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neroraven · 1 month
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moths are gothic butterflies <3
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neroraven · 1 month
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Artist: oejerum
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neroraven · 7 months
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Hey, how are you doing?
hi anon. I'm doing fine, thanks 💛 came back after a while
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neroraven · 7 months
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— Homer, from “The Iliad.”
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neroraven · 7 months
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yes actually that is a knife in my pocket i am not happy to see you at all.
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neroraven · 7 months
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just know if i could crawl on the ceiling on all fours i would
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neroraven · 7 months
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The Kingdom of Dreams and Madness | 夢と狂気の王国 (2013) dir. Mami Sunada
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neroraven · 7 months
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Arwen Undomiels white dress in 4k
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neroraven · 7 months
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neroraven · 7 months
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CORALINE (2009) dir. Henry Selick
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neroraven · 7 months
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seriously, go watch black sails
#fr
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neroraven · 7 months
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What Do We See When We Look at the Sky? (Alexandre Koberidze, 2021)
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neroraven · 7 months
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NATALIA DYER ph. Alex Black for Refinery29 (July 2019)
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neroraven · 7 months
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Rebecca Horn, Cockatoo Mask, 1973 (stills from Cockfeather Mask Perfomance II)
Horn described using this mask in a performance exploring ideas of sexual availability and intimacy: ‘My face is covered by two intertwined, closed feather wings. The person standing before me touches the feathers delicately, then separates and opens the wings. The spread wings stretch like long bird wings, and softly enclose around [both] our heads. The feather-enclosure isolates our heads from the surrounding environment, and forces us to remain intimately alone, together.’ The use of the mask is deliberately ambiguous and the performance implies a tension between tenderness and aggression. (Text Via)
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neroraven · 7 months
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Somewhere in northern Italy
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neroraven · 7 months
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Love? What does a crook know about love?
THE HANDMAIDEN (2016) dir. Park Chan-wook
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neroraven · 7 months
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she’s watching
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