Mikki Brammer, The Collected Regrets of Clover
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But I don't worship anyone
or anything except the sea
and the mountains and they will
kill me eventually, and I will die willingly.
That is my only prayer.
-Maryan Nagy Captan
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We took an empty highway through
the Sierra Madre Occidental.
The road was unfinished,
blocked off, but
we did it anyway. We shared
the highway with iguanas,
cattle, no humans,
and birds. I wondered
how far we'd push it
I didn't say, turn back, turn back.
I wanted to see it to its end,
but a tunnel stopped us,
one we couldn't hold our breaths
long enough to travel through.
-Maryan Nagy Captan
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The actual is real and not imagined,—still‚
The eye, so learned in disenchantment, sees
Two trees at once, this one of summer’s will‚
And winter’s one, when no bird will assail
The skyline’s hyaline transparencies‚
Emptying its architecture by degrees.
-Howard Moss
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Till everything alive weighs less and less
And, thinly felt, the weighted consciousness,
No thicker than green leaves, or the meridian‚
Grows thinner, even, to absorb the sun.
-Howard Moss
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Perhaps
Perhaps you have wept and wept, and can weep no more.
Perhaps. Perhaps you ought to sleep a bit;
then don’t let the nighthawk cough, the frogs
croak, or the bats fly.
Don’t let the sunlight open the curtain onto your eyes.
Don’t let a cool breeze brush your eyebrows.
Ah, no one will be able to startle you awake:
I will open an umbrella of dark pines to shelter your sleep.
Perhaps you hear earthworms digging in the mud,
or listen to the root hairs of small grasses sucking up water.
Perhaps this music you are listening to is lovelier
than the swearing and cursing noises of men.
Then close your eyelids, and shut them tight.
I will let you sleep; I will let you sleep.
I will cover you lightly, lightly with yellow earth.
I will slowly, slowly let the ashes of paper money fly.
-Wen Yiduo (transl. by Arthur Sze)
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"September 3"
In her parlor, drinking tea, Virginia Woolf
Sees how first light enters the room
Like a ghost still in need of knowledge,
Her wall of books lit title by title.
Now it makes a door of light
On the wall and she imagines walking through,
Unscathed, and emerging in the garden
To watch a new sun steam over the horizon
Of wet roods, redden the highest apples
In the orchard, then come to rest
In the wet grass, in the cold earth's cache
Of complex scents that goes on defying
Her best efforts to name. The day promises
Blue sky, crisp white clouds, rafts
Of birds shooting the invisible currents.
What comes next must come
Like a sharp pain which no doctor
Has been able to explain, or cure.
In her journal, she writes: "I suppose
The bombs are falling on rooms just like this
In Warsaw. A fine sunny morning here,
Apples shining."
Just those two sentences
For September 3. Perhaps she finished
Her tea, went outside. Weeds, new blooms
Of asters and chrysanthemums.
What else could she have done? Perhaps
A third sentence for the opposing pair
Formed, revolved in her mind and dissolved
Until she was sick from beginning over.
I imagine she sat at dusk in the orchard,
The first apples already dropped, flaming
In the grass. I imagine the earth's slow turning
Was like an ache inside her,
One day undone by another, and yet each day
Arriving as if it would be the day
She'd understand what happens, for what reasons.
-Robert Cording
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That the world the boy didn't want was still there,
looming like the damaged lives
of almost everyone he knew and that the light,
vague and falling,
which the pigeons flew into, glimmered in,
effaced every trace of them.
-Robert Cording
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"Old Houses"
Year after year after year
I have come to love slowly
how old houses hold themselves—
before November’s drizzled rain
or the refreshing light of June—
as if they have all come to agree
that, in time, the days are no longer
a matter of suffering or rejoicing.
I have come to love
how they take on the color of rain or sun
as they go on keeping their vigil
without need of a sign, awaiting nothing
more than the birds that sing from the eaves,
the seizing cold that sounds the rafters.
-Robert Cording
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I often think of it, that world inside a shell,
Its tiny civilization, at least for one, carved inside
A walnut, circa 1918. In the local museum, light fell
In a placid summer dusk. In the shell, a garden beside
A cottage and, nearby, the landscape's only complication,
A tree to sit under. Sometimes I even imagine
Sitting there, the tree's cool shadow a fiction
Of eternity, the mind still translated by a simple tongue
Naming its world.
-Robert Cording
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I belong today to my own anatomy of melancholy—
its long wait for what never happens.
Its shut down of the future. Its after-
knowledge of death that knows no more
than it did before. Its inability to complete
a life that simply ended.
-Robert Cording
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“Maybe there’s something you’re afraid to say, or someone you’re afraid to love, or somewhere you’re afraid to go. It’s gonna hurt. It’s gonna hurt because it matters.”
— John Green
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first read on @exitmusicfrafilm’s post about 2023
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"I'd like to say I'm getting by and getting on with life,
but the latter is a stretch. A tapeworm of grief
has been eating my insides, …"
― Robert Cording
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