one of my favorite parts of widobrave is regardless of the fact that veth's romantic feelings for caleb are mutually shared or not, caleb is still the one who is actively pining for veth and doing all he can to appeal to her staying with him
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reminder: vote for the character who is the most girlboss, not who your favorite is (unless they are one in the same)
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I drew Cree a while back and still really like how she came out✨
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im just gonna say if u don’t understand vexlan you don’t understand me
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Scanlan: Campaign vs TLOVM
Character Arc: TLOVM seems to be almost running Scanlan’s character arc in reverse? Scanlan in TLOVM isn’t really interested in doing anything above his pay grade, is willing to abandon Vox Machina in a pinch and is very interested in his own self preservation. He’s moving in the direction of fighting for the greater good, specifically as part of making things right with his daughter, and remaining more steadfast and with the group.
By contrast Scanlan in the campaign was glory seeking. He could be counted on to chime in with doubts about a particular plan, or timing, but when push came to shove he was always there in the thick of it styling himself a king slayer. In that same vein Scanlan was extremely loyal to the group. He forgot fairly important attributes of the other’s characters more than once and most of the time kept a flippant attitude, but in fights he could always be counted on to support the rest of the party, even and especially to his own detriment. Which brings us to my final point; Scanlan spent most of the campaign being at least passively suicidal. Scanlan’s arc in the campaign is a long downward spiral, mostly of his own making, that he only bails out of at the last moment in the most explosive and terrible way possible. Scanlan doesn’t actively try and stay alive until Kaylie makes him promise to live. Healing his relationship with his daughter has nothing to do with saving the world, it has to do with living, no matter what the cost, so that he’s there to do with work with her after.
I can’t say I hate the direction they’ve taken Scanlan in TLOVM, but between a story about a selfish man becoming a hero, and the story of a selfish man realizing he actually doesn’t want to go out in a blaze of glory, but live and make things right even if it’s hard, I know which I prefer.
Powers: This is way more petty, but it must be said. Scanlan in TLOVM is way under powered and more shallow than he was in the campaign. They’ve cut down on his spell list massively and inspiration and the like don’t really work in the medium (Was is cool for Sam to sing for thirty seconds at a time? Fuck yes. Can you actually do that in a fight? Fuck no.).
Scanlan had a lot of really cool moments in the campaign because Sam used his spells in clever ways or took advantage of the mechanics of D&D. Scanlan in the show is a lot more bumbling and less capable. For example when he raided the Duke’s manor in Whitestone in the campaign it was still an absolute train wreck, but one he got out of through skill and cleverness rather than fumbling and pure luck as in the show. Scanlan in TLOVM doesn’t have the serious clever core under all the sex jokes that Scanlan in the campaign does. (Also Scanlan was definitely horny in the campaign but not nearly as much as in the show. He knew when to be serious. Also also the rest of the cast thought it was funny, they did not disdain the sex jokes as their characters often do in the show).
TLDR: Scanlan’s character in TLOVM is not all that similar to the Scanlan of the campaign except on a surface level. His arc has been deconstructed and simplified to a degree that it’s pretty much unrecognizable. (No hate to anyone who likes show Scanlan, I also like that little guy!)
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CR Non-Endgame Ships Round 1
Perc'ildan art by @bastierree
Zerxus/Asmodeus art by @tshortik
Rules, paraments and voting links here
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God dammit guys. Guys.
Do you know what is Scanlan's not-quite-but-almost fleeing so reminiscent of? Whose fate he was ever so close to repeating? A tiny little gnome watching his entire party die and running away to tell the tale? One chosen by Ioun?
The premises to Bard's Lament have already been heavy this season, but c'mon. The foreshadowing, the parallels.
Something something with Scanlan and running away and leaving everyone behind and being alone until he doesn't. It's gonna hurt so much later, isn't it
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ngl, I was pretty grossed out at first with the way the Scanlan/Kaylie situation unfolded but now a few hours have passed and I get it?? Of course he tried to fuck her, bc he's a pervert. He's gross and inapropiate and has no limits, and that's a character flaw they need to hold him accountable for. Unlike in the original campaign, where time and dialogs were enough to give scanlan some character development regarding his fuckboyness, in the tv show that just wont work. You gotta give him a break point, you gotta make him do something so problematic that it disgusts even himself and makes him question his ways and yeah, trying to fuck your own daughter will do that. At first I thought they were pulling that for laughs and shock value only, but then the puppy conversation happened and it was like "oh, so it affected him, good, make that lil freak pay"
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