his “maybe”s, Marcus generally sounds a lot more sure about this here, like he’s not actually having any real difficulty accepting this now, whereas Masaru was still struggling with it to the point of phrasing it as a question.

Marcus: “But still, there’s no way I’m gonna give up even if this turns out to be my last stand…!”

The dub has some extra lip-flap here, so this is also added in. Which I’m not super sold on. In keeping with a dub difference in episode 1 (wow, consistency), Marcus is apparently openly willing to just throw his life away for no good reason. Plus, the fact that he’s explicitly accepting the possibility he might get killed here means he really has accepted that he can’t do this with a lot more willing certainty than Masaru did.

(At least the dub managed to phrase the concept of him dying in a way that sounds natural despite not directly mentioning death.)

Masaru: (I was wrong… I need…)

~~~~~

Marcus: (What was I thinking? I couldn’t have defeated that guy [Tortamon] by myself, and I can’t beat Garurumon either! I need Agumon, and now I’ll never get to tell him I’m sorry!)

These are both lines that take up the same amount of time, believe it or not. Marcus is way more internally-talkative and generally perfectly articulating the problem he was having and the Lesson He’s Learned. Meanwhile, Masaru was coming to this realisation a lot more slowly and gradually, barely able to articulate it to himself beyond the most simple and important part. The original’s writers were happy to leave some silent gaps in between his thoughts to do the rest of the work more subtly.

The dub’s also really doubling down on the idea that Marcus is very consciously aware that he’s probably about to be killed here. Him lamenting not being able to apologise to Agumon is cute, but I still don’t know if I like him having admitted the about-to-die part to himself in the first place.

Sadly, the dub does not have the extra layer of Marcus’s screams of exertion that are what’s physically coming out of his mouth during this part. Regardless, these are definitely internal thoughts, because they have an echoey sort of effect on them to imply that. (The original doesn’t use that effect for its inner monologue lines at all.)

Masaru: (I need… I need Agumon! I want to fight together with Agumon!)

~~~~~

Marcus: (I get it now. I need you, Agumon! What makes us strong isn’t you or me… it’s both of us working as a team!)

Them working together as a team being the reason they’re strong is a cute (and correct) sentiment, don’t get me wrong, but I still like it less how Marcus is able to perfectly articulate this to himself and has just very straightforwardly Learned His Lesson.

Also, the loss of specifically “I want to fight together with Agumon” loses the possibly-unintentional call-forward in that line, which makes me a little sad.

Marcus: “Right. We’re the ultimate team!”

With the dub’s “ultimate team” being a whole Thing that’s in more than just this episode, it has a more impactful effect to bring it back here that the original can’t do. So that’s a plus for the dub, at least.

Marcus: “Never surrender, GeoGreymon!”

The evolution theme, being an instrumental remix of the dub’s opening theme, happened to have the part of its melody which matches with the dub’s opening lyric of “Never surrender!” just a few seconds before this line. Heh. I wonder if that was deliberate.

Masaru: “There’s no way you can lose to a Digimon like that!”

~~~~~

Marcus: “Remember, you’ll never lose as long as we fight together!”

Marcus’s line here is more adorable than Masaru’s, putting the focus on their partnership rather than just implicitly insulting their opponent! (It could be read that Masaru was specifically referencing the fact that Garurumon doesn’t have a partner and that’s why GeoGreymon should win, but if so that’s not all that clear.) I approve.

Masaru: “You did it, Agumon!”

Agumon: “Aniki!”

~~~~~

Marcus: “You did it, Agumon!”

Agumon: “*We* did!”

The dub did indeed go for “you” with the translation of Masaru’s subject-ambiguous Japanese line – and then they had Agumon add in a “we”, for maximum adorableness!

Masaru: “We can beat any Digimon if we’re fighting together!”

Agumon: “Yeah! We’re the strongest combination ever!”

~~~~~

Marcus: “As long as the two of us work together, no Digimon can stand against us!”

Agumon: “Yeah, we’re still the ultimate team, Boss!”

The dub’s version of this is basically the same right here, but what it unfortunately doesn’t do that the original did is directly echo what the two of them said in the beginning of the episode, but with the speakers swapped. Here’s the earlier bits:

Agumon: “As if any Digimon could beat us when we’re fighting together!”

Masaru: “Yeah! Because we’re the strongest combination ever!”

~~~~~

Agumon: “There’s no Digimon that can beat the ultimate team!”

Marcus: “Yeah! Agumon and I are the strongest team ever!”

Alas, apparently the dubbers didn’t realise that was a deliberate callback and make sure the earlier lines were worded so they’d work with this.

Agumon: “Nah, it’s fine. I’m sorry, too.”

~~~~~

Agumon: “No. I should be apologising to *you*.”

The dub’s version of this contains the awkward implication that Agumon isn’t just giving his own apology but also feels like Marcus didn’t even need to apologise in the first place. Which isn’t right, since both of them were equally at fault here. I don’t know if the dub even meant to imply this, but that’s how Agumon’s phrasing reads.

Masaru: “Crap, it’s Yoshino. Run, Agumon!”

~~~~~

Marcus: “Oh man, I’d rather face another Digimon than Yoshi. Run!”

The original reads like Masaru is trying to run because Yoshino is going to force him to clean up his mess. In the dub, it reads like it’s not so much about the clean-up and more like he’s mostly running because Yoshi is scary when she’s mad, which has a vaguely uncomfortably sexist vibe to it.

(Also, why is he acting like facing another Digimon would be a bad thing? Of course he’d rather fight another Digimon than face Yoshi, regardless of her anger or the clean-up, because fighting Digimon is his favourite thing!)

Overall differences

Well, at least they didn’t ruin the overall point of the episode like they could have by changing the reason Marcus and Agumon fall out. I had wondered if the bizarre misconception I’ve seen of “this episode is bad because they fall out over fried eggs!!!” came from the dub, but no, it very much didn’t. That part is perfectly intact. That said, there’s a lot of other changes going on in this episode that I’m not too fond of, especially because a lot of them mess with the fun nuanced bits.

The ridiculous small-business jokes during their argument further highlight how nonsensical it always was to call Agumon Marcus’s “employee”, and they detract from the meaningful points being made there about their respective roles in the relationship.

Elecmon is entirely lucid and simply coming here because it wants to mess around with traffic lights, which is extremely not how things work, not even in the dub’s version of why these Digimon incidents are happening. It also means this incident isn’t indirectly Marcus’s fault, which was a thing I enjoyed in the original.

The scene where Marcus beats up the dudes is probably my least favourite of the changes. The dub completely fails to grasp that Masaru doing something kinda not okay is the whole point of that scene. Instead it scrambles to insist that their kids’ show protagonist is still a 100% squeaky clean good person actually, because look, he’s only beating up bullies! And yet despite that, Marcus also acts weirdly uncharacteristically polite to this person that he has every reason to openly dislike.

Just like in episode 3, Marcus is a lot more articulate and self-aware about admitting exactly what his problem is and the lesson he’s learned in this episode (though at least in this episode he actually learns it), which continues to be less interesting and nuanced than the way Masaru struggles a lot more to fully accept and understand his issues. There’s also a recurrence of the thing from dub episode 1 in which Marcus is fully, consciously aware of the possibility that he might die, which is not something Masaru ever quite lets himself acknowledge even when he’s inches away from being eaten.

At least a few of the lines in the scene where he and Agumon make up are changed to be a little bit more adorable in the dub than they were originally, so there’s that.

#digimon #digimon savers #digimon data squad

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