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"kill them with kindness" wrong. WATERFOWL DANCE.

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If I won't see such dynamic in s2 I'm gonna be very disappointed...

#i dont really ship them but I do really love their dynamic #I pray we get more wolf enid #!!!!!

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TICHINA ARNOLD, MICHELLE WEEKS and TISHA CAMPBELL as Crystal, Ronette and Chiffon LITTLE SHOP OF HORRORS (1986)

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i heard theyre refilling the wet food bowl. not a bad place to get a bite to eat

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#i would let the pill dissolve my tongue #rather than talk to a tlok anti

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juri is simultaneously the coolest council member and the most pathetic. she effortlessly picks up literally any skill at prodigy-level. one of her closest friends is a twelve-year-old boy. she's so confident in her identity as a lesbian that she makes the girl characters question their sexualities by just existing. despite being good at literally everything her hobbies mostly consist of long, brooding showers and projecting her insecurities onto everyone around her through cryptic speeches and stories that are sometimes so cryptic that even characters WITHIN a show as weird as rgu don't know what the hell she's talking about. she is objectively incredibly awkward (Your Ball? My Ball) but given she's surrounded by a bunch of equally pretentious teenagers she just becomes much cooler by comparison. she sees through others' bullshit by accepting her own bullshit. girl is BUILT on a card house of lies that can blow away in the wind at any moment if her own stubbornness and denial were not singlehandedly tying it down. she's just as effortlessly a sopping wet cat as she is a Cool Girl™. need more people to understand this

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most characters in rgu seem like they more or less fit into the world that has been set up there (even if their “place” is not to have a place or to go to any length to flee their place). except for juri arisugawa, who was born to be a tragic woman in a gothic novel running through the wind-blown grasses in a fit of despairing rage, but forced to go to high school.

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The heavy surrealism in RGU used to frustrate me as a new viewer, but now, I think it's such an integral piece of Ikuhara's storytelling. Because to me, the absurdities of Ohtori Academy perfectly capture how it feels to live under an abuser.

We as outside observers naturally question why there's a baseball game happening during the Student Council meeting, or how thirty cars can magically spring up in the middle of the dueling arena. And yet, the characters hardly bat an eye. Utena initially struggles to make sense of the duelists, the Rose Bride, and the Castle Said to Hold Eternity, but the more she becomes absorbed in this system, the more normalized it becomes.

We viewers fall for this, too! Show someone almost any Utena scene out of context, and they're going to have questions. Did that guy drive his car through a second-story window? Why is this boy boxing with a kangaroo?? Where the hell did all those swords come from???

"Yeah, don't think too hard about the logic. That's just how things are at Ohtori, you know?"

It's debatable to what extent the characters can perceive the visual symbolism that Ikuhara presents to us. Nevertheless, Ohtori remains a very weird place. But abusers possess the sinister power of normalizing behavior that any outsider would find absurd and unacceptable. They can — quite literally, in Akio's case — project their own version of reality onto their victims.

When Anthy gives Akio her glasses at the end of episode 39, she's rejecting the version of reality that he's convinced her to believe. Through Utena's sacrifice, she can finally see her circumstances for what they truly are.

The exit to Ohtori was always there for Anthy, but like so many real life victims of abuse, sometimes the logistics of leaving aren't what's keeping you trapped. An abuser can make themselves your whole world, and sometimes the greatest challenge can be realizing just how small, confining, and batshit crazy their rules really are.

Abandoning the life an abuser has made for you can feel impossible from the inside. But then you catch a glimpse of something beyond, something that makes you look around and ask, "How did I think any of this was even remotely normal?" And suddenly, leaving starts to feel like the most natural thing in the world.

#good read

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The heavy surrealism in RGU used to frustrate me as a new viewer, but now, I think it's such an integral piece of Ikuhara's storytelling. Because to me, the absurdities of Ohtori Academy perfectly capture how it feels to live under an abuser.

We as outside observers naturally question why there's a baseball game happening during the Student Council meeting, or how thirty cars can magically spring up in the middle of the dueling arena. And yet, the characters hardly bat an eye. Utena initially struggles to make sense of the duelists, the Rose Bride, and the Castle Said to Hold Eternity, but the more she becomes absorbed in this system, the more normalized it becomes.

We viewers fall for this, too! Show someone almost any Utena scene out of context, and they're going to have questions. Did that guy drive his car through a second-story window? Why is this boy boxing with a kangaroo?? Where the hell did all those swords come from???

"Yeah, don't think too hard about the logic. That's just how things are at Ohtori, you know?"

It's debatable to what extent the characters can perceive the visual symbolism that Ikuhara presents to us. Nevertheless, Ohtori remains a very weird place. But abusers possess the sinister power of normalizing behavior that any outsider would find absurd and unacceptable. They can — quite literally, in Akio's case — project their own version of reality onto their victims.

When Anthy gives Akio her glasses at the end of episode 39, she's rejecting the version of reality that he's convinced her to believe. Through Utena's sacrifice, she can finally see her circumstances for what they truly are.

The exit to Ohtori was always there for Anthy, but like so many real life victims of abuse, sometimes the logistics of leaving aren't what's keeping you trapped. An abuser can make themselves your whole world, and sometimes the greatest challenge can be realizing just how small, confining, and batshit crazy their rules really are.

Abandoning the life an abuser has made for you can feel impossible from the inside. But then you catch a glimpse of something beyond, something that makes you look around and ask, "How did I think any of this was even remotely normal?" And suddenly, leaving starts to feel like the most natural thing in the world.

#good read

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I'm convinced it was a tragedy that tumblr learned the phrase "bury your gays" at the exact same time it decided that any fictional media darker than Landlord White was pearl-clutchingly problematic. Pouring one out for every creator of earnest LGBT+ media wanting to explore the themes of grief loss and tragedy who then got subsequently hounded by mobs of terminally online users brainrotted on nothing but conflict-free coffee shop AUs.

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that mythic dawn museum in skyrim is extremely funny. imagine if someone opened a bin laden museum in kansas and the owner said that his dad flew the 9/11 plane. also its in his one room house. i am standing on his bed

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hi i’m a skyrim bandit my favorite hobby is keeping 12 gold in novice locked chests that i do not own a key for

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Neopets, but make it Pokemon