#'i just want to point out the fucked up implications of SPECIFICALLY YOU putting SPECIFICALLY ME in that gas chamber'

[redactedrem]

You know what? Fuck you. *Ponifies Batman*

Guys I'm so excited to share my newest project of ponifying the Batfam, it started out small with the hypothetical "I wonder what Batman would be like in a mlp universe." And then the project kept getting bigger and bigger.

If anyones interested in my world building/ headcanons surrounding this project, you can see it under the cut. (I didn't want to make the post too long.)

Incase anybody couldn't read my bad handwriting, I gotchuuu.

-(First pic) Bruce Wayne: Bruce had got his cutiemark the night of his parents death, after the grief had broken his spirit and he realized that he never wanted anypony else to feel the same pain as he does. (He has a fake cutiemark to cover up his obvious destiny)

- The first pic is pretty self explanatory, but I want to make it clear that Bruce's destiny isn't "My parents are dead so now I dress up as a bat and beat up mentally ill folk". Because I've seen people on here give hot takes on cutiemarks that directly link them to a ponies destiny.

This goes for specifically in the mlp fandom but (for the sake of being on topic) I'll use the the example of that one post where someone gave the hot take that Jason would get his cutiemark in the warehouse right before he dies (or after he dies? smthing like that) because "It would be really fucked up to know that you were always destined to die." And listen, I can appreciate some good Jason Todd whump as the next guy but knowing that this would be based in a mlp universe . . . just doesn't sit right with me.

It sounds less magical that way. Its like saying that Rainbow Dash was always meant to be the fastest flyer, so theres no point in trying to compete with her. So uhm, trying to stay on topic here. My personal hot take is that a pony's cutiemark is symbol of something that they do/ a skill or talent that they have that makes them happy. And whats a more magical and fulfilling destiny than doing something that makes you happy for the rest of your life?

Looping back to Bruce, he didn't get his cutiemark the moment his parents died, but I like to think that he got it sometime later on in the night. After hours of being checked on by the police, getting looked at by the paramedics, and after Alfred took him home. Its 1:40ish in the morning and tiny foal-Bruce is just staring at his bedroom wall feeling numb and dissociated to hell. And sometime after processing everything that night- he just decides that this is the worst thing that has ever happened to him and that he will do anything to make sure that nopony will ever feel the same pain that he has felt. And then-- Ta da!! Cutiemark!! Too bad neither he or Alfred got to experience the excitement when they both saw it the next day :')

(Edit: I didn't know where to put this detail, but Bruce's fake cutiemark is based off of the "Make It Wayne" TV logo from this fanfic here )

-(Second pic) The Bat: This is heavily inspired by Flutterbat, I know theres canonically already a race of bat ponies made from Lunas stunt as Nightmare Moon. But I chose to go through with the Flutterbat route because batponies are a race, and have bat-like features 24/7. In comparison Fluttershy maintains her pegasus appearance by day and transforms into Flutterbat at night (ALSO with there being implications that there are "Triggers" for her transformations in the day too!!) Which adds the "Vampire." right in front of her batpony title.

I might do a lil comparison chart between vampire batponies and regular batponies in the future or something. But for now I'm focusing on my batpony Bruce Wayne headcanons so yea. My point is that I felt like making Bruce a "vampire" batpony would give him a more solid secret identity with also the bonus of a really metal origin story.

Now we all know that the canonical origin story of batman is that a few months after the tragedy of his parents death, Bruce had fallen into a cave? a well? a pit? of bats and triggered a fear of bats since then. Later on he decides to become Batman so he can invoke the fear of bats he once had into the criminals of Gotham. Yadda yadda yadda.

Now canonically, we don't know the exact science on how Fluttershy turned into Flutterbat. What we do know is that at the time, pony magic is not researched enough for Twilight to be aware that Fluttershys "Stare" is her own form of pony magic and that it would interfere with Twilights spell.

Do you see where I'm getting at here? Uhmm don't ask me what exactly happened in the cave, I'm doing this for fun and thinking about it too hard makes me spiral. But uhmm something something- Bruce looked at a bat in the eye and decided to embrace his biggest fear to fuel his cause, and his already traumatized and fucked up pony magic had transformed his body- something something. (Edit: I didn't think about this until now but maybe Fluttershys "Stare" and Bruces "Bat Glare" could be a usage of the same form of magic? Just a thought)

I'll probably come up with a more suitable explanation in the future, but like I said. All of this is just for fun.

#batfam #batfamily #batman #bruce wayne #headcanon #jason todd #nightwing #dick grayson #alternate universe #my litte pony friendship is magic #my little pony #mlp fim #mlp #mlp art #flutterbat #twilight sparkle #really thought out headcanons #nonbinary artist #dc x mlp #dc x mlp crossover #crossover art #dc crossover #batfam headcanons #mlp headcanons #bruce wayne headcanon #bat pony #batman is so babygirl

[moonstruckme]

I have an idea! Imagine reader and james are bestfriend, reader ask james to help her find a lingerie (bcs she want to impress a boy she like) so there he is sitting infront of the changing room and having to watch the reader change into multiple lingerie w a hard on.

Maybe then he realize that he doesn’t want anyone to see his bestf like this?

I love a possessive jamie!

Thanks for requesting!

cw: sexual implications, nothing explicit though

bestfriend!James x fem!reader ♡ 472 words

“It was fucking awful,” James laments, nursing a cup of tea and shoving biscuit after biscuit into his mouth. He’s at Remus and Sirius’ flat, after inventing some plans with his friends as an excuse to get away from you. “I had to think of my gran wearing that stuff just to be able to stand up when she was ready to leave.” 

“I still don’t understand why you agreed to go in the first place,” Remus says while Sirius tries to get his giggling under control. “Why would you help the woman you’re in love with pick out lingerie for another guy?”

“I’m not in love with her!” James throws up his hands, sick of having this same argument every time you come up. “I mean, I do love her—she’s my best friend. But I mean, you could put me in front of any attractive girl when she’s wearing something like that, and I’m bound to have some thoughts. It didn’t matter that it was her, specifically. It was…it was boobs. It’s boobs’ fault.” 

Sirius cackles, and James lobs a biscuit at him. 

“I’d like to see you try to keep yourself under control in that situation, Pads. It’s biology, I couldn’t help it!” 

“Oh, I know the feeling.” Sirius grins, reclining back against Remus’ chest. “Seems like exactly how I felt when I found out Moony here had made out with half of Gryffindor.” 

Remus rolls his eyes, as sick of this joke as James is of the ones about you. Still, he wraps a hand around Sirius’ thigh in solidarity. 

“It’s different,” James grumbles. “That was…well, that was you two.” 

“He makes a good point,” Remus says, and Sirius tilts his head back to beam up at his boyfriend proudly. “We both know what it feels like to think you love someone as a friend when it’s really something more.” 

James glowers. “She was in a black. Lacy. Set. I am not made of stone!” 

Remus only hums, sipping at his tea. “If it was your gran, you wouldn’t think the same.” 

James shudders. “Why would you remind me of that?”

“So what’s next?” Sirius asks, raising a brow. “Do you want us to go sabotage her date with this bloke? Or better yet, lock her in her house so she can’t meet up with him at all?”

“I’m glad you’re on board,” James says, recovering from his disgust and beginning to look rather satisfied as he munches on another biscuit. “I’m thinking we hex him to be horrifically ugly. She won’t think of showing him her little outfit if he shows up and he’s got a face made entirely of warts.”

Remus and Sirius exchange a look. With a sigh, Remus begins stroking his hand up and down his boyfriend’s thigh consolingly. 

“He’ll get it eventually,” he says.

#bestfriend!james #bestfriend!james potter #possessive!james #possessive!james potter #bestfriend!james x reader #james potter #james potter x reader #james potter x fem!reader #james potter x y/n #james potter x you #james potter x self insert #james potter fanfiction #james potter fanfic #james potter fic #james potter scenario #james potter drabble #james potter oneshot #james potter one shot #james potter imagine #the marauders #marauders #marauders era #marauders fanfiction #the marauders era #marauders fanfic #marauders fic #hp marauders #marauders fandom

[fandomfucker]

Do you think you could do one for Rhea were it’s all about how she posts about her girlfriend on social media? Like she posts about her girl and the fans just go wild for it? Can make it fluff, smut, whatever takes your fancy. Could be headcannons if you want? ❤️‍🔥🌸

YES!! I love this one cause I literally think about these things all the time. Doing headcannons so I can fit more in🫡

Lemme know if yall want a part 2!

I've said it before, I'll say it again; Rhea loves doing TikTok trends with you

Whether you're running into her and she swings you around or your eyes are inches away from her tits, she loves them and she loves the reactions ya'll get from the fans

She constantly reposts fanart of not just the two of you, but fanart of just you

There's even some of you and her dogs which she commissioned the og artists to paint on a canvas so she could put them up around the house

And edits of course

She lives for the edits people make of you

You're not super active on twitter however Rhea will always find some way to flirt with you on every single post you make, no matter what its about. A winking emoji, some heart eyes, or the filthiest implications

and the mosherz always go batshit when she does it

she also reposts ever single one of your posts to hype you up no matter what it is

She also loves to just take pictures/videos of you when you're completely unaware and just totally natural because those are the things she loves most about you

Every milestone post has a caption so long most people dont even bother to finish reading it

of course its all about how much she loves you and how proud she is of you but omg its so long

she will bully the fuck out of anyone leaving even the slightest mean comment

like to the point they delete their account

she just loves to show you off every chance she gets

because you're hers and she's yours and everyone needs to know that

every thirst pic/video she posts goes to you first so you're always the first to see them

You also get bonus content thats not posted😉

sometimes you'll be in one of her tiktoks or thirst posts from Raw (or a ppv) and the caption is always something super raunchy that makes the fans freak out for the next few weeks

or until the next post

You've been obsessed with the Harley Quinn show on Max recently so for Halloween you made Rhea dress up as the Poison Ivy to your Harley Quinn

You won best costume and there was tons of fanart made of the two of you as them

You like to do face masks and you wanted Rhea to join you but she'd only do it if you would agree to do a little photoshoot with her with them on for her insta

She also took a little polaroid of you to keep in her wallet

On that note, when you revealed that Rhea keeps one of those mini photo albums for polaroids in her carry-on (no matter where she goes) FILLED with polaroids of you, you and the dogs, or the occasional ones of the two of you, or all four of you, Twitter blew up

it was all anyone could talk about for weeks

"The cutest thing ever!!😍 Rhea loves her SO MUCH😭"

SHE. LOVES. TO. SHOW. YOU. OFF.

She has "Belongs to Y/F/N" in her bio on all socials

Constantly taking pictures of you because "you're just so beautiful, babe"

The fans are in love with how in love you are

Like its a fairytale and they're living for it

She constantly talks about you in interviews and always reposts those clips specifically so that just in case people didn't watch/listen to that particular instance of her gushing about you, now they have

The fans cosplay as the two of you just like they do with Rhea and Dom

you are THE it couple

Everyone wishes they were you

When you got engaged, you changed your name in your insta bio to Mrs. Ripley and the fans actually went insane

like to the point that the official WWE accounts got involved

#rhea ripley #wwe raw #wwe #rhea ripley x reader #the judgement day #the judgment day #tjd x reader #the judgement day x reader #the judgment day wwe #mami rhea #rhea ripley headcanons

[britcision]

GANG I AM SURE IT IS OLD NEWS BUT I HAVE BEEN DOING MATH AND LEMME TELL YOU A FUCKING THING

EXHIBIT A: MITHRUN’S TIMELINE PER THE DUNGEON GUIDE

EXHIBIT B: KABRU’S TIMELINE PER THE DUNGEON GUIDE

EXHIBIT C: MILSIRIL’S COMIC PER THE DUNGEON GUIDE

HYPOTHESIS: Milsiril was bare minimum visiting, caring for, and feeding Mithrun at points in his timeline between year 480 (trying to recover) and 500 (appointed as a captain - this is also noted to have happened immediately when he was fit for work, since they were running out of people)

In the comic, Milsiril specifically references Utaya (year 499, from Kabru’s timeline - it’s the only demon incident in Utaya), as she uses the incident with the demon in Utaya to get Mithrun to eat and get his act together

Kabru lived with Milsiril in the elven capital from year 499 to 510

Milsiril specifically dislikes and avoids other elves… now with the apparent exception of Mithrun, who she thinks she might have quite liked pre-nuking

Milsiril would not want to go to Mithrun’s family estate and deal with his entire family every time to take care of him… and they may not have been keen on her dolls or cooking

The only thing we know about Mithrun and his family is that he hated his brother, and visits him every five years (brother has extended a permanent invitation for Mithrun to visit any time pretty sure Mithrun overestimates how much his brother cared/noticed he didn’t like him)

His parents deadass aren’t mentioned except to note that he’s the bastard child, and his parents ignored his older brother. There’s an implication here that they preferred Mithrun… until they sent him to a death squad

Milsiril has a repeatedly-mentioned tendency to take in strays, usually kids of short-lived peoples, and strong nurturing instincts that may/may not be pretty dehumanizing

CONCLUSION: there is a non-zero chance that Mithrun and Kabru LIVED TOGETHER FOR A FUCKING YEAR post Utaya at Milsiril’s house and just didn’t even fucking notice

I am losing my mind

This is incredible

Mithrun deadass coulda been The Crazy Uncle In The Attic for a full fucking year

He was busy going feral and blaming himself for Utaya cuz it “could have been different” if he’d been there and recovered for the same fucking year THE LAST SURVIVOR OF UTAYA was in the next room

What kind of unhinged interactions did they have

Kabru was fucking SEVEN the state of Mithrun in that comic woulda fucking RETRAUMATIZED HIM any mention of him being a dungeon lord???? NOPE

We know from the changeling incident that Mithrun barely considered Kabru a distinct person so 0% chance he would ever put it together but KABRU

Kabru is an observant little thot and his favourite thing is making assumptions from his observations

Just a MENTION of Milsiril and Kabru shoulda been all up on that

Mithrun FULLY DID mention her as Milsiril the Gloomy when exposing his backstory and Kabru just… tossed every single name in the garbage

(Which, fair. Elves live a long time, the odds of there being only one Milsiril are 0% and she wasn’t all that gloomy with Kabru, and, frankly, he had bigger concerns named Laios Touden)

Ugh too much too many bits Otta’s comic includes them actually talking about his adoptive mom but without names they were SO CLOSE I am going insane

Fanfiction

So much fanfiction

It MUST be post Kabru/Mithrun this ship is all angst and tbh the whole “desiring someone who can’t desire” is only gonna consternate Kabru for so long so once that is done I want a slice of “WAIT A FUCKING SECOND you’re the guy in the attic???????”

#dungeon meshi #delicious in dungeon #dunmeshi #mithrun #mithrun dungeon meshi #kabru #kabru dungeon meshi #kabru/mithrun #but also LORE #milsiril #milsiril dungeon meshi #y’all have no idea i am eating this shit up

[ultfreakme]

Honestly Geto and Gojo having the same death anniversary which happens to be the most romantic day in Japan, with a character in-story stating how romantic it is should be enough evidence to convince anybody that SatoSugu are supposed to be a romance.

On top of that, we hear that JJK0 is about Yuuta and Rika's love but it's also about Geto and Gojo's relationship.

Then Gege Akutami specifically assigning break-up songs to Geto and Gojo.

AND THEN; they each get canon songs made in each other's POV speaking about their feelings specifically for one another. Where Gojo's song contains lyrics like "Even though I’ve come to know the scent of you being different from mine" and "Any prayer, any word Could bring us closer, but they couldn’t reach you Just like a silent love, In the summery colors along my cheeks". And Geto's song has lyrics like "Even trivial conversations are fine. Show me your blushing face once more" and "It exists only here. I want to touch you" and "Though I understand a wounded heart. Why do I end up hurting and leaving the same scars?"

The animation team going out of their way to give these two more soft moments hanging, creating visual parallels through the Betta Fishes, the flowers, the entire OP for Hideen Inventory but especially the part where we are seeing Gojo's vision being filled with Geto looking amazing while he rides Geto's rainbow dragon.

I saw someone say we're just projecting western views of romance onto satosugu but like, LOOK AT ALL THIS. I cannot stress enough the insanity of their death dates. It's like two people dying one after the other on Valentine's Day. This is some Romeo & Juliet bullshit. JJK in general has next to no romance, no one's pining after each other, the few times there are implications, it's very short. The most obvious one is Mechamaru and Miwa. Now imagine if Mechamaru and Miwa were the ones who got Ao No Sumika and Akari. Imagine they got 5 episodes dedicated to their story and Mechamaru dies on December 24th and Miwa's the one forced to put him out of his misery for betraying them to Mahito and Kenjaku.

Okay do you fucking see how ridiculous denying SatoSugu is? If Mechamaru and Miwa got all that even WITHOUT saying an 'I love you' no one would question their romance.

I know people keep making fun of shonen animes for having a stronger 'romance' between the two guy leads than with any other love interest but I've seen that stuff and even there it isn't nearly as deliberately romantic as SatoSugu. I can tell that Kuroko & Kagami, Gon & Killua or Levi & Erwin are supposed to be friends, the shipping thing is based on the established friendship stuff but SatoSugu are so blatant it's hard to think of another explanation.

I saw a point about how people are projecting western perspectives of romance on platonic friendship expression in a different culture, which I do get, I think it's a valid point. Idk much about how people express friendship in Japan but I have heard there's a lot more skinship and openness as compared to western cultures.

But w/ SatoSugu there isn't anything that can be read as purely platonic, there's always an ambiguity or it's directly romantic.

#satosugu #tired of dudebros freaking out over how on the nose satosugu is #'oh they're brothers' buddy maybe I could still believe that for narusasu because the author mentioned basing it on his brothers #but satosugu in-text are aligned with lots of romance #THEY'RE VISUALLY CONTRASTING BUT COMPATIBLE TOO #i know i know amatonormativity #I GET THAT #but you can't deny these two are romantically involved when the OST that played over their final scene together was called- #;This is pure love' #genuinely how can you explain it as anything else?

[iwritenarrativesandstuff]

I'm probably going to do a terrible job of articulating myself here but every time I think about the worldbuilding in Hatoful Boyfriend, I think about the implications of having the birds simply have adopted the structure and policies of human society and go insane.

It's clearly originally just for the ridiculousness of it all for the players, but AGH it explains so much regarding the extremely rampant classism/racism/speciesism and how apparently normalized it is. It also, to me, adds a bit of moral nuance to the Dove - Hawk Party conflict.

(Long post under the cut. I'm so sorry I just kept going.)

First off, I'm obsessed with the concept of the birds becoming sapient and simply... taking over a society that was not structured for them. It leads to difficulties in universe! Bird wings are not made for doing tasks that human hands can do naturally - there's a couple instances where the characters ask for Hiyoko's assistance or express envy since she can just do the task more easily than they can. The birds are outright disadvantaged in certain areas of life, and yet, the society is in such turmoil due to the newness of it all that there still aren't really any workarounds for stuff like this.

Not that there haven't been any suggested solutions, such as the Labor 9 series, put forward initially by the Dove Party. Yeah, you know, that one throwaway line about how the party that up until this point have been the "good guys" wanted to take still semi-conscious human brains and make robotic slaves out of them Cyberman-style? What the hell. And what gets me is that Shuu was able to find the initial proposal, which he really only made tweaks to, which means that the project was at least close to being finished on the conceptual/planning/design phase before somebody went "hey this is a little fucked up actually".

The Dove Party wants peaceful coexistence with the humans, while the Hawk Party wants to eliminate humanity entirely. But we don't really go into how these two lines of thought evolved. I believe I have a suggestion for at least one part of the puzzle though.

Of all the birds in Hatoful, who enjoys the most privileges and the highest status? Fantails, it would seem. A breed of pigeon that is popular as a pet, considered beautiful and sought after, and achieve high accolades in shows and competitions - for clarity's sake, fantails were valuable in human society, and this status appears to have transferred when birds became sapient and took over. Conversely, which birds are ranked lower and often blocked from entering certain higher class places? Rock doves, who, in human society, are given an unfairly bad reputation, and considered anything from unclean and dirty, to nuisances, to pests. Again, this status transferred over when the birds took over.

So, while we don't know too many of the birds who make up the agents of the Dove and Hawk Party, let's take a look at who we do know of.

Fantails (Yuuya, Dove Party) are considered valuable over other doves and pigeons for being specially bred for their striking tail feathers

Cockatiels (Leone, Dove Party) are some of the most popular and beloved companion birds, kept as pets and considered very friendly

Rock doves (Ryuuji, Hawk Party) are considered unclean pests who receive a bad reputation, and are generally not treated with respect or appreciation <;- notable thing to mention here is that Ryuuji actually does like humans - I think he was only Hawk affiliated for the grant money and research facilities, which... fair enough man.

Chukar partridges (Shuu/Isa, Hawk Party) are game birds, specifically bred and released to be killed and eaten, and considered a delicacy

...do you... see what's going on here?

(I haven't mentioned Tohri as he's a special case. Give me a minute and I'll get to him!)

The birds we see in the Dove Party are those birds that were already viewed in a more favourable light by humans, a favourability that transferred over to their new society. Of course they are more likely to advocate for coexistence! They have less to lose, overall. And the Labor 9 series, and how that could've ever been suggested in the first place, suddenly makes a lot of sense. For many of these birds, society the way it exists now benefits them. Some of these high ranking Dove Party folks may be less about actual peace and justice (like Yuuya or Leone) and more about maintaining the current order of things - humans coexisting under their control, while they get to maintain their status... which is itself a product of human invention.

The birds we see in the Hawk Party, by contrast, are looked down on or hunted. Historically, even before bird sapience, they did not have a harmonious relation with humans - and it's likely this status carried over to their new society also, with many of these birds being more likely to have been disenfranchised. Their goal of elimination is therefore reactionary towards perceived threat. After all, the people who suffer when things go wrong aren't the ones at the top - it's all the people who sit at the bottom of the social rung; the vulnerable members of society who do not enjoy the same advantages as others.

Of course, the Hawk Party has built itself up into such a powerful group that they may have lost touch with this starting foundation - the only thing that remains is likely that reactionary fear. After all, people caught up in the actual conflict - Nageki, Hitori, Ryouta, and Hiyoko - see this kind of horrible bloodshed firsthand (firstwing?) and just want it to stop.

Again, it's not usually the people in these political factions who are the ones caught up in their conflict. It's the individuals who lack power or influence.

But that's just the political groups themselves. On an individual level, it's kind of interesting to look at and theorize where along the spectrum our core cast falls based on their species/breed.

Ryouta (rock dove) is actually rather indifferent towards humanity as a whole - he just likes Hiyoko. However, his witnessing of the Heartful House tragedy led him to abhor violence and unnecessary loss of life, and I'd imagine his mother's later illness solidified this. Ryouta doesn't seem overly interested in political struggles or the broader implications of a lot of things - he's actually a rather self-oriented character when it comes down to it (this is not a judgment, nor a bad thing! I love my boy!). Ryouta just doesn't want to lose people, really. A conflict would mean more loss, and rock doves seem to have to struggle enough as is.

Hiyoko (human) is the daughter of two diplomats, but interestingly, we don't get to see much of her political views on things - perhaps because even if she expressed them, it wouldn't really matter - she's not herself a diplomat, and humans are the lowest of the low - her going to a fancy school doesn't really change that. Social-wise, except with her friends, she is tolerated, not accepted. Yet, it's safe to say that Hiyoko strongly disapproves of people who flaunt their status - she's quick to not take crap from Sakuya, to get angry on behalf of Ryouta and herself over the gull clerk's assholery, and also to defend Miru and Kaku as living beings worthy of respect. Interestingly though, she also uses Okosan's status as a fantail to get Ryouta to let go of him and let him do whatever he wants so... it's kind of unclear what her firm beliefs are. Perhaps, as a human, she still values fantails more highly. I don't know honestly. Implicit bias?

Sakuya, Yuuya and Okosan (fantail pigeons) may share the same breed, but their experiences are highly different. Sakuya is largely separate from the human-bird conflict, as he is unlikely to be directly affected by it. As such, a lot of his story and development has to do with actually learning and un-learning about the world outside of the limitations of his "father's" classist views, which he simply mimics without understanding the larger implications. Yuuya and Okosan, on the other hand, may be fantails, but are also looked down on and often treated as inferior - Yuuya for being a "half-breed" and for his reputation, and Okosan for being closer to feral than a lot of other doves. Interestingly, these two show more interest and respect for the individual than Sakuya does, who often makes sweeping generalizations based on status - which makes sense to a degree, as they've been on the receiving end of this kind of treatment, whereas Sakuya hasn't. Okosan believes that each person has their own "wonderful names" (read: identity outside of breed or status), while Yuuya is a genuine fighter for justice who is able to get to the heart of people, especially in Holiday Star. However, even though they have experienced classism, they still have certain privileges with regards to species/race - take Okosan's shock when Hiyoko and Ryouta are barred entry from his favourite store. None of them are quite as out of place in everyday society as some of the other birds here, and it's notable that "diverse" St. Pigeonations still apparently has a significant fantail student population.

Shuu (chukar partridge) is really interesting, as he doesn't particularly care for the politics of the Hawk Party, and yet his role as a killer/hunter of both his fellow birds and humans is an interesting reversal of the chukar being a game bird. Shuu also has a disability (his semi-paralyzed right side) which hinders him in bird society even more than most. His extreme, yet coldly logical solution to kill all humans to stop the fighting between them, could be as much his rationality, as his joy in the sadistic, as a reactionary survivalism (remember he was caught up in a human terrorist attack as a child - while overall he considered this beneficial to him, he also did lose much of his colour vision and the use of his right side, so it did leave him weakened). Shuu attains control by "flipping the script" as it were.

Tohri (golden pheasant) starts out in the Hawk Party, but much like his colleagues, doesn't seem to care much for their politics. Golden pheasants are game birds whose eggs can be eaten, but are more often bred and kept for their plumage - they're not prey, but they're not exactly pets either. All this puts Tohri in this interesting position of being somewhat in the middle of this conflict, and indeed he goes on to be a part of (found?) the Crow Party - an opportunistic group that seeks to benefit from the overall conflict. Golden pheasants are birds intended to be admired for their beauty and intelligence more than anything else, benefitting in some ways from humans without a strong connection or a reliance, and Tohri's opportunism fits nicely with that. (As an aside, our sole crow character, Albert, is also something of an opportunist, being an assassin on the fringes of society.)

Hitori and Kazuaki (button quails) are somewhat interesting. It would be both expected and understandable if Hitori held hatred for humanity after the Heartful House incident, or even before then, considering they were all war orphans. Instead, he doesn't seem to harbour any particular ill-will - he seems totally fine around Hiyoko, and her being a human has nothing to do with his reticence with letting Nageki hang out with her in the shrine universe. Kazuaki, too, doesn't seem to mind Hiyoko being human and isn't afraid of her any more than he is anyone else. While quails are game birds, with both meat and eggs being eaten, button quails are too tiny for that and are mostly kept as pets - they are considered cute, silly, and entertaining, though a bit too jumpy to be outright companion birds. The quails don't seem to experience too much in the way of speciesism (except arguably with the whole mistaken identity of Kazuaki's corpse... there may be a bit of an "all quails look the same" thing going on perhaps). At the very least, they are able to occupy teaching positions at a renowned school as respected intellectuals, and did go to university. Still, it's kind of a known thing that you don't put button quails with bigger, more dominant birds, since larger birds will often pick on them or even outright try to kill them simply because they're small and shy - this may, in hindsight, explain some of Kazuaki's demeanour.

Nageki (mourning dove) and Anghel (luzon bleeding heart dove) are the two who are uncommon bird species in Japan. Nageki is another war orphan, who would be forgiven for harbouring resentment for humanity, but instead is appalled at the violence and made a huge sacrifice to get it to stop. It's kind of unclear how Nageki fits into this society, as mourning doves are not prey or pets - they're wild birds. They live on the outside of the human world, and while Nageki exists within current bird society, he likely doesn't have a designated status within it. Nageki is unfortunately also alienated from much of the action due to his illness and later his untimely death - this is why a lot of Nageki's thoughts are somewhat from an observer's perspective, with his most emotional moments being derived from his rare direct experiences - specifically the Heartful House tragedy and the human killings he was forced into, which solidified a really firm stance of not wanting anyone to suffer like that. Anghel is another outsider, this time genuinely a foreigner, as opposed to Nageki. Again, Luzons are wild birds, not prey or pets, and so it's a bit unclear what his status is. This might explain why Hiyoko repeats Sakuya's remarks towards him without apparently realizing they're actually insults - Anghel is removed enough from the conflict she is familiar with that it seems she doesn't quite... get it. Again, Anghel's role is as this strange kind of omniscient observer, whose perspective is closer to the player's than to the rest of the cast. He definitely frowns on the Hawk Party's overall goal - the Demon Spores are evil to him, and his main objective is to stop them from spreading, as they would cause damage to both birds and humans. I attribute his morals to his mother having raised him right lol. The lack of a clear status for both of them may be why they appear to take the stance of judgment based on individual actions, but are not heavily involved in the conflict itself - while humans tend to like mourning doves and luzons, there isn't much interaction that goes on between them. Nageki and Anghel are simply less embroiled in bird society's human-derived status conflict, which makes them both outsiders and observers.

As a bonus note, Azami, Rabu and Kenzaburou are all species of birds that can be kept as pets (java sparrow, budgie, parakeet), which may account for some of their friendliness towards Hiyoko, and Kenzaburou's willingness to hire her. Kenzaburou is even a bit old-fashioned it seems - he sleeps in a cage, which implies his ancestors were probably pet birds themselves. It's likely he, in particular, has more positive views on humans.

...Please tell me I'm not the only one who spent ages thinking about the implications and workings of a fictional post-apocalyptic bird society. Also I hope this made sense I kind of went off the rails here.

#storyrambles #anyways this was supposed to be a quick write up. yet here I am three hours later. does this even read properly anymore. help. #the one thing i'm a little unclear on here is how the ichijou family fits into all this. ichijou mino the headmaster was a nicobar pigeon #i find it likely mino was hawk affiliated if we're going with the trend here (nicobars are heavily exploited for food/ #gizzard stones/zoos/illegal pet trade) and also note that he signed off on the human representative directive #but i want to know how shuu fits into that as he was formerly ichijou utsuro. who has the ichijou name? why different species? #are they prominent benefactors of the hawks? interesting to think on #also i was thinking about the gulls - they seem to be fairly high class but gulls definitely do not have a good reputation with humans lmao #however gulls get to do whatever they want a lot of the time because they are loud. and like to bully others (including humans) #i hereby propose they gained power by doing much the same once birds gained sapience hjfhbdf #hatoful boyfriend #hatoful spoilers #holiday star #hatoful meta

[callmearcturus]

a bunch of Mission Impossible fic recs

hi, i'm sorry for conning so many people into this fandom. here's some reading material.

Easy Open, by helenish

“So you and Hunt are a package deal these days,” Bryson says. “Uh,” Benji says, jerking his head up from his computer, ballpoint in his mouth.

Ethan/Benji. Definitely the first thing you should read after watching the movies. This is my favorite kind of one-shot, the kind that manages to convey the weight of history like a 60k fic in such a compressed space. When I talk about using sex scenes to convey something about the characters, perfect example is the set dressing around the one here where the title drop happens. Way to say so fucking much about the characters through sheer implication.

in the details, by helenish

Ethan: We have an even bigger problem. Ilsa. Benji: Ilsa. Our Ilsa? —Mission: Impossible — Fallout (Paramount Pictures, 2018)

Ethan/Benji/Ilsa. This one is so fucking dense and amazing. I love the way Ethan is just so fucking in love with both of these people and keeps imagining them fucking and feels terrible about it, you just want Benji and Ilsa to put Ethan out of his misery, but ALSO this is hardcore physicality porn. The scene with Ilsa on Benji's shoulders is better than any sex scene I've read this year.

I'm With You, by fictionallemons

Luther's getting married again at a private resort on a tropical island. Only there's a mixup with the rooms and Benji and Ethan have to share. No big deal, right? One bed. Two friends. No problem. Ha.

Ethan/Benji. I keep rereading this one because it just has such intense longing and familiarity in it. The way it portrays Ethan and Benji as a unit, a foregone conclusion even they themselves haven't quite figured that out, is perfect. Also I love the way Ethan handles the bed situation, the low grade annoyance he has at the repeated question. Benji, get a clue, my man.

Someone New, by fictionallemons

After Fallout, Benji thinks Ethan and Ilsa are together and he only wants to be happy for them, even it kills him to see Ethan with someone else. He's got to try to get over Ethan. But some things are just impossible. Mutual jealousy, mutual pining, cute texting, and a happy ending, of course.

Ethan/Benji. LOOK, THE WAY TO MY HEART IS ETHAN BEING JEALOUS AND NOT HANDLING IT WELL. Also the fact this fic acknowledges Ethan's emotional growth from Fallout, chef's kiss. But really the moment when Ilsa's like "Seems we missed the show" and Ethan says "I wish we had" ETHAN OH MY GOD. Also the subtle way Benji is needling Ethan a little, subconsciously at least-- it's good!

it takes a lot (to know a man), by thistableforone

"So I just… want to remind myself that we're alright." He says it like that, with a general we that sounds more like a specific you. And because Ethan does know what it feels like, he doesn't question him any further. If Benji needs to spend time with him to feel better, he won't deny him. Takes place after Fallout. Ethan is recovering and Benji goes to live with him to help

Ethan/Benji. A longer one, hell yeah. This one truly wallows in the aftermath of Fallout, which is where my brain lives 90% of the time, so I appreciate it. Also Ilsa pointing out why the fuck did Luther give her that speech but not Benji-- finally someone said it. But really this fic is about Benji and it breaks my heart.

magnetic field being a little too strong, by oopshidaisy

“This is strictly recon,” Ethan says. It’s maybe the seventeenth time he’s said words to this effect since they arrived at the party. “We can’t do anything that’ll raise suspicion. Understand?” Post-Rogue Nation. Benji and Ethan go undercover and find themselves in one of those spy jams that only surprise kissing can solve.

Ethan/Benji. This is the one with the INCREDIBLE passage about Benji realizing why Ethan's never been slapped for pulling the fake kissing thing on missions. Also I love how... this feels like a date. To Ethan, this is a fun mission with his Benji, and it feels like it. Benji's voice here is pitch perfect, feels like its right out of Rogue Nation.

The Missionary Position, by matchsticks

Ethan and Benji have to pretend to be a married couple for a mission. Well, Ethan and Benji are already a married couple, but now they have to pretend to be pretending to be a married couple for a mission, and the rest of the team has to help them keep their secret. It'll definitely all work out fine. Probably. Hopefully.

Ethan/Benji. Listen. This one is hilarious.

THERE, there's some stuff to get you started, folks! and you can always hit up mine. I have periphery (in which everyone Benji works with is a little in love with him and Ethan just doesn't deal well), all i need is a certain trigger (in which Ilsa and Benji are in the Syndicate and Ethan trips into romancing them both), and the big AU you'll need a new name to survive this (in which Benji is Ethan's physical therapist and a lot of things start to change)

Looking over all this, it seems my favorite thing is when Ethan is just unhinged and Benji is unfortunately into that.

#mission impossible #benthan #fic recs

[sillypiratelife]

You need to read the live action, the manga and the anime as different canons. It's healthier to the fandom's brains AND it's also better for analyzing properly what is going on.

One Piece is the type of story that relies heavily on the medium it is presented on. Hm actually, let me correct myself: One Piece is the type of story that celebrates and understands and was born to be told in that specific medium. The form and the content don't exist as separate entities, but are rather intertwined to elevate the narrative. That the characters are soooo cartoonish is not a mere style choice— it holds meaning, it complements what the author is trying to transmit.

One of the first things that I learned in college while studying storytelling was that there's a max point for tension in any story. There's a top to how tense you can keep the audience. If you reach that point, you won't be able to intensify the emotions; that's it, you need to introduce a breather or you'd end up with a stagnant narrative.

In manga/comics and cartoons/anime it's easier to walk that line. The power to make some silly joke or have the characters acting stupid is in the hands of the mangaka. I bet any manga reader or anime watcher can think of a moment in their fav series when the characters were in the middle of a seriously important moment, just to be involved in something ridiculous that breaks the tension.

It's fantastic. Mangas and animes love to make fun of their mediums, introducing satire to allow the audience some laughs. It's not until later when the reader/watcher sits and realizes how fucked up the whole situation was. A delayed punch to the gut, something to keep the mind working and thinking of their series until they wait for the next chapter/episode.

How to make the audience feel the impact of a character? Well, you can allow the audience to empathize with the character by explaining their reasons or backstories, you can show the world through their eyes. You can also show them all goofy and happy, so when the hammer strikes the readers/watchers will be nostalgic for the good times, mourning the fact they will not get more of that and becoming nostalgic. There are so many ways to keep a character haunting a story...

Oda is aware of all the manga medium can and cannot do. For people like him, the limitations are actually just more tools to play with. If you want to double check what I'm saying, go reread the panels where Luffy awakened Gear 5. Only manga could offer what went down in those panels; when the very nature of Luffy's powers are revealed to the audience and the characters, the manga gets self-aware and voices it out: "hey, this is the type of thing that only happens in comics, right?"

The anime allows a different range of tropes and shapes the story, correctly translating it. It's true that the best translations mind the public and the medium, adapting the jokes and references. It's also true that every translation is a little betrayal to the original, a unique creation in its own right. A good example of that is the way that the fillers shape the perspective of the watchers when it comes to the characters' dynamics. If the anime has a filler arc where the fight, a new tension will be present in the next manga canon arc. If the anime shows a filler where characters are close friends, it's gonna be weird when they start acting all distance back at the manga canon events. Not all fillers are meant to be considered part of the main storyline, of course. You have OVAs and you have movies and fillers and all types of media that are considered separated.

On the other hand, you have the visual changes: imagine that the anime changes the angle of a scene where two characters used to stand close and put more distance between them. What the manga could mean as a subtle implication that those characters cared about each other could turn into cold tolerance of the other's presence. Even the best of animes have those changes!!!!

In One Piece's case, turning the story into a live action series must change almost everything. It'd be impossible to maintain the cartoonist aspects of the story (unless they decided to go full Looney Tunes in that movie with Brendan Fraser lol). The choice was the following: we can try to keep the original elements even when they translate poorly to the new medium so we can please the original fans that are used to the story —OR we can try to translate the essence of the story and change all that needs to be changed, so that we keep the storyline and storytelling coherent and cohesive, at the cost of creating something not necessarily alien, but still new.

Violence in OPLA is way more serious.

You know how in the manga/anime characters would get fatally wounded and come back like it was just a minor injury? Or how they'd heal with no major medical intervention? That's a liberty of the medium. Your brain doesn't process the same way when you see a drawing wounded and when you see a real life person wounded. In OPLA, the suspension of disbelief is harder to achieve. Even and because the story was already introducing Luffy's powers and other fantastic elements, they needed to be careful to not overdo it. One option was to make people actually die— to know that in the live action not everything is so silly? It raises the stakes. OPLA discards some elements that are natural of a manga and in consequence, the story turns out to be darker. You have no fillers or little stripes of silly drawings or author comments or openings and endings. You'll have to do with what you do have and tell a story worthy of being told in that new medium.

That's a good translation right there, made by someone who understands that you cannot copy and paste things recklessly. That's the formula that made so many live actions fail, in fact.

You'll see many fans complaining because they don't understand any of what I just explained. For them it's easier to justify their opinions by saying that "they did this bad and that's why I don't like it" than admit that "they did this correctly but it's not my thing anyway".

One big example? Fanservice cannot be carried out from manga/anime to a live action. It's not the same to exaggerate the proportions of a body in a drawing (we can discuss the morals of this later) than ask of it from a human person. It's not the same to use some sexual traits in fiction as a way to appeal to the audience than to carry out those implications to a live action (again, I'm not saying it's good or bad because that's a discussion for another time).

Actors are humans. They will never have the same characteristics as an animation or a drawing, no matter how advanced technology is. The sooner you understand that, the sooner you appreciate art for what it is in its medium.

So really, what's the healthiest option? It'd be to approach each version as exactly that, a version of the story. As foreign as it can sound to some fandoms, the audience doesn't have to justify their opinions on something. Opinions are not professional reviews or art analysis. You can be as subjective as you want! To perceive each version as its own little world is easier: you can say "I like this better" without invalidating the opinion of anyone else. There's also the fun in exploring the different implications (they look like friends in this version but like lovers in this other) and playing with the divergences. Fans do that all the time in their art (literature, visual art, music, etc)

You can also analyze different versions of what is going on and contrast them. Do the differences change the form and content of the story or just one of those things? How does this new element change the dynamic between these characters? Are the characters written well but get thrown into a new setting? Is the setting the same but the characters feels more like ocs than the characters from the original story?

Knowing how much One Piece values symbolism, it'd be interesting to see how they could translate the constant influx of symbols in the manga or in the anime to the live action. The live action might show just the most important parts, cutting all the rest for lack of both space, time and budget. What does the author consider to be vital to the story and what can be cut down?

To have three parallel Luffy's in different stages of the story is fascinating to me, more so than the idea of trying to mix three formats that won't even match, mind you.

#shan blogs about one piece! #one piece anime #one piece live action #one piece manga

[yumemiruuuu]

“Qi Rong thoughts that followed me around like how baby Qi Rong followed his Cousin around like a scrunkly, rabid raccoon”

because as someone who gets upset but can’t effectively voice their frustrations, I get serotonin from watching a scrunkly little green man be stinky and cause a scene

First and foremost, how did he go from being just a brat to straight up submissive and breed-able bratty bottom?

No, like, seriously. These are two completely different individuals??? One is just a brat, and the other is a breed-able bratty bottom, and I’ll be honest here, it took me such a long time to fully appreciate the donghua design because I was so used to STARember’s design. And yes, I threw a fit to every single person I know about how vastly different his design is, I can show you the receipt.

Since his height isn’t listed… (as far as I’m aware), I’m convinced that he’s the shortest adult character in the series (yes, shorter than Ling Wen… who is TALLER than Xie Lian??????) Thus, if he were to be a dog, I can imagine him as a chihuahua. And everyone around him would be like “awww is the tiny little pookie angry???” and just make fun of him, because that’s what people do to angry Chihuahuas for some reason.

This is him throwing a fit at Pei Ming (yes, PM is a German Shepherd in my mind. Yes, I will make videos on this.)

That one specific plot-point in the novel where HC and XL are in a shack/inn and QI RONG WAS THE COOK??? Like WHAT?? Chef Boyardee who? I only know Chef Qi Rong

He’s also unfortunately selectively intelligent??? Which actually makes sense since he did grow up as a part of the royal family. And I feel like a lot of people forget that. But at the same time, even without the royal background, I feel like he has a certain sense of intelligence…. that comes from… god knows where???? And that’s kinda scary to think about, because imagine if he actually put his full thinking cap on 😭😭

Bro just straight up Out-Gay-ed Shi Qingxuan, which… I didn’t even know was possible. Like, when he flicked his wrist, I almost expected him to go: ✨✨SLAYYYY 💅✨✨

Please don’t forget the “waist snatched, tits out” potential with this man. Donghua version. Manhua version would never.

Disfigured Pikmin Qi Rong

Did I talk about “DOG HUA CHENG” and “DOG FUCKED XIE LIAN” already? Because like… despite the nasty implications, he was definitely onto something. He probably just didn’t realize to what extent 😭

I just want an official plush of this man so that I can use him as a soccer ball when it’s pouring outside and kick him around into puddles and mud and… yeah

I could have sworn I had more thoughts of him but I can’t remember now so maybe there will be a part two 🤔🤔

Oh yeah, I just remembered my friend telling me about how his name means face of sorrow or pity or something like that and just… CAN YOU IMAGINE. I need to go into a wholeass thing with this some day because when I realized that, I did not feel okay 😭

#point is… qi rong should be on a talk show #maybe a podcast if anyone dares put him in a room with a microphone #i’m sick and in need of rest and recovery but qi rong thoughts are pretty important imo so #sorry for the lack of posts these days btw. been very busy and with no time to think of prompts #heaven official's blessing #tian guan ci fu #tgcf #天官赐福 #qi rong #qi rong thoughts

[astroninaaa]

Can I just.... cellbit suing these people on Twitter feels weird to me. Like they were just believing a potential victim and cellbit didn't exactly refute anything she said previously.

Like I fully believe cellbit and feel bad for him, but suing Twitter users that didn't know that sasa was lying is just odd to me. He should just sue sasa no?

okay yes yes yes yes this is a veeeery good point!!!! thats what i was saying in one of my previous posts - imo the BEST defense these people have is they were just trying to believe a victim, he never denied the claims, in some ways he even agreed with them! he admitted to making mistakes, said he got therapy and changed for the better! and he said all that regarding the accusations, so, like. it was easy to draw the implication that he was owning up to it.

the thing is that there was never any proof, never any investigation, never any judicial action taken against him, never even an official accusation, nothing. it was all sasa's words against his silence. and while yes people were just believing a potential victim, there are limits to things. i believed her for years. i didn't, however, harrass him online because of it. i think the only good way of understanding WHY he's suing specific people is to actually see the tweets, so i'll put some under the cut and talk about them:

[TWs: mentions of pedophilia, abuse, racism, sexual assault, domestic violence, suicide]

this says "here cellbit, a fan for you to abuse just like you did with sasa."

erm. erm. erm. i don't think i even NEED to say anything like what the FUCK is this about.

"Cellbit morally harrassed his ex, made nazi and pedo jokes in old minecraft videos and on twitter, now he changed and everyone likes him because he measures his words, why doesn't Forever get the same treatment? It's selective, admit it"

now, analogies to nazism and pedophilia are both crimes in brazil. this person is accusing him of both without even indicating any proof whatsoever? those are both very serious crimes with very serious punishments.

(i don't speak spanish bear with me. pls feel free to correct me if i translate it wrong)

"the hispanic QSMP community should ask itself if it's right to follow and support someone like cellbit, someone who abused his ex girlfriend, who is a racist and a pedophile, never apologized, and his fans say that his ex girlfriend doesnt want to keep talking about the topic but the truth is that she doesn't for people to keep associating her with something like cellbit, not that she wants people to forget what he did or to act like it never happened. being friends with roier doesn't mean he's a good person."

all the racism and pedophilia claims come mainly from a joke made over 10 years ago. again, he never got convicted of or investigated for anything. this is both difamação AND calúnia tbh

"people are calling him [forever] a pedo because he made a nasty joke lmaooo cellbit would beat the fucking shit out of his girlfriend and it doesnt matter, everything's okay lmaoooo i cant believe this"

there are actually quite a few tweets about cellbit supposedly beating his girlfriend up but sasa never claimed that he did that. she accused him of psychological abuse, not physical. so saying they were just "believing the victim" doesn't work with this accusation specifically, because they literally made it up and it doesn't match with any of her claims, specially back at the time when she hadn't accused him of sexual assault yet.

so interesting to see people literally admitting theyre accusing him of abuse without knowing the details

"people juggle like crazy to ignore the fact cellbit hit sasa, now understanding what Authentic said is impossible"

again, she never claimed he hit her. authentic is another minecraft youtuber who got canceled for saying homophobic stuff.

"is cellbit the one who abused sasa? i'm hoping he kills himself"

yeahhhhhhh there's over 200 of these.

the reason he's suing all these people isn't simply because they believed sasa - it's because they harrassed him. harrassed him, actively tried to harm his image, brought him up when he wasn't even a topic (like to defend forever or authentic) just to say he commited crimes without any proof that he actually committed. so while i think people will be able to say they were just believing the victim, the truth is that he has a lot of support to his claims of being accused of shit without proof. he even added documents to his action that prove he's never been investigated or sued for ANYTHING.

finally, regarding him suing sasa: i bet he will. i'm like, 100% he's already suing her. it's probably under judicial secrecy for now, and we might never get access to it, but,,,,, yeah. he's definitely suing her as well, i think he's just also taking action against people who harrass him online after seven years of taking it silently.

that's the overall i hope it made sense and wasn't too long asjkdbkajsbd still open to answer any other questions :)

#cellbit #discourse #qsmp #qsmp cellbit #law #cellbit situation

[ananke-xiii]

Another dream, always mine (and yes it's still spn s13 related because i have a bone to pick with dabb over that season specifically)

So here it goes. (Part 1)

Spn s13 but kelly doesn't die, cas doesn't die, crowley doesn't die. Lucifer dies for *reasons* but mary, dean and sam are stuck in the AU.

It's still spn so we just have to have mirrors and parallels, okay? Like, this show doesn't care about continuity but damn! They will stick to mirrors and parallels like it's a religion and so we do too.

The thing is that the AU is not the lame-ass AU Dabb or whoever came up with, it's at least an attempt at being an interesting place. So basically the AU is as boring and dumb as our earth, nothing has really changed, people are still trapped in the rat race that capitalism is (see, we have a little bit of critique here too, there is no escape from the capitalist-fascist-heteronormative narrative or isn't it?), the frigging white picket fences are still everywhere like a fucking nightmare BUT! This is an earth without monsters, angels, demons, nothing goes bump in the night but depression, paranoia and suicidal thoughts (now these are the real monsters) and YET this is THE chance for our heroes, this is the promised land, no past, only freedom, the american dream is theirs to grab (but don't worry this place hides a secret, this is still spn everything must be queer, you'll see). Sam, dean and mary are kinda lost cause, surprise surprise! It turns out that's not the things you want that you can't have but that you didn't know what you wanted so how could you have it in the first place? Mary is restless, this was supposed to be her dream, she died for it and now she doesn't want it and she goes through another deep existential crisis (and, really, we all just get mary because seriously? any character named mary who's also a mother has too much fucking weight on her shoulder, just let the woman be). Sam is kinda okay with it, he once again refuses to get in touch with his emotions and flees from them like the plague: they're gonna make it work, they will find a way (i want to convey ross from friends vibes when he's like *in a squeaky voice* i'm fine! Here, that's sam in the AU). The guy lives in his delusion, this is his chance at being normal (and oh boy is he wrong, you'll see). Dean feels just bad, he's supposed to feel happy with his mother and his brother/son (the weird implications of this situation will be explored) but he keeps thinking about that little house by the sea (or was it a lake?) that cas bought as fucking jimmy novak and how the angel spent months there with kelly playing daddy and how the fucking angel played him and dean just went along and repaired his stupid truck as if to thank him for breaking his heart but also, also, dean will never admit it to anyone ever but deep down he knows, he knows, that that was his place, his angel, his chance (we will also have an explorations into the complex theme of mpreg with the due "Junior" references we all deserve and insights into dean's maternal insticts).

Now back to earth.

Kelly gives birth to a baby jack, cas lives with them to protect them from the angels and demons that will sure come for a visit (but once again he will end up being a total agent of chaos, you'll see), the angel is a bit of a mess, though, and his obsession with saving dean winchester is finally making kelly feel quite concerned with her life choices, maybe trusting this guy was a little bit insane, was he always this deranged? (We'll soon see why she thinks that, she might have a point). Meanwhile crowley goes back to hell and we once again have a cheap game of thrones situation (because why not? i can't come up with infinite original ideas to fix this plot, okay? Also this is still spn, i can condone SOME cheap storylines on the side, and anyway mark sheppard makes anything work so we're good) where his varys-like smart brain cells will put him on the throne again (who's this asmodeus guy anyway, prince of hell or not, fuck him, he will not stick around here for a second season while dagon died like after 2 episodes she was in, not gonna happened in my narrative). But, you see, the demon has his own issues, and goes visiting kelly and the angel because why not? He likes kelly she seems interesting enough for a person who birthed satan's son, escaped from a fucking angel of the lord, was kidnapped by a goddamn prince of hell, managed to baby trap said angel of the lord, stole the frigging impala and escaped that menace that the winchesters are. She then proceeded to give birth knowing she might have died. She is something. Something a bit unhinged maybe but crowley digs her, okay? He still also has varys-like smart brain cells so he needs to visit to make sure that baby lucifer is, like, not plotting to take over hell or whatever newborn babies half-made from cosmic entities do these days. Also, also, watching castiel putting baby jack to sleep with those big strong angel gym-bro arms did something to him, his daddy fetish and his mommy issues raised their head and something else too, and he foolishly promises to keep jack safe from hellish attacks and indulges castiel in his winchester obsession. What? He misses the brothers too, those handsome, tall, cruel white boys (we are reminded that, visually, the whole cas/kelly/jack situation is quite similar to the weird crowley/dean/amara thing of s11, mirrors and parallels need to keep happening people, this is spn, we gott have 'em). Castiel is living his tragic destiny yet again, he's seen the AU, has been there, technically knows that dean, sam and mary are safe but he just has to see it for himself, right? Like he has to make sure, it's not like dean not being there is eating him from the inside, it's not like he starts feeling the pang of guilt over the huge betrayal he's forced onto dean,leaving him left behind again and again and playing him that way, no. He copes by sitting in his stupid truck that dean had repaired listening to that damn tape (every time he does that we have a close-up of kelly watching the pathetic scene from her window and sighing as if in "fuck, FUCK, my life"). And oh, yes he also starts researching about archangel resurrection because i may or may not bring back my girls, aka raphael and uriel but this is for part 2, you'll see.

#i said i had ideas where kelly is alive and thriving #i promised i had them #i m keeping that promise #well half of it #kelly is alive but she is not thrivig but she will #eventually #spn #supernatural #spn s13 #spn s13 but with my ideas because fuck it #castiel #crowley #kelly kline #mary winchester #jack kline #sam winchester #dean winchester #i will also insert a bit of #destiel #because they're just good for the narrative #whether you like it or not

[rawliverandgoronspice]

Yeah, so... Just to clarify a specific TotK-related thing I haven't been super transparent about, or not enough perhaps? I'm not accusing Nintendo of being this machiavellian entity with TotK's storytelling. I mean, it's not impossible that some narrative limitations were put in place to avoid rocking the boat too hard (and some people actually are conservative and have conservative beliefs that they champion in the work they make/fund, it's A Thing too also that we tend to ignore or wave off because Surely nobody would actually think like that, buuut sometimes people do think like that also and it's really unfortunate but people do be conservative the same way people do be gay and try to inject gay stories in corporate settings that try to maximize profit and audience reach, conservatives also do that it turns out!!! not saying it's what happened because I have no idea but I'd hardly say it's impossible), but: I think the final result and what I criticize about it happened mostly because of carelessness and/or lack of power from the narrative department to make their case (I didn't even see a "Writer" or any mention of a narrative department in the credits btw, so I don't know what's up with that), and not from active malice.

I am a consultant, it's kind of my job to work with game companies to mesh gameplay and narrative together, and honestly an enormous portion of my job is to just... point out that some tropes and some "evident" writing shortcuts have Implications, or might end up saying the opposite of what the game wanted to say (not my favorite part of the job, let me tell you this). The game industry is really super fucking bad with themes and media literacy in general to be really honest with you, so sometimes this conversation goes over super well and lead to very interesting places where we get to define a clearer narrative purpose to collectively push, and sometimes people get incredibly defensive and reject all and any criticism before slamming the door on your fingers. It's a known thing in the industry (and everywhere tbh, like trying to get a guy who is "such a feminist" to admit that he's systematically torturing his female characters to give them character growth is uhhhh very veryvery fun as you can imagine)

So while I'm not blaming Nintendo for twirling their copyrighted Italian Mustache while secretely trying to inject imperialist propaganda in their good fun game, I do blame them for not spotting their biases during a 6 year development cycle and for not making their narrative ambitions a bigger priority given the subject matter, and I do side-eye them for addressing said biases in ways that reinforce the core issue, which is to create a fictional conflict that refuse to self-examine and will sabotage its emotional beats, its writing and its character arcs to preserve, at almost all costs, an extremely flat worldview that also happens to parallel really unfortunate real life propaganda stories in its imagery, themes and tone (and this is a criticism I only have for TotK, and not towards the entire Zelda canon which has historically been much, *much* better than this, even in entries that were pretty close plot-wise).

#thoughts #totk #totk spoilers #totk critical #nintendo critical #when will my brain return from the imprisoning war.... #(it's getting better but I am starting to see some stuff getting mischaracterized when it comes to the Imperialist Argument) #(and I kind of want to make my position a little clearer in case it wasn't)

[myaoiboy]

Death Stranding gender talk you say? Count me in.

Oh, I'm so glad someone asked about MPreg: A Hideo Kojima Game :3c

I'm going to put a quick CW in here for a medical-setting image of an umbilical cord. It's pretty mild, but I think doing side-by-side images will be helpful for illustrating what I'm talking about. Also, big spoilers for anyone that hasn't finished the game, obviously

Literally everything in Death Stranding is so very tied to parenthood and especially the pregnancy and birth parts. Yes it's technically a metaphor for the creative process but also it's, uh, incredibly visceral. So I'm gonna start here with Sam, but damn everyone in this game has some gender going on.

Can we talk about how Bridget chose the same name for both her other half/fictional daughter AND for her adopted son? I feel like not enough people mention the fact that "Amelie's" "real" name is Samantha America Strand, and everyone just calls her Amelie. Maybe because it's fucking weird to have two kids named Sam and Samantha?

The fact is too, that the two Sams aren't the only ones with gender-ambiguous names in the game...we don't know Lou's gender until the very end! The use of gender-ambiguous names for the only two main characters that you as the player can actually interact with feels hella meaningful.

In fact, the game intentionally lets us think that Lou/BB is a boy for most of the game! Cliff refers to his BB as "him" in one of the first cutscenes we see of him, very early on. The game also lets us believe, for some time at least, that there's a chance that the memories are BB/Lou's, and that Lou is Cliff's baby. We don't know this isn't true until near the end of the game! Why didn't any of the characters point out this contradiction before then? I'm not sure, at least not yet. Very open to thoughts on this. It doesn't feel like the MO of the game to have a gender reveal at the end for shock value.

Anyways, let's get in on point one obvious: like I already said, this is an mpreg game. There's...there's no way around it. A dudes carry a fetus attached to them by an umbilical cord (which they make VERY viscerally look like a real umbilical cord btw, between the color/texture/the additional cable along the outside).

I feel like "haha it's the mpreg game" has probably been done to death but I love it so much specifically because of the implications that it makes and the puns that it plays on.

Sam is a delivery man. He's called "The Great Deliverer" or "The Man Who Delivers." And the last scene of the game, the last line before we flash-back for the postgame, is...?

Literally childbirth! It's...delivery. It's Sam delivering his own child, after making a trek by foot across the continental US carrying a difficult pregnancy. "The Man Who Delivers" is a double entendre throughout the game, just like "strand" is ('strand' like rope or hair, 'strand' as in a portion of a larger network, 'strand' as in stranding, like the beach, etc).

So like, what the fuck, right? Why do we have Mpreg: Hiking Simulator? What the HELL is going on in there?

So. America, right?

If there's anything Kojima really loves to talk about, it's America. American identity, imperialism, national myth, etc. Death Stranding is just the most recent and blatant of these. And, of course, one of the most popular American Myths are the story of the founding fathers, right up there with manifest destiny.

So we have this game where Sam is both literally becoming a father after carrying a surrogate pregnancy, and also metaphorically becoming a father by re-founding America. In that way we can see, through his experience of pregnancy, the trials of (re-)founding America.

Okay, great, cool, Sam is a male mom, wonderful, so glad that technology has progressed to this point, we stan. Maybe we don't stan the use of American nationalism as a tool so much but look at the healthy baby glow <3.

But I also want to contrast this with the only other BB we really see in the game. Yeah, baby, it's Higgs time!!! And I am going to make a comparison that is going to seem batshit insane. Bear with me:

I was skeptical myself when I first saw this comparison, but I've been converted into a believer for a few reasons.

The visual. While imo it wouldn't be enough on its own to make a case, I have to admit that his hood is similar to some popular depictions of Mary

Higgs is literally a male prophet of a goddess of extinction. He essentially considers himself her messenger,

While Sam gets his BB from another person, and it's also a live fetus, Higgs gets his from Amelie, as how god gives mary jesus immaculately

Much like Amelie's reveal that her "soul is a lie," the "baby" that she gives higgs is a twisted effigy. He carries his god(dess)'s physical form, but as she is a goddess of extinction with no remaining soul of her own, it will never grow.

i'm willing to believe higgs is a virgin, for the bit.

Okay okay I gotta stop for now because it's 1 AM but like, consider it, mayhaps.

#anyways i love the mpreg game i love extinction goddess i love evil little egyptaboo higgs i love autistic king sam porter bridges strand #death stranding #sam porter bridges #samantha america strand #amelie death stranding #bridget strand #Lou Bridges #lets talk about mpreg #higgs monaghan #my analyses #analysis or something

[pass1onepr1ncess]

Went on a whole rant about DioPucci on Twitter so guess what my next post is about. Yeah, it's DioPucci. I hesitate to call this one an analysis just like I wouldn't really call the DiaDop one an analysis considering it's just me venting my frustrations about people being weird/difficult in the Jojo community but I will be talking about the "relationship" between Dio and Pucci and how I strongly disagree with shipping them. If you ship DioPucci, I'm not gonna go out of my way to harass you but I will unkindly ask you to please leave my blog and block me because you make me wildly uncomfortable.

First off, let's talk about that age gap, shall we? Putting Dio's 100 years of immortality aside, he was 21 when he used the stone mask in Phantom Blood and became a vampire, effectively solidifying his immortal age in his early 20's. Yes, he lived for 100 years after that, but that just makes him even older. In the flashbacks we see of Enrico Pucci meeting Dio, he was 15. Fif-fucking-teen. And then later on in the flashbacks of them talking as 'friends,' Pucci is still only around 17 and then Dio dies. At no point in the brief period when they knew each other was Pucci an adult. Would you be comfortable with a 15-17 year old in a relationship with (at MINIMUM) a 21 year old? I sure fucking hope not.

And keep in mind, this is ONLY if we're talking about the age gap and not, oh I don't know, the implication that Pucci was groomed by Dio for the Heaven Plan. And when I say this I beg of you to keep in mind that grooming doesn't inherently involve the end goal of romantic involvement. Grooming is any kind of manipulation at a young age to shape a vulnerable person's mental state into something that benefits the groomer- whether that be sexual involvement (which is what most people think of when grooming is brought up), romantic involvement (Another common assumption), personal satisfaction or pride (I hate to use this example just after she was released, but Gypsy-Rose is a good example of this, having been groomed by her mother into being helpless so that her mother could continue to take care of her just like her own mother did.), or other goals. Dio would fall into the latter category.

We know that in the Heaven Ascencsion Plan, Dio already had pretty much all the other pieces he needed. He had the 14 phrases (They were the lyrics to a lullaby his late mother used to sing to him), he had EASY access to the souls of 36 sinners what with his vampiric and stand abilities combined- not to mention the effective cult of devoted followers at his feet, though they were all picked off by the Crusaders in Part 3- of course he had his own stand so that one's a no-brainer. But the one thing he didn't have was a "trusted friend who is devoid of all earthly desires." Everyone Dio had surrounded himself with were sinners that craved some of kind mortal prize. Sex, money, love, power, etc. And Dio knew that he himself was no exception. His entire goal in all of his appearances throughout both Phantom Blood and Stardust Crusaders- AND in the Heaven Ascension Plan- was that he wanted power.

Do I think there was some capacity where Dio cared about Pucci? I think it's possible. But, I think that Dio would have had the exact same relationship with literally anyone else who fit the description for the Heaven Plan if he and Pucci never met. Pucci was a tool, no different than the 14 phrases written down in his diary. In fact, I wouldn't be surprised at all if Dio had been visiting churches specifically looking for priests and the like so he could find someone with "no earthly desires." Pucci just so happened to be the one that found him (tripped over him) and fit the bill.

Dio manipulated Pucci into becoming a "trusted friend" so that he could move forward with the Heaven Ascension Plan, and the only reason he gave Pucci his bone was both a failsafe and he believed that he might be able to be revived if he died. I don't think it was ever in his plan to let Pucci be the one to attain Heaven, I think that was just his last resort backup plan.

Am I saying that Dio sexually groomed Pucci? No, I'm not saying that at all. I mean, it's possible, but I don't think there's enough proof of that other than the fact that the two can be seen in a bed together and Dio has less clothes on than usual. But also it's the same amount of clothes he has on in the final moments of his battle with Jotaro. It's just his sleevless turtleneck without that gold jacket he normally wears, or he's shirtless. I'm not saying it's not true because I very well could be wrong and I haven't watched Stone Ocean in a hot bit, but also looking at Dio's character pre-Stone Ocean he didn't have any reason to sexually groom Pucci. If he wanted sex, he had a whole slew of minions in Egypt that I'm sure were more than willing to get his rocks off. Also, if he had sexually groomed Pucci, wouldn't that be entirely counterproductive to the whole "void of earthly desires" thing?

Also the only time we ever see him assault anyone in that way is that stolen first kiss with Erina in Part 1 but keep in mind that that was solely to piss off Jonathan and not because he actually wanted to kiss her. Also Jonathan, Erina and him were all the same age then. Dio is a villain, but given his character it just doesn't seem likely that he would have any motivation to coerce Pucci into a sexual relationship. And he's not above hurting kids as we saw with Kakyoin and his flesh bud and also the entire Dio v Jotaro fight, but that was with mind-control and physical altercation. And while we definitely see him where it's absolutely implied he's having mad vampire sex off-screen, it's always with adults. While Dio is a villain, I see no reason why he would sexually prey on a kid- especially one who, might I remind you, is supposed to be completely pure and rid of mortal desires such as sex.

I've been mainly focusing on Dio because he's obviously the one in power in this both from an age standpoint since he's a 100-year-old adult and Pucci is a 17-year-old at BEST, but also in terms of power since Dio was the one who gave Pucci his stand with the arrow and they talked about how Dio's stand is one of the strongest in the world (no pun intended). Pucci is at every disadvantage, so it would'nt make sense to victim blame him or accuse him of being the abuser here. In fact, I want to talk about his victimhood.

Not only was Pucci younger and weaker than Dio when they were first met, but they also just so happened to meet at a very crucial moment in Enrico's life. About a year after Dio and Pucci first met is when Enrico finds out about the truth that he and Wes/Weather are twins. This, of course as we see in canon, leads to some extremely unfortunate and stressful events that leaves Pucci without his beloved younger sister and sadled with the guilt that he was the one to blame for everything that happened. It's unclear if Enrico ever told Dio about all of this, but regardless he would've been in a fragile state, and that's when most groomers will swoop in and take advantage of that fragility and vulnerability and shape your mind and emotions to be favorable for them. I don't know if it's ever confirmed that Pucci told Dio about Perla and Wes, but nonetheless Dio would have noticed that Pucci wasn't in a stable state of mind.

This is likely where he put the idea into Pucci's head that Heaven could make things better than what he was experiencing; That if everyone already knew what would happen before it does, they could prevent it and avoid conflict and pain. In the ending of Stone Ocean, we see that this exactly why Pucci went through with the Heaven Plan even without Dio, because Dio gave him his own personalized reason to attain Heaven for Dio after he was gone.

Is Pucci innocent in general? Absolutely not, the whole thing with Weather and Perla was his own fault (and the woman who swapped Weather at the hospital) and at the very least in that respect, he's guilty. He could've handled that literally any other way but for some reason he got the fucking KKK involved and resorted to violence at first notice. Not to mention everything he does to the prisoners in Green Dolphin Street, including Jolyne and crew. But at least in this case, Pucci is very much a victim of grooming and manipulation. Did Pucci care about Dio? Absolutely. He holds Dio with a fondness, and there's no denying it. Whether that fondness is platonic or otherwise is not my decision to say since it's never explicitly confirmed, but he does/did trust and care for Dio and considered him a friend. But regardless of how he felt about Dio, Dio still groomed him and would've groomed literally anyone else had Pucci not been the one Dio found first. He wasn't hand-picked, he was simply whoever Dio first laid eyes on. And if Pucci didn't respond to the Heaven Plan the way he wanted him to, I'm sure Dio probably would've just killed Pucci and went looking for a replacement.

If you like DioPucci, like I said before I'm not gonna go out of my way to spend unnecessary time and effort and energy into harassing you but I will ask you to keep that shit far away from me. If you disagree with the points I've made, that's fine but again, I don't wanna see it anywhere near me or my blog. I'm not tagging this as DioPucci either. I'm not gonna invade that tag just for a rant on how I don't like them. But those are my thoughts.

#jjba #jojo's bizarre adventure #jojo no kimyou na bouken #jojo part 6 #jjba part 6 #jojo stone ocean #stone ocean #dio brando #enrico pucci

[candycandy00]

Do you think Sukuna is or was a rapist?

Yes. I know there’s been some discussion about it and different people feel strongly about different answers, but for me, there’s definitely strong enough evidence for me to think he is/was. 

Let’s look at the evidence:

1.) In his very first scene, he specifically mentions women twice. The first time literally asking, “Where are the people? The women?” While grinning maniacally. Could he have simply meant that he wanted to kill a bunch of women? Sure, but I think the much more obvious interpretation is that he wanted them for carnal purposes. And the author knows this is the obvious interpretation of this dialogue. That’s likely why they used it. It was a convenient way of revealing that Sukuna is a sadistic monster. 

2.) His threat towards Nobara. He specifically mentions her to Yuji and strongly implies that he’ll do something very unsavory to her in particular (when both her and Megumi are in the area). Why single her out? Why mention her, the only girl, in particular? Why mention that she “seems lively” and that he’ll have fun with her? Now, could he have only meant that he’d have fun fighting/killing her? Sure, but why her and not Megumi, who is clearly stronger than her and would definitely put up a more “lively” fight? Again, I think the obvious implication here is the one the author intended. 

3.) We are told outright that Sukuna “lives according to his pleasure”. Meaning he seeks out things that bring him pleasure. What’s one of the most common and well known physical pleasures? Sex. And with this phrasing, it’s pretty strongly implied that he takes what he wants. Again, it’s possible that this line only meant that he ate good food whenever he wanted (something he does say later on, along with another line I’ll discuss next). But like with the other points, I think the obvious interpretation includes sexual pleasure. 

4.) Sukuna himself says, “If people are amusing, I’ll play with them.” He says this right after saying he eats when he wants. I think this works on proving the previous point, that he pursues different types of pleasure. Now, could he mean that he’ll fight people who seem strong? Of course, but I feel like he would have just said that if that’s all he meant. By saying it the way he did, it implies something broader. There are different ways to “play with” a person after all. So again, it seems obvious to me that we’re supposed to read this as him saying he’ll fuck someone he finds attractive and fight someone who seems strong. 

There’s also some less concrete evidence that doesn’t really prove that Sukuna raped anyone but instead makes it seem more plausible: 1.) Sukuna is a violent, sadistic villain who thinks nothing of murdering lots of innocent people and also eats people, is rape really off the table for him? 2.) We’re told in the manga that some villages threw festivals in his honor and gave him offerings. People were terrified of him and wanted to appease him. Back in the Heian era, it seems extremely plausible that women were offered to him. And 3.) One of the songs Gege listed as a “theme song” for Sukuna is (s)aint by Marilyn Manson, which has some rather sexually charged lyrics. I think this could definitely imply that Sukuna at the very least has an interest in sex. 

So yeah, I think all of this together strongly implies that Sukuna had his way with plenty of women in the Heian era. Now, you could argue all of those points individually. And individually, those might be good arguments. But taken all together, it gets harder to argue them. To deny that Sukuna is probably a rapist requires you to purposely interpret several scenes in the most unlikely ways possible. 

It’s not that I want him to be a rapist. I just don’t think it’s a good idea to completely deny the darker or more problematic aspects of a character. 

#Sukuna #ryomen sukuna #tw: rape #thanks for the ask