Okay lol, I watched two more episodes, and I was proven wrong in some assumptions. Though that they had the characters (and audience) thinking along those lines with Mother's "pregnancy", is still irritating ...
The androids are still some of the most emotionally volatile characters in the show, for some strange reason, with the whole 'jealousy' arc etc.
WHY DID THEY NOT EVEN TRY CUTTING THE HEAD OFF THE SNAKE THING??
INSTEAD THEY TRIED TO KILL IT IN A WAY THAT UNDER ANY CIRCUMSTANCES WOULD HAVE A LOW SUCCESS RATE, AND THAT WOULD HAVE INTENTIONALLY WASTED SO MUCH RESOURCES (= THE SHIP AND BOTH ANDROIDS)??? (It was only completely unexpected chance that let the androids survive)
Because that was the smartest way the storyteller(s) could think to move the story forward to the tropical zone part??
Why does the crazy guy keep cheating death in the most ridiculous ways .......
I can't take any of the religious stuff seriously, so it frustrates me when so many characters do.
But I was glad the 'voice of Sol' seems to be artificial, as is the snake thing.
I'm still wondering how exactly the snake got into Mother, especially if it's in fact biotech ... I hope there will be answers :<
The birth and aftermath was seriously one of the most disturbing scenes I've seen in a WHILE ... well done T^T
A bit of classic classism there where Mother 'wonders' where all the artists and poets are in the Atheist collective, and Mary says something about how it's not the most sophisticated ones who survive ..... As if the survivors were inherently 'lowly' people and not shaped by their circumstances. Although maybe Mary was just projecting about herself ^^
I got really obsessed with Raised By Wolves (the scifi TV series), and I loved the first several episodes, but now I got to s01ep09 and I'm like ... whatttt :((((
I hope it'll develop in interesting directions still, since there's still one ep and the whole 2nd season for me to watch, though apparently it got cancelled before the full story really concluded, but:
Abortions are not possible for androids, apparently
A highly sophisticated and extremely powerful android is apparently incapable of viewing their programmed 'emotions' objectively and overriding them when necessary
What the fuck was the thing where the Swedish guy after beating up the crazy guy put Mother's eye in the crazy guy's mouth and made him crush it? Why?? Just as a way to conveniently take away her Necromancer powers, for the sake of the story?
Because apparently that's the point of the whole story now - to have an extremely powerful android (a Necromancer) that happens to be designed to look like a woman (reminding of 'Maria' from Metropolis), and then take away all her powers and reduce her to Female BiologyTM and The Only Actual Purpose Of A Female, Like, EverTM (bearing children biologically), Because That's The Thing That She Actually Truly Wants, Since She Is A Female You Know - Even Androids That Look Like Women Are Not Free From This Ha Ha Ha
The absolutely disgusting way Tempest "got to kill" the rapist, but in a terrifying and traumatizing way. As if she couldn't be allowed to kill him unless he was as threatening and dangerous and as close to doing the horrible thing again as possible, and she seemed as weak and powerless as possible.
Very confusing how quickly the crazy guy got fully into the religious shit after being an Atheist all his life ... I mean yeah they spent 13 years or so in the simulation, but his switch happened so quickly only after they landed on Kepler-22b. I'd almost expect there to be some explanation for why he went insane so fast, but somehow I doubt it T^T
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I got really obsessed with Raised By Wolves (the scifi TV series), and I loved the first several episodes, but now I got to s01ep09 and I'm like ... whatttt :((((
I hope it'll develop in interesting directions still, since there's still one ep and the whole 2nd season for me to watch, though apparently it got cancelled before the full story really concluded, but:
Abortions are not possible for androids, apparently
A highly sophisticated and extremely powerful android is apparently incapable of viewing their programmed 'emotions' objectively and overriding them when necessary
What the fuck was the thing where the Swedish guy after beating up the crazy guy put Mother's eye in the crazy guy's mouth and made him crush it? Why?? Just as a way to conveniently take away her Necromancer powers, for the sake of the story?
Because apparently that's the point of the whole story now - to have an extremely powerful android (a Necromancer) that happens to be designed to look like a woman (reminding of 'Maria' from Metropolis), and then take away all her powers and reduce her to Female BiologyTM and The Only Actual Purpose Of A Female, Like, EverTM (bearing children biologically), Because That's The Thing That She Actually Truly Wants, Since She Is A Female You Know - Even Androids That Look Like Women Are Not Free From This Ha Ha Ha
The absolutely disgusting way Tempest "got to kill" the rapist, but in a terrifying and traumatizing way. As if she couldn't be allowed to kill him unless he was as threatening and dangerous and as close to doing the horrible thing again as possible, and she seemed as weak and powerless as possible.
Very confusing how quickly the crazy guy got fully into the religious shit after being an Atheist all his life ... I mean yeah they spent 13 years or so in the simulation, but his switch happened so quickly only after they landed on Kepler-22b. I'd almost expect there to be some explanation for why he went insane so fast, but somehow I doubt it T^T
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In Out Of The Furnace, the specifics of Woody Harrelson's character and his scene were a bit random, though - i'm glad they'd edited out the more direct (and obviously misleading) references to the Ramapough Lenape Nation in the version I saw. (Except the surnames that 'happen to be' very common among the nation.)
it seems that part was unfortunately partly inspired by some racist made up stories in a real life murder case (an unarmed Ramapough tribe member killed by a park ranger) - check out the New Yorker article Fiction in the Ramapos by Ben McGrath.
I probably wouldn't have noticed those details at all if I hadn't read trivia about the movie - in the edited version post-lawsuit they are just an unspecified group of people from the Jersey Appalachians, which is all they need to be.
And it's not the point that those people would be 'bad' compared to other characters that would be 'good'.
The message is that everybody is fucked anyway - the different characters are just on different points in a spectrum of "trying to not fuck others <--> going all out on fucking others, too", to try to get ahead, to get justice, or just to survive, and failing nonetheless, because they're all fucked by forces far greater (class society, capitalism and the military-industrial complex basically!). :(
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