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keepscrollinghun · 9 months
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burymeinblack2022 · 1 year
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nice url
omg lmaoooo 💀💀 thanks lol 😭
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sanamustdie · 5 months
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"now, we can be together."
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puritydoom · 3 months
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The reactions of everyone when Lucifer said "I'm going to FUCK YOU!" ._.
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sualne · 8 months
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Old and new gifts.
(timeline)
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rendevok · 2 months
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“Take my hand” pages 16-18
1 -> 3 - day 4 - swap
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lokorum · 11 months
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+ 1 to "commissions that are the reason i wake up in the morning".
just ahhh amazing character from the amazing story, written by an amazing person. thank you for giving me another chance to draw her!!
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zwintrew · 12 days
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THIS IS NOT THE KIND OF RECOGNITION WE WERE AIMING TO...
Este no es el tipo de reconocimiento que estábamos buscando...
Pd: Those comments on the Tv... are really from the real page of """"Cornhub"""" (you know the page I'm referring to). Those are actual comments left on videos, I just copy-pasted them. XD
Pd: Esos comentarios en la Tv... son realmente de la página real de""""Cornhub"""" (ya saben a qué página me refiero). Son comentarios reales que encontré en los vídeos, solo los copié-pegué. XD
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ave661 · 1 year
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💕 V-Day Special
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bamsara · 9 months
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Artfight attack for @ditzy-lemon !
........... ( ͡° ͜ʖ ͡°)
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queenrojpag · 4 months
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keepscrollinghun · 1 year
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yanyandere · 2 months
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MY SWEET BUNNY CAGE // support the artist (eng)
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sanamustdie · 2 months
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🇵🇸 ZINE FOR PALESTINE GOING LIVE 🇵🇸
ZINE4PALESTINE.BIGCARTEL.COM
Z4P is a non-profit artistic initiative aimed at raising funds for Care For Gaza, an organization providing direct support to families of Palestine. The zine showcases exclusive creations from 10 French artists from diverse backgrounds, all contributing their talents to support Palestinian families.
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with the participation of @heuffopla @towwypng @1bt1cem-blog and many others who don't use tumblr
Aware that many of you would like to contribute providing humanitarian aid in the face of the atrocities Palestinians are enduring, we've chosen to create art. This way, you can still be a part of it –essentially, you make a donation by purchasing, and in return, you receive cool art made with love while helping a great cause!
Individual prints of the artworks are also available on the website —reblogs and shares are deeply appreciated!
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jaygayray-gangle · 8 months
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I've watched Darly boxman yesterday and I'm normal about goose's content-
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vaguely-concerned · 7 months
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it probably says something either sad or deeply unfortunate about me as a person, but I'm darkly amused to see some people react to the reveal of the ultimate permeability of souls in tlt as a triumphant thing -- the "you can't take 'loved' away!!!" side of it all -- when my first reaction was such an immediate wave of 'oh, oh so this is why this series is horror, I truly understand now' distress haha. ngl the final confirmation of the self not being inviolable in the deepest way freaks me the fuck out far more than any moment of body horror in the series has managed. (these two elements are of course the two sides of one thematic coin; it's about the horror of our bodies and minds and selves not being inviolable things, and about the effect of violence on them on so many different levels. violence psychological and interpersonal, physical, subtextually sexual, emotional, medical, political, a whole unlovely smörgåsbord of indignity and violation a person can be exposed to, and on a broader scale the spectrum of violence colonialism wields). The world and other people being capable of leaving indelible marks on us for good or ill through their presence in our lives is of course a pretty self-evident demonstrable truth in the real world, but somehow having it be proven metaphysically just uh. Fucks me up! 
It also drives home to me just how perfectly Muir has captured the dilemma at the heart of human connection and intimacy: the fact that the thing that gives us life and meaning is also capable of harming us so deeply. the same thing that can be so beautiful — even in a bittersweet, violently transformative form like with the creation of Paul — when done mutually and consensually and compassionately, is the same process that means someone like John can touch someone else's soul and 'after he's put his fingers on something, you'll never find anyone else's fingerprints on it; too much noise'. I think the text itself — the whole series, because to me this is what it is ultimately about, this tension between individuation/self vs. love/connection/enmeshment — is far more ambivalent in its treatment of it than saying it’s inherently a good thing or inherently a bad thing. The only thing it says for sure is that it is always a thing, that thinking you’re ever getting away from it is the height of futility, and that through being alive (or even through being dead lol) it is something you have to engage with in some way no matter what. Contact with other people is deeply necessary — without it we sicken and die. it can be the most beautiful and meaningful thing in a human life, and the most unspeakably horrific. All of these people are searching for some way to be whole, whether in total self-contained sufficiency on their own or in melding with someone else as their ‘other half’, and stumbling around in the dark they reach for each other and score deep wounds into the thing they’re trying to touch even when they don’t mean to. Taken to horrific extremes with the form of lyctorhood John guided his disciples to when they were ‘children — playing in the reflections of stars in a pool of water, thinking it was space’, because while people hurt each other all the time with differing levels of intentionality behind it, what John did was deliberate. It weaponizes the misapprehension of what closeness must be and destroys everyone involved in the process… and all because it leaves John the one sun their ruined lives have left to orbit around, because that’s the closest thing his soul will allow to connection. He doesn’t understand that to truly touch something you have to truly let it touch you back, and then wonders why he’s never satisfied.   
‘The horrors of love’ has been memed to death, I know, but… yeah. That is what it is, isn’t it.
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