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serowotonin · 2 years
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my toxic trait is that i like to yearn for things more than i like to actually do those things
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serowotonin · 2 years
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seijoh spy/buglary(?) au except theyre all shitty at the job and fail miserabley
iwaizumi is the sniper but he got into some weird beef with a squirrel on the roof and missed the shot oppurtunity
yahaba and kyoutani are the guys that suspend from the ceiling except they get in a fight halfway down and knock a bunch of shit over
makkis the guy in the van because why not. mattsun is the lookout but he got bored and went to the van to talk to makki, accidentally leaned on the car horn
kunimi lost interest and layed down on the floor. kindaichi didnt see him and tripped over him and broke the thing they were supposed to be getting
oikawas the lock picker and safe opener but hes too busy trying to keep everyone in check that he just didnt have time to do anything
and watari just,, forgot to show up. he had to bail them all out later
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serowotonin · 2 years
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serowotonin · 2 years
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name moodboard: IRIS
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serowotonin · 2 years
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is it just me or did the tumblr mobile interface get worse..
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serowotonin · 2 years
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Octave | オクターヴ – Chapter 12 ✪ Attention
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serowotonin · 2 years
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“Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? All over the world there are, indeed, entertainment firms and organizations which exploit cinema and television and spectacles of many other kinds. Our starting point, however, should not be there, but in the essential principles of cinema, which have to do with the human need to master and know the world. I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience—and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it. [...] I see it as my duty to stimulate reflection on what is essentially human and eternal in each individual soul, and which all too often a person will pass by, even though his fate lies in his hands. He is too busy chasing after phantoms and bowing down to idols. In the end everything can be reduced to the one simple element which is all a person can count upon in his existence: the capacity to love. That element can grow within the soul to become the supreme factor which determines the meaning of a person’s life. My function is to make whoever sees my films aware of his need to love and to give his love, and aware that beauty is summoning him.”
— Andrei Tarkovsky, from “Sculpting in Time: The Great Russian Filmmaker Discusses His Art”
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serowotonin · 2 years
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*sighs* ty
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Photo by Brooke Lark 
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serowotonin · 2 years
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serowotonin · 2 years
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I never make the same mistake twice. I make it five or six times, just to be sure.
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serowotonin · 2 years
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serowotonin · 2 years
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Jane Austen, Pride & Prejudice
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serowotonin · 2 years
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i genuinely believe there’s a right time to watch certain movies so sometimes i’ll wait and wait until i know.
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serowotonin · 2 years
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i wish that we were still uptown funking it up and not whatever this is
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serowotonin · 2 years
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"Get in, loser, we're stopping the cataclysm."
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serowotonin · 2 years
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Sir, really?
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serowotonin · 2 years
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waiting for ice adolescence: a moodboard
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