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#———    HEADCANONS.    you  said  it  was  creation.  i  could  feel  the  knife.
ciaossu-imagines · 1 year
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I’ve smutted it up several times before for KHR and will never fail to love doing so! I chose to do the Varia for this nice and easy prompt here and hope ya’ll will enjoy the headcanons!
Send me one pro and one con you could see with having sex with the character.
Xanxus
Xanxus is a very passionate lover. He leaves you no confusion on how much he wants and craves you sexually.
That being said, while he does normally try to make his lover cum because of his own pride in his sexual prowess, Xanxus can be a really selfish lover in a lot of ways. He’s not going to indulge your kinks unless he’s into them, he’s going to put you in the positions that feel best for him and appeal to him most and he’s going at the speed and depth that feel best for him. He’ll still find ways to get you off, but sex is always going to be a ‘his needs and wants first’ kind of deal, as anything else in his life is.
Squalo
Squalo is the most loyal lover out of Varia. He would never, ever cheat on a sexual partner, no matter if it was just a purely sexual relationship.
However, I hope you’re pretty okay with the rest of the Varia and any neighbours you have knowing you’re getting laid and when because this man is not going to hold himself back. While he won’t be as loud as he normally is, he’s definitely not super quiet during sex and he really does have a tendency to talk dirty during sex. And he delights in making you be as loud as he can make you be, partly because he likes making you lose your cool enough to just surrender to the pleasure he gives you and let loose and half because he gets really, really turned on by having you return his dirty talk and in all the delicious sounds you make.
Levi A. Than
Levi will do anything you want him to do sexually. He is so eager to please a lover and is almost slavishly devoted to their pleasure. He appreciates it when his lover lets him cum but he’s also going to be okay if they refuse to make him cum until he’s given them everything they could possibly want and need sexually in that particular moment.
That being said, he is enthusiastic but inexperienced. He doesn’t have a lot of stamina when he does get to be inside of his partner and doesn’t really know how to please you right off the bat and will need to be taught and guided through it.
Lussuria
Lussuria has an insane amount of stamina and a relatively short refractory period and he can and has had sex all night, with little breaks in between.
However, he does have that nasty necrophiliac tendency.
Bel
Bel is a really kinky lover. He’s pretty willing to try anything his partner wants him to as far as kinks go, though he’ll make them wait until he’s in the mood for that exact kink and he’ll likely help his lovers push their own sexual boundaries and learn more about what they do and don’t enjoy.
However, sex with Bel can be…dangerous, I’d like to say. He’s very into knife and blood play and fucking him is very much an interplay of sex and violence, even without the knives. He will choke his partners until they almost pass out. If they’re having sex in the bath, he wouldn’t be above pushing their head underwater for a second before letting them back up to breath. He’d like biting them…he’s always very conscious of where his partner’s physical limits are and won’t push past them to avoid any serious injuries, but he will need that freedom to cause minor injuries or to get violent within those limits.
Mammon
Mammon is very willing to indulge their partner’s sexual fantasies, either in reality or through using illusions on them. Mammon encourages their partner to be honest about their fantasies, no matter how odd those fantasies are, and won’t actually judge.
That being said, Mammon will be the one to suggest, rather often, that their partner create an Only Fans and will expect a 70% cut of the profits for helping them with content creation on it.
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bythieves · 3 years
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whenever vic speaks he’s either flirting, telling a lie, sad, or so blasted he has no idea What he’s saying, and its up to everyone else to figure out which they’re getting at any given moment
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bythieves-a · 3 years
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thinking today about how huggy and cuddly vic is with everyone he trusts and how the only person who has ever really rejected that is amos, when he needed it the most
thinking abt how at his mother’s funeral vic tries to get a hug from amos bc he Has No One Else and amos pushes him away n literally tells him not to do that again, im not ur dad, dont come to me for shit like that. thinking abt hating amos today
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bambolae · 3 years
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    HEADCANONS   —   CHAPTER  I.    the dolls of house beneviento.
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so, everybody’s view on donna in relation to angie is very, very different. there’s a lot of interesting takes that i’ve read and discussed with friends and since the game does keep it fairly vague, i think that it’s important to establish how i view the dolls of house beneviento.
let me begin with the doll we all know and love, angie. here’s the history behind her.
angie was given to donna in her youth by her father who was a doll maker. donna has struggled with her mental health ever since she was young and she was likely selectively mute as a result. she took a very intimate liking to the doll she named angie and created a sort of persona as the doll to speak to people through her. later, after donna was adopted by mother miranda and implanted with a cadou parasite, she had part of the parasite planted within angie’s head and she is able to control angie through it to this day. 
there’s a lot of questions surrounding angie’s level of sentience and how connected she really is to donna. the way that i’m portraying it is that i believe angie, alongside all of the other dolls, are extensions of donna herself. they do not have their own sentience. she has a set of dolls (angie being her main one) that represent her as a person. i’m making this clear because this is not to say that she has multiple personalities despite the dolls acting very different from one another. the dolls represent the parts of herself that she could never show from a young age and that never developed in a way that she could healthily display her emotions and thoughts without using them as a buffer. to know her dolls is to know donna. 
side note: while angie is completely controlled by donna and does not have sentience, there’s still moments where angie will blurt something out that donna reacts to in an embarrassed manner. this is the equivalent of you blurting something out without realizing it LOL especially if youre somebody who doesn’t have a filter. donna doesnt have much of a filter, shes got a funnel that goes straight through whatever doll shes controlling. in VEEERY rare cases where she’s comfortable enough to talk, donna does blurt out things you’d generally hear angie say and the disconnect is kinda hilarious.
donna grew up in a very strict religious setting as one of miranda’s few “successful” experiments and subsequently one of the future ladies of the village. she was on a tight leash and it’s clear in the way she’s spoken about by miranda and the others that her mental illness was not treated well. any signs of it made her appear immature and childish, nobody took her seriously due to how she never felt comfortable speaking, and the expectations of essentially being a new prophet figure in the cult made it so that she had no childhood at all and no time to explore herself or her emotions. every semblance of emotion was treated like a problem and donna quickly learned that she could only express herself through angie without getting in trouble. 
what was originally a soft blanket that comforted her and helped her with her anxiety was now a crutch. it was the only way she could speak without the fear of being shunned. angie became the truest version of herself - she is the life that donna is too scared to embrace. she is forever in mourning for her parents, her failures, herself. angie celebrates life, finds humor in things that nobody else does, says and does the things that donna would never say. everything she has repressed inside generally comes out through her. 
now, some smaller details for the dolls. each and every doll in the beneviento household that has a part of donna’s cadou implanted into it was created by donna. the dolls will have the beneviento crest on them usually in the form of small buttons, embroidery, accessories, etc. she likely commissions any metal pieces from karl, but generally does it in bulk unless its a special project since they’re usually buttons, pins, brooches, and the like that are used consistently throughout her own clothing and the doll’s. many of her dolls rotate through an ever increasing wardrobe of clothes she creates for them.
her favorite dolls are regularly maintained and cleaned. angie herself is… nowhere near as grimey and nasty as she is in the game. as much as i love the creepy vibe, it makes no sense for a woman who loves a doll this dearly and clearly creates a PLETHORA of dolls herself. she is still cracked and stained from her youth before she learned the arts herself, but donna regularly cleans her and changes her into various white dresses. her hair has been rerooted as well because it… is not that hard to fix that either c’mon. it’s a curly blonde updo. she’s still a creepy little beast but she’s at least maintained. 
donna can control any of her dolls and can control multiple at the same time, but the more she controls at once the simpler their actions will be. for example; if she’s fully focused on controlling angie, then the other dolls are likely idly walking around or turning their heads but they won’t do much else. she can focus on controlling one doll fully & switch between two others simultaneously before it becomes too much for her to handle. any doll with a cadou fragment implanted into them is a part of donna and will idly do things without her even thinking about it. 
if you touch one of the said dolls, she’ll be able to feel it. hearing & sight are limited to the doll she has her focused on and  she can’t really taste or smell through any of them which makes touch the only sense she can always feel through any doll. she has a similar connection to the mold - infested plant life in her territory where she can feel what’s going on - this makes sneaking up on her hard unless you can get through without touching one of the many dolls or one of the plants she’s connected to through the mold.
donna has made many, many dolls for the children in the village (without the cadou…. duh….) and it’s known that it was created by lady beneviento. that’s the most the village people interact with her, usually. 
so, let’s go over the main four dolls that donna has fully developed “personas” for. i went over angie just a few paragraphs ago but as the “leader” of this quartet she needs to be in this roundup too
ANGELA  “ ANGIE “  BENEVIENTO.
donna’s very first doll. represents her in her truest, unfiltered self. the child donna was never allowed to be, says the things she never got to say & does the things she never got to do. the doll she’s usually in control of. quote from earlier paragraph:  angie became the truest version of herself - she is the life that donna is too scared to embrace. she is forever in mourning for her parents, her failures, herself. angie celebrates life, finds humor in things that nobody else does, says and does the things that donna would never say. everything she has repressed inside generally comes out through her.
GIANNA “  MRS. CHUCKLES “  BENEVIENTO.
the first doll donna created herself made in the vision of a clown from a book. the most playful of the lot, most likely to approach you to play a game with her or to crack jokes. similar to angie but with much less of a bite to her words. represents her repressed joy & humor.
LADY ELISA BENEVIENTO.
one of donna’s earlier creations made when she was a pre-teen going through one of the worst mental health lows she’s ever been through. she fixated heavily on this one to keep her occupied in her loneliness, very intricately sculpted & painted. made to look like a sad princess. she still considers elisa one of her best quality dolls, big comfort doll for her. represents her sadness, doesn’t get a lot of use unless she’s struggling with her depression more than usual. 
GABRIELLA BENEVIENTO.
created in her early twenties and has debatably the best craftsmanship out of the four, only rivaled by elisa. made during a very angry time in her life after mother miranda said something to her that made something inside her snap for the first time. she stewed in her anger, isolated in her home & created a doll to cope with her emotions. she forgave & forgot but gabriella did not. doesn’t have any obvious, distinctive design but is regularly dressed in dark colors and has so many knifes under her skirt. much heavier gothic inspiration than the rest of her dolls. she’s usually the first one to attack an intruder. represents donna’s repressed anger & rage, the fight to her flight. doesn’t get a lot of use unless donna feels like she needs to be protected or you somehow managed to rile her up. extreme fear might bring gabriella out as well if she feels like she needs to attack.
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Kiri.. the lad... the shark man... the rock... reacting to a fem reader who has WAY more kinks than he thought. Like, they're just friends with benefits and she reveals she has both a daddy and feeding kink. OBLIVIOUSLY this means she likes him, right?! Clearly, this is her trusting him enough to let him take her away from everyone else to be with just him. Kiri knows exactly what to do :) and your kink just makes it easier! (You dont have to do those kinks if they're a squick, I just love them)
Ngl I headcanon that both Yandere!Kirishima and Yandere!Bakugo would have feeding kinks. Kirishima gets off on being a big strong manly provider. Bakugo gets off on seeing you eat food that he cooks, and seeing you wrap your lips around his creation. The weirdo.
Anywayyy before I get carried away
 Tag list:
@shorkbrian​ come get ur man
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
It had been several months since you had started sleeping with the hero Red Riot, and at first everything had seemed like a dream. Not only was he eager and open to exploring any kinks you brought to the table, and often got even more into them than you. The sex had been great, and the random drop ins with take out clutched in his arms had been cute, but it had quickly gotten old. 
You had enjoyed the state of your current relationship, the two of you were compatible as hell in bed, but it didn’t go past that. There were no ties between the two of you, no feelings beyond the occasional wet dreams or dirty thoughts you had about him at work. 
At first when he would drop in occasionally without notice, shove his way into your apartment, ignoring your protests or complaints you had just rolled your eyes, taken whatever food or gift he shoved in your arms and accepted it. But then it kept happening. Nearly everyday he showed up at your home even when you told him not to, ignoring you when you told him to leave, getting angry when you told him you had other plans with other people. You had shrugged off the warning signs and started not answering the door at all and no longer texted him for hookups. Any crying emojis or pleas for at least a booty pic were left on read, ignored. 
And then he had started showing up at your work, still clad in his hero uniform, bringing as much attention to himself as possible as he held an obnoxiously big bouquet of roses or a teddy bear, or whatever cliché little sappy present he chose for that day. He would hover by the only exit, his face lighting up whenever he saw you, a bright grin crossing his face as he practically bounded over to you, shoving his latest gift in your arms and lavishing you in so many compliments and sweet words that you had no choice but to force a smile and let him lead you out to his car, his hand a little too tight around your shoulders. It always ended with you cornered in his apartment, being offered drinks, food, movies, sex-endless amounts of things that you couldn’t even begin to turn down until it was too late for the hero to feel “comfortable” letting you leave. It always led to you staying the night and having to deal with hours of cuddling and endless kisses. 
Every morning started with him trying to smoothly imply that he could take care of you, something you always ignored as you shrugged off his hugs and kisses, practically darting out of his apartment, feeling exhausted and overwhelmed. 
He clearly wasn’t taking any hints, maybe it was time to break it off cleanly before things got any worse. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Hey, baby! It’s about time you called me over again! Ignoring me wasn’t very manly of you, but that’s okay, i’ll always forgive you~” 
Before you could open your mouth the redhead was swooping down, kissing you hard and roughly nipping your lower lip before practically shoving you out of his way, forcing his way into your apartment as he immediately headed towards your kitchen table. 
“I bought sushi from that place downtown you like! It was a bit of a detour, but anything for my baby~!”
You frowned, shutting the door behind you before following him into the kitchen, watching as he immediately started spreading the food out across the table-way more than the two of you could ever eat. Your stomach rolled at the thought, memories of Kirishima stuffing food in your mouth and then rubbing your swollen stomach as you whined and cried, too sick to fight him and he cuddled and doted on you, often fingering or eating you out while rubbing your stomach, ignoring you as you whined and cried.
You were ashamed of how much you liked him stuffing you full, even when he didn’t seem to understand and always took it too far, like he always did. 
“Kiri-”
“Look! I even stopped by that sweet shop you like and got your favorite~ Maybe we can eat it while watching a movie later!” 
“I don’t really have time tonight, im going-”
“Look! I got us a nice wine, Fatgum said something about it having really nice acidity and legs and blah blah, I don’t really understand it all! I just know if it tastes good, I drink!”
He laughed heartily as he eagerly pushed you into your seat, taking up the seat across from you as he started dishing out the sushi between the two of you rambling the whole way. Every time he took a pause to take a breath or shove some food in his mouth you tried to speak, just to be immediately talked over by the redhead as he suddenly remembered some urgent stupid thing he had to tell you. 
“Look, Kirishima-”
“Don’t be like that, baby! What have I said about that, call me Eijiro! Or Daddy!” 
A sly grin covered his face as he purred out the last word, making your stomach roll as you resisted the urge to go across the table and smack him. 
“Whatever, what I was trying to say was-”
Just as you thought you had finally caught his attention his eyes drifted down to your untouched plate, an annoyed look flickering across his face, disappearing so quickly you wondered if you imagined it. Not that you had much time to question him or think about it since in a split second his face had changed back into that perverted grin as he snatched one of the pieces off your place with his chopsticks, holding it up as his eyes darkened with lust. 
“Come on, baby...Open up for your daddy and maybe you’ll get to eat something else as a reward~” 
His voice was a low rumble, nearly a growl, something that made you freeze up in your seat in fear for a moment. No. You weren’t letting this go on another second!
“Kirishima! Enough!”
Freezing from where he had been leaning all the way across the table, pushing the piece of sushi to your lips, the redhead stared at you with wide confused eyes. A weaker soul would have hesitated at the innocent hurt eyes that were aimed at you, but you didn’t waver staring back at him, face twisted into an annoyed scowl.
“B-baby? What’s wrong? Did they mess up the sushi, I'll go back and get you some more if you’d-”
You growled in frustration, tangling your hands in your hair when he ignored you yet again, immediately making up his own excuse and assuming your feelings, never taking a second to just let you talk. 
“I can’t do this anymore! I thought you would take a hint when I stopped inviting you over, or when I stopped sleeping with you, but you just don’t get it!!”
Frozen in his seat, wide confused eyes stared up at you as his eyebrows knitted together in concern, a scarred hand reaching out for you, flinching back when you immediately leaned away from his touch with another frustrated growl. 
“It’s over, Kirishima! I don’t want to sleep with you anymore!! And I'm sick of you coming around here all the time and acting like we’re something we’re not! I don’t want to date you! I don’t want anything to do with you!!”
The innocent confused look on his face just infuriated you further, all the frustration and anger from all these months finally bubbling over as you screamed at him. Your eyes burned as you desperately pushed back the frustrated tears that threatened to spill over as he slowly stood up, reaching for you again, frowning when you stepped back to avoid his touch. 
“W-what do you mean? Have I done something? What are you talking about? Wh-what, baby-”
He flinched back as you immediately glared sharply at him, running a frustrated hand through your hair as you resisted the urge to stomp your foot in frustration. This is exactly why you didn’t do relationships, you hated this part, hated those hurt eyes staring at you, hated the attachment that always ended poorly...
“Stop calling me that, I'm not your baby! We just fucked, Kirishima! It doesn’t mean anything! You’re the one that started showing up at my house, at my work. ‘Have I done something?’ are you kidding me?!”
The redhead stood back as you yelled at him, watching you with hurt splashed across his expression, one hand clutching his other arms bicep as he flinched away from your harsh words. 
“I-I just wanted to spend time with you...”
You fell silent watching him with a soft frown, your anger melting away as his voice softened, sounding near on the edge of tears. 
“But I don’t want to spend time with you.”
The words seemed to cut like a knife, sharp and harsh in the air, the hero standing across from you physically flinching back as if in pain as they were spoken.
“Look...I think it’s time for you to go. I can pay you back for the sushi...-”
You turned your back to him, stepping towards the kitchen to grab your purse and lead the heart broken hero to the door when something hit the back of your head, your body crumpling to the floor with the impact. 
Everything was spinning, yet the only thing you could focus on was the throbbing pain in your skull. Vaguely you could feel wetness on your face, but your vision was too dark to see what it was. Everything felt so far away...
Right as you blacked out, falling limp against the kitchen tile, the hero finally came to his senses. Horror filled him as he looked down at your limp body, his fist still clutching the neck of the wine bottle he had smashed over your head. 
“Oh my god...”
Dropping it, letting the glass shatter along with the rest of the bottle that was floating in the wine spilled on the floor, he immediately reached out, gathering you up in his arms princess style as he lifted you off of the floor.  
“It’s okay, It’s okay...Shh, shh shh, baby. It’s okay, I'm gonna take care of this...”
He mumbled frantically to your unconscious form as he stepped away from the mess he had made, his hands shaking as he stared down at your unresponsive face. What did he do? What should he do now?!
What else was he supposed to do? You had tried to leave him! Tried to make him leave! You were his reason to live, his sunrise, his sunset, every waking moment had been about you! He...he needed you. He couldn’t let you get away!
Clearly...Clearly if his feelings were this strong you had to feel the same, right?! You were just...were just...scared! Scared you weren’t enough for him! Anyone would be scared to meet their soulmate, right?! It would all be okay once he...once he explained to you that he loved you!
He understood now, all of this, your entire relationship was just you trying to tell him that you were ready! That you wanted him to take you and take care of you, but he had been stupid and hadn’t noticed what you were saying! You had just gotten anxious, afraid that he wouldn’t still love you if you relied on him so much!
You didn’t need to worry, silly! He’ll take good care of you, just like a daddy should after all! He made some mistakes but the two of you had all the time in the world to work past it! He would make it up to you, he was sure. All you needed was time and this silly little misunderstanding would be in the past and the two of you could move on!...Right?
He clutched your limp body closer to his chest as he carefully opened the front door, stepping out of your apartment and rushing down to his car. Luckily none of your neighbors were out to spot him, not that anyone would ever question such a high ranking hero like Red Riot! Still, he didn’t want anyone but himself to look at his baby...
No one would ever look at you ever again.
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orbitariums · 4 years
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war nymph | bucky barnes ♡
request: ooo write something of bucky and an asgardian reader (who’s thor and loki’s sister) and is the goddess of war. and like they just came back from a mission or something like that. the reader shows off her skills/powers and bucky gets turn on? make it rough and kinky 😳
note: the title is inspired by grimes’ creation called “war nymph”, that’s also yn’s avenger name/goddess name. i know a nymph isn’t the same as a goddess buttt idc! quickly (kind of) written, straight to the point! also i love the idea of an asgardian goddess who’s loki & thor’s sister (we not talking ab hela but i love her too LOL). def would write drabbles/headcanons ab this character if y’all want that. lmk!
word count: 2.6k exactly!
warnings: smut, nsfw, slight voyeurism kink, rough, cute trash talk, both reader and bucky have dom energy? which is fun
here we go!!
"She does it again," Thor praised you, smothering you as he placed his arm around your shoulder.
You, Thor, and Bucky were all getting on the Quinjet, joining a few of the others - that included Steve, Natasha, and Sam. You had just completed another mission in which you were to find and possibly disarm an 0-8-4. You came to find out the weapon originated from a Hydra base, and it was mostly with your help that the weapon was able to be disarmed, and that you were able to escape the Hydra members who tried to stop you from doing just that.
    Thor and Bucky weren't completely useless, of course, but this was a time when your abilities as a war goddess of Asgardia shone. You could quickly disarm weapons and multitask by beating the shit out of someone at once, whether it be with your brute strength of through the use of a weapon. You were familiar with every weapon there was, and incredibly skilled in many fighting tactics. If there ever were a mission for you, it was this one. They called you War Nymph, a title no one dared to challenge.
    "Get off me, you big slob," you grimaced, wriggling away from your brother Thor's grasp. You'd grown up with Thor on Asgard - you were an Asgardian first, and an Avenger second. Your family, specifically your brothers Thor and Loki, always came first. You were always respected on Asgard for your abilities — now they were being put to further use on the Avengers team.
      "And to think I was complimenting you," Thor scoffed, being dramatic as usual.
     "You're not wrong to. What would you ever do without me?" you teased, prompting Bucky to chime in.
    "She's right. I gotta say, I'm impressed."
Bucky Barnes — where to start with him? Sergeant turned Winter Soldier turned Avenger turned... boy toy? You didn't know how exactly your relationship with Bucky was to be defined, but it was definitely physical. Around others, you communicated through mostly sarcastic remarks, but away from the others, it was a different story - still sarcastic remarks, except during your sexual encounters.
      So, true to your nature, you quickly quipped,
     "I gotta say, I can't say the same to you, Barnes."
     "Oh, really?" Bucky raised his brows with a playful smirk.
    "Easy," Natasha intervened, gearing up the Quinjet. "We don't need a repeat of what happened last time you two started with the sarcastic remarks."
    "Oh, you can say that again," Steve scoffed, settling into the seat next to Natasha while you and Bucky leaned against the walls opposite each other, smirking knowingly at each other.
    "It wasn't that bad," you rolled your eyes.
    "We all almost died," Sam snapped.
Last time you and Bucky had your gos at each other, you ended up "play fighting", in the meeting room. But "play fighting" between a war goddess with multiple superpowers, including telekinesis and super strength, and an advanced combatant with super strength, wasn't your typical idea of a play fight. Of course when the rest of the team broke it up, you continued in private... but maybe "fighting" wasn't the right word to use.
    "Oh, don't be such a baby, Sam," Thor smiled. He was well versed in play fighting with you and Loki as a youth on Asgard, and even he had been at the bad end of your powers.
You on the other hand had moved on from the conversation, more interested in sharpening just one of your many knives.
    "Really though. I'm very impressed, War Nymph. You never fail to impress me more and more every single time," Bucky said, and unbeknownst to the others, in his voice there was a secret tone, one only you could decipher - he would be showing his appreciation greatly when you landed. It was so clear to see. The more you showcased your powers, the more you proved your many abilities, the more Bucky wanted you, the more he admired you.
    Your knife made a sharp "shing" noise and you smirked, Bucky's needy eyes traveling to the source of the sound - ogling your trusty hands.
     "I'm sure," you winked.
By the time you got home, Bucky was desperate, trailing behind your feet like a lost, yet murderous puppy. He wanted you, and he wanted you now. He made that known, whispering in your ear, his lips far too close to your neck to just be work-related chatter. Still you kept things under wraps, promising him "soon, soldier." The entirety of your debrief meeting was spent with a frustrated Bucky glaring at you with a dead face, but you knew behind his expression lurked a fire.
    When it was all over, you and Bucky were the last two in the room.
    "Meet in my room?" you asked, but Bucky was silent.
    He shook his head slowly, approaching you with a stern look on his face.
    "No. Let's just do this here."
    "Here?" you laughed, looking around the deserted meeting room, which had glass panels that could easily be walked past and seen through. "You can't be serious-"
     But apparently he was, because he had you pushed against the wall, lips pressed against yours, cutting you off and silencing you with ease. So all that need in his eyes hadn't been just for show, and you felt it through his pants as well. The kiss became passionate and sloppy, burning with desire. You moaned into his mouth, making him even harder, and started feeling the tell tale signs of arousal - your beating heart to match your other beating heart.
    "Bucky-" you panted, the minute his lips detached from yours, breathless. His hands ran along your body and tugged at your clothing, wanting every bit of it off. "Someone could see-"
You were grasping on to every bit of logic that you had left, and there wasn't much. Bucky made you delirious with desire, made your heart race like no other, and you had the same effect on him. Logic wasn't necessarily winning here. You wanted him, and you wanted him now. And he had made it very clear that he didn't care where he had you.
    He smirked, looking into your eyes with a mischievous glint in his own,
    "You act like that's such a bad thing."
You rolled your eyes, pulling him back in - he had you all figured out. The idea of someone seeing the two of you, though horrifying, was also incredibly arousing. Whatever it was, it got adrenaline pumping through your veins like nobody's business. You didn't really care, who were you fooling?
    "Just fuck me," you murmured against the hot skin of his neck, guiding his hand into your pants, feeling the cool metal of his prosthetic hand against your wet pussy, gliding back and forth against your slick folds.
    "Are you bossing me around?" Bucky teased, grinding his hips against you so you felt the outline of his cock against your core.
    "Yes," you retorted. "And that's an order."
    It wasn't long before both your uniforms were off, and you both did this quickly, your nimble fingers working to complete the task. You needed to make this quick, and if that meant it was rough, then so be it. You weren't usually gentle, anyways. But Bucky took his time going down on you anyway, kneeling on the floor and kissing hot, wet kisses against your stomach and thighs as he went down, your hand tugging at his long, black hair. You domineered him as he buried his head between your thighs, sucking and kissing at your clit while his tongue worked your slit. You raised up one of your legs and settling your foot on his shoulder so he had easier access to you.
    "Look at me," you forced his head up, hand tugging harshly at his hair, and he moaned into your throbbing core as you made intense eye contact with each other. You couldn't help but sigh in pleasure, leaning your head back against the wall. You had forgotten the dangers of doing this long ago, now you were lost in satisfaction. "Fuck, Bucky, you eat it so good," you moaned precariously, making his dick twitch in his boxers.
    He wanted to make you come two ways - on his face and with his cock inside you, and he would work to ensure that it happened. When it came to sex with Bucky, you were both competing with each other to give the other the most pleasure, to be the most dominant. You were the perfect mix, two competitive assholes with superpowers.
    He kitten licked up from your entrance to your clit, all the while rubbing his fingers in circular motions against your clit, sure to use the hand with the metal arm, which you loved so much. Your hips bucked against his tongue and you began to roll your hips up and down against his face, moaning and whimpering at the access he had to you. He let you do this for a while before pulling back and instead pushing two cold fingers in, making your hips twitch at the unexpected sensation. He curved his fingers upwards and had you hooked, fucking down on his fingers, to his astonishment.
    "That's it baby, fuck my fingers," he praised you, and attached his lips to your clit again, sucking and licking. "Am I good for you? Good enough to make you come?"
     You gasped out the words,
     "Yes, Bucky, fuck. So good for me, baby, I'm gonna cum."
     "Go ahead," he started thrusting his fingers in and out faster, harder, feeling his knuckles bottom out against your skin, which was glazed over with your arousal and his spit. He watched as his fingers disappeared inside of you, still aiming his tongue just above his fingers so he could taste you when you finished. He always wanted to taste you, to feel you in your entirety - there was something about an Asgardian war goddess that was irresistible.
     You came with a cry of shock, and slowly rolled your hips around Bucky's fingers as he pressed his tongue against you to taste you.
     "Fuck," you sighed, licking your lips and breathing harshly.
     "Taste yourself," Bucky insisted, rising to his feet and pressing his lips against yours, initiating a long and needy kiss. You palmed him through his boxers, feeling his hard cock in your hands, before slowly bringing him out, stroking him softly and tugging at him. He chuckled darkly. "You're playing a dangerous game."
    "They call me War Nymph. I'm always playing dangerous," you smirked, locking eyes with him.
     He hummed, nodding almost understandingly.
    "Hmm. I'm not quite done with you yet."
    "I was hoping that wasn't your A-game," you teased.
    "Oh, far from it," Bucky quipped back, smiling playfully, until all playfulness was over and he had you turned around, his hand pressing down into your back. "Fucking bend over," he leaned over you and whispered in your ear.
     You whimpered at the command and did as you were told, supporting yourself with your hands against the wall and arching your back. Bucky found no use in waiting, and you felt the tip of his cock toying at your entrance at record speed, slicking himself in your arousal and watching as he teased your folds.
     "Fuck," he whispered, his jaw clenching hard.
     "It can be yours, soldier. You just have to earn it," you panted out, glancing over your shoulders to get a good look at him.
      You knew that would motivate him, and it did more than that. He slammed into you with no regards, making your whole body lurch forward. You both let out obscene moans at the feeling of his sudden entrance. You felt his cock stretch you out, filling you up amazingly, and he felt the stretch of your walls around him, a reminder of his size.
    "You like when I stretch you out?" Bucky prompted, and you moaned quietly in response, only making him buck his hips harder into you, in search of a proper answer. Again that metal arm came in contact with your warm skin, only this time his hand was wrapped around your neck, forcing you to look up, almost at him, while he fucked into you from behind. "I asked a question."
    You moaned, your voice ragged and breathless in addition to the hand over your throat,
    "Fuck, yes, Bucky. It's so fucking good."
     "Yeah? Is it mine? Did I earn it?" he panted, slowing his thrusts and rolling his hips in so he fucked deep inside of you, so you felt it in your stomach, your walls clenching around him.
    You nearly cried out,
    "Yes, yes you earned it, it's your pussy, Bucky, make it yours."
    "Mhm," he moaned, his breaths unstable. He slid in and out of you slowly and gently, going as deep as he could, silencing himself just to hear your moans and pants. Then he got an idea, sliding almost all the way out. "Fuck yourself, YN."
    You moaned at the delicious thought, whimpering as you moved your hips back on him while he stood still, cherishing the feeling of his cock gliding against your walls, wanting to savor every part of him. He was big, and thick, and you could tell as you fucked back onto him. You started out slow, until Bucky brought his hand on the small of your back and started to guide you, slowly but surely, until you were moving faster, making little moans escape from your lips each time your ass met his thighs. It was rough and hard, the way he fucked you, his hand making you move faster each time.
    "So good, baby," Bucky moaned, almost whining, and watched as your body followed his lead with ease. "I'm close."
    "Oh god, me too," you panted, and he started to slam into you to get you to that point, listening to the pretty moans and practical screams that left your mouth at that point. If it weren't for the fact that the meeting room was sound proof, by now everyone would've heard you, and it was just pure luck that no one had walked past yet.
     But when you came, it was explosive, and Bucky's orgasm followed soon after, your orgasms falling on top of one another's, colliding in such a divine way. You kept your hips rocking back on his, wanted to stay there until the sound of footsteps reminded you that such a thing would be irresponsible. You got dressed in record speed, practically throwing Bucky's clothes out of the way. You had your needs, but you were still a goddess. You wouldn't be caught slipping, even if this wasn't a bad way to "slip." You adjusted yourself, back to normal by the time Scott walked past and waved mindlessly, with no clue of what you and Bucky had just been up to.
    "'It's your pussy'?" Bucky repeated, quoting you with a knowing smile on his lips as he cocked his head.
You scoffed,
    "Don't get too ahead of yourself, Barnes. I was only saying that so you would fuck me for real. You've done better."
      "Oh yeah?" Bucky grinned, matching your playful insults easily.
     "Oh yeah, much better. But this wasn't half bad," you smirked, running your hand along his face. You gave his cheek a gentle slap. "Ok! I'll see you."
     "See you," Bucky replied.
As you walked away, you turned to note,
    "You should appreciate my skills more often. You know, if it's going to lead to this."
    "Sure thing."
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sloppy-butcher · 3 years
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Can I get some hcs for Freddy x reader who have like very love/hate reltionship? Like they annoy eachother constantly but still seek each others company. Thanks!
This is the first time I have ever tried writing for Freddy and to be honest, I am quite nervous I did him wrong. Please forgive any ooc characterizations i may accidentally give him - i tried my hardest to make him accurate to the 80’s version (yes, this one will be based on old freddy not the new one (2010 remake), hope that it okay <3) i also hope that you don’t mind if i make the reader a killer as i am only comfortable writing for freddy when the power dynamics are equal
Thank you for the request and i hope these are good enough for you 
Headcanons for The Nightmare (Freddy Krueger) with a Killer!S/O who have a Love/Hate relationship
When you are an obedient little dog, when you kill mercilessly and the Entity grows fat from your bountiful supply of food, the spider-god showers you with rewards. Most forms of these appreciations take a physical appearance (new and terrifying outfits to adorn during your daily workouts or new weapons for you to play with). But there were some gifts that were intangible, and otherworldly and oh so irresistible to you - dreams. The Entity lets you sleep if you do well in trials and sometimes even offers you sweet, beautiful dreams. They were indulging at first, so totally vivid in their detail and color that you could almost lose yourself completely in their daydreams. It was a spider web most wonderfully and intricately made. A labyrinth of the mind. But it did not take you long to notice the spider lurking in the corners of his creation.
You spotted him often hiding under the shadow of trees, just standing there in the corner of your eye - one look and he would vanish without a trace. You would have thought nothing of the strange occurrence had it had only happened once and in only dreams. During your walks in between realms, you’d spot the man through the treeline. He was unmistakable in his silhouette and in the way his eyes glowed a horrid orange. You did not fear him however, he was no worse a monster than you were. Rather you were annoyed by his presence in both reality and dreams. 
You bend down and pick up a rock, turning it over in your hands testing its weight and size. “Hey!” You shout at the man who halted his retreat into the dark, night wood at the sound of your voice. “Stay out of my fucking dreams, asshole!” You throw the rock at him, narrowly missing him and instead, striking a tree.
“Such a temper.” A hoarse voice coos from somewhere behind and you spin around to meet it. It was him, moving faster and quicker than air and appearing next to you, closer than ever before. You got your first good look at him. His skin was a sore pink leather and he smelled like smoke. “Trust me, sweetheart, I would if I could. Your dreams,” He takes out a hand covered in razor-sharp knives and mockingly strokes the hair out your face, “, are so boring.” You snatch his hand away from your face, barely noticing the sting of blades in your soft palm and the trickle of warm blood down your forearm. You did not grimace, did not cower, and did not back down. He grins at your defiant expression. “And here I thought you’d thank me for giving you the chance to live in such a wonderful world. I’m hurt,” He feigns agony, his free hand placed sorrowfully on his chest, “, good work always goes unappreciated.”
You scoff and show your teeth. “I would prefer nightmares if it meant I wouldn’t get to see you.” The man laughed and flexed his knife-fingers, fresh blood oozing out your wound.  
“Oh babe, you and me both. I don’t like this babysitter gig anymore than you do.” He leans closer grinning with his horrible yellow fangs, the scent of a recent kill seeping off his tongue. “I prefer nightmares anyway.” 
“You look like a nightmare.” You spit into his face, finally letting go of his weapon and glaring at him. He laughs again.
“You are a feisty one. I think you and I are going to get along fabulously.”
Of course, he did not heed your warning for that very same night you saw him again in your dreams. Though now, he made it a point, not to hideaway. He approached you and actively talked to you, following you around your dream like a resistant plague. He commented on your shit reality, on all the things you could have wanted to dream of, and yet you only wanted to be in an empty field at the brink of dawn. He shakes his head and degrades your poor taste with even more snarky comments. You knew you couldn’t do anything to him while in his dream but in the physical world - well, that is a completely different story. 
If he was going to bother you while you slept like a buzzing mosquito, you decided to bother him when you were awake. In the real world he was much less intimidating, that aura of cosmic power that bubbled around him while in a dream state, was not present in the night air and you smirked at his weakness. You mentioned his height, asking how anyone could be scared of such a small man. He’d lash out, swinging at you with both his blades and his harsh tongue.  He was easy to toil, easy to wind up but a task to deal with. Freddy could take a punch to his pride and deal out damage times 10. 1 mean-spirited remark deserves 10 more. 
Freddy thrived on this back and forth. Ordinarily, he would turn his nose up at the idea of bickering with another killer - sure, some of them were fun, simple minds with which to bend and manipulate in dreams but most were already so twisted in their own self-delusions that well, he just didn’t find them all that interesting. But your mind was sharp and quick, built in the skull of a hardened murder professional yet dainty enough to still yearn for the sunlight world of goodness. A perfect balance. It had been a very long time since last Freddy had had a conversation of equals - a real conversation where the table was not shifted in the favor of either one. If he said something that crossed a boundary or hit a nerve (a task he sought out to do almost every night) you would turn on him, shoot daggers at him with the sole intent of murdering his little ass. Sure, it never really scared him but there was no denying that in a way, to spare with an equal really turned him on. To be challenged. 
There were times when he would become too much. Like the static on a dead radio station, he would drone on and on about a certain topic he knew would heat your blood. Always poking his stick deeper and deeper into the bear until you’d bite. Luckily it was quite simple to turn him off - just don’t sleep. You never really needed to rest in the Fog anyway, tiredness never made its claim over your bones even after a long day at work. Sleep was merely a reward, after all, a gift that could be refused if so desired. If time could be recorded within the Entity’s world, then the longest you had gone without sleep, and without seeing that little creep, would have been 2 months. He had really pissed you off when in a dream he produced a small songbird and made you watch as he melted its skin off - all for sport. A sight that did not necessarily make your skin crawl but one that irked you. It was always a game with him, a competition to see who would break first and try to strangle the other. And, to be dead honest, it was starting to annoy you more than anything he could say or do. So you stopped seeing him, stopped dreaming, and stopped seeking him out in the woods. You were tired of always trying to be bested and frankly, his childishness was wearing you thin.
But there was no denying that in that quiet that ate up the space where Freddy used to stand, a strange loneliness would grow incredibly heavy and dreadful. You missed his rather repulsive company, his witty and sharp tongue always keeping you on edge and on your toes. There was no way you could stop your head from turning around to look for him, seeking out his small frame among the dark wood. It was lonely without the flies, silent and decaying slowly.
For the life of him, Freddy tried to move on. He had never tied himself to one person before, never allowed himself to latch on to anyone save for his favorite little toys. But with you it was different. It was fun to annoy you, it was fun to torment you in dreams. It was even fun when you reeled at him, hackles raised threatening to kill. It was exciting, it reminded him of the joy of being powerful and alive (in a sense). And when you never took his bullshit sitting down, when you'd raise to meet his call, oh how it set fire to his heart. To be challenged. He could feel himself wither away, the interest that you had sharpened only seemed to dull and break off in your absence. He’d hate to admit it, but he missed you. Missed your noise and missed that sweet dream of yours.
Both of you are too prideful to confess to the other that you were lonely. But when, one day, you find yourself dreaming a familiar vision, that built-up residue of solitude melted and you turned to face Freddy eagerly.
“Did you really think you could not sleep forever?” He crossed his arms over his gloating chest, a snake tongue flickering victories in between teeth. “I always get my prey.” You smirk, not surprised in the slightest by his rather rude welcome back. You look around at the grassy field surrounding you both shining a brilliant emerald, the sun feeling warm on your back, and the fresh, clean air carrying with it the scent of spring flowers. 
“Aw, you missed me, Frederick?” You tease him with his unused full name, casting a devilish side-eye to the dream-demon. You see a flicker of panic, alerting you that you had hit the nail on the head before he spits and loudly proclaims,
“Don’t be so far up your own ass!” His golden eyes gleamed pure hatred at you. “It's not a hat.” You laugh at the face of the fuming man, knowing that despite how his actions appeared malicious and distasteful, there was no feasible way to deny that the dream he had made for you was spectacular and expressed something deeper than just surface-level annoyance. 
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I am literally sitting here suddenly consumed by a star trek trollhunters crossover. Because look. Let's just. Everyone in the trollhunter team and their general loved ones are immortal. Okay. Okay. Magic and science are great. Everyone is alive. Because I said so.
Now look. If you think. That with the whole being on good terms with (Steve and Eli being married to Queen Aja) akiridian 5 doesn't contribute to the birth of starfleet and the federation. You are wrong. Because it does. It changes first contact sure. But it's fine. We can roll with this. Everyone is involved. Honestly. I'd like to think the bean team is directly involved in the creation of starfleet. Krel and Claire becoming buddies is where the conception of the transporters comes from. They're both good with portals and wormholes. Barbara was the one training the first roll out of chief medical officers. Strickler teaches earth history at starfleet. When Barbara ends up deciding she wanted to go off world and actually be on a star ship he supports his wife and sometimes he takes a leave of absence to go be with her on the ship she's on. Toby is doing something with rocks cause look he would be the utmost excited to study space rocks from other planets and stuff. Jim was directly responsible for the replicators. Though he still holds that his own actual cooking is better but the replicators wouldn't be half as good as they are if not for him. He probably still cooks somewhere. Be it starfleet or on ship where he gets special privileges and has his own kitchen. I'm not sure what Claire's doing honestly. I said her and Krel create transporters. But aside from that. I'm sure zoe is doing some tech shit. Look really if magic is like. Known and abundant as far as that all the people with magic proper (Douxie, Claire, Zoe) are like. Teaching or using magic for different things.
Darci is absolutely still alive. And Mary too cause like. I can. I feel like Mary would be some kind of communications officer. Not sure for Darci. Nomura probably runs a museum be it on campus or even off. But she's big into history and artifacts too. That or she's part of a crew where she can explore ruins and shit of like other planets. Learn the cultures and especially if those planets are no longer inhabited. Recording and trying to keep the history alive. Museum knife mom okay. A lot of trolls stay underground but also. Space is dark. Aside from being planet side. For the most part. If they could find a method so trolls don't have to stay near a heartstone. They'd get a kick out of space.
The first time Jim does some kind of lecture or something at starfleet and Jim Kirk is in the class, there's this clown to clown communication going on. Like. They don't even realize it but it's there. Two Jim's. Both reckless as all hell. Neither one believes in a no win scenario. They'd both put themselves on the line for others. They're leaders. Jim Kirk isn't even aware he looks up to Jim Lake but he does. It's the pure of heart dumb of ass solidarity. Bones didn't want to be in space but he still joined starfleet and when he got to have a lecture taught by Barbara he nearly died. Barbara is the best and he openly looks up to her. Despite her bedside manner being better than his. He still thinks shes amazing. He's not sure about her husband though.
All I'm saying guys. Is trollhunters. In. Space. And yall im a star trek fan. Grew up watching with my mom but I was little and I don't remember like. Everything and I'm not super caught up on all the lore. Right now I'm working on what I know of tos and aos. But guys. Look. If anyone has stuff they want to add. Headcanons. Things for the other series. (cause team bean is gonna fucking live long and hella prosper okay) Douxie was nearly 1000 years old in the series if these guys can't make it several hundred years to be able to be around for multiple star trek series. Then. Something is wrong. Nah son. They out on space living their best lives. And again. I'm partial but I am sort of clinging to the aos timeline but you know.
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hiro-gari · 3 years
Text
Batarou Headcanon - Special Valentine's Day
by: Little1993lamb for: Lilia / @hiro-gari
Word count: 1894 Warning: Lots of passionate kisses scene and makeout implication in the end between Garou and Badd, but nothing explicit.
Hewwo, I'm back again with more Batarou mini-headcanon! 🙋😆💕 Still Valentine's Day themed eventhough it's probably has ended already, but whatever we still got the spirit of it waah I'm so sorry for the lateness 😅😂
Okay let's start on the headcanon! 😋💝🍫
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After Garou moved into Badd's house and living together with the S-Class Hero, Garou and Badd become like chaotic bestfriends before they actually starts dating. They're already trusting and very comfortable with eachother, hence they didn't mind on doing some skinship as a way of showing affection.
Be it like flirting, old married couple bickering, holding hands, intimate hug, sleeping together, cuddling, snuggling, kisses but only as far as kiss on the cheek or light peck on the lips. Many people often mistaken them as a real dating couple because of that, not knowing Garou and Badd just messed with them by being affectionate to eachother for fun. They just love to tease those people with some more-than-friends PDA actings.
Sometimes Garou would asking Badd to act like boyfriends when he wanted to get special offering or even a discount for couple on cafe or restaurant or amusement park. Badd just rolled his eyes at Garou's stupid idea but agreeing to do that with him nonetheless. Besides, saving money by doing simple lovey dovey things with Garou? Why not?
Badd is gaining more benefits from it anyways, especially that he could becomes closer with Garou. Same with Garou, he likes it when Badd showing him his rare affectionate side ONLY for Garou...
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Then Valentine's Day has come. After going back from Hero Association's meeting, Badd was contemplating himself if he should buy an another gift for Garou aside for Zenko (which consisted of Amai Mask's rare autograph that he struggled himself to beg for that annoying idol hero, a big kitty plushie, and also a pack of premium caramel-filled chocolate truffle wrapped in cute designed box).
Because Badd wanted to appreciate his ongoing friendship with Garou, also limited budget as he already bought expensive gifts for Zenko, he decided to make a homemade chocolate cake for the wolfboy.
Fortunately Garou was still doing his part-time job at that afternoon, so Badd proceeded to bake the chocolate cake on home. He used his late mom's best recipe as his way to remember the memories they had spent together doing their cooking hobby. Also because Badd wanted to give Garou a special and meaningful present by making something he made by himself.
On the evening after celebrating mini Valentine's Day party with Zenko at home, Garou finally coming back home from work. Badd and Zenko welcomed him warmly then asking him to join dinner together with them.
Of course Garou more appreciating this kind of small family dinner but feels very homey than any luxury dinner at 5-star restaurant. He always dreamed about having family dinner with warm and cheerful setting, who truly cares for his well-being no matter what happen.
Now that he lives with Badd, Garou could enjoyed Badd's and Zenko's happy chatting with each other in front of him on every dinnertime and he also could eat many of his favorite food as much as much as he wanted. Or sometimes Badd even giving more food on his plate if he was being generous enough on that day.
Besides, he loves Badd's own cooking, too! Still tasted like 5-star gourmet meal but much better!
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Dinner time just ended and all the dish were cleaned already, Badd ordered Garou to take a shower before going to bed. And while Garou still in the shower, Badd prepared a surprise Valentine's Day for Garou. He took the cake from the fridge and placed it on top of small table in their shared bedroom while waiting for Garou to come out from the bathroom.
After Garou finished taking a bath and had changed with clean clothes, he found Badd sitting on the couch smiling proudly, then standing out and walking towards him while bringing a mini chocolate cake.
Badd said, "Happy Valentine's Day, Wolfboy! Here you go your special present, better appreciate it because I made it myself", before gently handing his homemade chocolate cake to Garou.
Days before Valentine's day, Garou often jokingly teasing Badd that he couldn't wait for Badd's handmade chocolate gift, which would earned Garou a flustered Badd everytime he said that. But of course Garou just kidding since he wasn't really sure if Badd likes him enough to actually gives him a present, because while they're already become bestfriends Garou couldn't help but secretly pining for Badd.
Garou was speechless, he just stared at the beautiful dessert gift from his bestfriend on his hands. It was a chocolate frosted cake with fresh raspberries decoration, also somehow Badd delicately added Garou's name and cute wolf paw signature written on top of the cake. A simple cake but feels very personal. And it's for him, too?? Nobody ever gives him personally handmade stuff to him before!
He still couldn't believe Badd went as far as spending whole afternoon just to prepare a Valentine gift for him. Garou was so moved by this.
So with a wide cheeky grin, he thanked Badd and start slicing the cake by a plastic knife. But he wasn't immediately eating it, instead Garou took Badd's hand, made him sitting on bedside together with him, then offered the hero to eat the cake together.
Badd was actually a bit surprised by Garou's offering since it was the gift for the wolfboy and not him, but since he asked nicely then why not. Plus he can tasted his own creation to know if it's good or not.
Except there was only a single fork available.
Badd was gonna get an extra fork from kitchen but Garou said it's alright, they can share one fork by taking turn on having a bite for the cake. Besides, he would be very glad to be handfed by Badd, anyways! Badd really wanted to smack Garou hard with a pillow but he resisted it, he desperately trying to not being flustered by Garou's words.
So here the two bestfriends, who secretly pining on each other, taking turn on eating the cake by a single fork only. Garou was enthusiastically ate the delicious cake whereas Badd just munching it while blushing. Only Badd was aware that they were basically doing an indirect kiss!
Perhaps not many people care enough about silly indirect kiss thing, yet Badd couldn't help but cares since it involved Garou. His dearly bestfriend who also his secret crush.
As they finished eating (mostly it was Garou's doing as he always takes a big chunk of the cake at once), Badd noticed that Garou has a buttercream smear on the corner of his lips. 'Garou is truly a messy eater', thought Badd as he shakes his head in amusement. Already used to do it with Zenko, he wiped the cream off from Garou's face with his finger then licking it in very casual manner like no big deal.
But Garou watched him, dumbstrucked with what Badd had just done to him a moment before. Then without thinking, he gets closer towards Badd, reaching his face and tilted it a bit before kissing him.
Garou kissed Badd's plushy lips, so softly but longing. Tasting the mixture of sweetness between chocolate and buttercream, with a fruity hint of fresh raspberry from remaining aftertaste in his mouth. Just like a dreamy first kiss experience of a teenager. He knows Badd probably wont forgive him to do all of this but Garou absolutely never regretting his choice.
On the other hand, Badd was in pure shocked state once Garou touched his lips with his own. The moment their lips collided in a slow passionate kiss, Badd was melted in Garou's arms. He should be shoving the wolfboy off from him or slap his face. And yet he instead pulling Garou much closer to him as he clung his arms around the white haired teen, deepened their sweet kiss in the process.
After they run out of oxygen, they both released the lip-locking activity to take a quick breath before resuming their kiss again. Now even more eager than the first attempt as they poured their whole heart content onto eachother, letting the other know what they have been feeling after all this time.
Slowly, Garou laid Badd down on the bed without breaking their kiss. Badd embraced him tighter, one hand clutching on Garou's back and the other hand on Garou's short spiky hair. They keep doing such intimate act for some hot minutes until finally Garou ended it and released Badd from the kiss.
He gazed at Badd's face, who currently breathing hard, eyes hooded with barely hidden passion, and face blushing so red like a tomato. But then Garou saw his tender smile on his plushy pink lips, Badd looked so pretty with those rare soft smile that only reserved for him only.
He could feel Badd's hand slowly caressing his cheek, stroked it with so much affection, as if he wanted to convey his true feeling even more clearly to Garou. It encouraged Garou to also confessed his feeling for the beautiful hero.
"Love you, Short-stack. So much that I don't know if I can hide it from you any longer.. Sorry for suddenly kissing you out of nowhere-"
A finger touched his lips, sealing it shut for a moment.
"Shussh it's okay no need to apologize. I already know. Me too, Wolfboy..", those tender smile still hasn't left Badd's lips, instead it got more brighter than ever.
Realizing his love has been reciprocated already, Garou let out a loud chuckle before dipped down to rub his nose on Badd's own excitedly before nuzzled his soft cheek, giving the smaller man a shower of little kisses on his cheeks, forehead, then his lips.
Badd was just as happy as Garou, he laughed along with him now that finally they leveled up their relationship into boyfriends after all of these silly mutual pinings for months. He accepted Garou's feeling right away, thinking he was so lucky they're become together in a very special day to any lovers: Valentine's Day.
So maybe upcoming dating anniversary for every Valentine's Day, perhaps?
Garou's gentle caress on his hair brings him back from his deep thoughts, he showed that trademark cocky smirk to Badd before asking, "Shall we do it again, hmm, babe?". He licked his own lips suggestively as a joke to tease Badd more further, making himself looked like a hungry wolf before devouring his delicious prey.
But who said Badd was an easy prey without fighting back? Of course he knows Garou was only joking, but the hotheaded hero wont let him gets whatever he wanted easily. If Garou wanted some dominance over him, he must earned it.
With a wide taunting grin, Badd accepted Garou's challenge, "Ooh you bet! Don't regret your decision, Moon Moon", before kissing him hard. He clung onto Garou and flipped him over on the bed so now Badd was on top of Garou, straddling his torso before proceed to continue their makeout session.
Garou couldn't hold a happy smile between their heated kisses, what a more better way to spending time on special event with your bestfriend-turned-into-newly-boyfriend than this? He let Badd enjoyed a brief dominance on him for awhile before he caught Badd off-guard, taking back the victory by flipping him over again, making the hero submitted to Garou.
Garou smirked when he saw Badd's tender yet teasing smile under him. This gonna be a long night.
---💝THE END💝---
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Notes:
So how was it? Was this good? 😳✨ Aaaa I'm sorry this ended up being a mix of silly, fluffy, and a bit pervy, lmao! But don't worry trust me they just went as far as doing usual horny makeout between teenagers and not going past there (yet), ahahaha 😜😂
Because they only just start dating, right? They wanted to take it slow and of course Garou would respected any of Badd's decision because he loves him so much, then in turn Badd would appreciate any of Garou's adorkable effort in dating attempts 😊💕
But maybe in the near future they eventually would take the things more further hmm.. 😎✨
Anyways, there I give you (belated) Batarou Valentine's Day present! Thank you so much for reading, I hope you enjoyed it~ 😚😘❤💜💙💚💛💖💝🍫🌹💐
Special thanks for: @hiro-gari , @the-goddessfighter , @kaincuro , @guby1620 , @garous-nipple , @jusqu-une-etudiante ,and @lovelybutnot-ablankcanvas , also all of Batarou shippers in the fandom! (idk if the tagging worked but I love to mention you all, guys! hope you don't mind ilysm 😆💕💖)
-Little1993lamb-
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~Lilia:
oh my god I’m-
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This is so cute and fluffy and perfect hnnnnngh 😭💕 I love their little nicknames for each other too oml choked on my drink cause I haven’t thought about Moon Moon in years and it made me laugh so hard
Thank you for the Valentine’s fluff anon!! Who cares what day it is we need the L O V E💖✨
someone pls let me know if the tags work also!!
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whitherliliesbloom · 4 years
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amadeus
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[ ffxivwrite2020 ] ★ [ masterlist ] ★ [ prompt #15 - ache ]
[ no ships, only angst ] ★ [ 792 words ] ★ [ time travel au ]
illya and...illya.. or rather, the shell of what was once illya. based on my headcanons and previous fanfics about the time travel au. this fanfic probably won’t make any sense unless you know the general plot of what’s going on in the au. a bit of violence and implied torture. a whole new meaning to self-harm.
among the countless parallel lines, I settle on "blasphemy" as my choice.
“Get up.” 
Her voice rang louder in the infinite nothingness, in this world where the concept of the spinning world was ground to a screeching halt, where not even the air moved for them. A ripple of fear tears down her spine, and the blood in her veins rush faster than ever.
And yet she could not move.. a time mage, one who was supposed to be the most promising of the academy no less, halted in place by the very magicks she was supposed to wield.
“I said get up.”
Illya struggles within the confines of her own flesh, so much that even breathing was next to impossible against the crushing weight of stopped time. She can hear, she can see, she can feel. But she could not move. 
“Pathetic. Is this what a whole year of studying has gotten you?”
Cronus takes deliberate steps forward, allowing the deafening echoes of her heels tapping against the ground shake Illya’s resolve. And though Illya could not so much as even move her eyes, she could see a glint in the other woman’s hand, the glint of a blade that craved the scent of blood. 
The razor edge of her knife makes its mark, carving a steady line across the bridge of Illya’s nose and cheeks, and the scalding pain causes her violet eyes to water. And yet the tears wouldn’t fall, her blood wouldn’t spill. At least not yet. Not within stopped time. She was ever someone with a heightened pain tolerance, and even if her voice were allowed to sound out in this meaningless world, she wouldn’t let anyone other than herself hear a single utterance of pain.
And Cronus must have known this - but what wasn’t there that Cronus didn’t know by now?
The heels of her captor’s boots raises up and digs into her side, forcing her yet frozen body to roll onto the ground. For a mercy, the soul crushing weight of Cronus’ stare was no longer in view. The only thing more suffocating than not being able to breath itself was the emptiness in Cronus’ eyes. 
“If you’d just done what I said... It wouldn’t have come to this. I warned you again and again.” Her voice pierces the silence once more, along with the sound of metal being sharpened, her heels scraping against the asphalt of the ground. “Then again.. what was I expecting really..? You’re the most stubborn person in this entire accursed world.”
She’s heard that a million times over, and yet it stung the most hearing it from that voice.
“I didn’t want to have to do this.”
Why did that feel like a lie? Why did Illya feel like she had any right to presume that it was a lie? She didn’t even know Cronus - not beyond what the lalafellin woman herself has revealed, which is next to nothing of substance. 
Cronus, however, certainly knew her - she knew just about every uncomfortable nook and cranny of her life, her habits, her feelings.. and the deepest, darkest parts of her heart she’d kept so carefully hidden away. At points, it even felt as if Cronus understood her better than herself. 
But in this moment of haziness, of the time that was the present of nothingness, Illya felt pain creep all over her body, a sickly, unpleasant sensation that seeped into every inch of her own flesh as if it had always belonged there. And in that pain, it felt as if she’d finally got what she wanted - she could understand Cronus.
It sunk like hooks in the form of a stinging in her eyes, as if the very colors of her iris would be bleached. The bleeding of her nose, and the burning of her tongue that wished to curse and scream in defiance of the world. 
And most of all, the aching of her heart, the greatest, most excruciating pain of all. Cronus made doubly sure to prolong the pain there, stomping upon her chest again and again. 
Illya had thought the sight of seeing her in pain would bring Cronus joy.. for a woman who seemed to utterly despise everything about her. But it only seemed to aggravate her even more. 
“You’re a mistake. You hear me? I rue the day you were even born!” 
That wasn’t a lie, the sincerity in Cronus’ voice pulsates through her very being. And yet the tears that pooled in Illya’s eyes were not ones of sadness - at least not for herself. This pain, despite it feeling unbearable and real, felt foreign. It was not of her own creation.
Her body was at the mercy of her wrathful tormentor.. and yet Illya could feel nothing but utter sorrow for her. 
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mammon-sama · 4 years
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Poison Apple Crêpes (Fanfiction) Part 2/2
This was originally supposed to be a oneshot, but a few people were asking for a follow-up to this story from Lucifer's perspective, so I finally decided to buckle down and write one!  I really hope it met your guys' expectations! 🤞  Read it on AO3 here!
Also, I included some of my headcanons in regards to Lucifer's feelings about angels and stuff, and I hope that doesn't bother anyone.  In fact, it has a lot to do with another story I am working on for Obey Me!.
Title:
Poison Apple Crêpes (Part 2/2)
Summary:
An incensed Mammon recalls a fond memory he has of Lucifer from when they were younger.
(Essentially just a fluffy oneshot about Luci doing his best and Mammon just realizing it because he is a dumbass.)
Genre:
Fluff
Rating:
G
Word Count:
1824
First Part:
Read the first part here!
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Lucifer’s mouth gaped open in a yawn, as he rubbed the sleep out of his eyes.  Blinking lazily, he cursed himself when he realized that the arm he had apparently rested his head on while he slept was covered in drool.  He sighed in relief as he remembered that he was in his private study and none of his brothers were there to catch him in such a state of disarray.
More awake now, he glanced at a small clock situated on his desk, and his eyes widened in surprise when he realized what time it was.  Had he really been asleep for so long? He knew that skipping sleep last night in order to finish the last round of R.A.D attendance reports for Diavolo would no doubt tire him, but he hadn’t expected it to cause a bout of weariness that lasted for this long of a time.
Lucifer’s stomach rumbled slightly, reminding him that in his desperation to finish the reports on time, he had forgone breakfast that morning, as well.  
He shook his head, trying to relieve himself of the last dregs of sleep, and took a deep breath to reorient himself.  
He realized that he never did end up completing his work.  Lucifer reached toward the left-hand side of his desk, where he had originally placed a pencil holder filled with pens and highlighters, but found nothing.  Surprised, he noticed that someone had shifted it over to the right side of his desk.  He nodded in appreciation at the act—after all, he was right-handed, so it made sense for his pencil holder to be on the right side.
With that, Lucifer’s eyes widened as he realized that not only was his pencil holder’s location changed but many of the other objects’ on his desk, as well.  They were artfully displayed, and although he appreciated the neatness of their arrangement, his eyes narrowed when he realized that all of this meant that  someone had entered his private study.
His face reddened in fury; he had explicitly told his brothers that while in his private study, he was not to be bothered, hence why the room was locked through voice security and none of his siblings were allowed inside. 
And his codeword—Eine klein Nachtmusik!   How did any of his brothers even guess that phrase?  ‘Eine klein Nachtmusik’ had been his most precious composition as Archangel of Music back in the Celestial Realm, but he never expected the other six demons to remember something as trivial and personal as that.
For a moment, Lucifer was touched that someone would make the connection between his beloved piece and the code phrase, but he couldn’t dwell on the fact when he noticed the sheet in front of him.
He grit his teeth; on the front of the sheet was a glaring pink slip—the telltale sign of test failure.  He yanked off the pink paper and nodded once when he saw the name on the test.
Of course, it’s Mammon’s.
Lucifer leaned back in his chair and put his hand on his temple.  Was it so much to ask for his money-grubbing second brother to take school seriously?  
It was no small fact that Lucifer wanted his brothers to perform and be the best students at R.A.D—after all, they were an elite demon family and considered to be the Rulers of Hell. And of course, excelling in their schoolwork would surely get Lucifer and his family on the good side of Diavolo.
This was motivation enough for him to work hard and maintain his grades, but indeed, there was something else that propelled him to encourage his brothers to put their best foot forward …
All his life, Lucifer had been taught that demons were the scum of Creation—horrid things, with no respect or love for the Father; he himself had considered demons to be absolute worms beneath his feet.  
When he was an angel, he was among the many who despised demons—that is, until he was forced to rely on them and therefore become one himself.  And for all his bravado about being proud of going against his Father and living a demonic life, a small part of him still considered him and his brothers to still be holy angels (with the exception of Satan, who he sometimes believed could be an angel by proxy).
And as he had been ingrained to believe, angels were better.  Angels were the  best.  Angels were sons of the Royal King, with blue blood flowing through their veins, superior to all other life.
A minute part of him wanted the demons in the Devildom to know that, to never forget that the Seven Rulers of Hell were always going to be above them.
Being the best at R.A.D was such one reminder.
And yet, his brothers refused to take themselves seriously in regards to school, and Mammon, with all his potential, was the worst culprit.  
Lucifer realized Mammon must have snuck into his private study to leave this refuse on his desk.  He violently grabbed a fountain pen from his now rightly-situated pencil holder and signed his name on the designated line on the pink slip with a flourish.
More irritated than he had ever been, Lucifer shoved the paper forward, leaving it upside down, so he wouldn’t have to see the abhorrent failure notification, again.  As he did this, he noticed that he almost knocked over a white paper bag that was balanced on the edge of his desk.
He cocked his head curiously and pulled the bag closer.  On it was a sticky note and in Mammon’s very loud handwriting, it read, WOW bro I just realized you drool a lot in your sleep XP hopefully that means you’re hungry!!.  Lucifer couldn’t help but blush … and here he thought he was lucky to not have anyone notice his drooling.
Going against his better judgment, Lucifer peeled off the sticky note and opened the bag.  As soon as he did, his anger melted away, for his nose was immediately graced with the warm, fruity scent of poison apples.
He froze; it had been years since the homey aroma had entered his nostrils, and instantly, he was brought back to a small café on the outskirts of the Devildom, where he and Mammon would used to enjoy a stack of crêpes when they were much younger.
Without thinking, his eyes zoomed toward a mini picture frame on his desk, where he and Mammon sat underneath an umbrellaed patio table at the café and beamed into the camera of a stranger, who had been so taken with the cheerful pair of brothers and insisted on photographing them. 
“Lucifer,” pouted Mammon, his bottom lip sticking out profusely.  “I don’t like these creeps.”
Lucifer shook his head and cut off another bite of poison apple. “They’re called  crêpes, Mammon.  And here, we can try another filling, if you’d like.  Choose something else from the menu.”
“Hmph, okay.”  He poked their waiter, who was walking by.  “I want this!” He pointed to ‘Super Salty Tuna Fish Surprise crêpes.’
Lucifer bit his lip.  He knew Mammon well enough to remember that the young demon did not enjoy salty foods.  
Lucifer had hoped Mammon would enjoy this outing with him, and there was no way he would if he couldn’t find anything he liked.  He took another bite of his poison apple crêpes, disheartened that despite it being his first time eating at this café, he had already found something he liked, while Mammon was left hungry.  
“Wait one moment,” Lucifer told the waiter.  He turned to Mammon. “Let me see that menu.”  For a moment, he perused the list of foods, before landing on ‘Blackbelly Newt Legs Macerated in Vanilla Simple Syrup crêpes.’  He knew Mammon loved spicy foods—blackbelly newt legs were renowned for their heat—and the sweetness of the simple syrup would make sure that the flavor wasn’t too hot for his little demon palate.  “Actually bring him this, please.”
“Boo, Luci, you suck,” Mammon grumbled, as the waiter walked away. “What if I don’t like those?”
Lucifer bobbed his head.  “I’m sure you will.”   
And he was right.
“Yum!  This is tasty!”  Mammon mumbled between mouthfuls of crêpe, and he grinned.
Lucifer beamed back.  “I’m glad you like it!”  He spooned the last bit of purple poison apple sauce off his plate.  “We should come here, again.”
“Yay!  We should!”
Lucifer sighed.  That had been the first of many trips to that café.  Over the course of many years, he and Mammon had tried every crêpe filling on the menu, but nothing ever came close to dethroning their favorite fillings of blackbelly newt legs and poison apples.  
However, as time drew on, Mammon and he had become quite the busy demons, with various responsibilities to look after.  Lucifer had always tried to make time to ensure that they still could frequently satiate their desire for crêpes, but Mammon constantly seemed to be occupied, being instantly taken with the glitz and glamor of the Devildom’s exclusive shopping districts.
He shook his head, momentarily wondering why he never thought of venturing to the café by himself, but then he realized that the trips wouldn’t be the same without his silly younger brother.
Lucifer carefully pulled out of the bag a fork and knife—it seemed as if Mammon had thoughtfully pilfered them from the House of Lamentation’s kitchen before bringing the crêpes to him—and a cylinder rolled in white paper.  
He unwrapped said cylinder to reveal three crêpes, each oozing with several extra helpings of poison apples, just as he liked.  The jewel-tone purple of the sauce glittered under the lights of his study, and he breathed in again the fruity scent of it. He nudged a chunk of apple with his fork and smiled when he realized that it was nice and tender, cursed to perfection.  
Lucifer put a hand to his mouth—eating the filling would stain his lips mauve for days … but could that really be helped?
Overcome with nostalgia, he brought his knife down into the crêpe and forked a piece into his mouth.  He smiled; it tasted just as sweet and sticky and delicious as it had the first time he had tried it.  
Chewing thoughtfully, he noticed some scribbling on the back of Mammon’s test.  It read, Mammon already signed up for tutoring ;(.
Perhaps it was the nostalgia talking, but seeing as Mammon was making an effort, Lucifer decided that maybe that was enough.
Putting his fork down, Lucifer pulled out his D.D.D and texted his secondborn brother.
Mammon Lucifer: Crêpes next weekend?
Immediately, he saw three bubbles pop up, indicating that Mammon was typing.  A moment later, his response appeared on the screen.
Mammon: I guess the Great Mammon can spare a minute or two!
Mammon: Sounds like a plan! 👍👍
And from that moment on, all was forgiven.
THE END
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bythieves-a · 3 years
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WAH
have i ever mentioned that vic is a big moomin fan and has a big moomin plush that he kept from childhood that is now all old and worn from love and still kept at his bedside
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duchessfics · 5 years
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An Afternoon of Trickery
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(https://julianemilian0.tumblr.com/post/178711567301/sarah-paulsons-characters-on-american-horror)
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(https://kylos.tumblr.com/post/179092578061)
Ally x Fem!Reader x Cordelia
Warning(s): None!
Summary: Oz picked a couple pumpkins to carve, but you deal with some tricks as you help out with carving them.
Word Count: 1504
A/n: I haven’t written for these three in a while, but I missed it! Hopefully I stayed true to their characters (I feel like I’m a little rusty with their dynamics). But here is some fluff for your weekend. I know I posted a headcanon this week already, but I had this drafted to publish this week so I figured I would post it. I hope you enjoy!
Sentence Prompt from @lillie-writes​  (Here is the link to the original post)
17. “It’s just unfair to carve your pumpkin on both sides! It’s cheating!” “It’s creativity, you should try it.”
After staying up far too late finishing the latest season of your favorite TV show, you snuck into bed where Cordelia and Ally peacefully slept. You thought you would be fine with enough coffee to make it through the day. However, by mid-afternoon you can hardly keep your eyes open. So, you sneak off to Cordelia’s office and lay down in her personal loveseat, your favorite spot to take a nap. Luckily, she isn’t in there to chastise you about staying up too late, so you curl up in your oversized hoodie and fall asleep.
However, you wake up to someone shaking you and saying your name—Oz. “Wake up, sleepyhead!” He says in a far too loud and cheerful tone. You let out a groan of protest, but he persists. “Wake up! Mom and Miss Cordelia got some pumpkins!” By now you manage to crack your eyes open and you see both of your girlfriends in the background smirking. “Are you awake?” Oz asks, making you look to his face that is inches from yours. While you are normally down for anything with Oz, your sleepy self is not happy at being awakened.
He doesn’t wait for you to answer, satisfied at seeing your eyes open. But you rub your eyes, trying to gain your senses and ask through a long yawn, “What were you saying?” Oz lets out an exasperated sigh and scolds, “I was saying we got some pumpkins to carve tonight. So, you need to come down to the greenhouse with us.” Your eyes start to get heavy again and you reply, “Mm-hm.” Before pulling the drawstrings on your hoodie to cover your eyes and turning away, already feeling sleep take over again.
Oz says your name and shakes you with his hands, but you stay curled up. Luckily, he stops and walks away, and you begin to fall asleep once more. However, you cry out as someone tickles your ribs and doesn’t stop. As your turn back, instead of seeing Oz you see Ally is the one who initiated this ambush, her eyes with a mischievous glint. She keeps moving her hands up and down your sides making you giggle and squirm. “Ah! I’m awake! I’m awake!” You cry out. But Ally just chuckles and says, “You say that, but we need to make sure you really are, honey.” Your eyes begin to well up with tears from laughing so hard and your other girlfriend comes up to look over you. You say her name, calling for mercy, but she just smiles and says, “You think she’s going now, but if you hit this spot just right,” Then she reaches down to poke just under your armpit making you cry out. “There she is.” Cordelia murmurs with a grin as tears now spill out of your eyes.
Finally, they stop their movements and let you catch your breath. “So…pumpkins.” Ally teases as Oz laughs in the background. You sit up, taking your hood off before saying, “Fine.” Then Oz leads the three of you down to the greenhouse. Once there, Ally lifts and places two pumpkins on one of the worktables. Then Cordelia takes a knife and cuts out a small hole on the top of both pumpkins to get to the inside. She sets the knife aside along with the tops that will be used later before asking, “Do you want to remove the insides, Oz?” He walks over, not much taller than the seated pumpkins and tentatively reaches his hand in one of the holes. But as soon as he touches the slimy insides, he whips his hand back and says, “Ew, no. That’s ok.” You chuckle at his reaction, but that dies in your throat as the supreme looks to you and curls her finger, gesturing for you to come over. 
Without asking she hands you a spoon to scoop out the insides. You take it with a sigh and roll up your sleeves while Cordelia brushes her hair back into a ponytail. She doesn’t fix her hair in an updo often, but you like it when she does especially how a couple loose hairs frame her face just right. You begin to dig in, grimacing at the slippery texture, but Cordelia pauses and murmurs, “Ally, darling?” The senator blushes as she looks to Cordelia and asks, “Yes?” The blonde smiles and says, “Could you bring out a container for us to put these insides in? I think I’ll roast the seeds for an autumnal snack. It would be a shame for them to go to waste.” Ally says yes and brings out a massive bowl, placing it between you and Cordelia. But before she can walk away, Cordelia thanks her and gives her a peck on the lips. Then you both begin your work.
While you and Cordelia dig out the pumpkins’ contents, Oz and Ally talk about what should be on the pumpkins. As he talks about different faces and draws sketches you say, “You could make it a pumpkin carving competition.” His face lights up at the idea and he says, “Yeah! I’ll draw the designs and be the judge after you three carve them out.” Both Ally and Cordelia agree, so he sets out a plan.
By the time you’re finished scraping everything out, you are worked up to a sweat and feel the muscles in your arm ache. Meanwhile Cordelia doesn’t seem bothered by the activity at all. In that moment you resent her special powers as the supreme. But you can never be mad at her for too long. Fortunately, you get a break as Oz draws on the designs he wants on them.
Once he finishes, you smirk at your girlfriends, seeing you got an easy, basic jack-o-lantern design. Oz announces that you may begin so you take a knife and begin to carve out your design. You thought this would be easy, but making sure the knife cuts accurately is trickier than it looks. But you manage and let out a sigh of relief when you are halfway done. However out of the corner of your eye you see Ally and Cordelia doing something absurd. They pause their movements and Ally looks to you before asking, “Do you need something, sweetheart?” It’s only then that you realized your jaw dropped in shock. But you recover enough to say, “It’s just unfair to carve your pumpkin on both sides! It’s cheating!” They both chuckle at your accusation and Cordelia teases, “It’s creativity.” Then Ally adds, “You should try it.” Your eyes narrow at their remarks, but you get back to cutting as you say, “Oh, it is on.” And you begin to finish carving the best pumpkin there will ever be.
Upon finishing you are a sweaty mess with pieces of pumpkin in your hair from running your fingers through it. But you feel satisfied as Oz grins and at seeing your creation, saying, “This looks awesome!” You wipe your forehead with the back of your arm before replying, “I’m glad you like it, kid.” And he declares all three of you winners. Then he carries one pumpkin out to the front porch while Ally carries the other. Meanwhile Cordelia takes the bowl containing the pumpkin seeds to the kitchen. You begin to clean up the mess made on the worktable and floor around it. However, you nearly jump out of your skin as someone hugs you from behind.
The short hair indicates that Ally is the one behind you and as she chuckles against your neck you know it’s her. “Did I scare you, honey?” she murmurs in your ear. You twist your neck a little to look at her before replying, “Not as much as your tickling ambush earlier.” At that Ally giggles and cups your face before murmuring, “Awe, poor thing.�� But her eyes look unusually devious compared to her usual serious expression. Then her hand snakes down to your side and she gives you a poke making you whine.
“Oh, are you tired, sweet girl?” the supreme asks. Ally releases her hold so you can turn around to look at them both. Then you chuckle and shake your head as you say, “You two are full of tricks today.” They both grin and Cordelia steps closer before cupping your cheek, soothing, “We’ve been a little trickier than usual with you today. But after Oz goes to bed, we’ll give you a special treat.” After hearing that you perk up and say, “Treat?” Ally chuckles and tucks a loose piece of your hair behind your ear as she purrs, “How about a nice bath to help you unwind? And maybe something more?” Your cheeks warm and you squeak, “That would be nice.” Making them both laugh.
But before anymore can be said, Oz re-enters, talking about his game plan for trick or treating. So, they let you go and you have to hold back a whimper. But you do, looking forward to whatever treat they have planned.
Tagged: @marilynroselleprentiss, @saviorinsilk, @chokemepaulson, @versonstar​, @lush-les-lady, @cordwliagoode, @psychobitchtess
Let me know if you would like to be tagged in later works!
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dishonoredrpg · 4 years
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Congratulations, MINNIE! You’ve been accepted for the role of THE CHARIOT with the faceclaim of LUMA GROTHE. There’s a sound, sometimes, that I think of often: the thundering of hooves against the racetrack, the repetitive thrum, the thrill of watching beasts run you by knowing that they could in theory mow someone down and do not. For me, you embodied this with Valeria. You had me hooked with by all means, Chariot was bred to rule; it runs in her blood, it rots in her veins, and the rest of your application was held up on the same pedestal. You showed me both the potential to do and the potential to do not. You hit the nail on the head with the balance between duty and the desire to see something through, and their active conflicts with each other in a world that would like to eliminate conflict altogether; I cannot wait to see how Valeria’s story plays out.
Please review the CHECKLIST and send your blog in within 24 hours.
THE CHARIOT
OOC
NAME: Minnie
PRONOUNS: She/Her
AGE: 24
TIMEZONE, ACTIVITY LEVEL: EST. As for activity, I aim to post one reply every day. That being said, there are certain weeks where my muse is severely lacking due to the demand of my full-time job. I do my best to prepare for that ahead of time, but I will do my very best to follow the pace of the dash.
ANYTHING ELSE?: 
IN CHARACTER
SKELETON: Chariot
NAME: Valeria INSERT SURNAME HERE. I imagine that Valeria took on the name of Septimus’ family, partially because I’ve headcanoned that they had to face some general distrust when they first arrived to Tyrholm. To cement their standing, they took on the royal surname — which I think would be acceptable, since their mother was the rightful ruler.
FACECLAIM: Luma Grothe, Hoyeon Jung, Paulina Singer, Ursula Corbero, Fernanda Ly. Faceclaims are listed in order of preference. I tried to include different ethnicities to match potential faceclaims of the others!
Pronouns would be she/them.
AGE: I’d like them to be a year or two younger than The Emperor, to support a headcanon that she wanted very badly to become The Emperor’s friend/chosen sibling. Also because I think it’s a deeper twist of the knife to know that your junior is more suited for the throne, hehe. The youngest faceclaim on the list is 25 and the oldest is 30, so I can range from 25-35. Sorry for keeping things somewhat vague! If you really need an exact age, I can go with 27.
DETAILS: Unbridled potential. That’s the one phrase that best sums up my attraction to Chariot. They have a talent for greatness, an uncanny knack for excelling beyond measure; it’s never meant that much to them. They do not hunger for power, and their ambition is a humble creature — a mouse, rather than a phoenix turning the night sky to an angry orange. Her power clings to her, it emits a glow from within; wherever she goes, people notice. How can they not? Self-possessed and poised, they stink of competence. Whether she wields it as a dagger to one’s throat or holds it leisurely in her hands, it always manages to catch the light.
Chariot’s power, to me, seems like a pendulum; it sways back and forth wildly. By all means, Chariot was bred to rule; it runs in her blood, it rots in her veins. But then there is the madness that tempts her to step from the light and follow it down a long and unending tunnel, into the labyrinth where everything is possible and those closest to you cannot be trusted.
I think, at the end of the day, I see a million different paths for Chariot and I’d absolutely love to follow the trail until I can unveil them in all their glory — whether it be for good or for evil.
BACKGROUND:
Your first memory is of a warm egg in your hands. Your mother curls your fingers over it as if you’ve stumbled upon some great treasure. You know now that it was only an egg, but it felt magical as a child. You grow up in the farmlands, and live a quiet life. You and your father work the fields, and you learn to love the way sweat trickles down from your brow to your chin and the simple camaraderie of coaxing life from the earth. Your father teaches you the beauty of a silent moment and a fully formed thought, told in between hours hard labor and the scorching sun. He is not an overly affectionate man, but he shows you his heart in the way he lets you fail, over and over again, until you finally get it right. When he smiles at you with that look of a shared secret, you swell with pride. Your mother is enigmatic and clever, and tells the best stories. Each one is coated with mystery and ancient legends that you soak up like a sponge. She tells you a hundred stories and each one vibrates deep in your bones, as if you’ve lived it before. But if you’ve lived a hundred lives, then your mother has a thousand inside her, and she is a conqueror in each one. When the two of you venture into town, you feel a thick blanket of secrets settle over you. When you’re a child, it feels like you’re being suffocated. As you age, you learn that it’s possible to breathe and move beneath it; it just takes precision and a finesse you learn by watching your mother interact with other merchants. Your mother disappears only one year after you learn the truth of who you are. You are becoming a grown-up now, she tells you, her eyes unblinking and unashamed. It’s the most unguarded you’ve ever seen your mother; it is a terrifying and glorious thing to see her in all her power and grace. You can picture her with a crown; it does not surprise you when you learn that she abdicated the throne. Of course she did; you cannot imagine her happier anywhere else other than right here in the farmlands where the wind is crisp and the soil is sweet. You are a princess, your mother says. No I’m not, you tell her, I’m a farmer, just like Father. That makes her laugh, but you notice a tear catch in the corner of her eye. First, your father dies. He falls ill, and you learn that no amount of power or royal blood can save a loved one from death. You sit behind your mother. You do not watch, but you listen; to this day, you swear that you heard his last breath. Your mother holds you and tells you that the farm is in your hands. You are the one who inhaled and exhaled the land as he did. Your mother helps, but you can see that you are better at this than she is. So you assume the position of leadership at the tender age of nine, and you learn to push your body and mind to its very limit. You learn that, when you push hard enough, what seems like a brick wall softens and becomes pliable clay. It stretches. You grow. You learn. You excel. When you are ten, your mother disappears. You make do on your own. There is no other option, so you continue working the land. You work twice as long and twice as hard, and you are at your breaking point when Septimus arrives. Your uncle. The king, you realize after you’re already well on your way to Tyrholm. At your heart, you are a farmer. You know what it means to cut your hands in order to grow calluses. You believe that the work will get easier the harder you work, and it comes naturally to you. After a few years living in Tyrlholm, they call you lucky, a natural-born princess. You know the truth: it is the spirit of your mother living on in you, and you find yourself talking to her throughout the day. When you realize it has become something like prayer, you lean into it. This is when you begin seeing your mother in the halls. Another shared secret that will bind you to her side and her heart, forevermore. You relish it. You embrace it. You harbor it like a warm egg in your hands, a sign of life and labor and creation. The people of Tyrholm show only contempt in the beginning, and it fuels you. You dig your heels deeper, grip the handle of your sword tighter, think faster. They only speak of your glory and your skill now, but you remember. You remember the disdain that dripped like venom from their teeth as they said your name. It takes years to undo that first impression: a child with matted hair that sticks up because of the way you sleep, dirt caked beneath your fingernails that took a whole week to scrub out, the smell of fertilizer and manure clinging to you like your home is not ready to let you go. But eventually, it does. You become one of them. More importantly, you become better than them. When they notice, you pretend not to care. Part of you, though, rather enjoys it. It could make your ego swell, if not for your cousin. THe Emperor takes every chance to trim your pride — you suppose that’s a rather kind way to describe the way they sneer at your every accomplishment. As a child, you saw them as the first playmate you could have ever had. Enamored by them, awed by them, you trailed after them hoping to find a sibling — a friend. Once you begin to surpass them in every lesson and every skill, you don’t notice the way their eyes darken as you walk by, or the way your name falls from their lips like blasphemy. It takes many bitter pranks and cruel jokes for you to understand: there is no such thing as family in Tyrholm. There is only you, your power and your secrets. You learn the lesson well — as you learn every lesson. And once you learn it, the door opens to learn more of Tyrholm’s hidden tunnels. There are a million rules no one will teach you, that you must teach yourself; these are the ones you like best. You begin a delicate dance with the integrity and honor you learned from your father, and the cunning you learned from your mother. At times, it is like being pulled in different directions. Eventually, it gets easier. You’re not sure when you stumbled onto this idea that Septimus did away with your mother. All you know is that the years of deception and clever dances and wordplay with nobility have become so ingrained in you that you no longer have to think upon it; and that’s when you consider that there are others who are as practiced with power as you are. The king is no mastermind; he is not a smart man, a clever man, not even a good man. But it’s exactly that talent for foolishness that makes a man bold and arrogant enough to murder his own sister, and take her child in as his own. Once the idea is planted, it is impossible to ignore it. You check on it obsessively, and the visions of your mother become plagued with suspicion. The foundation of who you are and your place in Tyrholm has been shaken, and you are unsettled wherever you go. You can try to hide it, but you have never been able to hide your greatness; you are unable to hide the new jagged edge it’s formed now.
PLOT IDEAS: LET’S GET THE OBVIOUS ONE OUT OF THE WAY, SHALL WE??? I of course would like to see Chariot follow the trail to uncover the truth of her mother’s death — and I’m very much open to it being exactly what she suspects or very not. Valeria has been at court for more than ten years; they have learned the games of both mind and sword, and they are not so arrogant to believe they are the true masters of either. Their mother’s inexplicable disappearance/death has always been a question mark for Valeria; who is to say that it was not another game orchestrated by Tyrholm, by the king? I’d like to explore a descent into madness, whether it’s legitimate or not. Their suspicions have taken a life of its own, and it hasn’t gone unnoticed. I’d like to explore the ramifications of people getting a whiff of Valeria’s unrest: Death, the Empress, etc. How will this knowledge live in the Emperor’s hands, or the World’s? I’d absolutely love, LOVE to see how public perception changes of Valeria, who is respected greatly for her competency and respected as the better option for the throne. As they spiral (and I truly hope to see them spiral), how will they contain it? This is just rambling off of the last plot (more of a sub-plot I guess), but Death is the only one who seems to have an explicit understanding of their goals, and THIS, TO ME, IS THE MOST INTERESTING PART OF THIS CONNECTION AND DEAL THEY’VE MADE??? It only serves them if Valeria has an actual change to take the throne. But what happens if she spirals so bad that there’s no WAY she’d be a fit to rule anymore? Would Death preserve their image in order to make them ruler, or would Death cast them out quickly to preserve their own skin? This is perhaps the first time in Valeria’s life that they’ve been helpless to act. It’s precisely because of their royal blood that they are unable to truly enact their quest, and I’d like to explore the implications of that for Valeria’s sense of self. Who are they, if not capable? At her heart, she is a farmer. They are measured by their output, by their productivity, by their crops and their yield. Right now, they are unable to yield anything. They can’t even truly plant seeds, relying only on Death and the Devil to work for them. How will this affect their sense of worth, and how will it influence their descent or ascent? The Empress may be one opportunity to have Valeria do something of her own accord, but it’s a risky confrontation. So what would it take for her to get there? BECAUSE I WANT TO GET HER THERE. I hint in her background this sense of not belonging — of having to fight her way in, versus being raised in Tyrholm. I’d love to explore that further, as well. I’d love to have nobility find Valeria a worthy heir but still not one of them. Or have Valeria be a more accessible figure to those who are of lower “ranking” (oh gosh is that okay to say) than them in a very different way than the World is accessible. Where the World is beloved for their kindness, Valeria is (in my head) more approachable because they don’t have the airs of someone who was born into royalty. It’d be an interesting dynamic to explore, especially to see how it relates to them being seen as a worthy heir.
CHARACTER DEATH: I’d like to see at least Valeria’s great suspicion become public before they die. I’m okay with them never getting answers because angst, but I’d like for their death to make an impact on Tyrholm — rather than just adding to the body count.
WRITING SAMPLE
The life leaks out of them like water from a faucet. With their expression resting like a stone, Valeria watches. There is no feeling to be expressed, no thought to be had but this: death looks the same wherever you go. In foreign lands and in her home country, the last moments of a single life are universal. There is some comfort in that.
“You have the face,” they rasp, “of a ruler.” A traitor to the throne, Septimus sent Valeria to put an end to their life. A strong member of the royal family, they hum like a fat cat who caught sight of a crippled mouse, that’s the last thing I want them to see. So she goes. She ignores the scorn that graces the Emperor's face, the flash of worry in the World’s eyes. She ignores even the look of smug arrogance on her uncle’s, so pleased that the pride and joy of Tyrholm beckons to his every call.
He sees what he wants to see. More importantly, he sees what she wants him to see.
Valeria says nothing. She waits for the eyes of a traitor to lose the last glimpse of light, wondering peculiarly if she is watching her own fate. A sword piercing her chest like a final embrace — perhaps Septimus will send his son to put an end to her life. They’ve been waiting for a long time to do it, she thinks, recalling every furious curl of their mouth and the unforgiving slant of their brow.
The traitor throws one final sentence out, with a great show of struggle: “But you have the hands of a servant.”
It’s then that Valeria affords them a smile. Every traitor they’ve ever killed at the king’s command has been insightful and clever, but never before has one seen Valeria for more than a noble figurehead. They see only the pride and joy of the throne, the deserving heir with no right to the crown.
To thank them, she grants them a secret. “And the heart of a traitor,” she whispers, taking some small delight in the way their eyes grow round with surprise even in their last moments. “Just like you.”
Before they have a chance to grasp the weight of her gift, Valeria pulls her blade from their chest. She waits for the life to bleed out of them. When it does, she wipes her blood clean of their blood and plucks a few weeds from the ground, resting it beside the wound she leaves behind.
“May your treason spread throughout Tyrholm.”
It’s both a prayer and a promise.
EXTRAS N/A
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littlemisssquiggles · 5 years
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Pinehead Headcanons: Oscar versus Ruby
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A Squiggle Meister’s Response to @miki-13:
“That is indeed a plot detail from the book, Squiggles. 
(Cracks knuckles and adjusts glasses)
Anyhow the reason Dorothy is made into a servant by the Wicked Witch of the West is because at the beginning of the Wizard of Oz book (Specifically the second chapter), the Good Witch of the North (Sometimes named Locasta or Tattypoo, who is NOT Glinda, because Glinda is the Good Witch of the South) bestows upon Dorothy a spell of protection via a kiss on the forehead: this protection makes it so no one within Oz can directly harm her. When the Flying Monkeys find her (After capturing the Cowardly Lion, denting the Tin Man and ripping apart the Scarecrow), they cannot harm her because of the spell and instead carry her very gently and carefully to the WWOW.
When WWOW sees this protection, she knows she can’t directly hurt Dorothy so she instead makes her her servant. Meanwhile, WWOW tries to break the Cowardly Lion in so he can act as her beast of burden; when he makes it clear he would bite her head off if anyone got too close, WWOW starves him in retaliation so he’d become more compliant. Luckily, Dorothy is able to bring him food during the night and the two try and comfort each other during this trying time… basically what you summed up with Oscar and Ruby, with Oscar in Dorothy’s position and Ruby in the Cowardly Lion’s position.
This would be an especially difficult time for them both: we both agree this abduction would take place in the Fall of Atlas. So Ruby and Oscar+ Ozpin have no idea of the WBY and JNR are alive as the last they saw of them all was them falling along with the city. So these three are operating under the belief that they are the only ones alive of their group.
I also really like your headcannon of Oscar using this time to train his magic via meditation. It wouldn’t just help him feel calmer, but it would also help Ozpin in mentoring him, since he loved being a teacher. It would be a safe place for them both. During this, Oscar would unlock his semblance/magic and actually find a way to communicate with Ruby via a sort of Astral Projection. Feeling Oscar there would comfort Ruby and being able to comfort Ruby would comfort Oscar and Ozpin during this trying time.
As for how Hazel, Mercury and Emerald would play into this, you have actually summed up how they would interact with Oscar as his wardens, albeit with different motivations.
For what would make them doubt themselves and start to ask questions… it’d be Oscar sympathizing with their situation; his kindness and empathy towards them, even though they’re enemies, touches all three. Hazel is especially affected; he tried to kill this boy and yet he didn’t hate them Emerald and Mercury are all but starved from positive human interaction, and have probably never had someone actually show them empathy like this. As for Oscar, I can see him telling them of what he learned from the relic and how Salem was the instigator in all of this; not to make them let him go, but so they could see that Salem was going to hurt them… or better yet, he suggests they use the relic to see the truth and deprive Salem of the last question!
Now continuing on from my theory of Salem trying to learn about the Silver Eyes and tying into more lore of the original book, WWOW tries REALLY hard to get the Silver Slippers from Dorothy. But Dorothy is careful: she never takes the shoes off( even when sleeping) unless she’s bathing and as we know, water melts the WWOW (She’s also scared/ weak to the dark for some reason). So she soon hits upon a plan: she magics a pole (or brick) invisible and places it in Dorothy’s path while cleaning. She trips and loses one of the slippers, which WWOW immediately pounces on.
This is basically the last straw for Dorothy; she is a meek and gentle girl who doesn’t want to harm anyone. But the Silver Slippers are precious to her and she promised to protect them and she’s been used as a slave while one of her friends is held captive and the other two could be dead for all she knows, and now the one who’s done all this just grabbed one of her shoes while cackling that it was only a matter of time until she got the other one.
 So Dorothy grabs the bucket of mop water and throws it at WWOW… and it melts her.
Now Salem is trying to learn of the Silver Eyes and uses Oscar’s life to threaten Ruby into her experiments and death fights. Ruby does her damnedest to stay alive and use the Silver Eyes, but she can’t use them as efficiently as she can anymore with the belief that her friends and family are dead. Eventually, either Salem gets the information she needs or concludes she can’t learn anything useful from Ruby.
Either way, it ends with Salem throwing Ruby into the grimm pool (while still making Ozpin and Oscar watch) and corrupting her, turning her silver eyes ruby red (like the Ruby Slippers in The Wizard Of Oz Movie) and taking away the power to “laser-beam monsters with her eyeballs”.for good.
This would be the ultimate blow to Ozpin. His descendant, his smaller more honest soul, one of the only magic users left in Remnant… was corrupted by his greatest enemy. Even Oscar is demoralized at seeing Ruby in such despair, now desperately battling the desire to destroy everything around her as Salem begins to mold her into a soldier for her uses, further twisting the knife. (Currently working on her outfit and I can’t wait to see your sketches)
Meanwhile, MEH were able to get the relic during this and ask Jinn for the truth about Salem. Here, they get confirmation of what Oscar said and what really happened. All three are floored in realizing just how huge the situation really was but are still too afraid to act. Things change when they see what happened to Ruby and Oscar: Ruby being made into Salem’s personal reaper and Oscar/Ozpin completely despondent over what was happening to Ruby.
As for Cinder, she is loving every minute of this: she’s seeing the girl who wounded her, who put her through such humiliation, be broken and humiliated. But she still wants Ruby dead, or wants to humiliate her herself, recalling Tyrian’s “Eye for an eye” back in Volume 4. So when she gets the chance, Cinder corners Ruby into a fight and ends up slashing apart one of her eyes beyond repair. For Ruby, who’s been corrupted and used like a tool and slave this whole time, this makes her snap. She completely rips Cinder apart, relishing in the pain she’s causing her, before Salem stops her. She scolds them both: Ruby for losing her composure and Cinder for daring to damage what was hers. 
As for how Ruby and Oscar escape… it’s thanks to MEH. After seeing the truth, and seeing the state Ruby and Oscar/Ozpin are in, they finally rethink their priorities and decide to get the hell out of dodge while bringing Ruby and Ocar/Ozpin out of Salem’s grasp. They are caught however and Salem sends her grimm after them. Hazel, Mercury, Emerald, Oscar and Ruby try to fight them off, but are being overwhelmed. Ruby despairs over this and her inability to use the Silver Eyes and is terrified of falling back into Salem’s clutches and what she would do to punish them (the time in the Dark Domain really messed her up)
And… it would be then that in the midst of all this despair and fear that Oscar’s magic would truly blossom… and it wouldn’t just hep Mercury activate his semblance (Wings of the Feet that would help him help them get away faster) but would bring forth the magic of the Silver Eyes that was snuffed out by the grimm pool. While Ruby would be despairing over not being able to hold onto the memories of the others (since she thinks they’re dead), Oscar reminds her that she is not alone. She had him, he had her and they had MEH and Ozpin; they weren’t alone.
“I’ve got you. We’ve got this. We’ve both got each other!”
That gives Ruby the hope she needs, and together with Oscar’s magic, her remaining Silver Eye blasts apart every single grimm chasing after them, even reaching Salem, and allows the five of them to escape.
So, what do you think Squiggles?”
 Squiggles Answers:
Thanks for once again giving me the run down of the events of the Wizards of Oz Miki-chan! You’re making wish I could read all the Oz books now. I’ve only read all the info I can find on wikipedia. 
Because of that, this is making me think of this new Pinehead headcanon right now:
What if...Salem forced Ruby and Oscar to fight each other while they’re her prisoners in her Dark Domain? 
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I’d imagine that Salem would want Ruby and Oscar to end up destroying themselves; perfectly paralleling Salem and Ozma’s fated duel in their original castle with similar destructive consequences. I figured that Salem would possibly take pleasure in watching Ruby, a Silver Eyed Warrior that she corrupted into her pawn defeat her greatest lifelong foe or watching Oscar, the current reincarnate of her former lover and long time foe, kill his proclaimed spark of hope that he and predecessor claimed would be the key to stopping her.
The cherry on top would be if Oscar and Ruby do ultimately become lovers, similar to Ozma and Salem, who were pinned against each other by a greater power plotting to manipulate them. You ever wondered if this is how Salem saw Ozma’s betrayal? As a sign of him siding with the Gods to plot against her.
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I mean let’s look at it as this---Salem’s beef isn’t so much with Ozma (or the Wizards of Light) but mainly the Brother Gods. They’re the ones who put her in this predicament. They’re the ones who cursed her to be immortal. They’re the ones who resurrected her former lover to be a pawn to salvage what was left by a creation that was destroyed due to her doings. It was the Gods who basically turned Ozma---originally Salem’s Ozma--- to their side, in a sense.
I just like the satire of Salem forcing Oscar into a similar position. Turning his beloved Ruby against him. Making her one of her pawns and then forcing the two to duke it out in a battle to the death. Turning lovers into enemies. Just like the Brother Gods.
One of my reasons for backing the Oscar becoming Salem’s prisoner theory and being locked away in a tower is for the irony of Salem becoming the type of individual that moulded her into the type of individual she was. This all started because Salem was once a lonely girl locked away in a tower by her cruel father. She longed for freedom and when she finally got that freedom---a life where she got to make her own rules and live outside of the sovereignty of a power higher than hers---a life where she was in full control of. When she finally had that, nothing, not even the love of the man she had originally challenged the Gods for could stand in her way of that freedom.
You know the quote from the Dark Knight---you either die a hero or you live long enough to see yourself become the villain. I like the idea of Salem originally being oppressed by her father only to eventually become just like him. She’d become the oppressor who imprison her foes and what would make this even more remarkable is if Salem ended up imprisoning the very person who freed her from her captivity in another life.
This is why I like the idea of Salem imprisoning Oscar in a tower much like her own. It could be a fascinating way for Oscar---as the current incarnate of Ozma to experience first-hand what Salem went through during that time she was trapped in isolation. It could be a way for Oscar to even empathize with Salem in a sense. Provide a sense of understanding as to how and why she became the person she is or at least, have one of the main heroes look at her under that type of lens, y’know what I mean?
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 This is also why I will join you in backing up the Corrupted Ruby Rose--- Dominion of Darkness theory. I think I’ll code name this headcanon as ‘Black Rose’. I support this theory because:
It can lead into another parallel from the Lost Fable. My idea is that, after Salem corrupts Ruby in her Grimm Pool, she would then force Ruby to fight Oscar. So she places both Rosebuds in a death battle of some kind where for another lifetime---Ozma, in his life as Oscar is forced to fend himself against a love interest who was corrupted by the Grimm Pools of Darkness. 
Oscar vs Black Rose Ruby can mirror Salem vs Ozma. This could also provide another reason to why I think it would be cool for Oscar to be revealed to be the true Ozma---his true reincarnation as he represents his original body he never got back revived in Modern Remnant as a fourteen-year-old boy. Do I even need to explain how twistingly fascinating it would be for Ozma to end up duelling his corrupted lover in both his first reincarnated life and his current?
So Ruby and Oscar fight similar to Ozma and Salem and this is done as part of Salem’s ploy. Instead of killing Oscar herself, she figured making him fight Ruby instead would be all the more satisfying. 
Salem kept Oscar separated from Ruby so that she could torment her---push the girl to her breaking point. Snuff out that unquantifiable spark and taint that smaller, more honest soul.
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Salem wouldn’t want to kill Ruby. She’d probably take much more pleasure in breaking Ruby’s indomitable spirit and then observing carefully as Ozma as Oscar is forced to kill Ruby himself in order to survive.
Salem would pit Ruby and Oscar against each other because that’s what the Gods did to her and Ozma. That parallel would be so freaking perfect! I mean, it’s only a theory but it could be so cool. I do love me some parallels.
While I really dig your idea Miki especially the bit where Mercury, Emerald and Hazel help Ruby and Oscar escape the Dark Domain (since it could serve as a good way to redeem all three of these characters), what do you think of this idea Miki?
 ~LittleMissSquiggles (2019)
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14x02 watching notes
I appear to be fully booked for the whole weekend through to Tuesday so this may be the only thing I post about the episode until then, hope you all are having as much fun as Cas will at the party he’s apparently gonna throw to prove he’s cooler than all the other angels.
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*readjusts my beanbag chair from Professional Sloucher to Serious Typing Mode* It's 5:13am and I've been awake 45 minutes watching this thing download and paused the new Adventure Zone episode for this... Mittens assures me it's well-recieved, so I'll go ahead and assume we burned enough sage to ward off the worst of whatever happens to their episodes...
Or, of course, Speight is directing.
So, expectations are pretty nebulous, because at this point in the story I really don't have demands, hopes or fears, except maybe that Buckleming don't handle or if they do, don't maul having Dean back. I DO miss Dean. It's very possible if he showed up in this episode everyone loves it because Dean-o is back.
I've never voluntarily called him Dean-o before. I think Gabriel's influence over the season is contagious.
Speaking of which... *hits play*
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Are we getting a recap of Christian Keyes getting smushed because he, also, is alive? (er, the vessel, I mean) It would balance out Nick a great deal but it's also almost too much to ask I feel
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14x01 recap: good, no sign of wirework. 14x02 recap: bad, everyone is levitating.
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Also hilarious - no recap whatsoever of the past episode, because we have entered the Buckleming AU. Which is either Speight's shade or Buckleming's hubris that they don't need no canon to tell them what to do.
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Nice. Creepy. Good start, sir. 10/10 would immediately go over and try and play that cursed piano despite my fear I would die instantly.
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asdhdjsfkdsf the detail that Mikey took  his hat off and a dramatic shot of it sitting there with the same reverent detail as the other spooky things from the rest of the intro shots
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Interestingly the vampire that Mikey is bleeding is presented in much the same way as Lucifer was in 13x21, left to just stand there and dribble essence from the neck which making small choking noises. This is either stuck pig imagery, or the suggestion from unknown powers that be directing this to suggest that the entire Lucifer concept is being bled dry by wringing Nick out of it too.
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This isn't going to end well.
While he's doing that, I would like to ask if that's a smidge of his own grace, or if he went and found Metatron's or something.
It also is very reminiscent of Lucifer creating demons - experimenting and playing to create the worst of the worst. Alastair and Lilith had white eyes and Lilith could do some sort of evil smite. The first demon, and the only one we've ever seen do that. Fandom long headcanoned that Lucifer used his own grace to make her, and it makes sense in a weird way that as he gets more corrupt, so do his creations - from pure white-eyed demons to murky yellow eyes to red and pitch black. Also: get more stupid. Azazel is the best and smartest, and each YED we met, if we assume they're in age order... Asmodeus is so dumb as a pile of rocks that you have to assume Lucifer realised that whatever he did to perfect the recipe in Azazel was tapering off and the good good stuff was over, so no more YEDs before you find out what Asmodeus's little sibling would have been like. His next known canonical attempt to make a demon isn't using his own grace, but using the Mark of Cain to corrupt, er, Cain.
Mikey is falling into this exact same nonsense from the opposite direction of his brother, AU or otherwise - humans are bad, corrupt evil things are better because they're less complicated and as an angel, humans give me a headache. Michael seems at least to have believed that there were good people - if he could just flipping find them - and that if he smote all the sinners maybe some good people would be left. It's coming at the same conclusion from opposite problems - he has earnestly sought out the best in humanity and then ended up scouring even the worst like Kip and those killers he mentioned, and finally settled on monsters, Eve's corruptions of humanity into bloodthirsty creatures motivated only by hunger. And now he's playing with them and using his own power to corrupt them further.
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PS: Eve is going to be SO PISSED
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That IS a very effective way to smite a vampire.
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He's very clean and efficient and while he's "getting his hands dirty" in the metaphorical sense, there's a very careful remove in the actions we see on screen, of him standing watching very impartially.
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He also sounds a shade more Dean-ish in that quip, and let's just go ahead and assume that the quip unlocked Dean a lil, or else that being in this vessel so long is beginning to wear on Michael - the influence goes both ways, and it's like seeing Captain Holt from B99 crack and quip, except this is the lawful evil version.
Plus, the flippy flippy and all... He's getting comfortable. I bet Michael might have been able to do SOME cool flip with a knife but trust me, you're possessing the second most blade flippy guy on this planet, second only to his husband, so that's a full perk of being in the Michael Sword and nothing else.
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No one has asked Cas how he feels about AU Bobby, which is weird because he and Bobby were BFFs back in the day.
Trust me, it happened off screen. Sometimes Cas flapped up smelling like whiskey and cigarette smoke and Dean would be like dammit did you just come from poker night with Bobby and I wasn't invited?
(True behind the scenes details from season 5)
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AUBobby wants a beach vacation as much as Dean does, though. Well, he wants to hunt by the sea.
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Okay I never knew "veracity" could be used as a synonym for "voracity" but google assures me that people are literally just really lazy about it because I THOUGHT AUBobby meant voracity, but he SAID veracity, and I was like, why is he saying angels aren't known for telling the truth??? and then my other part of my brain that is more sensible but works slower caught up with the context... This language is stupid. I apologise to second language speakers for that line. It was said "veracity" but it means "voracity" because we are a garbage culture, as english speakers as a whole.
So yeah, angels aren't known for their partying, no offence, party!Cas.
This is now 2x between here and 13x20 that Cas has been directly accused of not partying, plus how he went to a party in 13x22 even if he stood stock still the entire time, so I have to assume that the rise of party!Cas is gaining narrative and symbolic momentum and we WILL see him kicking back by the end of the season.
"None taken, I tend to agree with you." TEND, as in, other angels are stuffy assholes who never party, but I, party!Cas, have stood with my arms by my side and a stoic expression, all through your welcome to paradise!earth party, so *I* am in fact, cool.
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He misses those poker nights. Ellen and Jo taught him well.
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AUBobby has a perhaps Jim Beaver-honed response to "it's Dean" when worrying about what's up with it. Or, of course, as much as he may have come to like the guy since the AU rescue, this was still a lil test of why they had to be concerned, leaving it to him as the one guy in the room who is still getting to know him, to say what is unspoken by everyone else.
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Sam then prompts Cas to give us some clunky exposition on why he can't come, because Michael will sense him.
Buckleming, you literally are the ones who say Cas down in a chair and had him tattooed to ward him against angels. That was your thing. You did that. You.
It may be a sign of improvement that Cas is being left behind with specific explanations for why, but it's still hard to read Misha's expression as between Cas Is Sad He Can't Go Near Dean, which is crazy he's not putting up a fight and going anyway, and I Have To Say This Line To Explain It And They Don't Teach You How To Say Bad Exposition In Drama School.
"Yeah sorry"
This deserved at least 2 more lines of contention and scowling, or, of course, Sam proposing this to Cas on the spot, or Cas himself regretfully announcing that he had to do it to give them the best chance in a self-sacrificing way, then rationalising it with having to stay behind to babysit.
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Cas just said Jack wasn't an infant. He's a year old. He's barely even a toddler yet. You really read that many parenting books and don't know that?
Okay yeah. Anyway lumping Nick and Jack together as charges to watch - a suggestion somehow that they're a joint burden? It demeans Jack to Nick's place, in the context. Cas hasn't actually had a great deal of on-screen parenting to Jack except like 2 nice moments basically bookending the entire time they've both been alive on the show in 13x06 and 14x01, and I'm going to have to chalk this up to a lil anxiety about bonding with the sulky teen Jack that it's something Cas now feels apprehension about. He's the father who's rarely home and clocked in the least time nurturing Jack directly, while Mary has a wild lead and Sam and Dean both also a good chunk of it, with Sam pulling weeks ahead of Dean, of course.
A sense of Dad Who Is Always At Work Forced To Bond With Child While Mom(s) Are Gone, to use some heteronormative tropes, feels like it's at play. The dad who is always away on business trips is forced to spend time at home over Christmas with the kid while the other parents are on a wild vacation to Florida... What fun scrappy bonding experiences do they get up to?! :D
Of all the tropes flying around, to stick to heteronormativity, Cas has always been "the father" to Jack while others around him waver between maternal roles or not. But even in the very start, he "completed" the parental "set" with Kelly.
Is that enough airquotes to be clear I support non-traditional family structures? :P
But it puts Cas also in a place of having some of these toxic masculinty types of fatherhood, of being away for work all the time and not putting in the work for the kid or being too eager to fight and sacrifice himself than to be there. Hard as he works to protect them all, his connection IS that of the guardian angel who watches over, the one sworn to protect, who most often talks about his bond to Jack under that obligation and that promise to Kelly, the sense of a duty to protect Jack, but very little in the way Sam especially fell hard on the side of "nurture" in the nature vs nurture debate and put in all the emotional labour associated with the mother in traditional parenting structures.
(This was good for Sam to do considering Dean had done it for him, and because Dean did it for him - being both mother and father - he's largely exempt and can dip in and out of how he parents Jack with impunity, given he had his moment about this in 12x22, days before Jack was born, and was therefore freed from character arcs grappling with it in the same way)
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Cas is like "Nick is a MESS" same, buddy.
"He was housing, he deserves a shot at rebuilding his life" Sam is talking about himself here, which is weird because Nick was the topic of discussion a moment ago
I feel weird that Sam is admonishing Cas here, because Cas has not lain on the floor and thrown a tantrum about not going to save Dean, as ungrateful as he is being about babysitting Nick... it's making a weird conflict between Cas and Sam which is now veering into a philosophical argument about Nick, which makes me feel that if this is not just weird Buckleming dialogue issues where they find it hard not to write things as a conflict, Sam and Cas haven't had the rosy bro bonding time together while Dean is gone that it seemed, or that, like with Sam snapping at Mary about her optimism, Sam's in a Mode about this where he's on his last rag with everyone secretly because of lack of sleep. And Chief!Sam may also be struggling with being an authority figure among his own family, as every single one of them "outranks" him in age, parenthood, experience or scowliness, and Sam once described himself as "the least of all of you" meaning Bobby and Cas specifically of the people who in this room he'll find himself naturally deferring to. Sam's leadership is natural among the AU peeps but perhaps a struggle that with his family, he's still the leader, but there's no Dean to have the final word, and that in itself is an awful reminder, when he finds himself being the last word on a subject without Dean's input.
I have to assume this is like 5am and AUBobby showed up early to work to see Mary and the rest of the AU peeps aren't around yet
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Cas then throws in the line about how all he can see is the supreme agent of evil, which is fuckin hilarious that it was Sam's trauma yesterday and we know angels are much more likely to relate to the glowy blob possessing a face, and anyway most of Cas's worst Lucifer trauma came from being POSSESSED by him, seeing him wearing Sam's face, or being beat up by Vince fucking Vincente. You only really ever saw Lucifer as Nick in 12x23 and the last few episodes of season 13, bar like one encounter back in 5x10. That is a very very recent association.
Unless, of course, he's still MIGHTILY PISSED that Lucifer killed off 2/3rds of his poker game and that's where his "supreme evil" trauma comes from.
Let's go with that.
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Do you think Eugenie forgot that Lucifer was an hallucination in season 7, and also that Cas was dead during that?
(don't @ me about him seeing hallucifer in 7x17, he said in 7x21 that he stopped seeing hallucifer pretty quickly and I'm going with Edlund canon when in doubt :P)
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"You talking about my dad again"
Jack. Hon. You have absolutely no relation whatsoever to Nick, except via whatever family line ties him extremely vaguely to Sam as a similar vessel of Lucifer. I don't even know how to describe where that puts him on your fucked up family tree, but trust me, you don't need to worry. Biologically, you are the son of an ex-president of the united states.
But yeah, snarky!teen Jack is here in full force. I'm not sure I'm ready to deal with the baby's angsty melodrama years :'D
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Do you think
and I ask this hypothetically while full of dread that I am right
do you think Eugenie has forgotten that Jack is not Nick's biological son
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Jack getting the good good framing of standing with his back to the war room, trapped in the library, as he's grounded. This central framing demands the eye to seek out wings, but in this case they're kinda furled behind him, if you see them as the dark shadows of the room beyond.
Of course the war room/library symbolism is always a thing, that action is the former, home the the latter, so this is clever to show Jack's desire, but also that he is stuck, and we see the bar patterned lights on the floor in the war room which are used as prison imagery. Jack's effectively locked out of the war room with a baby gate.
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"Let's move," Sam says, with a virile pump of his gun, leaving Cas and Jack to feel impotent at home.
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Sam does not get the dick imagery often enough
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Blargh Nick again. Hello fuckface. Listen, I just wanna say before we get into this scene, that I've almost universally seen Mark P eyerolled at but said "at least he's a really good actor so the scenes were really good even if he sucks as a person and we hate Lucifer". I do not agree. I think he's a ham who over-acts and it was annoying as Lucifer but by this point expected and had at least transitioned slowly, but seeing Nick do the whole routine of standing up from bed, and then blowing on his stab wound and wincing and fanning it? That whole thing was just... too much for me. Nick should have been still and quiet and sad, but as soon as he started doing that it harked back to Lucifer in 13x13 when he was cold and hungry and over-acting rubbing his poor empty tum tum and rubbing his freezing arms. What made Mark P so good in season 5 was that Lucifer had a slow, cold and STILL menace to him, that while he might have gestured widely and been violent, especially in his dramatic scenes he was still and menacing. That's all gone by now and he acted Lucifer as a clown, and fair enough as an acting choice I guess when this isn't my favourite character or actor, but now it's salt in the wound that Nick was supposed to come across sad and vulnerable, and instead of bestowing some gravitas on him and taking us back to the start and actually TRYING, Mark P fell into clowning as if he thinks doing these funny things is what his fans who are apparently out there want to see, and my stretched to breaking point lie I repeated to myself about "oh he's a good actor at least" shattered because he was just playing the fool again, over-acting as if to gain cheap sympathy points, when his stillness and sadness and NOT overacting was literally the only way to have pulled Nick off without it being annoying.
This is a cake and eat it, well Lucifer is dead but I'm still here, and now I will act almost exactly the same, kind of dealio and I'm pissed and not standing by that self-comforting lie any more because every single step of the Lucifer journey so far since 11 we've placated ourselves with various phrases and concepts to make it okay to do all this but keeping Nick around is where the story breaks and so too does my patience for forgiving it.
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*Cas employs his Anti Nick Shoulders* I deeply approve of these shoulders
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Could they not give Nick, like, a sudoku book or something? He is just sitting here wallowing in having been Lucifer.
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Omg Cas is getting to use this to actually talk about himself. I'm actually liking this. Cas self-reflection is a wonderful thing. Everyone can relate to Nick, even if they hate it. Every single person will file in here and talk about themselves to Nick at some point or another.
Nick's like "why am I heeere" and Mr Giant Teddy Bear is like "I know right?"
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Wait is Nick's son called Teddy? That was unfortunate mind-melding with BL I just did. *shiver*
Also hilarious: a chosen flashback to Nick holding a teddybear beside the crib and I swear to all that is holy that Speight is deliberately implying after reading the line "Teddy" that Nick said yes to Lucifer on behalf of his wife Sarah and this bear.
I can SEE his face making a note here about what flashback to cut to.
His sparkling eyes are reflecting off this screen so much I'm getting glare from it.
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*Mark P cries a lot* There are a few little leaps in this conversation to get to the point too quickly but overall this wasn't a bad scene... Perhaps because Cas carried it enough with his sinscerity that Nick wailing was at least balanced and the directing matched the intensity of it all. Speight really is good at making things work and this was pretty brutal which means that the overacting is compensated for, and Cas inserted enough genuine emotion from an empathetic character.
It's all hovering unspoken about family where Nick does it for his wife, even if he regrets it now and feels like he has become a monster and is wracked with a guilt Cas can heavily relate to as it drove his season 12 early actions intensely, and his child. Cas also did it for family, and they give this definition of family where it could be anyone beloved in the family, so that platonic overlap is there between Cas and Nick's motivations. But implicit is that Nick's wife was the one that made him say yes, and Cas stands over Nick in much the way that Lucifer stood over him in 5x01 when appearing as Sarah. Cas is/was the wife in the scenario in a weird way to Dean, for whom he chose to be possessed to save from Amara, aka the monster that had come into the house and would kill his beloved ones in their beds.
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Promo scene! Aw AUBobby and his rusty FBI skills.
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The coroner talking about a spree killer harks to Dean's issues balancing being a serial killer with a saviour, as I talked about pre-episode with the themes connected to Dean being possessed by Michael, and channelling all the worst of him. In this case, the torture AND the wantonly killing vampires
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God damn Mary's red suit is awesome though.
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"neck wounds" I thought Mikey healed those? I guess I can see residual scarring on this body so maybe healing vampires isn't as neat as healing people, because corruption...
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"Why is an archangel hunting vampires in the first place" HAVE YOU MET DEAN? This is how he blows off steam when he gets a HANGNAIL. You think being possessed by Mikey will stop him?
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"Huh" Sam says. "huh," I say, because they actually did some Smart Detective Work to come to that conclusion and perhaps this is just because BL needed the next lead but we've never actually seen them ask this specific question about people coming to identify mystery bodies to find the next lead ever. And perhaps because even if it happens off screen it's a dead end in all their other cases, but this was still something BL wrote that put a clever concept in Sam's head, and I am at the bottom of the barrel with them when I'm complimenting them for not making the characters act like complete idiots.
The other thing is, this cuts out an entire scene of them in a motel opening a laptop and googling surveillance footage, and I don't know if they have been banned from writing the everyone sits around and googles the monster scenes, at least since they made Crowley pop in and google a photo of the president in 12x08, and then Dabb openly mocked them for it in 12x23, but it's a pacing GODSEND to have the characters act intelligent and ask questions that solve problems instead of relying on the magical answer box to tell them where to go next.
See again: low low low expectations. Whether it's Speight clean up work or they've been told off, this is great stuff, and files off a lot of the edges that make their episodes wearing on a cosmic, soul level, that between the weird content, they're also just clunky and poorly paced.
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Cas n Jack sceeeene.
It's Jack's desk! I'm so happy!!
I asked hypothetically the other day on a promo pic and I'm so happy to see Jack has his own lil desk in the library. He looks like a kid doing his homework
my heart is swelling
with all the table meta - it's another thing where they've changed stuff around to give Jack a space, a place he calls his own in this large weird Bunker. That table had to be dragged from one of the side offices or store rooms and set up for him because it's never b een there before, but now Jack has an alcove of the library he calls his own and he can sit there and do his research... And the alcoves give a sense of an enclosed room space, something comforting and like... library womb like.
The Bunker has adopted him :')
It's so weird seeing a character in this show who habitually doesn't wear a ton of layers around the Bunker - he's been in a t-shirt with nothing over it in both episodes, grey. He's young, open, honest, but hasn't found his way yet, hasn't got a tribal colour scheme. No plaid, and has only worn beige and blue in neutral Cas colours, his main father figure in a sort of aspirational sense, even if Cas is the dad who's always out on work and not there to raise his son.
Jack's identified as human in 13x23 but in a way he is a homunculous - the concept of what was originally believed to be how babies formed in a sort of medieval/rennaisance time (perhaps still is by BL) that the sperm was a tiny weeny complete person and they just got put in the womb with no other input from mommy and grew there. There's definitely a weird shade of homunculous implications in how Jack's parenthood is talked of, and of course he was then born as a fully formed man, which is a sort of transliteration of this nonsense belief, but the concept that he practically was a small adult Jack and then a big adult Jack and at no point an actual baby. Even in the womb in 12x17 we saw him turn and stare at the camera, betraying a sort of primal intelligence, the idea of a bored god waiting in the womb to be born, learning and acting from within.
And only now is he sort of set up to stop being a baby and start being a man when it comes to handling adult intellectual stuff and he's not learning from scratch but is treated like he has a more solid baseline for the world around him these days. He's learned enough to join society, but not enough to have carved his place yet. It's a very strange cusp of growth, and perhaps a good metaphor for being a teenager, in a way: that you realise you have been very stupid up to this point but now you are very smart and ready to be an adult (except, unfortunately, adult peoples will look back at this unformed humonculous version of themselves with the greasy hair and poorly understood radical political opinions and whatever, and be like, WOW, I was an idiot.)
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Oh my god are BL really going to keep writing Good Cas Lines this episode? This stuff where Cas schools Jack gently and lovingly with knowledge Jack has been up all night reading then Cas is like yeah this is stuff angels know from angel sunday school but I'll be kind about it and validate what you just read... Like, the lesson is the act of the research, more than the knowledge. It's up to Jack not to feel stupid that he did all that work and Cas was like, yeah. I knew that. I'm an angel.
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OH MY GOD Cas is actually having the chat I wanted with Jack about how he felt when he lost his grace
*shoves a fistful of popcorn in my mouth*
Jack all hurr blurr you don't understand I want to go run to my room and slam the door because I'm a teen and I have just discovered human tragedy and angst, NO ONE IN THE HISTORY OF EVER HAS SUFFERED AS I HAVE
and Cas is like, *ruffles his hair* it's okay little buddy, I too was a homunculous in season 9, which Lizzy has a weird deja vu feeling she wrote about but would not for the life of her know where to find that because it was probably buried in watching notes
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"what did you have left?" "well I had Sam and Dean... but I had something else"
me: *clutches chest, gasps, hangs on tenterhooks*
Cas: "I had myself"
me: FLAILS WILDLY
Sorry, this isn't very meta, I've just written so much on the nature of grace and of Cas, and whether he has a soul or not still, but he is very much talking about the time when as a human he had a soul and was "himself" without his grace, and though he felt the loss of his POWER he didn't feel a loss of his CORE SELF, of who he is (which is an ongoing question they're all answering about themselves, with Jack Homunculous Winchester as the main example to channel the others through). It's really important to me that Cas has this core self, this certainty of who he is beyond his duty, his grace, everything that is forced on him by Heaven, but that this part of him who he may or may not know is his soul is there and filled with, well... Cas's nougat centre. Because Cas has been playing THAT game far longer than Jack has :P
"The basic me. As Dean would say, without all the bells and whistles"
Dean is reaching through Cas to mock him for us when we don't have him in the room to directly accuse Cas of having a harp, and I love that Cas loves Dean so much that he lets Dean drag him for having bells and whistles (which Cas will take literally) even though he's not here.
That's true love.
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They share what is possibly the grossest smile ever and I am going to weep to see all this fondness for each other and for Dean being expressed. Like, ugh, families loving each other and being all wholesome and sweet. What is this garbage.
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"You know, Sam and Dean... they weren't born with their expertise" yeah because they're not fuckin homunculi
Cas is basically equating Jack to going back to the start that they had, a do-over on his life, that he lived his first year as a magical all-powerful baby, but in a weird way, losing his grace makes him more settled, gives him a chance to understand himself without his power and learn that he still has a core self, a soul with all the good stuff in it, and to begin again and learn things the slow way, but a way in which he will grow more naturally and take the lessons that are needed to form the real edges to a character that turn into maturity.
"They've been at it since they were children"
and so have you. filed under: ow.
Literally no one on TFW had a normal safe happy childhood free of monsters metaphorical or otherwise.
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Anyway Cas then reminds Jack that he has to do things slow to be as good as Sam n Dean, and moves on to it's important not who you were in your past - because this fuckin one and a bit year old already has a gritty past - but who you are and what you will do with the FUTURE. And Cas still wholeheartedly believes in Jack because of Jack once showing him a vision of the future that they might have - the happy ending, world without monsters, all that jazz that Dabb era is eyeing up  hopefully.
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Oooh Mikey's going to a partyyy.
That fuckin ring on his little finger. It's coded especially in media that he's either in a cult or gay. It's such a weird lil detail for Mikey to have added to the ensemble that I almost wonder if he smited a guy to borrow it wholecloth and took every detail. Though he's a fucking fashionista so maybe he can't resist adding a detail like this.
After all he wore dirty war-torn clothes for years in the AU, but even then had a sense of grandeur about it, an over-dramatic flair with the long coat that said that he dressed well, even for the scenario, and different, standing out from the rest of his minions.
Now he's here on paradise!earth, with all the tailors you could ask for, so he's going to dress like the lord of this planet it's begging for, in all the finery you can drape his fine sword in.
Sword does not approve of bowtie.
DEAAAN! HEY! I'VE MISSED YOU ILY
"GET OUT"
"I don't think so"
WOW, RUDE. There's rules about this, buddy!
"You can't!"
"oh but I can, because, see, I own you." It IS Michael who punches the mirror... I was certain it would be Dean, but it's Michael lashing out at his angry reflection, shattering the image of Dean. What a metaphor. In the Mark of Cain arc sometimes Dean looked at himself in shattered mirrors but it was a passive shattering. This is a statement from Michael that he can see Dean and he's shattering his entire self, refusing his right of consent - in a BL episode it's ironically hilarious so long as nothing else dub con happens, that this is the actually seriously applied good use of consent stuff. And Michael talking about owning Dean - it's that presumptiveness about others' consent that was Dean's biggest downfall in putting Gadreel in Sam, the cosmic karma lashing back out at Dean that he can't punt Michael out like Sam heroically punted Gadreel out, because Michael OWNS him. Dean is historically, cosmically, always for eons before his birth, been "the Michael Sword" - a true vessel with this guy's name inscribed on the hilt, and Michael has calmly taken full possession of his ultimate weapon, because well, why not.
UGH and then Michael takes control again by way of talking into the mirror and his reflection behaving normally because he's wrangled it back into control. A+ DIRECTION, SIR.
(Also because it's not Dean - maybe it's not so much a meta detail but the expectation might be that Dean would lash out at Michael BECAUSE he's angry and lashes out and smashes mirrors so many times, but he has no control to even move an arm to lash out... He's utterly trapped, just like Cas was tied to that chair.)
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I love seeing Cas storming confidently around the Bunker running stuff while the others are out, being the one who is looking over Jack, taking the calls about their findings, and now dealing with Nick wandering in to angst some more. This is Cas at home and although it's still weird the AU peeps are ALL taking a day off coming into work after seeing how embedded they were in the hub, it's wonderful to see Cas here and without the AU peeps it is more cozy in the sense of being more like the home they privately kept.
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Nick comes in like I WANT TO SOLVE MY COLD CASE THIS IS MY RANDOM DISTRACTION FROM THE PLOT
but then Cas puts his hand on his shoulder and he flicks back to Lucifer in an instant, trying to dissolve Cas in a panic from being touched. Cas is understandably completely and utterly freaked out.
And for all our talk of Rowena and Sam and their trauma from Lucifer, of course Cas has had a lot too even though I'm kinda eye-rolly about him talking about Nick as the face of all evil, of course this episode has been about his Lucifer trauma so far. It's really interesting to see Cas rattled by something because he is so solid most of the time - last episode he exuded "fuck you" from every pore for every moment except briefly when Jack was dragged into the room. But Nick has him on edge and now there's some Buckleming fuckery afoot with ongoing vessel issues, we're seeing the very strange visual of a Cas who is legit freaked out.
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Anyway I really like how smooth this was, even with camera changes. Speight is really wringing excellence out of them, and the script, weirdly, and maybe because it's Nick so Eugenie is focused, is actually contemplative and full of interesting emotional conversations, which they often seem to blow off whatever the brief. Even with the dialogue hindrances, the real meaning and depth is being plumbed by the scenes as a whole.
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So yeah, here is where I have to grudgingly say MarkP can play evil kinda well but also considering, again, FOUNDER OF THE AMERICAN CAPITALIST PARTY? This is his calling, and he is a caracture of the man who plays the devil.
And this is something rather scary and sinister about what's going on with him which genuinely is played with some of that season 5 gravitas, which is super weird to see because I have got so used to him being a clown, even in his previous episode.
I have to say, due to that, I give Speight a lot of credit because he's really, really good at his job.
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"What went through your head just now?" I ask that a lot, and thanks for the reaction gif, Eugenie.
I need very little prompting to assume you are writing Nick and Brad is writing the rest.
Nick is a fine line of guilty and confused, and hiding his intent, either because he doesn't know, or he DOES. It's good. Credit where credit's due.
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"Some of his influence still within you" it's CRUEL to give that line to misha.
Kinda meta that there's a cockles joke from an old JIB or something about "influence" as jizz and 13x21 and all the jokes about Gabriel's grace.
But we're getting to a 9x11 parallel in the structure of the episode, but Cas is left behind with Nick rather than Sam, and Sam gets to be out there looking for his brother... And of course Dean within Michael experiences a shattering greater than the Mark of Cain did to him...
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"Lucifer may have inflicted more damage on your psyche" yeah no shit we were warning you he would have the Hallucifers
Cas does the most terrified slow shoulder touch ever - there's a real right shoulder wrong shoulder thing going on. Last episode he clasped Jack on the correct (left) shoulder, and this time he tries to touch Nick on the right and nearly gets smote, and then this touch is on the same, as he discerns what's wrong with Nick, and I get a mirror of 11x11 where Lucifer did the wrong shoulder touch to Dean, and have him the only inkling something was up with Cas, that Dean shrugged off because, ow.
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Anyway white man has angst. Nick has the Hallucifers and he has to find out who killed his family. He's got like his entire own TV show premise of nonsense going on here and it's going to be crammed in between everything else.
Bet you anything real monsters did it
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"And then what
Dude's got nothing to live for
we're so over these murdered wife revenge arcs
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The old flipperoo of it being terrifying for a monster when 3 scary hunters bust in weapons drawn. The vampire has a terrible apartment and she didn't even get a new car - it's like she went from one crappy life to the next and the only thing that changed was she was now a miserable vampire. I'm sympathetic to her for now :')
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Oh look how surprising, this side of the story is being 2x03 still - aside from AUBobby snarking that vampires "never do" anything wrong, in the position of one who never learned a grey area because lower Winchester exposure, the vamps are feeding on animal blood, and mourning the loss of their nest. This is another Lenore. Of course we started the episode with them in the morgue finding vampire teeth on seemingly human victims, as in 2x03, and the killer is the deadliest hunter in the universe - the heavily Gordon themed side of Dean which has been symbolised by vampires the whole time from Lenore to Benny...
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OH this is the girl from the cold open. So I assume she's going to explain how she got away. We have to assume the cold open was several days ago - long enough for her to lie low, Michael to ditch all the vamps, AND for them to be discovered again and moved to the morgue and then for this branch of TFW to come out here. Which explains that Michael must have already moved on and be ready for his party in the present day, which is a stretch of time enough to form his next plan.
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"I-if you let me go!" yeah AUBobby lunges at her when he assumes the conversation is over, because he never dealt with this before, but looks over to Sam now, and then Mary does.
We cut away before we find out if Sam decided her fate, so that current silence on the subject may be left ominous or may explain a lot about Sam when we find out whether he had her killed and has turned ruthless, or is still soft Sammy who dealt with Lenore and knows how it goes.
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Mikey, what are you up to?
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He's tapping Dean's charm but with a hint more of Jensen's whiskey smoothness in his voice than Dean's coarseness, so this is legally defined as assault.
This is horrifying. GIVE IT BACK.
I'm calling the police. Michael has made off with Dean's entire seduction routine to trap this monster, and I am horrified.
Weirder still hearing him just casually called Michael. Brrrr.
Ooh she's a werewolf. Somehow I hadn't managed to work that out in the glimpse in the promo and thought she was a new monster type.
I guess Mikey is shopping around.
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Wow she really has prominent teeth. I wonder if that's a sexy trait in werewolves.
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He takes a drink as he menaces towards her - he's still got that calm drifting through kinda attitude that Michael had even in the AU when he was Christian Keyes, and he's starting to have fun, which is really really bad.
I don't think Michael has ever had fun in his life.
He's like the perfect little kid who does well in all his studies then sneaks off and drowns the family cat in the back of the garden as an outlet.
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"Now. Summon your master."
Is this the elusive Werewolf Alpha who survived even season 6 because the show just Could Not Figure Out What To Do With Werewolves until season 9
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Nick  has an ENDLESS series of white shirts to indicate he's a sweet innocent dude now
because,  you know we have a hard time dealing with that
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Nick is ranting like a privileged white man
I mean his family is dead, I just struggle with Nick for obvious reasons
and as soon as his mannerisms cross a line, he loses me again
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He's kinda weird with Cas as well because he knows Cas, kinda, and he has to be 100% on board with all the nonsense, so he's just A Bloke dropped in this life now but casually chatting to an angel. it's weird. "You know what a cold case is, Castiel?" liike, he knows Cas doesn't always know stuff but he is also just going off on one.
I think poor Cas has decided since the Nickifer moment that he needs to spend more time actively watching over Nick, and once more is trapped with a ranting annoying man
this is his curse.
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"But you're not dead. You have a second chance."
"you don't understand"
Ah, teenagers, such a problem :P
but seriously, this is hilariously the third converastion this episode Cas has been in where he directly relates to the very specific weird metaphysical problem that Nick or Jack is going through because there's literally NOTHING that Cas hasn't already been through. He might yet make an excellent therapist just because of how many weird torments he's endured.
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Cas speaking with fondness of Jimmy :') Such a feeling of Jimmy being a good man who went to Heaven, and for Cas, raised as an angel like this, being in Heaven with your soulmate is the ultimate happy ending for good devout people - in 4x20 when he's still in Claire he tells Jimmy he served well and will go to Heaven like it's a reward, and despite everything he still seems to default to that, especially for the comfort of knowing this about Jimmy of all people, because of how directly responsible Cas is for destroying their lives, and knowing that at least they got this is a WONDERFUL coping mechanism for angels to tell themselves it's all okay, when they get the correct vessel with the proper permissions and they're a good and pious person who prayed for it etc etc.
Cas and Lucifer remain the only angels we've ever seen actually court their vessel properly, although it's implied Anael did similar. Most others have hopped right in without securing full and informed consent. Er, not that Lucifer does, but at least he has full and informed bullshit trickery, which, um. Is a thing?
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Nick how DARE you call Cas a "stone cold bodysnatcher" who's no better than Lucifer. Jimmy is gone and Cas has had this vessel remade for him like six times since then. It's the Jimmy Model Vessel mk.VI, as sculpted by God or the Empty.
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*sobs about Cas saying what happened to Jimmy was his greatest regret*
SUCH GOOD CAS STUFF this episode
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The alpha werewolf is a white guy in a suit, surprisingly.
Michael, also a white guy in a suit, sits opposite him, and they're pretentious about their cognac.
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"She thinks you're a god" that's the second time that's happened. He kinda liked it when it was applied directly to him but not an accusation of BEING Chuck, just that that's how he comes across.
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Oh good he's just the leader of the pack, not the Alpha.
Still wanna know who that is
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His sales pitch is about their purity in wanting to kill to eat to live once again. I find it hard to believe a werewolf with snooty opinions about alcohol who wears a suit like that doesn't have some human sins, but it seems that Michael is judging them by their monstrousness first, and waving aside their other habits in favour of the big picture of how they live their lives.
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"Fully tested" you fucking liar
He's talking around the truth... It's fascinating watching him threading the line of judging people for sinners without falling into that himself.
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I do wonder how he knows about wine unless his previous vessel did... or he's taking from Dean's pop culture and deadpan bullshitting it. Sorry, I'm still stuck on that detail. Character stuff always entertains me so much more than plot :P
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"Believe me, it's an absurd dream" He's passively observed at least like 3 attempts to enslave the human race for food just in the last few years. He knows.
Mikey, you can't go around promising that, they know it doesn't work. Dick Roman couldn't pull it off, and you don't have his business acumen.
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"Why be the huntED when you can be the huntER"
ANTI DEAN ANTI DEAN ANTI DEAN AAAAAH turning over EVERYTHING he works for
UUUUGH
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Okay, Jack's wandered off and found his grandparents without a single warning and I am WOUNDED.
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They seriously need to put more warning in for these things because ow ow ow ow ow
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Oh my gooood he's named after Kelly's daaad
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Look at these nice grandparents
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"So you were like her intern" oh ne the intern jokes of last summer have come around and stabbed me
I repent
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Oh NO nerdy little Kelly
this is awful
where is this episode coming from? I can't believe someone's managed to wrangle Buckleming into doing good stuff with everything so this is actually emotionally well-told
this is probably their best episode yet and i'm half an hour in
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"We have a grandson!"
This is emotionally mauling me like an angry bear
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"Jack kind of looks like her!"
*Jack attempts to speak from a lump the size of a planet in his throat*
*Lizzy types from within the bear's mouth, as it tries to stuff my down ITS throat*
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NOUGAT GOT HIS HUG
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Sam spared the vampire girl!!! YAY
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She's called Lydia. You assholes literally used that name before for the Amazon Dean hooked up with
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I can't believe Michael took the time to change his suit. He has a suit for business and a suit for meetings.
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"the hunters" Oh that's cold. Dean, can you hear how he dismisses your FAMILY?
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Oh nooo he metatroned her. This was a traaaaaaap and she was bait
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Aww Lydia :(
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He smites like Lucifer killed demons with his mind
it's so scary
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How can Cas be mad at Jack I just nearly cried at a Buckleming episode
anyway he and Jack are having the equivalent I am your dad and I  set curfew, vs I am a grown up I can go out when I want argument for his teen son he's unfortunately not engaged with much.
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"the only real family I have left"
Cas gets SO PISSED
I AM YOUR DAD, SON
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But he pushes it down and asks if it helped because Cas is good and nice and loves Jack
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Once Jack reveals that he looked like the weirdly photoshopped Kelly on a horse (oof) Cas gets mauled by the same Feels Bear and relents completely because he's legally not allowed to cry but he wants to
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"I suppose there are worse ways to be human than to be kind," he says as speight exploits the fuck out of the bunker set, having them sit either side of the door between war and home, tables in the centre, them on the pillars flanking it. It's a wonderful image. I'd go into it more but I suddenly think I have no time at all
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"So they're going to kill him," lil Hamlet of Nougat says all firmly, re: Michael
Cas switches gears from "this precious child" to "uuuh" immediately
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"And if he doesn't leave?"
I can see Cas being that meme where everything is an action blur around his face to express deep horror as Jack keeps prodding worst case murdering Dean scenarios
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Listen, when this little ball of damp feathers you call your son is joining in with the entire universe challenging you if you have the guts to see Dean killed for the greater good, you have a problem that EVERYONE can see
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"Dean doesn't matter!"
*shock lines intensify*
"You're all so focused on trying to save Dean"
Yeah, he does the same for all of you.
This is the pier conversation from 11x14, but 1000x more intense.
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Cas is like "?????????????? HOW DARE?"
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Cas can not comprehend a world where Dean dies, but our lil Shakespearean hero is determined that it has to  happen because he WILL kill Michael, it's been put on his shoulders and he WILL DO IT DAMMIT.
(later)
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Cas did not have this in the parenting books
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"Do you think he'd want it any other way?"
"no but i love him"
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I can not BELIEVE Jack got a flounce off stage left and Cas is the one left shook
damn, kids are hard
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Nick has also wandered off to meet some relatives.
Cas is the worst at keeping his chickens in the coop
what was he doing
lying on Dean's bed sniffing the pillow
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Oh dear, but it's the neighbour who as this conversation goes on I'm starting to assume was the one who killed his family.
Is he gonna go all Lucifer on this guy?
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Uhoh, bulletproof werewolves
man I am gonna miss my bus if anything else happens
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Mary saves AUBobby <3
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Hi Deanchael, come to torment this poor family
You know you coulda brought Cas because he knew you were here the whole time anyway
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DEAN! HI!
That was a really cool move Dean.
"Sammy"
<3
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"It's me"
Unless it's NOT
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"He just left"
"why"
"i don't know. I don't know!"
me too bud
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Hey look Nick killed the guy with a hammer
What a surprise
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Welp now I have to take my 3rd choice for bus to yoga but I finished and now I will be gone all weekend byeee love you yell about this later <3
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