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#(I suppose I can tag it as)
thevioletcaptain · 1 year
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i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.
it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.
it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)
it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.
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ladybeug · 1 year
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I drew the same comic twice because I didn't think the first one was funny enough. I don't know if the second comic is funnier though??
Here's both of them
Side by side because i couldn't decide which one to put first - knowing the punchline changes the experience?? pick your adventure. read either one first.
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which ones funnier i honestly can't tell
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inkskinned · 5 months
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you have to be sexy but you have to be sexy in a way that's kind of bloody. you learn this early because you are wearing a ruffled skirt and the snow around your ankles kicks little sand particles against your calves. baby's first catcall. welcome to sexiness! welcome to the eyesore of your own body!
you have to be sexy like high heels. like sculpted eyebrows. like lean stomach and highly treated hair. you have to be sexy like youth is sexy, which means you have to be sexy like boxtox and plastic. a 30 year old can be sexy but she's not going to be bloody, and they like the bloodiness of it. a 30 year old is sexy when she is a whiskey glass and a wooden desk.
but you need to be sexy like an open mouth. you need to be sexy like a bitten apple. like plucked skin and white-knuckling the waxing kit.
so sex is a performance, not an enjoyment. for a while, you just assumed everyone else was also in on the joke - nobody actually likes sex that much, right? like, some men probably do, but why would you? it is like a gender - your gender is sexy. your gender is the performance of sex. you are thigh highs and garter belts. which, to be fair, do make you feel sexy.
part of what does make sex good is that you can tell that other people want you, which means the performance of sexiness is both bloody and wanted, which is good, which means you are winning at having a body. being wanted is the prize. being wanted is the thing you are searching for, not hope. you think you are looking for a soft grave in easy loam, but that is bloody but not sexy. to be sexy you must be bloody like a red open sign. bloody like a handprint. this will make you wanted.
any wanted or unwanted body is subject to supply and demand, which is to say that the more demand, the better you are valued. you must be highly demanded to be valued. this is stated in matter-of-fact by some men. sometimes it is a priest that says it, and sometimes it is a podcaster, and sometimes it is the 45th president of the united states of america.
(if you do not have any experience with being told your value, i want you to grab the nearest bird to you and i want you to crush it into a thin paste in your hand. spit into the center, and then hold your fingers closed tight around it for days and days, long after the rot has set in. feel bones itch inside of your fist. this is only a fraction of what it actually feels like, but it will suffice for a moment.)
good sex feels like you have earned their desperation. you have earned your own value. for a while you operated under the understanding that everyone knew about the power structure, even him. that their desire to take you - the violence of it - means that you must desire to be caught. little prince, guardian fox - you would rather have cut your own arm off. you liked the secret, cunning little voice you keep tucked into a box. you think you are fucking me. i am not even here right now. you are fucking what i conned you into perceiving. this is a painting, not a person. dominion over the body before all things.
so you bend your body like a wheat shaft and learn the steps so perfectly that it almost seems graceful. (if you do not have experience faking your own connection to your body and sexuality, cut each of your articles of clothing just a little bit incorrectly. pour fishbones into each of your meals. this way, you will experience the average noon on a tuesday.)
you have to be sexy like light spilled over a desk, but not desperate. not a noose. you can't be sexy like an electric guitar, you are the acoustic. you have to be on top of the bull but you can't have control over the animal.
okay, okay. the little rabbit of your heart went to sleep so long ago that winter has ravaged your concept of the human soul. there's something very-bad inside you, something that has taken over, a little fetid and rabid animal, angry and hurting and willing to bite first.
oh but even that's a pain that's sexy. open your mouth. be careful not to let the canines show.
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itslillyillustrates · 9 months
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tradegy...
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ryssbelle · 4 months
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Made this for the lu prompt, a joke that's a little late but nonetheless funny to me XD also the features are flipped cuz I worked on this mirrored and forgor until I was finished lmao
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glassedplanets · 5 months
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i am still soooo charmed by that one set of eyecatchers
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wasyago · 8 months
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we're at it again🕺
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spicymancer · 7 months
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OC DNA for Monster Researcher Eclair! Her original characterization was a lot more subdued and demure. Nagato Yuki-esque. Eventually she sort of ended up being much more proactive and earnest. Anyway you can find the original template here!
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pocketgalaxies · 1 month
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C1E60 || C3E88
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bidisastersanji · 6 months
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Was thinking about French gendered terms and Zoro trying to suss out if Sanji’s into men and I had some thoughts and oops now i wrote a thing so here you go:
In the early days Zoro drives himself nuts trying to figure out if Sanji bats for his team too or not. He listens in intently whenever the conversation steers the cook towards talk of his past dalliances, but, just his luck, none of the words used indicate their gender. And there ain’t no fucking way in hell he’s asking him or anyone on the crew directly, lest they immediately understand how bad he has it for the stupid cook.
He bides his time, surely someday he’ll slip up and mention something about the people he’s slept with, right? And sure enough one day, at a feast, a drunken Usopp starts asking what people’s types are. His face still schooled into a nonchalant, neutral expression, he does his best to hide how desperately he waits for Sanji to speak up about his type, only to once again be met with more general terms about people- someone with a kind heart, dependable, an equal… he’s so concentrated on trying to pick out any gendered terms he doesn’t notice the weird look Nami throws his way at each new descriptor in Sanji’s list of desirable traits.
He’s always known Sanji speaks French, finding it endearing whenever the cook curses (even at him), whenever he goes into small little rants to himself, or the face he makes when he can only think of a word in French, rapidly snapping his fingers until it comes back to him. But it’s only when they get to a town where Sanji starts speaking to a vendor excitedly about his produce that he realizes just how much this thing, this endearing thing that’s always been there, truly affects him, and his face burns at how different the cook’s voice sounds when he actually speaks it, how enchantingly low and throaty the foreign syllables ring in his ears.
Attached to living another day, he decides that stealing a book from Robin is a bad idea, and resigns himself to ask her directly for a favour. He swallows his pride and asks if she can lend him a French learning book and a dictionary, curious as to whether he can learn it a bit, and understand whatever the hell Sanji keeps cursing and muttering about around him, and what kinds of insults he’s been throwing his way. With her ever mysterious smile plastered on her face, a chain of Robin’s arms retrieve two books from her library and hand them to him. “Do come to me if you have any questions, Mr. Swordsman. My French is pretty good if I do say so myself.”
He’s out of the room, red as a beet, before she even finishes that sentence.
Learning the curse words comes to him unsurprisingly quickly given how often he hears a litany of « putain de merde », « fait chier! » and « enfoiré! » spilling from the blonde’s distracting mouth.
He’s very happily surprised when he learns that French is apparently a heavily gendered language- and that he can glean someone’s gender just from whether the adjectives applied to the subject are masculine or feminine. Now if the stars aligned and the cook would talk about his love life in French…
Zoro starts by going through the basic first chapters, taking great pains to hide and quickly dissimulate it in his haramaki anytime someone walks in on him- especially the witch. It definitely changes his usual routine on his watch in the crows nest, he muses to himself.
Weeks, months pass, and he advances further in the lessons, his vocabulary slowly growing, while he often goes to his dictionary for the more… colorful insults Sanji throws his way. He never says a word of French himself, not knowing how he could even justify knowing any without looking suspicious, and pretty sure his pronunciation would be way off anyways. But he starts to really enjoy it, being able to understand even a tenth of the things Sanji thinks he can say without the crew (save Robin) understanding.
And then Saobaody happens. And now he doesn't have time to think about learning French, not if he wants to get strong enough. Not if he wants to protect his crew.
He's at the table with Mihawk and Perona when his mentor asks for the salt (Passez moi le sel, s'il vous plait), and he executes himself without thinking. A quiet settles over the room and he looks up to see those intense red eyes boring into him, unnerving as ever.
"You speak French?"
"Not really," he grumbles, not wanting more excuses to think of the shitty cook, and his shitty cooking, and his stupid curly brow.
"Then you will. Consider this a natural continuation of my trying to beat some manners into your brutish mind."
Two years later, and he can't wait for dartbrow to show up. His pronunciation may still be shit, but he can't wait to use his newfound skill to his advantage.
With his now solidified grasp of the language, he slowly begins to understand that what he at first though was a mistake on his part- that he must’ve missed a part of a sentence, or mixed up some words- was not an error at all. It turns out, some of the French things that Sanji yells at him aren’t insults at all.
In fact… they’re sometimes downright complimentary.
And that's definitely a problem for Zoro, who now not only needs to keep pretending that he doesn’t know what Sanji is saying, but needs to pretend he doesn’t understand it when Sanji screams at him that he has a “stupidly pretty face” or that his “tits are even bigger than Nami’s and how is that even fair” . He doesn't know what to make of it.
And then one day… the stars align.
It’s another post battle party, and the cook has been drinking a bit more than usual, a tightly gripped glass of wine in his left hand, a cigarette in his right. Zoro is nursing his very own barrel of Ale when he hears the conversation turn to more gossipy topics, as it usually does the further into the night they are.
“Chopper was really into that nurse on Zou, wasn’t he?” Usopp starts to poke fun at the crew’s youngest member, laughing as the reindeer turns all red and tries to deny it.
“I mean it makes sense that she’d be his type! Right Nami?”
Nami nods at him, grinning wickedly. “Yeah, not all of us can be into rich little blonde girls can we?”
“You’re right, some of us are into rich blue-haired princesses,” he shoots back.
"At least I had the balls to do something about it before I left her island-"
Zoro is already tuning them out when Sanji sits down next to Robin just a few feet away, across from him and the campfire, his tongue loosened from a few too many refills and unconsciously reverting to his native tongue.
"Ils ont de la chance, ces deux là." he gestures to Usopp and Nami. (They're lucky, these two.)
Robin smiles at the cook, wordlessly prompting him to continue his thoughts.
"Qu'est ce que je donnerais pour pouvoir avoir quelque chose de plus qu'un coup d'un soir." Sanji sighs wistfully, lighting his cigarette. (What I wouldn't give to have something more than a one night stand.")
Robin chuckles. "Ne sont-ils pas satisfaisants?" (Are they not satisfying?)
At this point Zoro has tuned everything out, intensely focused on hearing what the blonde has to say, and not at all feeling a small churn of jealousy in his stomach for whoever shared Sanji's bed. His heart initially skips a beat at the plural masculine pronoun ('ils') used by Robin before remembering its actual neutrality in this context, as it's referring to the ""one night stands", a masculine word. Damnit. French is so dumb.
"Tu sais bien que je ne dirais jamais de mal à propos des belles demoiselles qui ont bien voulu m'accorder ne serait-ce qu'un baiser ou une étreinte. J'ai de la chance rien que d'avoir pu exister en leur présence."
(You very well know I'd never say a bad word about any of the beautiful ladies who've been kind enough to give me even a kiss or an embrace. I'm lucky just to have existed in their presence.)
Zoro feels his heart drop, a heavy feeling settling in his stomach. He's always known the pervert cook has been into women. Why was this confirmation hitting him the way it was? His eye darts up at his two crewmates, confirming that only Robin has noticed his eavesdropping. She opens her mouth to say something but Sanji continues, the glow of the flames dancing against his flushed skin beautifully.
"Et dans mon état normal tu sais que, par respect pour les sensibilités d'une dame, je ne te divulge pas beaucoup de détails sur ceux qui font l'affaire le temps d'une nuit. "
(And in my normal state you know that, out of respect for a lady's sensibilities, I don't divulge many details about those who do the trick for a night.)
Ceux. That's a masculine word for "those", isn't it? Zoro shakily takes another sip of his drink.
The archeologist's smile widens. "Oh, ne te fait pas de soucis pour mes sensibilités. Je brûle d'envie d'en savoir plus, et ne m'épargne pas les détails..."
(Oh, please don't worry about my sensibilities. I'm burning to know more, and don't spare me the details...)
"Je ne suis que ton humble serviteur...si ça peut te faire plaisir" (I'm but your humble servant…if it pleases you). Sanji's cheeks seem a tad more flushed than before. "En vrai ce n'est pas qu'ils ne sont pas satisfaisants...c'est qu'il ne sont jamais... assez."
(It's not that they're not satisfying…it's that they're never...enough.)
"Ah? Et que recherches tu? Qu'est ce qui serait..."assez"?"
(Ah? And what are you looking for? What would be… "enough"?)
The cook exhales another cloud of smoke, and nervously looks around. His eyes settle on Zoro, and indecision flits across his eyes for a second before continuing. Zoro can feel his gaze, can almost make out the deliciously unfocused expression on the blonde's face in his peripheral vision as he continues speaking French. His heart feels like it might beat out of his ribcage.
"Lui." (Him.)
Zoro forgets how to breathe.
Part 2 up now , and part 3 part 4
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lucabyte · 3 months
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I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.
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Textless version where they're just hanging out. It's fine!
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its-emimi · 1 year
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There will be justice.
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amelia-yap · 3 months
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through the heart!
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laweyd · 4 months
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My art vs artist for 2023 !!
Thank you all for sticking around and I hope I get to show you many exciting things next year 😤😤😤
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kiisaes · 11 months
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the gang takes turns carrying sunny (catholic school au)
inspired by this one reblog's tags on my last omori comic, thank u @nav-i-nav for the idea !
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