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extrabeurre · 5 months

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Gala Québec Cinéma 2023: les nominations

Animé par Jay Du Temple, le 25e Gala Québec Cinéma sera diffusé le dimanche 10 décembre prochain à 20h sur les ondes de Noovo et Noovo.ca, en direct des studios Grandé de Montréal. Le Gala Artisans, animé par Fabiola Nyrva Aladin, aura lieu le 7 décembre à 19h30 au Studio TD.

Voici la liste complète des nominations:

IRIS HOMMAGE Rémy Girard

MEILLEUR FILM Arsenault et Fils | La maison de prod — Stéphanie Morissette, Charles Stéphane Roy Babysitter | Amérique Film — Martin Paul-Hus, Catherine Léger ; Phase 4 Productions — Pierre-Marcel Blanchot, Fabrice Lambot Falcon Lake | Metafilms — Nancy Grant, Sylvain Corbeil ; Onzecinq — Dany Boon, Jalil Lespert ; Cinéfrance Studios — Julien Deris, David Gauquié, Jean-Luc Ormières Le plongeur | Sphère Média — Marie-Claude Poulin Les chambres rouges | Némésis Films — Dominique Dussault Noémie dit oui | Productions Leitmotiv — Patricia Bergeron Viking | micro_scope — Luc Déry, Kim McCraw

MEILLEUR PREMIER FILM

MEILLEURE DISTRIBUTION DES RÔLES Nathalie Boutrie — Nathalie Boutrie Casting | Arsenault et Fils Marilou Richer — Marilou Richer Casting | Les chambres rouges Lucie Robitaille, Dandy Thibaudeau — Casting Lucie Robitaille | Viking Annie St-Pierre, Antoinette Boulat | Babysitter Brigitte Viau — Casting Brigitte Viau | Le plongeur MEILLEURE DIRECTION ARTISTIQUE André-Line Beauparlant | Viking Sylvie Desmarais| Bungalow Mathieu Lemay | Le plongeur Laura Nhem | Les chambres rouges Colombe Raby | Babysitter

MEILLEURS EFFETS VISUELS Marc Hall — A.A. Studios | Babysitter Marc Hall — A.A. Studios, Alex GD — RGB124 | Farador Marc Hall — A.A. Studios | La cordonnière Marie-Claude Lafontaine, Simon Beaupré — Alchimie 24 | Viking Mathilde Vézina-Bouchard | Mistral spatial

MEILLEUR SON Sylvain Bellemare, Bernard Gariépy Strobl, Pierre Bertrand | Viking Olivier Calvert, Stéphane Bergeron, Martyne Morin | Les chambres rouges Olivier Calvert, Luc Boudrias, Yann Cleary | Le plongeur Stephen De Oliveira, Séverin Favriau, Stéphane Thiébaut | Falcon Lake Daniel Fontaine-Bégin, Luc Boudrias, Henry Jr Godding | Arsenault et Fils

MEILLEUR FILM DOCUMENTAIRE Dear Audrey | Réalisation : Jeremiah Hayes | Scénario : Jeremiah Hayes | Office national du film du Canada — Jeremiah Hayes, André Barro, Annette Clarke Gabor | Réalisation : Joannie Lafrenière | Scénario : Joannie Lafrenière | Tak films — Line Sander Egede Geographies of Solitude | Réalisation : Jacquelyn Mills | Scénario : Jacquelyn Mills | Rosalie Chicoine Perreault, Jacquelyn Mills Je vous salue salope : la misogynie au temps du numérique | Réalisation : Léa Clermont-Dion, Guylaine Maroist | Scénario : Léa Clermont-Dion, Guylaine Maroist | La Ruelle Films — Eric Ruel, Guylaine Maroist Rojek | Réalisation : Zaynê Akyol | Scénario : Zaynê Akyol | Metafilms — Sylvain Corbeil, Audrey-Ann Dupuis-Pierre ; Zaynê Akyol

MEILLEURE DIRECTION DE LA PHOTOGRAPHIE | FILM DOCUMENTAIRE Geoffroy Beauchemin | Humus Nicolas Canniccioni, Arshia Shakiba | Rojek Joannie Lafrenière | Gabor Jacquelyn Mills | Geographies of Solitude Maude Plante-Husaruk | Au-delà des hautes vallées MEILLEUR SON | FILM DOCUMENTAIRE Mélanie Gauthier, Jeremiah Hayes, Isabelle Lussier | Dear Audrey Maxime Lacoste-Lebuis, Eric Shaw, Jean Paul Vialard | Au-delà des hautes vallées Andreas Mendritzki, Jacquelyn Mills | Geographies of Solitude Jean-François Sauvé, Martin M. Messier, Bruno Pucella | 305 Bellechasse Catherine Van Der Donckt, Jean Paul Vialard | Au-delà du papier

FILM S’ÉTANT LE PLUS ILLUSTRÉ À L’EXTÉRIEUR DU QUÉBEC Cette maison | Embuscade Films — Félix Dufour-Laperrière | Réalisation : Miryam Charles | Scénario : Miryam Charles | La Distributrice de films — Serge Abiaad Dounia et la princesse d’Alep | Tobo — Judith Beauregard | Réalisation : Marya Zarif, André Kadi | Scénario : Marya Zarif | Maison 4:3 — Chantale Pagé Falcon Lake| Metafilms — Nancy Grant, Sylvain Corbeil ; Onzecinq — Dany Boon, Jalil Lespert ; Cinéfrance Studios — Julien Deris, David Gauquié, Jean-Luc Ormières | Réalisation : Charlotte Le Bon | Scénario : Charlotte Le Bon | Sphère Films — Ariane Giroux-Dallaire Katak le brave béluga | 10e Ave Productions — Nancy Florence Savard | Réalisation : Christine Dallaire- Dupont, Nicola Lemay | Scénario : Andrée Lambert | Attraction Distribution — Xiaojuan Zhou, Maison 4:3 — Chantale Pagé Viking | micro_scope — Luc Déry, Kim McCraw | Réalisation : Stéphane Lafleur | Scénario : Stéphane Lafleur, Eric K. Boulianne | Les Films Opale — Christian Larouche, Sébastien Létourneau

#gala québec cinéma

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caernua · 3 years

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#harold...

#assassin's creed #acedit #gamingedit #ac liberation #élise lafleur #aveline de grandpré #aveline x élise #x: mon capitaine #gamingnetwork #dailygaming #videogamewomen #gameplaydaily #gamingladiesedit #'too long' PLEASE...#THE WAY THEY CAN'T STOP FLIRTING #mine:all #mine:gifs #mine:liberation #mine:ac

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budugaapologist · 3 years

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assassins creed characters as modern jobs i think they would suit

Altaïr- twitch streamer

Malik- librarian

Ezio- nepotism ceo

Claudia- sugar baby/instagram flexer

Shao Jun- actress

Ratonhnhaké:ton- wildlife photographer

Ziio- history and anthropology professor

Aveline- starbucks rival business owner

Lafleur- drug dealer, specifically heroine

Edward- marine biologist

Adéwalé- human rights activist

Arno- camboy

Élise- V tuber

Evie- commentary/deep dive Youtube channel and author

Jacob- bartender

Henry- florist

Lydia- detective

Bayek- camp counseler

Aya- soccer/football player

Kassandra- stuntwoman

Alexios- UFC fighter

Eivor- large animal vet

#i have reasons for each of these #i talk #assassins creed #shitpissin shitpostin #i ALMOST put henry as househusband. i almost did it

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noise-rm · 5 years

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INNERVISION from Martin Messier // 14 lieux on Vimeo.

DESCRIPTION Innervision is an outstanding choreographic play for 60 interprets and 30 tables. Presented in the public space, this work depicts an intergenerational group composed of dancers of all ages. They interpret, in unison, a partition of micro gestures to give them a whole new resonance. With Innervision, an inclusive and convening project, the multidisciplinary artist Martin Messier proposes to give back their whole value to daily human gestures and to reveal their high level of poesy. cop

Thanks to a technology developed years ago by 14 lieux, the movements of this partition will be dictated to the interpreters by way of instructions directly transmitted to their ears thanks to a wireless communication system. This soundly sequence will act as a canvas for the play that interpreters will have to follow without learning the choreographic sentence. The wireless communication device used in Innervision will allow an optimal synchronization between the movements and the sounds and will create a game of association between the two. By superimposing sounds and movements, this soundly montage created by Martin Messier will amplify and magnify these gestures and make them resonate. Minimalistic and stripped, this work will make a certain image of the burden of solitude resonate. Innervision opens up a dialogue between interiority and exteriority: the individual, what he carries inside him and the outside world with whom he interacts.

TEAM Martin Messier : Director, Choreography, Music Caroline Laurin-Beaucage : Creative and choreographic advisor Odile Gamache : Scenography Paul Jebanasem : Music

Dancers : Élise Bergeron + Charles Brécard + Sophie Breton + Ja James Britton johnson + Marie-Ève Carrière + Miranda Chan + Matéo Chauchat + Jimmy Chung + Émilie Demers + Kimberley de Jong + Marie-Ève Demers + Amber Downie-Back + Mark Durand + Bailey Eng + Bradley Eng + Karen Fennell + Elinor Fueter + Gina Grant + Susannah Haight + Sara Hanley + Karina Iraola + Eloï Jacques-Wood + Audray Julien + Audrée Juteau + Camille Lacelle-Wilsey + Catherine Lafleur + Patrick Lamothe + Brianna Lombardo + Chi Long + Maria Mantia Papathanasiou + Lucy May + Julien Mercille + Émilie Morin + Camille Mougenot + Gabriel Painchaud + Susan Paulson + Nickle Peace-Williams + Sébastien Provencher + Sovann Rochon-Prom Tep + Thibault Rajaofetra + Simon Renaud + Marine Rixhon + Geneviève Robitaille + Anne-Flore de Rochambeau + Elie-Anne Ross + Cara Roy + Olivier Rousseau + Camille Trudel-Vigeant + Silvia Sanchez + Marie-Philippe Santerre + Jessica Serli + Stefania Skoryna + Victor Sono + Melina Stinson + James Viveiros + Zoe Vos

Ingrid Vallus : Artistic Coordonator Émilie Martel : Production Director Olivier Chopinet & Gabriel Duquette : Technical Director Francis Vaillancourt-Martin : Hardware Design Frédéric Auger : Sound Engineer Denis Martin : Photography Robin Pineda : Video recording Technicians : Marie-Frédérique Gravel, Arthur Champagne, Pierre-Alexandre Poirier-Guay, Gabriel Duquette Trainee : Madelyne Johnston, Sarah Gagné et Isabelle Paquette Administration: Sylvie Lavoie Diane Boucher : Developpement Support : New Chapter, Canada Council for the Arts

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agricultureurbaine · 3 years

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2 mai: médiatisation et communication

Une notion importante que je n’ai pas encore abordée est l’aspect de médiatisation de l’organisme Les Urbainculteurs et de sa mission. Il est important pour ces derniers d’avoir de la visibilité auprès du public s’ils veulent être en mesure de promouvoir leur mission à un maximum de personne. Par ailleurs, ces derniers donnent plusieurs bénéfices pouvant être atteints grâce à l’agriculture urbaine. En effet, l’aspect de la promotion est au cœur de leur mission, par exemple, « promouvoir la sécurité alimentaire » et « promouvoir une consommation responsable et une production locale et écologique ». Pour parvenir à leur objectif, l’organisme utilise plusieurs moyens de médiatisation. En effet, ces derniers sont présents sur plusieurs réseaux sociaux, par exemple Facebook, Instagram, et Pinterest. De nos jours, être présent sur les réseaux sociaux constitue un incontournable en termes de médiatisation. En plus des réseaux sociaux, bien évidemment, Les Urbainculteurs possèdent un site web très complet dont je vous ai souvent cité des extraits et illustré des photos. Sur le site, il est possible d’avoir un grand nombre de renseignements, autant sur les réalisations de l’organisme que sur l’agriculture urbaine en tant que telle. De cette façon, l’organisme incite les gens à développer ce type de projet à mission sociale.

Un autre aspect de médiatisation possible de retrouver sur leur site internet est le podcast des Urbainculteurs. Ce dernier se nomme le Mâche-Patate et est présenté environ aux deux semaines depuis le 19 septembre 2018. Les sujets sont tous en lien avec l’agriculture avec un large éventail, passant de techniques agricoles à la lutte aux changements climatiques. Par exemple, l’épisode 49 daté du 18 novembre 2020 se nomme « stocker du carbone dans les sols agricoles avec Marie-Élise Samson » ou encore l’épisode 55 du 17 février 2021 « La culture en saison froide avec Vincent Lafleur-Michaud ». Le but de ce podcast est de mobiliser des experts dans le domaine et de discuter des enjeux environnementaux en lien avec l’agriculture.

De plus, Les Urbainculteurs font la promotion de l’écologie sociale grâce à la participation à d’autres projets de communication, comme le magasine Growers&Co. Ce dernier est produit au Québec et à comme objectif de célébrer « les petits producteurs locaux qui font avancer le mouvement. ». Le magazine permet aussi à d’autres producteurs d’agriculture urbaine de recevoir de la visibilité, comme La Ferme de Rue Montréal. Ainsi, Les Urbainculteurs grandissent leur visibilité auprès du public en participant à un mouvement de solidarité agricole.

Sources

Growers&Co. (2021). Magazine : célébrons le mouvement de l’agriculture biologique à petite échelle. https://growers.co/fr/pages/growers-co-magazines

La Ferme de Rue Montréal. (2021). https://lafermederuemontreal.org/

Les Urbainculteurs. (2021). https://urbainculteurs.org/

Les Urbainculteurs. (2021). Mâche-Patate. https://urbainculteurs.org/mache-patate/

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historybehindassassinscreed · 7 years

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In Game:

The Louisiana Bayou is a swamp-like region located in Louisiana, near the city of New Orleans.

Sometime in the 1700s, Roussillon and Élise Lafleur came to run smuggling operations in the bayou. Their activities became threatened in 1766, when a dissident Assassin by the name of Baptiste became active in the region and gained a large group of followers that spread throughout the swamp, setting up various camps. Intending to take over the smugglers' operations and become a Templar, Baptiste's plans were cut short when he was assassinated by Aveline de Grandpré.

Despite Aveline’s efforts, however, Templar activity continued in the area; Fort Saint-Jean, a fortress occupied by the Spanish, was used to house kidnapped slaves that were to be sent to a Templar work site in Mexico. Upon discovering this practice in 1768, Aveline swiftly shut it down by tracking down the mastermind behind the abductions. In doing so, she temporarily rid the bayou of Templar influence.

By 1771, Spanish soldiers, under the command of the Templar Diego Vázquez, entered the bayou and attempted to seize control of its smuggling operations once again. On the instruction of her Mentor Agaté, Aveline followed a squadron of soldiers through the swamp, using her blowpipe to silently poison a guard each time the group passed voodoo artifacts set up by Agaté. The surviving soldiers were thus tricked into believing they had been placed under a voodoo curse and fled the bayou. Following the disruption of another of Vazquez's plans, Aveline left for Mexico, allowing for Vázquez's troops to recover.

As a result, when the smugglers were tasked with delivering supplies to the Patriots by the Spanish Governor of Louisiana in 1776, they found themselves obstructed by Vázquez's men. With the help of Aveline, they managed to reach their destination, where they met with the Patriots' representative, Hopton, and delivered the goods. Aveline's assassination of Vázquez then freed the bayou of his influence once more.

In 1777, a confrontation between Aveline and Agaté took place at the latter's hideout in the bayou. Agaté, unable to accept his failure to protect his student from the "Company Man" and paranoid that Aveline had sided with the Templars, attacked her. Aveline managed to overpower and confront her Mentor at the top of his hut, but decided to spare his life; this act lead Agaté to leap to his death, despite his student's attempt to save him.

In Real Life:

A bayou is a body of water typically found in a flat, low-lying area, and can be either an extremely slow-moving stream or river, or a marshy lake or wetland.

A few of the most famous bayous in the United States include the Mississippi River Delta, the Buffalo Bayou (in Texas), and the Louisiana Bayou. Bayou Country is most closely associated with Cajun and Creole cultural groups native to the Gulf Coast region generally stretching from Houston, Texas, to Mobile, Alabama, and picking back up in South Florida around the Everglades with its center in New Orleans, Louisiana.

The name “bayou” is native to Louisiana, too. The term is believed to have originated from "bayuk," a word meaning "small stream" in a local Native American tongue. The word was first used in Louisiana and has come to mean the braided streams that are fed by the Mississippi River in the low-lying areas of Southern Louisiana. These marshes or wetland areas move very slowly and make ideal homes for creatures like alligators, crawfish, and catfish; all of which are popular foods in the area.

(Image source)

The most closely associated culture to the bayou is the Cajun culture. Cajuns are largely self-contained communities in the bayou areas of southern Louisiana formed by descendants of French Canadians, speaking an archaic form of French. They were originally known as "Acadians," but the local dialect eventually led to the word becoming "Cajun." In addition to the French Canadians that were the foundation of much of the bayou culture, there are also significant influences from Spanish, German, African and Irish settlers as well as Native Americans. In modern Cajun culture on the bayou, the people are a blend of all these cultures. In the Southern Louisiana bayous today, you can often find people who consider themselves "Cajuns" who primarily speak French, but have last names like Smith, McGee or Manuel as well as the French surnames common in the region.

One of the most famous forts in the area was Fort St. Jean Baptiste, which was built in 1716 by Sieur Charles Claude Dutisné. The fort was devised as a trading and military outpost to counter any Spanish incursions into French territory. Soon it became a center of economic significance, particularly with neighboring Caddo tribes. After 1764, Fort St. Jean was abandoned, with the transfer of Louisiana (New France) to Spain. It was rebuilt, but its actual location is unknown. Today Fort St. Jean Baptiste State Historic Site is a point of interest within the Cane River National Heritage Area. It is also host to living history reenactments of what Life in the fort was like in the 1750s.

(Image source)

The bayous are disappearing. Since the 1930s, the coast of Louisiana has lost 1,900 square miles of marshes and coastal wetlands. This is an area the size of Delaware that has been swallowed up by the Gulf of Mexico. Despite recent efforts to reduce the erosion of the bayou, Louisiana still loses about an acre of land every 33 minutes. That results in a loss of 25 square miles per year.

Sources:

https://traveler.marriott.com/new-orleans/new-orleans-bayou-exploring-louisianas-roots/

http://traveltips.usatoday.com/louisiana-bayous-59733.html

http://pages.cs.wisc.edu/~jmeaux/cajun.html

https://en.wikipedia.org/wiki/Fort_St._Jean_Baptiste_State_Historic_Site

#Assassin's Creed #AC L #Locations

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