Outbreaks
by Kitchen McKeown
i search for god but the sun is a penny.
looper moths form halos beneath the streetlamps.
summer’s ghostly curtains. check the weather.
haze. i search for god but the moon is gone.
i search for comfort, and the eels come.
they cross my meadow every twilight,
up to seven feet in length, traversing
mountain napes with open eager mouths.
the fires heaved them from the rivers,
now they curve themselves across
the precipice of life, toward black oceans.
haunted yellow eyes. looper moths
become a gentle cloud. i become an eel,
then rethink it. i cough. reveal a wet moth.
some gray little heart. it’s all hazy now.
pale as sunbleached wood, i go forth.
in a slant of moonlight, i search for comfort.
the neon 24-hour fried chicken sign
gleams behind the pines.
i crawl in the moss. it is easy to find god.
she is a cluster of eels beneath my palms.
i ask of her, am i doing any of this life right?
and she, with her many mouths,
says nothing.
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richard siken’s new poem in the new yorker—at the link, you can hear him read it in full
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This Morning I Pray for My Enemies
by Joy Harjo
And whom do I call my enemy?
An enemy must be worthy of engagement.
I turn in the direction of the sun and keep walking.
It’s the heart that asks the question, not my furious mind.
The heart is the smaller cousin of the sun.
It sees and knows everything.
It hears the gnashing even as it hears the blessing.
The door to the mind should only open from the heart.
An enemy who gets in, risks the danger of becoming a friend.
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Samhain by Annie Finch
The Celtic Halloween
In the season leaves should love,
since it gives them leave to move
through the wind, towards the ground
they were watching while they hung,
legends says there is a seam
stitching darkness like a name.
Now when dying grasses veil
earth from the sky in one last pale
wave, as autumn dies to bring
winter back, and then the spring,
we who die ourselves can peel
back another kind of veil
that hangs among us like thick smoke.
Tonight at last I feel it shake.
I feel the nights stretching away
thousands long behind the days,
till they reach the darkness where
all of me is ancestor.
I turn my hand and feel a touch
move with me, and when I brush
my young mind across another,
I have met my mother's mother.
Sure as footsteps in my waiting
self, I find her, and she brings
arms that have answers for me,
intimate, a waiting bounty.
"Carry me." She leaves this trail
through a shudder of the veil,
and leaves, like amber where she stays,
a gift for her perpetual gaze.
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The Cats of Kilkenny by Anonymous
There were once two cats of Kilkenny,
Each thought there was one cat too many;
So they fought and they fit,
And they scratched and they bit,
Till, excepting their nails
And the tips of their tails,
Instead of two cats, there weren’t any.
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The Book and I by Stephen Dunn
Already I lived in an unmanaged world--
from a book I needed something different.
And along the way it wouldn't hurt,
I kept thinking, if I could please, please,
be enthralled. I put it down--
the merciful language you use
when you've decided the poor dog
would be better off dead. I put the book down
and began to clip the coleus. I made
some long-overdue calls to my relatives,
old attempts at reining in the chaos.
The book remained on the coffee table,
its characters as good as gone, the plod
of their progress now forever curtailed.
They had been sad characters, but in a book
I wanted sadness tuned so it might
give pleasure, I wanted it oddly funny,
or to brilliantly unsettle my heart.
These characters were only sad,
the father cruel but undriven
by any flaws I might share, the son--
like the author--unreliably unreliable.
Some books fail so maddeningly
I've tossed them across the room,
which means they'd been loved
until they broke some big promise,
or forgot one was made.
This book I just wanted to go
quietly, perhaps to some yard sale.
There'd be no afterlife for it, no,
no place for it even on the highest,
out-of-sight shelf in the house.
After all, the others were up there,
my chosens, all spine and substance.
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dinosaurs in the hood by Danez Smith
let’s make a movie called Dinosaurs in the Hood.
Jurassic Park meets Friday meets The Pursuit of Happyness.
there should be a scene where a little black boy is playing
with a toy dinosaur on the bus, then looks out the window
& sees the T. rex, because there has to be a T. rex.
don’t let Tarantino direct this. in his version, the boy plays
with a gun, the metaphor: black boys toy with their own lives
the foreshadow to his end, the spitting image of his father.
nah, the kid has a plastic brontosaurus or triceratops
& this is his proof of magic or God or Santa. i want a scene
where a cop car gets pooped on by a pterodactyl, a scene
where the corner store turns into a battleground. don’t let
the Wayans brothers in this movie. i don’t want any racist shit
about Asian people or overused Latino stereotypes.
this movie is about a neighborhood of royal folks–
children of slaves & immigrants & addicts & exile–saving their town
from real ass dinosaurs. i don’t want some cheesy yet progressive
Hmong sexy hot dude hero with a funny, yet strong, commanding
Black girl buddy-cop film. this is not a vehicle for Will Smith
& Sofia Vergara. i want grandmas on the front porch taking out raptors
with guns they hid in walls & under mattresses. i want those little spitty
screamy dinosaurs. i want Cecily Tyson to make a speech, maybe two.
i want Viola Davis to save the city in the last scene with a black fist afro pick
through the last dinosaur’s long, cold-blood neck. But this can’t be
a black movie, this can’t be a black movie. this movie can’t be dismissed
because of its cast or its audience. this movie can’t be metaphor
for black people & extinction. This movie can’t be about race.
this movie can’t be about black pain or cause black pain.
this movie can’t be about a long history of having a long history with hurt.
this movie can’t be about race, nobody can say nigga in this movie
who can’t say it to my face in public. no chicken jokes in this movie.
no bullet holes in the heroes. & no one kills the black boy, & no one kills
the black boy. & no one kills the black boy. besides, the only reason
i want to make this is for the first scene anyway: little black boy
on the bus with his toy dinosaur, his eyes wide & endless
his dreams possible, pulsing, & right there.
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A Conference by Renee and Theodore Weiss
“Everyone in this room
knows at least two languages.”
The same languages
being known become different?
Twenty-two everyones
knowing forty-four languages?
Forty-four ways of
arguing about the same thing?
Forty-four ways of
making the same thing strange?
A new language flowers:
the forth-fifth? the sixtieth?
But a new language
as every poem is meant to be?
Everyone in the room
knows at least two languages.
Everyone in the room
longs to be free of language.
Everyone in the room
longs to be free of the room.
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Montaigne by W.H. Auden
Outside his library window he could see
A gentle landscape terrified of grammar,
Cities where lisping was compulsory,
And provinces where it was death to stammer.
The hefty lay exhausted. O it took
This donnish undersexed conservative
To start a revolution, and to give
The Flesh its weapons to defeat the Book.
When devils drive the reasonable wild,
They strip their adult century so bare,
Love must be regrown from the sensual child.
To doubt becomes a way of definition,
Even belles lettres legitimate as prayer,
And laziness an act of pure contrition.
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On the Dunes by Sara Teasdale
If there is any life when death is over,
These tawny beaches will know much of me,
I shall come back, as constant and as changeful
As the unchanging, many-colored sea.
If life was small, if it has made me scornful,
Forgive me; I shall straighten like a flame
In the great calm of death, and if you want me
Stand on the sea-ward dunes and call my name.
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A Poem for My Librarian, Mrs. Long by Nikki Giovanni
(You never know what troubled little girl needs a book)
At a time when there was no tv before 3:00 P.M.
And on Sunday none until 5:00
We sat on front porches watching
The jfg sign go on and off greeting
The neighbors, discussing the political
Situation congratulating the preacher
On his sermon
There was always the radio which brought us
Songs from wlac in nashville and what we would now call
Easy listening or smooth jazz but when I listened
Late at night with my portable (that I was so proud of)
Tucked under my pillow
I heard nat king cole and matt dennis, june christy and ella fitzgerald
And sometimes sarah vaghan sing black coffee
Which I now drink
It was just called music
There was a bookstore uptown on gay street
Which I visited and inhaled that wonderful odor
Of new books
Even today I read hardcover as a preference paperback only
As a last resort
And up the hill on vine street
(The main black corridor) sat our carnegie library
Mrs. Long always glad to see you
The stereoscope always ready to show you faraway
Places to dream about
Mrs. Long asking what you are looking for today
When I wanted Leaves of Grass or alfred north whitehead
She would go to the big library uptown and I now know
Hat in hand to ask to borrow so that I might borrow
Probably they said something humiliating since southern
Whites like to humiliate southern blacks
But she nonetheless brought the books
Back and I held them to my chest
Close to my heart
And happily skipped back to grandmother's house
Where I would sit on the front porch
In a gray glider and dream of a world
Far away
I love the world where I was
I was safe and warm and grandmother gave me neck kisses
When I was on my way to bed
But there was a world
Somewhere
Out there
And Mrs. Long opened that wardrobe
But no lions or witches scared me
I went through
Knowing there would be
Spring
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“A Woman’s Place” by Denice Frohman
i heard a woman becomes herself
the first time she speaks
without permission
then, every word out of her mouth
a riot
say, beautiful
& point to the map of your body
say, brave
& wear your skin like a gown or a suit
say, hero
& cast yourself in the lead role
///
when a girl pronounces her own name
there is glory
when a woman tells her own story
she lives forever
all the women i know are perennials–
marigolds, daffodils
soft things that refuse to die
i don’t come from anything tamed or willing
i come from soil flossed with barbed wire
meaning, abuela would cuss you out
with the same breath she kissed
you with her bood
a wild river
my mother doesn’t rely on instruction manuals
or men nor does she equate the two
can fix anything
if you get out of her way
says the best technology
is her own two hands
///
but once, i dreamed i had no teeth
just a mouth to hold
other people’s things
if this poem is the only thing that survives
me
tell them i grew a new tongue
tell them i built me a throne
tell them when we discovered life on another planet
it was a woman
& she built a bridge, not a border
got god & named gravity
after herself.
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Re-reading Jane by Anne Stevenson
To women in contemporary voice and dislocation
she is closely invisible, almost an annoyance.
Why do we turn to her sampler squares for solace?
Nothing she saw was free of snobbery or class.
Yet the needlework of those needle eyes...
We are pricked to tears by the justice of her violence:
Emma on Box Hill, rude to poor Miss Bates,
by Mr. Knightley's were she your equal in situation--
but consider how far this is from being the case
shamed into compassion, and in shame a grace.
Or wicked Wickham and selfish pretty Willoughby,
their vice pure avarice which, displacing love,
defiled the honour marriages should be made of.
She punished them with very silly wives.
Novels of manners? Hymeneal theology!
Six little circles of hell, with attendant humours.
For what do we live but to make sport for our neighbors
And laugh at them in our turn? The philosophy
paused at the door of Mr. Bennet's century;
The Garden of Eden's still there in the grounds of Pemberley.
The amazing epitaph's 'benevolence of heart'
precedes 'the extraordinary endowments of her mind'
and would have pleased her, who was not unkind.
Dear votary of order, sense, clear art
and irresistible fun, please pitch our lives
outside self-pity we have wrapped them in
and show us how absurd we'd look to you.
You knew the mischief poetry could do.
Yet when Anne Elliot spoke of its misfortune
to be seldom safely enjoyed by those who
enjoy it completely, she spoke for you.
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Instinct by Edith Sodergran
My body is a mystery.
As long as this brittle thing is alive
you will feel its power.
I will save the world.
That is why Eros’ blood is coursing through my lips
and Eros’ gold runs through my tired curls.
I need only to look,
weary or in pain: the earth is mine.
When I lie exhausted on my bed
I know: in this weakened hand lies the fate of the earth.
It is power that trembles in my shoe,
it is power that moves in the folds of my dress,
and it is power, fearing no abyss, that stands before you.
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My Daughter and Apple Pie by Raymond Carver
She serves me a piece of it a few minutes
out of the oven. A little steam rises
from the slits on top. Sugar and spice--
cinnamon--burned into the crust.
But she's wearing these dark glasses
in the kitchen at ten 'clock
in the morning--everything nice--
as she watches me break off
a piece, bring it to my mouth,
and blow on it. My daughter's kitchen,
in winter. I fork the pie in
and tell myself to stay out of it.
She says she loves him. No way
could it be worse.
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Winter Pages by Andrew D. Scrimgeour
So much can be heard
in the stillness
of the snow-swept slopes
of an open book
A train laboring its way across
the Siberian hinterland as trees
hold out napkins of snow to
Zhivago and his fellow passengers
The wind lashing the Overlook Hotel
high in the Colorado Rockies
as a limping man chases small foot-
prints in the drifting snow
Carols warming the Christmas Eve
night in Godric's Hollow as
Harry and Hermione brush snow
off tombstones in the church yard
Where a spring thaw may be just a
page-turn away.
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When You Are Old by W.B. Yeats
When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
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