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effervescentdragon · 21 hours

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Carra whump is so underrated like I so desperately need a beat up Carra being tended to by Gnev. Bonus points if he was brawling defending Gnev’s honour.

i had a certain au in mind but that one isn't really ripe for picking in my mind, however i saw this art of yours this morning in between my slumbers and, well. i really hope you like this <3

"Gaz, lay off - lay off, shit - ow, ow, c'mon -"

"Carra, I swear to fuckin' God, shut the fuck up you baby, you brought this on ya self -"

"Youse could be a bit gentler -"

"Then move your head, I can't get to the cut and it's still fuckin' bleedin', 's not stoppin -"

"Ah, it's nothin'. Might leave a scar, though, how cool would that be, just -"

"Shut the fuck up, James!"

Jamie shuts up, because Gary actually yells at him, loud and proper. The breath he sucks in after is shaky, his lips pinched and his eyebrows furled, but when Jamie looks into his eyes, they're... they're huge, and Jamie doesn't know what that means.

"Gary?" Jamie says quietly, his burst lip opening up again. He feels it start to bleed again and he licks the iron, not wanting Gary to get even more upset. "Gary, lad, I'm -"

"Don't call me lad, I'm older than you." Gary scowls. The paper towel in his hand makes a reappearance, and Gary's touch is surprisingly gentle when he dabs against Jamie's lip.

"Not taller, though," Jamie says on reflex. He's had a growth spurt from one summer to the other in his teens, and now, at nineteen, he towers over Gary for the third year in a row.

Well, usually he towers over Gary. Not right this moment, though.

Now, he's sat on the edge of the tub in Gary's upstairs bathroom as Gary tries to deal with the mess that's Jamie's face after the fight. Gary himself hasn't been hurt; Gary hadn't even been there. He'd got to the alley just as that piece of shit John threw the final kick, and seeing Gary, him and his two friends gunned it out of there like there was no tomorrow. Gary'd screamed at them, fiery as always and fully prepared to beat up high school kids, if the furious way he was swearing was any indication, but Jamie'd tried to move and groaned in pain. That distracted Gary thoroughly and completely.

"They aren't aren't in," he explained as he half-dragged, half-carried Jamie to his Aunt's house. "They're with the kids, some camp this whole week and I came in earlier than I was supposed to. Aunt Linda left the key for me, thought I could use some alone time away from my folks on my break," he'd said. "I already hate this town and it hates me, how the fuck am I supposed to rest when the first thing I see is your arse being kicked by some kids?"

"There was three of them," Jamie had tried to protest, but Gary scowled at him and told him to shut up and sit hii ass down so he could see how badly he was hurt.

That brought them to this; Jamie sitting on the edge of the bathtub and Gary looking down at him after cleaning his face with some alcohol and gauze. Jamie's head hurts, and he's pretty sure there's something wrong with his ribs, but Gary is fretting and he is mad - maybe at Jamie, probably, he's always mad at Jamie these days - and he is so, so cute when he's all commanding and taking charge. Jamie understands why he's the captain of the Under 21s.

"Where else are you hurt?" Gary asks, his hand tracing Jamie's busted brow, as if unthinking of the action, and Jamie suddenly also understands that his adolescent crush might not have been as far away in the past as it used to be. "Tell me."

Jamie's left hand is on Gary's waist. He's acutely aware of that fact, because he grabbed onto Gary for support when Gary started cleaning his face. He wants to hold on, but he makes himself let go.

"I'm fine, leave it. You fixed me up as well as possible, and I'll be -"

"Jamie." Jamie stops, again, because Gary doesn't call him Jamie anymore, not like before, when Jamie was fourteen and Gary was seventeen and the best football player Jamie knew and a friend and larger than life. These days it's all wrong, or it feels like it's all wrong. It's Carra when he's in a good mood and James when he's mad, and Jamie doesn't know what to do with this, or with the soft little, "Please."

He looks up at Gary. He's still larger than life, somehow. His eyes are still huge and a beautiful brown colour.

"My ribs," he says, equally quietly. "That cunt got a kick in at the end, and I don't think they're broken -"

"Take off your shirt."

Jamie tries not to react, but the tone Gary uses and the words, put together... Jamie's acutely aware he's not looking at Gary and that his face feels hot as he obeys. He's slow in taking of his dirty shirt. It's red, so at least the blood doesn't show. He drops it on the floor and closes his eyes as Gary bends over, then goes on his knees in front of Jamie to better look at his ribs.

Jamie takes one look down and shuts his eyes tightly enough he sees spots playing in the darkness behind his lids.

Cold fingers press against his skin. "Does this hurt?" Jamie shakes his head, and Gary continues pressing until he finds the place that makes Jamie wince. "That's what I thought. I don't think they're broken, but ya gotta take it easy for a while."

Jamie nods. Gary's fingers are warming up on Jamie's skin. "Aye, captain," he tries to put some scorn in his tone, but he knows it all comes out wrong. He still hasn't opened his eyes.

He hears Gary shuffling and huffing. His breathing is erratic and he leans on Jamie's thigh in support as he gets up. Jamie forces himself to open his eyes.

Mistake. Gary is staring at him like he wants to see inside Jamie's mind. "Why were you fighting?" he asks. His shirt is white. There's dirt on one side, in the shape of Jamie's fingertips. Jamie knows how soft the material is, and how soft Gary's waist is under it.

"They were talkin' shit," Jamie says. It's cold in the bathroom, but he's running hot. "I couldn't let them get away with it."

Gary rolls his eyes. "You talk shit, Carra, you should know how it goes. The fuck did they say to you to make ya think it's a good idea to fight three of them?"

"There were only two when I threw the first punch," Jamie corrects, and Gary lets out a giggle.

"You're an idiot," he says, and there is a little smile in the corner of his mouth that he can't hide. "You could've got seriously hurt, and then what? You'd lose the place in the squad, you just wrote me they're letting you debut for the first team, you idiot! Nothing they said is worth missing that shot, James, I told you to keep your temper, I told you it'll get ya into trouble, and I was right, look at your face now, all busted up -"

"What, am I not handsome anymore?" Jamie grins, his lip hurting like hell but worth it to see Gary scowl again. "I'm still the handsomest bastard youse've seen -"

"Bastard is right, ya' idiot, to miss a chance because of fightin' -"

"But hadsome? Rugged, wouldn't ye say -"

"I'd said it a million times and I'mma say it again, only an idiot would risk the first team for fightin' -"

"Well I was fighting for ye honour, so catch me doing that again when all it gets me is bein' called an idiot!"

Jamie doesn't think when he says it. Him and Gary had always bantered, quick as whips both of them, and Jamie had always enjoyed it a bit too much to truly think about all the shit he's saying when he's winding Gary up.

"My - what?" Gary looks like someone's struck him. "My honour? What the fuck're you talkin' 'bout?"

Jamie says nothing. He's got nothing to say, or at least nothing that won't break something between him and Gary. It's all wrong these days, with Gary staring for United and Jamie on his way to be starting for Liverpool. There's a difference, a distance there ever since he switched from blue to red. It's not something they've ever talked about but... Jamie remembers. He remembers kids in red jerseys surrounding Gary, big kids, bigger than Gary was back then and much bigger than Jamie. He remembers the taunts and the words that his Ma told him never to repeat if he doesn't want her to wash his mouth out with soap. He remembers Gary's look when Jamie kicked the ball back to him on the playground, and how his frown disappeared when he saw his blue jersey when Jamie was eleven. He remembers the frown deepening when Jamie came to their playground in a red jersey for the first time.

"James," Gary says, and both his voice and his eyes are serious. "What did they say?"

Jamie clenches his fists. "Nothing, Gaz. Leave it alone, I didn't mean to say it, just ignore me."

Gary is still looking at him, and Jamie hates how fucking beautiful Gary's eyes are. Hates how much he likes when Gary smiles, lines appearing around them when he laughs at Jamie's stupid jokes. Hates how fragile Gary looks in the bad bathroom lights, like Jamie could break him with one word. Hates how much he wants to feel how that stupid barely-there moustache would feel against his skin. Hates how he knows they don't have that much time anymore, to fuck around with the ball every summer like they've been doing so far. Hates that he knows a darby is inevitable. Hates how he can recognize Gary's smell, even over the alcohol and the blood. Hates how much he just - wants.

Gary furrows his brows, then seems to decide on something. He lets the dirty towel fall on the floor as he steps closer between Jamie's legs, and the movement startles Jamie so much he grabs for Gary's waist with both hands this time. He swallows, grasping onto the white shirt, his breathing a lot heavier.

Gary's hand is shaking when he brings it down to trace the bruise on Jamie's cheek he can feel forming. "Jamie," Gary says, and it isn't fair, how much that one word affects him. "Jamie, were you defending me? Is that why you got hurt?"

Jamie swallows around his dry throat again. His whole body is hurting. His whole body feels like he's on fire. He can feel Gary's heat over the material of the shirt, where his fingers press down.

"I'm no prince charming," he says, stupidly, nonsensically. Gary smiles, and Jamie's startled to realise he hasn't seen that kind of smile on Gary in a while.

"No, you aren't," Gary says. His other hand rests on Jamie's shoulder. "But you're pretty charming, all ruggedly handsome, you."

Jamie tears his eyes away from Gary's lips to look into his eyes. It feels too hot in the little bathroom. Gary's fingers splay across Jamie's neck. It feels like the whole world is pausing. Jamie feels like he can't breathe. He tightens his hold on Gary's waist, maybe pulls him closer. He doesn't really know. None of this makes sense.

Turns out, he can breathe.

He takes the next breath right from Gary's lips, soft and hesitant and hotter than anything he's ever felt before. The angle is awkward but he realises he can hug Gary close and -

"- for fuck's sake Jamie, I can taste blood, I busted your lip, sorry -"

"Nah," Jamie grins, opening his eyes. "Fuck it. Bust it again," he says, and pulls Gary in.

#sooooooo #no idea what this is. i hope you enjoy it #carraville #football rpf #my writing #effervescentdragonwrites #i just think theyre both dumbasses #and should kiss abt it. so they do #this is all i did today #tell me what you think pls? 🥺

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sokayisaidiot · 8 months

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Siblinghood, Platonic Soulmates, or Romance

Analyzing the Relationship Between Ezra Bridger and Sabine Wren

In this post, I will continue from my previous one, having offered a simplified overview but delving into one of the most common criticizing talking points. Please remember that this analysis is from a writing perspective and my own experiences as I am an amateur writer. I welcome comments and reblogs with your thoughts.

For context:

1. Relationships in Star Wars 2. Explanation of These Three Types of Relationships 3. Female Characters in Relationships 4. Ideals and Themes in Star Wars Rebels 5. Ezra and Sabine's Relationship 6. Conclusion

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Relationships in Star Wars

Critics sometimes claim that certain types of relationships are overrepresented in Star Wars, but it's essential to remember that the franchise features a variety of relationship dynamics. Here are some well-known examples:

Siblinghood:

- Luke and Leia (twins) - Ahsoka Tano and Anakin Skywalker (no blood) - Garazeb Orrelios and Ezra Bridger (no blood) - The Son and Daughter (literal Force beings) - Sabine and Tristan Wren (blood relatives) - Maul, Savage Opress, and Feral (same planet)

Platonic Soulmates:

- Han and Chewbacca - R2-D2 and C-3PO - Boba Fett & Fennec Shand - Din Djarin & Bo Katan Kryze - Chirrut Imwe & Baze Malbus

Romantic:

- Han Solo & Princess Leia - Anakin Skywalker & Padme Amidala - Obi-Wan Kenobi & Satine Kryze - Kanan Jarrus & Hera Syndulla - Bail & Breha Organa

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Each relationship explained and how to write it

Siblinghood

Definition A sibling is a term used to describe a brother or sister, which means they share at least one biological or adoptive parent. Siblings are individuals who are part of the same family and are connected through their familial relationships.

Writing points

Individuality: Portray each sibling as a unique individual with distinct traits.

Birth Order: Consider birth order dynamics and how it affects their roles.

Conflict and Love: Explore both rivalry and support in their relationship.

Shared Memories: Use shared childhood memories to deepen their connection.

Complex Emotions: Show a range of emotions, from love to resentment.

Character Development: Use their relationship to drive character growth.

Realistic Dialogue: Make their interactions and dialogues authentic.

Backstory: Develop a backstory with shared and separate experiences.

Conflict Resolution: Show how they handle conflicts within the relationship.

Evolution: Depict how their relationship changes over time.

External Influences: Consider how outside factors impact their dynamic.

Platonic Soulmates

Definition The term "Platonic soulmates" combines two concepts: "Platonic" and "soulmates."

Platonic: In the context of relationships, "Platonic" refers to a non-romantic or non-sexual connection.

Soulmates: It's a belief that there is a special, deep, and sometimes predestined connection between two people that goes beyond ordinary friendship or partnership.

When you combine these concepts, "Platonic soulmates" refers to two individuals who share an exceptionally close, deep, and meaningful non-romantic or non-sexual bond. They may have a connection that feels almost destined, as if their souls are deeply intertwined, but it doesn't involve romantic or sexual attraction.

Writing points

Unique Bond: Highlight the exceptional and non-romantic connection they share.

Common Values: Emphasize shared values, interests, and life goals that deepen their bond.

Unconditional Support: Show their unwavering support, trust, and emotional safety.

Enduring Relationship: Illustrate how their bond withstands time and challenges.

Conflict Resolution: Explore how they handle disagreements with maturity and empathy.

Growth Inspiration: Demonstrate how they inspire personal growth in each other.

Non-Romantic Nature: Clarify that their connection is platonic, not romantic.

Emotional Depth: Dive into their deep emotional connection and comfort.

Shared Moments: Highlight significant life experiences they've shared.

Respectful Boundaries: Show how they respect each other's boundaries.

External Influences: Consider how external factors affect their connection.

Remember that platonic soulmate relationships are diverse and can manifest in various ways. They provide an opportunity to explore deep emotional connections and the profound impact such connections can have on individuals' lives.

Romantic

Definition In everyday conversation, "romantic" is often used to describe anything related to love, affection, or relationships. It can refer to someone who is inclined towards love and affection or to something that evokes feelings of love and beauty. The exact meaning of "romantic" can vary depending on the context in which it is used.

Romantic Love: Deep emotional affection, attraction, and passion between two individuals, forming the basis for relationships like dating, courtship, and marriage.

Romantic Relationship: A partnership based on romantic love, including dating, committed relationships, or marriage, characterized by emotional closeness and physical affection.

Romantic Gestures: Actions expressing love, affection, and admiration in romantic contexts, such as giving flowers, writing love letters, or planning surprise dates.

Romanticism: A cultural movement originating in the late 18th century, emphasizing emotions, individualism, and the sublime in literature, art, and philosophy, often celebrating nature, imagination, and powerful emotions.

Writing points

Chemistry and Attraction: Establish a strong attraction between the partners.

Character Development: Use the relationship to develop and evolve the characters.

Conflict and Tension: Introduce challenges to make the relationship engaging.

Communication: Show effective communication and miscommunication between partners.

Shared Moments: Highlight meaningful experiences they share.

Individual Lives: Balance their personal lives with the relationship.

Trust and Vulnerability: Explore trust and emotional openness.

Intimacy: Address physical and emotional intimacy.

External Influences: Include the impact of outside factors.

Conflict Resolution: Demonstrate how they handle conflicts.

Long-Term Compatibility: Consider their compatibility for the future.

Realistic Challenges: Create believable obstacles.

Romantic Gestures: Showcase meaningful acts of love.

Character Flaws: Develop imperfections in the characters.

Resolution: Provide a satisfying conclusion to their relationship arc.

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Girls in Relationships:

This section explores how certain female characters in Star Wars maintain their own identities while being involved in romantic relationships.

Padmé Amidala

Character: It might be considered a bold choice, but as Dave Filoni is known as the TCW and SWR guru, I genuinely appreciate Padmé's character. She embodies the spirit of self-reliance, often adopting the motto, "I'll handle it myself," when she witnesses suffering. As a compassionate and principled member of the Senate, she values diplomacy over violence, serving as a commendable role model by prioritizing dialogue and care for others. Her character shines brightest in episodes where she grapples with political conflicts.

Romance: Transitioning to the subject of her romantic involvement, Padmé and Anakin's relationship has sparked numerous discussions. Despite the uncertainty and occasional turbulence, there is genuine love between them. She envisions a future with him, refusing to give up on him even in the face of his inner struggles. Padmé recognizes Anakin's mental anguish and does her utmost to support him, though the complexities of their circumstances often double their challenges.

Ahsoka Tano

Character: Ahsoka stands as one of the most well-crafted female characters in Star Wars lore, undergoing significant growth and development throughout The Clone Wars (TCW). She evolves from an overconfident and naive child into a mature, thoughtful, and highly respected adult. Her journey is marked by substantial mistakes and profound realizations.

Romance: While Ahsoka experiences various connections throughout TCW, the most notable is with Lux. However, this romance primarily serves as a vehicle for her character development. Lux provides her with insights into the Separatists' perspective on the war and later the Death Watch. While Ahsoka does express interest in him, it's not in a deeply romantic sense. Instead, she's appreciative of the knowledge and experiences gained from their interactions.

Leia Organa

Character: Leia, our first main character introduction, immediately captivates with her compelling beginning. She's taken captive but never succumbs to fear, displaying strength and resolve. Her resilience shines through as she becomes one of the Rebellion's leaders, commanding respect from all quarters. She remains unyielding in her role, displaying a fiery temperament and quick wit reminiscent of her father, while proving to be even more resolute than her brother, a Jedi.

Romance: The iconic romance between Leia and Han Solo portrays the smuggler and the princess in a refreshing light. Instead of conforming to outdated stereotypes, Leia wears the metaphorical pants in their relationship, with Han providing unwavering support. He respects her position and authority, saving personal matters for their private moments. The dynamic is built on trust and mutual respect, avoiding the cliché of a one-sided romance. Notably, this is evident in Return of the Jedi (ROTJ), where Leia gets shot, and Han's caring demeanor is juxtaposed with his trademark smirk as she reveals her weapon. He's the one to express his love, illustrating the mutual affection and growth of both characters.

Hera

Character: Hera serves as the capable captain of the Ghost and its crew, supported by her right-hand man, Kanan, and the astromech droid, Chopper. Despite being a mother, she remains a crucial figure in the New Republic, leading missions and flight teams. Hera defies convention by maintaining her position of power while nurturing a romantic relationship with Kanan.

Romance: In contrast to traditional depictions where women are often portrayed as pining and emotional while men are serious, Hera and Kanan's dynamic reverses these roles. Kanan actively pursues the relationship, while Hera takes on a more serious and authoritative role. This unconventional approach adds depth to their relationship and challenges traditional gender norms.

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The Ideals of Rebels' Story and Its Setup Points:

Both the Star Wars Prequels and the Original Trilogy are anchored in the theme of battling oppressive regimes striving for absolute control. The Prequels delve into how this oppression came to be, forming a pivotal narrative standpoint. In contrast, The Clone Wars (TCW) primarily focuses on world-building, offering in-depth explorations of various factions and societies within the galaxy. While TCW provides a comprehensive view of the galaxy during a civil war, it doesn't follow a single large crew's story.

On the other hand, Star Wars Rebels (SWR) places a character-driven focus at its core. Unlike some other Star Wars media, such as movies, series, or shorts, SWR doesn't extensively explore different locations or delve into background storytelling. Instead, it prioritizes character development and episodic narratives.

To clarify my previous statement, SWR serves as a bridge between Episode 3 and Episode 4 of the Star Wars saga. It fills in the gaps, revealing the journey and sacrifices necessary to achieve freedom. The series commences with Ezra, a newly-minted Jedi Padawan, in a galaxy where Jedi are hunted down. He joins the nascent rebellion, which is just beginning to take shape. Ezra represents a glimmer of hope in a desolate world, even as forces of darkness attempt to extinguish that light.

This underscores the significance of SWR. Episode 4 depicted the Rebellion in its full-fledged form, with a substantial crew and support from multiple fronts. However, SWR sheds light on the challenges and sacrifices that made such achievements possible. It demonstrates that what was accomplished required immense personal sacrifice.

The Jedi aspect is exemplified through Kanan, who embodies the essence of a true Jedi. Ezra, too, matures into this role over time. Kanan's journey is unique; he was in the midst of his Padawan training when Order 66 unfolded. He never completed his training in the traditional sense and couldn't fully embrace the Jedi rules and traditions, which often felt restrictive and suffocating. Unbeknownst to him, his love for, attachment to, and bond with his lover, Padawan, and the rest of the crew went against traditional Jedi norms. However, this deviation allowed him to learn things the Jedi should have known centuries ago. Kanan eventually felt the full embrace of the Force, despite his past mistakes and moments of foolishness. He ultimately met his end as a true Jedi Knight.

As for Sabine, her character's growth and journey revolve around taking responsibility for her past mistakes and evolving into a stronger individual. Her journey includes abandoning the Imperial Academy, which produced weapons harmful to her people. This decision placed her family in jeopardy, with the majority of Mandalorians harboring animosity towards her. Despite these challenges, she emerged stronger with the support of those around her and a willingness to confront her past without forgetting or ignoring it.

The relationship between Ezra and Sabine in SWR was intentionally left ambiguous, making it challenging to definitively categorize. While the series provides hints through Ezra's statements, it remains open to interpretation. The internet, as expected, has embraced the ambiguity and given rise to various interpretations, showcasing the power of fan engagement and ship culture.

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Ezra and Sabine, Examined from Every Angle:

This section breaks down how each of these interpretations aligns with the characteristics of these relationship types.

Siblinghood

Individuality: With Siblings, there come different personalities. One can be chaotic and the other calm. That’s what we see in that case what can be considered normal in a family. You have the artistic child with her younger brother being more traditional and following his father.

Birth Order: This being one of the strongest arguments with this relationship. It’s for many great to see nonblood people considering each other as found family, where in situation where one lost their family or their family was not good, there are still others that are as close as those you share blood with.

Conflict and Love: This is more of a thing that can be seen with the training of the dark saber, in which the one sibling, who is good at something, that they consider their specialty, having to have share it with the other, as they see it being taken away or provoking the other as they think they are better at something.

Shared Memories: Both have abandonment issues over their family, and they share a lot of missions together.

Complex Emotions: Once again going back to the dark saber training, you could interpret that scene where Ezra is saying that Sabine at least still has family, while he has only one family left, that she is not respecting

Character Development: This can be interpretation for the end of rebels

Realistic Dialogue: A lot of people regard them bickering as sibling bickering

Backstory: In the start, it is implied that with Zeb, she is one that takes him under her wing as a older sister role

Conflict Resolution: They talk to each other

Evolution: It can be them growing older and seeing each other as equals

External Influences: within the ghost crew, they consider each other as family. Hera especially, so its easy to take this as it can be seen that every member implies it for themselves.

Platonic Soulmates

Unique Bond: They are not really romantically nor as siblings introduced in season 3 and 4

Common Values: Both want to free their respective people, destroy the empire and find a place in the galaxy.

Unconditional Support: Within the end, Sabine never states to be romantically involved but she does stay on Lothal, keeps his memorable things in check and waits from him to return.

Enduring Relationship: Both are willing to entrust each other to a lot of things and giving each other the chance to make things happen.

Conflict Resolution: They talk.

Growth Inspiration: Within the season 1 and 2 where Ezra constantly flirts openly to Season 3 and 4 where it is not seen as a romantic way.

Non-Romantic Nature: Barely Romantic gestures of touch in the traditional sense or talking about the feeling to each other, but in a respectable comrade way.

Emotional Depth: Their connection through their past and need to make better of their mistakes while helping each other out of those.

Shared Moments: Their missions

Respectful Boundaries: With Ezra stopping the flirting to concentrate and help Sabine

External Influences: The ghost crew being a close family through common goals and connection gives them a more bigger leeway

Romantic

Chemistry and Attraction: It is clear that Ezra still has an crush on Sabine, with him meeting her for the first time, being enamored with her beauty. Their chemistry is working and expendable. Sabine later is more open for more.

Character Development: From the young kid who has a crush with no real idea to an jedi that keeps it low to fulfill his duty, Ezra evolves within 4 seasons to a more mature way of admiring Sabine while having respect for her. Within the episode where Kanan and Sabine

Conflict and Tension: From the end of rebels, where Ezra sacrifices himself to keep his loved one self but leaving Sabine alone and confused to Sabine not listening to him when he tells her to or when she does not give him a lot of decision power over her.

Communication: Sabine not being able to trust anyone really to her getting the closest to Ezra for even supporting him on way to dangerous missions and Ezra

Shared Moments: From the intimate closeness of holding him by his waist to fly to safety, to him keeping her steady on the loath wolves and both refusing to let the other get hurt.

Individual Lives: When it comes to Krownest, Sabine splits up for a little while, when Ezra takes on other missions. They know when they have to do something alone and they have their own bigger problems in the end.

Trust and Vulnerability: Within the later seasons (3 and 4) Sabine opens up to Ezra about her own Demons and gives her full trust to him. Both can depend each other’s live on the other. But when it comes to

Intimacy: Sabine has no problem holding Ezra closer while Ezra still gets flustered a bit(speaking escape Jetpack scene). But other than that they have no problem being closer.

External Influences: Both Chopper and Zeb have been making fun of Ezra and Kanan is aware to some known extend as he has to be the done calming Ezra down, when Sabine is in a Dangerous situation.

Conflict Resolution: On the battlefield its Sabine being the aggressor and Ezra the shield. With other conflicts, it is that Sabine needs time to herself and Ezra worrying but respecting her needs.

Long-Term Compatibility: Sabine cannot imagine a life without Ezra in it and Ezra has stated that he wants to come home to her (as well as the others).

Realistic Challenges: Sabine knowing that 10 years have gone by since Ezra disappeared and still being ever so loyal to him. Ezra, while knowing Sabines competence, still often not wanting her on solo missions.

Romantic Gestures: The Birthday gift from Sabine. The consistent support of Ezra.

Character Flaws: The way they cannot see other one in pain and taking full front and lying in front of the other.

Resolution: They give each other full trust on the final mission with Sabine on her way towards him.

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Endcut:

In summary, this post aims to offer multiple perspectives on the dynamic between Ezra and Sabine, emphasizing that all three interpretations are valid based on the available knowledge.

Please note that this is a complex analysis, and the nature of their relationship remains open to interpretation.

#ezrabine #sabezra #star wars ships #star wars rebels #star wars #Around 3100 words #ezra bridger #sabine wren #leia organa #hera syndulla #ahsoka #ashoka tano #tw spoilers #please remember to keep it civilized #those are all made with speculation #and one very sleepdeprived me #sooooooo

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