I just read your response about how the Erin's didn't realise the colonialism themes of DOTC and now I'm wondering if it's because they're British - a big fucking colonialist country
I am also British and I have seen first hand how watered down the empire's negative consequences are in schools. I still remember being told, "the only ones that weren't having a great time were the slaves." when in reality no-one but the British was having a good time
It's unthinkable that the fact they are White British Authors of a Certain Age didn't contribute to it. Like... that's just how culture works, even if it somehow wasn't at all related to their formal education. It influences how you think.
(Also as an aside, even most of The British didn't like the whole empire thing. 3/4ths of Britain isn't England. 2024 is still young, come on guys, be hilarious)
I can't ENTIRELY pin this one on you guys though, the writers are English but their biggest audience is American. And the Americans also predictably failed to catch the themes. ALSO a big colonialist country.
(I happened to get a really good education though, especially for a public school. I don't know if My Fellow Americans even learned about the Whiskey Rebellion or the Banana Wars)
It's also hard to explain it, but the Erins also have a very British way of writing fat people. There's overlap between them, but Brit and American fatphobia has two 'trends.'
American fatphobia tends to frame weight as being funny, pathetic, and a sign of a lack of discipline. English fatphobia tends use it to make a villainous or annoying character appear even more vile, greedy, and unhygienic. American media has also had a stronger trend of body positivity lately, whereas I'm having a hard time even thinking of overweight English characters who are not mocked for their size.
These are just the two things I've noticed though. I'm sure there's more noteworthy trends about WC that's influenced by its authors coming from where they do.
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The craziest nickname i know of even more of of leftfield than Peg for Margaret, is Tuck for William. Can you explain where that one came from?
While I've seen a few scattered Williams who go by Tuck, I've never seen any formal association with the name William.
I feel like English has too many terms for nicknames (diminutive, hypocorism, sobriquet, pet name, etc.) which either have no firm definitions, or they have definitions that largely overlap - which leads to a lot of confusion as to exactly what type of nickname you're talking about.
For example: my given name is Samantha, but my family calls me Sissy. Sissy is my (a person named Samantha's) nickname, but that doesn't mean Sissy is a nickname for Samantha.
So while Tuck may be a person named William's nickname, it isn't a nickname for William (at least not that I've ever come across).
And Peg may seem odd, but it's actually pretty straight-forward linguistically:
Margaret was shortened Marg, Marg became Mag due to many British dialects lacking rhoticity, Mag became Meg as a result of the Great Vowel Shift, and Meg rhymes with Peg and people really, really like rhyming stuff.
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can you review my favorite neopet, the kau? (sorry if you already did, you know how it is with the tumblr search function)
As you may be able to tell by their ever-so-creative name, the Kau is based on a cow, though the horns are more bull-like. (Neopets does not practice sexual dimorphism, and even gender-specific colors like Royalgirl still have horns. This is fine, as it makes them more of a fantasy creature.)
The Kau almost strays too close into "just a cow" territory, but the decision to give them stripes instead of spots adds a bit of flavor. The horns also face backwards, which isn't unheard of in certain types of bulls (see: gaur bulls) but is unusual for standard domesticated breeds
Beyond that, the body is nicely blocked out in terms of color, with darker stripes, hair, tail tip, and hooves complimenting the base color. The muzzle and ears are usually a tint of the base color, but that said I do like it when they make them a light shade of pink like on the red Kau above.
The Kau benefited quite a bit from customization, losing the overly detailed eyelashes and generally just getting much better drawn and better shaded art. I also like the pose change, which enables you to see the body much better.
It is also worth noting that Kau have a weird little quick wherein a small number of colours sport a bell around their necks. There's no rhyme or reason to what colours get the bell—all of them are post-customization except for faerie (shown above), yet not all post-customization colours get the bell. For the record, I rather like it—it adds a little something to the design, and customization always enables it to be removed if desired.
Favorite Colours:
Pastel: The pastel has been a fan-favorite ever since it came out, and for good reason. The pink base color is lovely and is accented with a bit of blue in the eye and on the bell (this being one of the few lucky colours to sport one). The big thing that elevates this design for me though is the choice to change the stripes to cow-like spots, which isn't normal for pastel but makes the design extra cute. The spotted cow does the same thing in classic black-and-white, but I find the position of the spots on the face with that colour to be much more awkward.)
Burlap: I'm of the strong opinion that burlap pets should always be at least slightly uncanny and unnerving and should stick to dull monotones, which are the main selling points for the colour to me and are what keeps it from overlapping with plushie too much. In that respect, the burlap Kau is a bad burlap pet, but a great colour for the Kau overall, if that makes sense. The extra fluff around the neck, head and legs reminds me of a highland cow, and the textures on this one are really spot-on, down the corduroy nose and blue stripes.
Plushie: Speaking of plushie, while I think the burlap is surperior overall, I do like the plushie quite a bit as well—mostly the UC/styled version, which is absolutely adorable and has a great shape to it. I also like the subtle tan shades (though I wish there was less of a green tint to it) and the way the pink patch kind of matches the nose and ears. The converted version tries, but the big issue with it (aside from, well, Being Converted) is that it's missing the pink patch. If there wasn't room on the chest, just move it to the side or something!
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There's this weird phenomenon where the people who are really, really invested in Campaign 3 being The Best try to argue that it's the most closely bonded party. when in fact the absolute strongest material with Bells Hells thus far is them realizing with a shock that they've spent almost three months alternating between "my way or the highway" and smoothing things over to the point that they almost shatter along with Ashton and realize that they absolutely cannot go on a time-sensitive, mission-critical journey to save the world without stopping to take a team-bonding vacation.
And to be clear, this rips, but it feels as though while Campaign 1 and Campaign 2 fans might disagree on their favorite campaigns, they do like their campaigns for what they actually are and simply have different preferences with regards to what kind of story they like. This particular flavor of Campaign 3 fans, and there's a decent number of them, only care about winning on the most kindergarten-ass "all you need is love 🥺" axis (also, shades of the bean-counting/points approach to media analysis) but as a result they put forward an idea of the campaign that's simply not the reality and it's like, do you like Campaign 3? Or do you like the fanfiction version of it you wrote in your head based on the first 10 episodes and into which you have slowly dissolved your brain? There's plenty of valid reasons to enjoy or even prefer the campaign, but it's easily the most dysfunctional party and that's fine!
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I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain
Can't find it and feel kinda sad about it cuz I deeply related to it
i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)
really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!
undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.
i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.
people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.
peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.
it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."
so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.
people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.
autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.
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Is there a 300 page essay about Murderbot's armor (specifically the opaque helmet) as a not-so-subtle metaphor for masking in a clearly neurodivergent character already? Because I need it.
The way Murderbot is unvoluntarily without its opaque armor in All System Red in front of the crew (i.e. unmasking) and appears surprised at its own strong facial expressions and other people's reaction to it? The vulnerability that comes with that and how Murderbot spends pretty much the rest of the book wearing or actively missing its armor which keeps it safe from the mortifying ordeal of being known (yet sometimes other characters suggest it might help for it to not opacify the helmet in order for others to see it as a person and to trust it (and in the end idk if it would have achieved the rewards of being loved by its humans and have had its needs met if it hadn't unmasked in this relatively safe environment sometimes)).
Also there's the whole avoiding-looking-directly-at-people-and-using-drones-instead thing which Murderbot usually hides using the opaque helmet, but whenever it doesn't have that people notice it and many react negatively/confused. I think that's a whole neurodivergent-applicable situation in and of itself? Like damn
And then Mensah encourages Murderbot not to wear armor on Preservation station since it would not need it there, Murderbot is hesitant but ends up not wearing any (like 4 books later when we finally get to that bridge) (going for the comfortable clothes it chose for itself instead, with very strong feelings about the whole being able to make choices thing that I cannot go into further at this point because I would absolutely end up BITING SOMETHING OR SOMEONE).
And I'm not going to advocate for unmasking all the time in any setting because hell no, sometimes it absolutely sucks and people are irritated by Murderbot's now visible quirks and are afraid of what they don't know, but many GET TO KNOW Murderbot better and because there are other people that make sure Murderbot is safe and respected and are willing to get people fired for it if they disrespect it (Pin-Lee my beloved) Murderbot can experiment with this situation without being exiled to some abonded part of a planet and other people are forced to spend enough time around ot to learn to respect it and even like it. I just....... It must be so scary and Murderbot is handling so much at once and in this essay I will
PS sorry this is a disorganized mess but so am I and I have so many Thoughts and even more Emotions and so little patience.
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In Life in Love’s Exchange, why didn’t the healer notice Cultivation Baby Jingyi when looking at Xichen’s meridians? Is it rare or too early to tell?
It is rare (rare enough that only Wen Qing would even consider the possibility) but Lan Xichen's meridian system is just very messed up from 1) Nie Mingjue's qi deviation, because LXC's spiritual veins are not built to handle backlash from Nie sabers and 2) his own subsequent qi deviation. For a healer, trying to pick out the symptoms Jingyi caused would be nearly impossible.
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