Chelsea Dingman, from "Psychogeography"
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Grassland's - Carla Vize-Martin
British , b. 1970 -
Acrylic on board , 18 x 18 in.
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Bellatrix
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I look at Ralph’s Voldemort and I don’t blame Bellatrix Lestrange
- submitted by anon.
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as i live and breathe, you have killed me
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what’s a good cutoff age for tumblr
no one should be on tumblr
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Into the Dark and Away
When you've learnt by heart the patterns on the carpet
The grain of the floorboards pressed flush against your cheek
When you've grown sick of counting the dust motes
Staring dazedly as they dance in the draft
And collect under the dresser
As so many discarded dreams
When you’ve bored yourself numb and blind
Stand up or perhaps crawl downstairs
Sneak through the window, into the unlit dawn
Light as a sigh, since no one is here to stop you
Heavy as a sob, for no one is here to stop you.
Through the garden, barefoot across the flower beds
Bending the pliant necks of your mother's tulips
Her ancient tabby cat, keeping watch from the parapet
Wailing and whining, rasping its bitter refrain
Won’t you wait, won’t you listen,
Won’t you please try and understand
You headstrong girl,
You silly girl,
You golden child
But it’s too late for pleading, you’ve been halfway gone a long time
So go for good,
Go over the fence and into the fields
Over the fence and away
Go and sleep under the willow tree
Where its long fingers will trace its sorrow upon you
There you might find rest and forget
Forget the lonely sound of the leaking faucet
Forget the unlived life
And even your own name
When the alarm clock rings with echoes of school bells
Tolling mercilessly, striking the hour
When the chirping of birds turns to nasty singsong
Twittering their teetering chant
When you haven’t closed your eyes in weeks
And yet morning still comes
And yet duty calls, clamoring for another ounce of courage
Another shred of surrender, another pound of your bloodless flesh
Open the backdoor, let the radio fry itself hoarse
Let the phone hang and cry its phony tune
Let the gate slam behind you, swaying on screeching hinges
The old house, full of ghosts, nagging and begging
Look back, turn back, come back
You stupid girl,
You lovely girl,
You small, small thing
But there is nothing anymore you wouldn't dare
Nothing now they can forbid
You’ve been halfway gone a long time
So go for good
Go, into the dark and towards the forest
Into the dark and away
Go and sleep under the walnut tree
Where breath is rare but the slumber is deep
There you might find rest and forget
Forget the taste of bile of every family meal
Forget the endless list of tasks
And even the grudges you keep
When you are all out of time, of hope, of composure
When you've crossed all the days, all the Ts
Dotted the Is and scratched them out in every Christmas picture
Spent the last of your restraint
And turned all the dials on the stove
Walk to the end of the driveway, to the end of the road
The tar still sticky with the day’s heat
The faces of the whole neighborhood,
Peering through curtains and keyholes
And that voice, sickly sweet, tugging at your sleeve
Pinching your upper arm
Telling you not to make a scene in public
The crunching gravel, coaxing and cajoling
Stay here, within reach
Stay near, within sight
Sit, stand, beg, play dead
Stay, stay, stay
You stubborn girl,
You dear girl
You odd duckling
For once, let it fall onto deaf ears
Go, through the thistle, through the thorns
Following the cool rustle of rushing water
You’ve been halfway gone a long time
So go for good
Go, beyond the bend and along the river
Beyond the bend and away
Go and sleep under the manchineel tree
Where every touch is seared and etched into your skin
There too you must sit still as the world eats at you
Each brush like the lash of a whip
But, at least, here you can ponder in peace
As patient as a boiling frog
Your head busy and buzzing
With thoughts sharper than a hornet's sting
You may think and think and forget
Forget the whistled scream of the hissing kettle
Forget the many reasons for your rage
And even the way home.
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a rainbow t-shirt in target won't turn your daughter gay but Cate Blanchett in nightmare alley will
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Ada Limón, from "The Unspoken"
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shy in my wonder like a first touch
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Your Odyssey
Wherever you are, wherever you’ve been
You can always come back
Things won’t be how you left them
You won’t walk back into youth
Wear your high school running shoes
And feel hopeful and thoughtless as you once did
Playing fast and loose, with the wind in your hair
No, things won’t be how you left them
But they will be there still
You will get another chance
Not the same chance
Nothing ever returns unchanged
You will bathe in the river again
Its waters aged with a few trips from oceans to clouds
I will be there, if that is what you choose
Not a girl anymore
Walking fast and always chanting in a whisper
There’ll be aches in my bones and lines on my face
At the corners of those eyes
That used to look at you with a dark fascinated glimmer
Having softened and at last, learnt a little forgiveness,
I’ll stand by the doorway underneath the wind chime
Or sit on a bench in my garden
Among flowers and creeping vines
Waiting, as though I’ve heard you coming from way over the hill
From miles and miles away.
I heard the very first step you took in my direction
And each one after that
Like a low drum beating
A bell toll in the distance
Singing the grief of funerals, and the glee of weddings
Not all is lost, but not much is new
The roads you walk you have walked before
And now, with the soles of your boots worn thin
You feel every curve, every groove of the uneven ground
It costs you
To witness it all again
The pain you’ve caused and the pain you’ve endured
At nineteen or twenty you couldn’t see or didn’t care
Now you have to wade in it, knee-deep and with laboring breath
But the mud won’t swallow you
The wind chime calls
You will strain out of it, mired and somehow cleansed
Ready for the last stretch of your journey
I can see it, this past-meddled future
I can see the circle coming to a close
I’d look up from my book just as you reach the gate
You’d be changed too, but I’d recognize you anywhere,
In any night, in any dream
You’d step in the garden and sit next to me
Both silent in the afternoon sun
No words. No words. But a shared breath at last
The war drum and the church bell would cease
Having mourned the bloodshed and the wasted years
You would be here to stay
Tired of your travels and errancy
Like Ulysses after many misfortunes
Finally reaching the shore of home
Or perhaps having washed up for the last time
And resigned to grow old with Circe.
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Oh oui, Bellamort uprising ! 😈😍
Bon, l'immense majorité des gens qui me suivent ici sont anglophones. Mais si, par hasard, un potterhead francophone intéressé par le Bellamort passe par ici, vous saurez à présent qu'en effet, j'écris du Bellamort et je me suis depuis peu inscrite sur Ao3 !
Et si vous même vous écrivez sur the ship to end all ships, signalez vous !
Hellooo
La team Bellamort en français, où êtes vous ?!!
@josy57 est là heureusement ❤️
Mais sinon on est vraiment pas nombreuses ? Dans la sphère francophone, surtout.
il va parfois y avoir des aspects de ce ship dans telle ou telle fic, mais en général c'est secondaire dans l'histoire.
Soyons toujours plus 'nombreuses à écrire en français sur eux deux !!!
J'ai besoin de plus de fic qui se centrent autour d'eux ❤️😈
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