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younvzs

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Sally Gall.  Thirst, 1999.  

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http://www.mbart.com/artists/89-anthony-lepore/works/

Blind Spot, 2013signed, dated and numbered versoarchival pigment print in artist’s frame50 x 40 inchesedition of 3 plus 2 artist’s proofs

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Cast of a dog killed by the eruption of Mount Vesuvius, Pompeii, 1874

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Laura Findlay (Canadian, b. 1984, Montreal, Canada, based Toronto, Canada) - Reflected Night Bat, 2017, Paintings: Oil on Board

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“Have you ever gazed at the center of a sunflower? / It’s so beautiful it should eat us. / Alive.”

— — Noor Hindi, from “Summertime,” DEAR GOD. DEAR BONES. DEAR YELLOW.

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blumarine spring 2024 ready-to-wear

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A Palestinian girl holds a candle in front of her home during a power cut at the Jabaliya refugee camp, Gaza. Electricity is reported to be cut for 12 hours every day as part of a mains power crisis as a result of political and economic instability on the Gaza Strip.  @Ali Noureldine 

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Léon Spilliaert (Belgian, 1881-1946), Maria-Hendrikapark and the water tower, Ostend, 1917. Watercolour and India ink on paper, 34.8 x 24.5 cm.

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Hatchlings✨

Watercolor on paper with pearlescent accents from Gansai Tambi watercolors.

For this solo show I wanted to create artworks with muted palettes and faded tones, to achieve a hazy feeling to the paintings. If you’d like to get high quality prints of your favorite piece from the exhibition, or maybe even an original painting, they are now available through Gallery Nucleus 💕

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my scans | elle magazine, ph. cass bird

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dysphoria

2019

cone 1 terracotta, glaze

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The Forerunner, 1894 by Eugène Trigoulet.

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Esaias van Hulsen Mezzotint Engravings, 1620

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“Bad Grapes” (2020), amethyst, aventurine, agate, garnet, pyrite, ruby in zoisite, tektite, tigereye, turquoise, serpentine, obsidian, blackstone, Indian unakite, labradorite, Sierra agate, red agate, black agate, serpentine, quartz, marble, amazonite, rhyolite, calcite, dalmation jasper, glass, steel and stainless steel pins, copper tube, and copper fittings, polystyrene. 59.5 x 90 x 54 inches. 

New York-based artist Kathleen Ryan harvests inspiration for her oversized sculptures from natural sources: cherry orchards, vineyards, and mineral mines below the earth’s crust. She’s known for her fruit pieces that appear to be covered in mold

Image courtesy of Kathleen Ryan and François Ghebaly, Los Angeles, by Marten Elder