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Merle Oberon (Wuthering Heights, The Scarlet Pimpernel)—She was mixed race (born in India and her mother was Sri Lankan) and still managed to make it in the British and American film industries (by passing) despite a rough start in life and industry racism. She was the first Asian person to be nominated for any Academy Award (best actress in 1935)! She also survived a car accident in 1937 and kept on acting until 1973, despite potentially career-ending facial scars. Also, she met her third husband while they were filming a movie together in 1973 (her last movie and she still looks great!). They fell in love and got married in 1975 when she was 62 and he was 36. She died 4 years later in 1979. Iconic.
Thelma Todd (Monkey Business, Horse Feathers)— A comedy great who could go toe to toe with the Marx brothers. Watching her in horse feathers made middle school me feel things. Unfortunately, she died tragically, so I'd be careful when looking up pictures of her - there are a good number of crime scene photos mixed into the results. Overall a lovely lady 😊
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Merle Oberon:
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Beautiful. Talented. Biracial. Also please refer to the following promo from the aforementioned A Night To Remember, in which she plays the writer George Sand:
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Her performances always give off this perfect blend of of being composed, refined, and aloof while still being deeply passionate and I eat it up every time.
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A rare example of a WOC working in lead roles in this era (mostly because she worked very hard to pass as white and had to hide her south asian heritage sadly). She has this very regal vibe but also a simmering intensity—even holding her own as Cathy opposite Laurence Olivier as Heathcliff.
I need all the gothic fans to STAND UP for our cathy!!
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She has such a unique face when it comes to old hollywood actresses - a lot of them start to melt together in my brain - but Merle has always stood out to me<3
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Thelma Todd:
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She was both the beautiful and charismatic lead and a comedic star that deserves her place beside her frequent co-stars, Laurel and Hardy.
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stesichoreanpalinode · 14 hours
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stesichoreanpalinode · 15 hours
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Is he actually hot? Or is he just wearing a waistcoat?
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stesichoreanpalinode · 16 hours
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Queen - I Want to Break Free (1984)
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stesichoreanpalinode · 17 hours
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@billboard-hotties-tourney Ava Gardner propaganda: if you can tear yourself away from looking at her you can see how amazing the dress is. But you’re not looking at the dress. You’re looking at her.
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Ava Gardner by Philippe Halsman, 1954
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stesichoreanpalinode · 17 hours
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@billboard-hotties-tourney bare midriff, curt bolero and easy skirt propaganda for Lauren Bacall
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Lauren Bacall by John Rawlings, US Vogue, May 1945
Miss Bacall wears chrome-yellow  – wonderful with coral lipstick, sun-bronzed skin. This bare-midriff suit of Wesley Simpson’s spun-rayon crash has a curt bolero, easy skirt, black rayon crepe bra. B. H. Wragge design. Golden jewels by Cartier
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stesichoreanpalinode · 17 hours
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I can only say about some of the current voting in the @best-queen-song tournament
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stesichoreanpalinode · 17 hours
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new?
Thanks to _letusclingtogether_ (x)
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stesichoreanpalinode · 18 hours
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9 May 1970
Smile, aka Brian May, Roger Taylor and Tim Staffell, played together for the last time at Imperial College London.
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stesichoreanpalinode · 19 hours
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stesichoreanpalinode · 21 hours
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I was trying to remember Freddie Mercury's Phoebe's last name and all I could get was 'Buffay' which I know is not right but leads to some interesting mental images...
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stesichoreanpalinode · 22 hours
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Propaganda
Mary Philbin (Phantom of the Opera, The Man Who Laughs)— I must simply say I love Mary Loretta Philbin. She was known for her, in the words of Wikipedia, ethereal screen presence. In fact, Pat O' Malley says it best, "If I were superstitious I would think that the spirit of some great tragedienne of a forgotten past slipped into Mary's soul when she heard the camera begin to click." I first saw her in the Phantom of the Opera adaptation of 1925, where she plays a very interesting rendition of Christine Daae (I would argue a foundational performance, since this was the first mainstream portrayal of the character outside of Gaston Leroux's 1910 book) opposite Lon Chaney as the title character, and I Loved her performance, and ofc developed a bit of a crush on her. After her years in Hollywood, she stopped acting in 1930 and lived the rest of her life in relative peace. One fact that always stuck with me was the fact that later in her life, she very rarely made public appearances, but did in fact do so in order to attend the Los Angeles opening of Andrew Lloyd Webber's Phantom of the Opera. And if all that isn't enough to convince you, look at a photo of her. She is really, stunningly beautiful.
Musidora (The Vampires)—none other than THE irma vep lady—but never mind that, you know her as the sexy bat! [image under the cut]
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Mary Philbin:
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She is hot?
Shes just so cute
Mary Philbin started acting after winning a beauty contest hosted by Universal Pictures and went on to star in a number of films, including one of the most iconic silent horror films of her era, "the Phantom of the Opera". She also gave a sweet, heart-wrenching performance in "The Man Who Laughs" alongside Conrad Veidt.
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Musidora:
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"She’s the original dark mysterious film beauty. Also I think the name Musidora is badass."
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stesichoreanpalinode · 22 hours
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You know when someone goes through your blog on a mass like-spree for a fandom? I love those like, 19 notifications in a row. it’s like “Ah, I see you’re well into a fixation. God bless.”
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stesichoreanpalinode · 22 hours
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Montreux Part 6: The Mixing Desk with Justin Shirley-Smith - 2 Sept 2023
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One more post for the afternoon session at the QSE in Montreux! It is well-known that the studio has a mixing desk feature where you can mix your own version of two songs: Made in Heaven and Mother Love. However, for the birthday celebration, Justin Shirley-Smith (!!!) was going to be there with many other tracks to select and mix, particularly some special ones from the debut Queen album.
I have to reveal my nerdy self - this was the event that convinced me to go to Montreux that day, dissertation deadline being a couple of days away and all. I could have gone any other day if it were just for the statue and visiting QSE, but this was unmissable. So here's a look at the studio first and then the event! Long fangirling post warning.
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The top left photo (📸 Richard Gray) is what it looks like when it's empty, which obviously I couldn't get on that day but it's a clear view of where everything is. My photo on the top right was the view of the console in the studio that day. The newly inaugurated bust of David Richards was placed next to the mixing desk, but now it's been moved to the casino gardens. Written description on the plate:
David Richards 20 February 1956 - 20 December 2013 Musician, Sound Engineer, and Producer in charge of Mountain Studios While his name is most often associated with the British rock band Queen or even David Bowie, his numerous artistic collaborations have made him a major figure in the history of music. in addition to his work at Mountain Studios, which he bought in 1993, David recorded the Montreux Jazz Festival over a period of 38 years, contributing to the musical archives granted UNESCO World Heritage status in 2013.
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There's a circular plate on the studio floor which marks where Freddie stood to record his last vocals for Mother Love. Honestly, no words needed to describe how profound and emotional it was for me to be there on the very same spot.
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There were several display cabinets in the studio. Firstly a miniature replica of Freddie's statue, designed by Irena Sedlecká. Also on display on the other side of the room are the lyrics of A Winter's Tale and Mother's love which I posted previously here. Finally, there was also this analogue 24-track recorder:
Original Struder A80 Analogue 24 Track This Swiss made Struder A80 analogue 24-track recorder is one of the two that were used in this studio from the beginning in 1975. This machine, and the rack equipment either side, have been kindly loaned to Queen: The Studio Experience by David Richards.
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And now to this baby!! Now this whole thing isn't an actual working mixing desk, save some actual faders that are designed to do so (only 10 of them) but it's certainly based on the original. Here's Justin Shirley-Smith's note regarding the console:
The console at Mountain Studios was a 1975 vintage Neve 8048. The Studio Experience exhibition features a specially created faithful and full-scale representation of that desk. The main surface of this is a 2D printed image formed from over 300 separate photographs of the original Neve modules. The frame and trim were constructed with reference to the original 1974 Neve drawings. This replica console was the work of the brilliant Nigel Knight and his talented team at RMA Ltd in UK. The original Neve console is now owned by Svenska Grammofonstudion of Gothenburg in Sweden, who kindly allowed it to be photographed by Andrew Guyton for this use. The original desk was updated in the late 1980’s with Neve ‘Necam’ moving faders but the image in the exhibition shows the original 1975 manual faders … and in the spot where originally there were sixteen red group faders, we have put some real red faders so anyone can mix a Queen song there once more.
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You can see above the ten red faders which are functional and set up to mix Queen songs the way you want them. It's amazing because you get to hear certain backing vocals or instruments on their own if you set them all the way up and the rest of the faders down, and I have an obsession with getting to hear those kinds of things.
You can also see four red buttons on the right. Two of them are to select songs you can mix, which are Mother Love and Made in Heaven. The other two aren't for mixing but they do play Bicycle Race and The Invisible Man in surround sound in the studio. So these are the default options available on any day.
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I took pictures of the rest of the "faders", which are actually just stickers but represented the original setup when it was used back then. You can see that there are Roger's drums (BD = bass drums, SN = snares, HH = hi hats, etc, OH = overhead? AMB = ambience? I'm just smart guessing!) John's bass, Brian's AC 30 amps, everyone's mics etc. All of which add up to 24-tracks. I wish I were an actual sound engineer to deeply know more about mixing details, but for me this was already mindblowing as it is!
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Now this is where it gets fun! For the celebration, Justin brought out these songs available to mix. Basically he connected his laptop to the system so he can connect these multitracks. We just come up to him and request which one we want to try!
These handwritten boards are just labels that we put on top of the faders when we select the song, as a guide to label which fader corresponds to which track. They're removable and he would just put them on according to whichever song we chose. You can see that each song has different split tracks, some of them have more guitar and vocal tracks, some of them have more piano or keys, etc.
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Here's a tiny clip of me trying on A Winter's Tale. I'm not left-handed but I had to hold the camera, and idk if you can see it but I was shaking lmao. This song always sends chills down my spine and to be able to hear just the backing harmonies or just the guitars? It was incredible oh my God. I was so grateful I could go to Montreux.
This was just a snippet of what I tried, because the room was open for 4 hours and I ended up being in there for 2 hours, which nobody else did lol. It wasn't empty, it was quite crowded but most people come in and out just to try 1-2 songs. To clarify I did not hog the board to myself for two hours lmfao (wish I could!) but I was in the room to watch other people give it a try and when there's no one else then I come up and try. I got about 4-5 tries I think!
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So you can see it was a small room, and I swear I tried to not look like a weirdo standing there for 2 hours watching people do their stuff, and I really was gonna try to come up to Justin and chat with him at some point. Turns out he beat me to it, he came up and said hi(!!! 😭 but that's probably because I was just stood there in the corner for ages like 🧍‍♂️ sdkjfdfk). I told him could only be there that year and made sure to express that, despite not being sound engineering expert, his event was why I came to Montreux on the celebration day, and I think he was glad to hear it!
Anyway he was sooo kind and insightful. I asked him which songs he would recommend me to try, and which parts I should turn up to hear what you wouldn't normally hear very clearly in the album.
He suggested My Fairy King, which are there in raw tracks (without effects!) and because it's from the debut album. He suggested to turn up Freddie's piano in the last verse (the super quick instrumental part) and it was incredible to hear. I also got to hear which parts of that song had acoustic guitars (you wouldn't hear it as is on the song!), isolated parts of the drums and bass, and isolated vocals (you are NOT ready for Roger's isolated backing vocals oh my GOD).
Some other highlights for me are isolated everythings of Good Old-Fashioned Lover Boy, Bring Back That Leroy Brown, and A Winter's Tale. I tried to spend time on tracks that we never had stems or multitracks of, either somewhere on the internet or from the official 5.1 surround mixes (which A Night At The Opera and The Game was once released in). And that's just those four songs I mentioned. Of course I wish I could stay the whole time to try every song and put on every isolated track, but I had to keep it together lol. Might you hear bits of these somewhere later on...? You know what they say about winning lotteries, I wouldn't say a thing but there might be signs...!
I stayed for as long as I could before my Ask Phoebe session, I requested several songs enough times that Justin jokingly said "didn't you try that one already" 💀 I didn't even have it in me to be embarrassed lol it's once in a lifetime my man let me live! But yes I eventually finished, got a selfie with him, and finally felt okay enough to go.
Have a bonus mirror selfie of myself on my way out. I'm sure I don't have readers left by this paragraph but if you're here, thank you for reading my Montreux series! Just one or two more before I wrap it up, and it will be on the Official Freddie Birthday Party!
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