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stardust-make-a-wish · 10 days

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Natori and Wavering

Foreword:

As it is my tendency to over explain, I will mark my actual conclusion with “TL;DR” in bold, so anyone who doesn’t want to read all the context I provide can just see what I think. The following is a collection of scenes from the manga that are relevant to my conclusion, summarized and interpreted by me. Also, if you read this, I will assume you have read up to chapter 116, as I include the arc which ends there as a large part of my analysis.

This all started with the Miharu arc, once again. After Natsume asks Matoba the famous question, (have you ever thought about quitting exorcism?) and hearing Matoba so confidently state he's never considered it, he thinks

「名取さんは堂だろう。いつもゆらいでいる優しいあのひとは」

"What about Natori-san? That kind person who is always wavering."

The verb being translated as “wavering” is 揺らぐ. This word refers to a swaying or rocking motion, something going back and forth, or shaking/trembling. The reason this line stuck out to me is that it made me wonder "Why is Natori wavering? What does it mean to be wavering?" Thankfully, my questions were answered when I went back through the past exorcist chapters.

The concept of Natori feeling unsteady or his world feeling unsteady comes up in special chapter 15. When Matoba tells Natori about the history of the Natori clan, how even though they should have been especially able to deal with kami, they still fell, so "you never really know what will happen," Natori responds with "The Matoba clan might not always be on top either," and Matoba laughs and says "Who knows… I won’t let it fall."

This is probably when Natori stops seeing Matoba as merely the spoiled prince of a wealthy family, one who has everything Natori wanted growing up, and realizes what kind of burden he has on his shoulders. Indeed, after this exchange, Natori thinks "I don’t have anything like that resting on my shoulders. Maybe that’s why this unsteady/shaking/bubbling world seems to waver." (This is not how any English speaker would say this, but I want to convey the picture that’s being painted. He uses the onomatopoeia ぐらぐら which denotes boiling/wobbling/unsteadiness to describe the world). Again this verb 揺らぐ comes up when Natori says the "world seems to waver." Natori feels like he doesn’t have a defined place in the world the way Matoba does. He doesn’t know what kind of person he should or will be, unlike Matoba, who probably grew up seeing exactly what he would become in the previous clan head, down to the long hair and eyepatch. For Matoba, the world is steady, unmoving, and almost preordained. For Natori, everything is uncertain, including his own identity.

I’m going to take a brief detour from the “wavering” idea to touch on something Yorishima said to Natori in chapter 80. Seeing that Natsume is emotionally affected by the story of the enchanted scarecrow, Yorishima remarks that Natsume’s heart has been pulled in by ayakashi, or in other words, he’s become emotionally involved with them. He tells Natori "A savage exorcist like you shouldn’t drag a (this kind of) kid around," and then "Natori, lately you’ve come to resemble the Matoba brat." Keep this idea in your back pocket. It’s a surprise tool that will help us later.

Then, as I said before, in the Miharu arc, after Natsume hears Matoba say that he’s never considered quitting exorcism, he wonders how Natori, who "is always wavering," would answer. And of course, later in that arc Natori himself asks Matoba the same question, though this time Matoba doesn’t answer. Although the focus is usually on Matoba’s answers to this question, I’ve also thought it significant that Natori asks Matoba this. He seems to initially want to ask it after Matoba ponders about the previous Matoba head who failed to protect the Miharu family, but gets interrupted by the spell on the room.

When Matoba starts going on one of his "you should make use of useful things" monologues, he asks it for real. It’s still not entirely clear to me what makes Natori want to ask him if he’s ever thought about quitting, though all I can really think of is that hearing Matoba talk like this reminds Natori of how tiring and cutthroat this life can be. Natori, the one who wavers, has probably thought a few times about giving up, and hearing Matoba talk this way makes him wonder, "Haven’t you ever thought about quitting?" Just like how Natsume asked Matoba after Matoba told him how many people are out to usurp the Matoba clan.

Finally we come to the Younger Cousin arc. When Mitsuru tells Natsume about how she met Natori, she says that she didn’t care whether she was going to be exorcised or not, she just wanted to know (and say) Natori’s name, so when he saw her, she told him her name (which is Mitsuru, but written differently than either of the names that would have been given to Natori’s cousin), and she saw herself reflected in his eyes, "wavering" (揺れて). So Natori’s heart was shaken, to put it another way, when it seemed for a second that he could have what he had always wanted. For a moment, he hesitated, and this was the weakness that the ayakashi latched onto. She read his mind and created a false reality where she was the cousin he wished he’d had.

Natsume believed she was not malicious, and went to hear her out before Natori could exorcise her for real, but Nyanko-Sensei warns him "Those who can’t heartlessly dedicate themselves are unfit to be exorcists. If you support ayakashi, Natori is just gonna waver." Here, he uses the verb ぐらつく which is related to the onomatopoeia from special chapter 15. Nyanko-Sensei is telling Natsume that if he tries to stand up for ayakashi, Natori will just become more conflicted and eventually be unable to "heartlessly dedicate" himself to exorcism.

When Natori and Mitsuru finally face off, Mitsuru tells Natori that she just wanted to help him. Natori tells her

「親切ごかしはもういい。どちらが化物だかわからなくなりそうだ。」

which is something like "Enough playing nice/Stop pretending to be nice. I might not be able to tell which of us is the monster." Mitsuru then makes the final offer for Natori to stay with her in the illusion and be happy together, but Natori, now firm in his resolve, says that he was weak for wanting a cousin who could see the same things as him, that he doesn’t need that anymore, and that Mitsuru is an ayakashi, which is what he’s chosen to spend his life fighting. This is where Natori makes the decision he faltered on when he first saw Mitsuru. He throws away what might have been, knowing that it never could be, and decides to stay firm on his path as a heartless exorcist.

At the conclusion of this arc, Natsume apologizes to Natori for trying to stop him from exorcising Mitsuru. Natori smiles and says "Ah, you really couldn’t be an exorcist," probably realizing now that he’s set himself on this path, that Natsume could never be "heartless" enough to follow the same path. Natsume seems to pick up on this difference between them, because he starts to ask about Natori, who tells him "Don’t worry. It’s not something I’m burdened with. It’s something I chose. I’m not bound by anything." By the way, he uses the same "burden" word here that he uses when he tells Matoba in the Miharu arc that he doesn’t know the weight of inheriting a burden.

TL;DR:

So, after all this, what I think happened is this: Natori is "wavering" from the beginning, unsure of what he should do or who he should be. Even as an exorcist, he has doubts and hesitation, which eventually causes him to slip up and be taken advantage of by Mitsuru in the Younger Cousin arc. Having been confronted with his "weakness," he decides finally to "heartlessly dedicate" himself to the path of exorcism. In this way he has become more like Matoba, which Yorishima seems to have had noticed the beginnings of much earlier. A savage, heartless exorcist: something Natsume could never become. After I originally came to this conclusion, I wasn’t sure if I was reaching, but then I read Midorikawa’s afterword for the Younger Cousin arc, which I translate thusly:

"...I’m glad I could draw the world that Natori-san, for whom the boundary between ayakashi and humans wavers more than even Natsume, sees even a little, as well as how ayakashi see it. Natsume has really only had limited experiences in his small world, and in contrast, Natori-san has a greater deal of freedom, but feels trapped. If I was able to draw the path that Natori-san came in on, and the path he’s going on, I’ll be happy."

This pretty much confirmed to me that I was right about Natori’s arc, provided I am interpreting Midorikawa’s words properly here. I believe she is saying that Natori until now has been much more unsure of himself and how he should feel about ayakashi and humans, even more than Natsume, who also has this issue. Appropriately, this issue was resolved in the arc which also highlights their similar beginnings. And it sounds like Midorikawa also wanted to show that a significant event has happened now with regard to the path Natori is taking. Like I said I believe he has become more set on being an exorcist and all that entails, but Midorikawa doesn’t say, so I’ll just have to see.

#natsuyuu #love this post!!!!!!! i love natori!!! very well thought out retrospective on the natori centric chps .... i love his theme of wavering sm..

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stardust-make-a-wish · 15 days

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Matoba and Burden and Desire

I originally watched/read Natsuyuu back in fall of 2022, and then a few months ago, literally out of nowhere, my brain was like “Hey, remember that loquat story Matoba told in that one arc? It felt like there was something there, let’s go reread that,” which I did, and have been in hexorcists hell about ever since.

(pictured: a sane person’s reaction to reading natsuyuu)

And really, that’s it. The loquat story feels like there’s something there, but I couldn’t quite figure out what was going on. But after my close rereading of that arc, I think I’ve at least come to one coherent conclusion about it, even if it’s perhaps the most basic one: I think the loquats are an allegory for the greater themes of burden/desire in this arc. The following is my attempt to lay out my thoughts, but unfortunately I have never been known for my conciseness or my ability to organize my thoughts, so be forewarned. This will be rambly and include a few tangents/too much detail.

The story of the Miharu family is a story of a family that was once respected, had a relationship/contract with powerful ayakashi, and eventually fell into ruin, leaving behind their contracts. The ayakashi, the mihashira, still come to uphold their part of the agreement without fail, but the family is gone. So who comes in their place to maintain the contract? The Matobas, and in the present day, the current head of the Matoba clan is Matoba Seiji. In order to maintain this deal with a group of powerful youkai, which neither he nor his family actually made, Matoba has to come and perform the welcoming ritual to avoid incurring the wrath of the mihashira.

Matoba is a character marked by burden, I think. Though he is the head of the most powerful exorcist clan, and therefore one might expect that he can pretty much do what he wants, I don’t actually think he has much personal freedom. The only son of the main family, he was probably marked as the heir from birth (if not, he would have had to be once his sister left but I still need to read 120+ so I don’t know exactly what the deal with her is). The clan’s interests are his interests. He can’t do anything that might hurt the reputation of or endanger the clan, and he is obligated to do things that benefit the clan. Matoba is Matoba.

In chapter 25, in his debut arc, he tells Natsume 「使えるものは使わないと。人を守る為に、強い妖が欲しいと思っているだけですよ。その為には恨まれたり代償を払うことを気にしていたら、この家業はやっていけませんしね」

"One should make use of useful things. I just want ayakashi in order to protect people. If I was worried about being hated or suffering consequences, I could not carry on the family business,"

(this is actually one of those annoying instances of a Japanese sentence that’s more dense than would sound good in English. Matoba seems to be explaining his personal worldview/thoughts here with 思っている even though in English you’d never say “I just feel like/think I want strong ayakashi…” He’s explaining that this is the way he thinks, I think lol).

Matoba doesn’t get the privilege of having a good reputation among humans or ayakashi, since we learn in special chapter 17 that no good ayakashi will make deals with the Matobas because of their famous broken promise. Matoba Seiji not only inherits the burden of monthly eye-stealing visits, he also can’t make contracts with ayakashi and takes on all the distrust that’s built up over generations from both humans and ayakashi.

And now Matoba is taking on the debts of a dead branch family to avoid possibly endangering his own.

In the locked room, when Matoba is goading Natori into breaking them out, he says 「どうです？あなたには解くことができますか名取。無理ならばすべて私が片付けてさしあげましょうか？」

"Well, can you do it, Natori? If you can’t, shall I take care of everything for you?"

I’m unsure how much of this is Matoba teasing Natori (as he seems to like doing in the Homura arc) about how he’s not as powerful/skilled as Matoba, and how much is him simply making an offer because he’s Matoba and he’s The One Who Takes Care Of Everything. I think either way, there is at least a good amount of the latter going on here.

In special chapter 17, Matoba shows up at Natori’s house and helps him exorcise the ayakashi that’s been haunting him. After Natori wakes up, he tries to offer to help Matoba in some way. I think he felt uncomfortable being the only one being helped, and wanted to find something he could offer Matoba, even though Matoba seems to have everything he needs. Natori offers to listen to his problems, and Matoba smiles (of course) and says he’s fine. Even teenage Matoba is like “You’re not the one who helps me, I’m the one who helps you.” Though this chapter is from Natori’s perspective, so Natori believes Matoba was just using him to get an ayakashi, I’m not sure that’s true. I don’t know for sure what Matoba’s motives were, but I don’t believe teenage Natori is an unbiased observer of him lol.

Now that we’ve laid all that out, let’s talk briefly about the Miharus, a once respected family who made a deal with ayakashi they didn’t understand, and fell into ruin. According to the ayakashi who wants to sabotage the ritual, there was a member of the Miharu family called Masakiyo. Masakiyo was stern for the most part, but there was someone he loved. However, he couldn’t be with that person because he couldn’t make them shoulder the burdens of his family business, but neither could he simply abandon his family. He had to stay with his family and let this person go. This was the only time this ayakashi saw Masakiyo cry. Then we get this panel:

(pictured: bench of I Hate My Life, credit to @joelletwo for that lol)

In his despair, Masakiyo wished there was no Miharu family. The ayakashi, feeling indebted to Masakiyo for letting it go during an exorcism, overhears him and decides that destroying the Miharu family will bring Masakiyo happiness. This is an unintended contract between the two of them. Masakiyo unwittingly causes an ayakashi to spend years (decades?) trying in vain to destroy his family in order to repay a perceived debt. This isn’t Masakiyo’s fault, really, it was just an unfortunate misunderstanding. The ayakashi didn’t understand that Masakiyo wanted it to be free and live the life he couldn’t. “You were almost exorcised because of human circumstances. You were saved on the whim of a human. What debt? You are free. Go wherever you want. Live however you want.”

After all the mihashira business is wrapped up, Matoba thanks Natori for his help, Natori says he probably couldn’t have gotten out of the room without Matoba, and Matoba laughs and says “Then we’re even this time.” Neither one is indebted to the other this time…they’re even. Then Natori says The Line:

「何かを継ぎ背負っていく…その真の重みは私などにははかり知れません。でも今はこう思うようにもなりました。重いものもひとりでなければと…」

"I don’t know the true weight of shouldering a burden you’ve inherited, but now I’ve come to think that even heavy things can be carried if you’re not alone,"

(this is another one of the aforementioned Dense Japanese Sentences, and I really prefer the fan TL version of this line but I’m translating it this way to try to convey all the stuff he’s saying). Natori once again reaches out to Matoba, trying to offer him maybe the only thing he can: support, listening to his problems, shouldering his burdens. This time, though, we don’t get a Matoba Smile and “I’m fine,” we get this:

(pictured: Matoba on the bench of I Hate My Life, or “Matoba Cow Beach” as I refer to this image in my head)

What is Matoba thinking here? I really don’t know. If I draw the obvious parallel with Masakiyo, I guess he’s contemplating his two…selves, as it were. His duty to his family vs his personal desire for companionship. And I do think Matoba wants companionship. I read his behavior in special chapter 15 as genuinely wanting to be friends with Natori. I think he was excited that there was someone else his age who was relatively powerful, and who wasn’t concerned with all the Matoba stuff. Hence his insistence on Natori calling him Seiji. He wanted to be close to Natori.

And finally, we can come back to the loquats. Natsume hears Matoba mocking the mihashira for continuing to protect the Miharu house even after the family has all died out, and thinks perhaps Matoba is envious of ayakashi who go to such great lengths to keep promises.

"Matoba-san, who keeps breaking promises, and doesn’t have anyone to make new ones with."

Matoba wonders how the welcoming ritual will go next time, but decides he won’t worry since he probably won’t even be the head of the clan at that time. Natsume offers him a loquat, saying cheer up, and Matoba does his Thing, saying “How odd, do I look upset?” and then tells The Story.

When Matoba was a teenager, he really wanted to try the loquats from Yorishima’s yard. One day, he was there with Natori, and Yorishima gave them both one. The loquat was delicious and sweet; Matoba felt that his “desire had been fulfilled,” but Natori got a sour one, and Matoba felt like Yorishima-san had wanted to give a loquat to Natori, and only given one to Matoba because he was there, so he thought “Ah there’s no winning even in such a small thing as this.” Matoba gets what he wants, but it wasn’t meant for him, and the one it was meant for is worse off, so did he really win? He was the only one who got to enjoy the delicious loquat. These are the unintended consequences, the burdens if you will, of desire.

Natsume speculates that the agreement with the mihashira began when someone had the wish to protect the Miharu family, and there was an ayakashi who happened to be there, much like the situation with Masakiyo and the sabotaging ayakashi. A simple and innocent wish accidentally creates a generations-long burden that Matoba eventually has to shoulder.

I think Matoba must be painfully aware of his power and influence, and that even his smallest actions could cause unintended consequences. I wonder if he sees the Miharu family as a warning of what could happen to his own family if he slips up… And it wasn’t just a mistake on the part of the Miharus, but a failure of the Matoba clan head of that time, whose responsibility it was to look out for the branch families. Matoba Seiji is not just responsible for the success of his own family, but protecting the branch families, and of course non-exorcists as well. I imagine he feels like he doesn’t have the time or room to act on any of his own personal desires, and his little loquat anecdote is evidence of that, to me. It’s bittersweet (lol). And Natori’s takeaway, meanwhile, is more casual as you might expect. When Natsume asks him if he likes loquats, he says he’s not sure because his first one wasn’t very good. To Natori, a loquat is something he might try again and like. To Matoba, it’s a reminder of what he can and can’t have.

#natsuyuu #this arc makes me sooooooooo insane crazy what was she cooking. i need to get my hands on the physical volumes so i can reread it always #theres soo much to unpeel with matoba and natori (and rly all the chars in this manga) its so fun.....love this post so much op

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