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#(((amaya)))
synergysilhouette · 2 days
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Huh. How far away from "Wish's" release date did they decide Amaya was gonna be a good guy?
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Her VA said she became a good guy by the time she returned for callbacks, but one of the posters for the film does make her feel like they were gonna go the villainous route for her.
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the-bluespirit · 1 year
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pierre-dufour-art · 4 months
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Date Night
It was only time I drew those two !
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ammatori · 3 months
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I haven’t watched Wish yet but I had to draw Queen Amaya for obvious reasons 👑 💫 (For those coming across this who don’t know, my name is Amaya 🥰 )
I wanted to draw a sketch of what she would look like with her hair down and in more relaxed clothing. 🌟
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terrythemerry · 4 months
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I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.
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So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.
(Spoilers below)
King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.
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When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.
It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.
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However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.
This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.
When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.
Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.
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After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.
Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.
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When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.
His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.
Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.
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The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.
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Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.
Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.
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Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.
I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.
Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.
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arkham-prisoner · 1 year
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That went EXACTLY as I expected
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xxadiaa · 8 months
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so season 5 huh
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a-certain-elf · 8 months
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We got all the snuggles, forehead-touches, hand holdings and kisses this season. :)
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beaulesbian · 8 months
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The Dragon Prince s05e03
What's the big news?
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I love how inclusivity is handled in The Dragon Prince, here's why.
In most shows, as much as it bothers me to admit so, some people are right, inclusivity does feel forced sometimes. But it's not the characters' fault, it's not because of them being part of the lgbtq+ community, or being disabled, or being POC, or being strong women who do not conform to patriarchal standards.
It's not that.
It's that the show they are part of is a straight, white, abled parade - and notice, most of said shows won't even pass the Bechdel test.
So yes, in a show written by and aimed to straight, white, abled people, even I, a gay, non-binary, chronically ill person feel weird seeing charcters that are there just for the sake of inclusivity, albeit 'inorganic'.
In a show with the premise of "straight, white, abled men are the indiscussed MCs", seeing that one side-character that stands out and is often ridiculed and/or reduced to a single trait of their 'personality', such as 'the gay one', 'the asian one', 'the disabled one' (etc) is upsetting and feels uncomfortable as hell.
But TDP is different.
They immediately introduced powerful women, people of color, characters that are openly part of the lgbtq+ community, disabled characters etc. And not one of them per 'category', no. For the lgbtq+ community we have Amaya, Janai, Runaan, Ethari, Terry, Kazi. For the disabled community, we have Amaya again, Villads, and even a disabled wolf Ava. For the POC community, we have literally half of the cast, starting from King Harrow, then Ezran, every sunfire elf, Terry as well, etc. Same goes for women, who take up on roles that are rarely considered 'for women', like Opeli being the main member of the High Council, Amaya being the General, Rayla being the main Dragon Guard, Claudia being one of the main antagonists, etc.
Both main and side-characters are part of the communities, everything is so much more organic, enjoyable, thrilling.
We do not come in 'minor quantity'.
We are everywhere, among others, living our lives, doing our best, existing, thriving, proud. It's not just one or two of us among thousands. Surprise, 'categories' can mix! Just like I, a real human being, can be gay, enby as well as chronically ill, we can have characters like that as well! Amaya being lesbian and disabled, Terry being black and trans, Janai being black and lesbian, etc. And, another surprise, 'categories' don't define us. We don't 'shove it' in anyone's face like they say we do, we're just being us and cishets are upset because we don't conform to their sick standards.
Inclusivity is organic in TDP because nobody in that universe questions anyone else's color, gender, orientation, etc. And it's organic because we didn't have to wait half a season to see a black character, or a disabled character, or a gay character.
The key to inclusivity is to realise that we aren't just 'bonuses'. Fill shows and comics with lgbtq+, POC, disabled, and female characters. Not just one every 15, 20 characters. Everywhere.
We are everywhere! We are proud! We deserve to be seen! We deserve to be depicted as the normal people we are, without diminishing our traits but without making them our whole personality either. Treat us like human beings, be considerate like you should be with everyone on the planet of course, but treat us like humans.
Antagonising people who are 'different' (in the mind of straight, white, abled people) will not suppress us. We will keep insisting until you hear us. It's literally one of the main messages, one of the main teachings of TDP and it's so damn important.
Every single person on Earth should watch it. Every single kid should be introduced to TDP at an early age. Every old bigot should watch it, as well. Everybody. Even if it's considered a y7 (y10 for s4 and s5 apparently) show, everyone, no matter their age, should give it a try and watch it thoroughly.
Lots of love to the creators and everyone, literelly everyone involved in the production of one the best, most entertaining, most exciting, most formative shows ever. Please, keep it up! And thank you so much!
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baatarthefirst · 3 months
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Janai: I see your aunt’s spirit in you,
Janai: so of course you’re going to marry the elf that tried to kill you.
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numptypylon · 7 months
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Janaya wedding dance. I imagined like a shared floaty veil, swirling around them, carried by hot air currents.
They should not expect to get their security deposit back, the safety of surrounding furniture cannot be guaranteed. I’ll probably write a Janaya wedding fic at some point, I have so many headcanons for the shenanigans that go down
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c-art-y · 3 months
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the-bluespirit · 2 years
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THE DRAGON PRINCE: MYSTERY OF AARAVOS: SEASON 4 TEASER TRAILER [x]
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zuppizup · 8 months
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I really hope we get to see Amaya and Janai’s wedding for the adorable sweetness that will be Amaya and Janai’s wedding but also because I feel like the potential for awkward Rayllum would be top notch.
Straight up assuming they’ll be “officially” back together by then, and Callum just drops a casual “at our wedding” and Rayla’s all “OUR WEDDING?! 😳” and he tries to be smooth and recover before giving up and being all “Yeah, we’re definitely getting married so-”
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razielim · 4 months
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I love how Amaya loves to pick people up. People who are Not Used To being picked up because they are Not Small.
I love how she doesn't even notice that they are Not Small because she loves to pick people up. Amaya with people she's happy to see:
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