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garlique · 2 days
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this was posted on boston area lex last week and there was almost NO backlash (except for me and one other person) for this couple literally looking to pay for someone's labor in cuddles. I really feel like this should have prompted a public shaming of some sort because my god
[ID: Lex screenshot. Title reads: Platonic exec. functioning 3rd. Body text reads: We're a fantastic, loving neurofestive couple in our late 30's, offering emotional intimacy, couch snuggle piles and fun adventures in exchange for your life organizational skills like dishes and calling to see why the insurance claim was denied. All together we are unstoppable! End ID]
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garlique · 3 days
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wikipedia article on human senses for definitions and clarification
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See more
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my adblocker prevented the nyt from loading the paywall banner so all i got was this
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garlique · 3 days
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the beatles are an infuriating band to me as a relentless contrarian. liking them is cliche, hating them is cliche, being indifferent towards them is cliche. it's impossible to have an novel or interesting take on the beatles in current year. like how am i supposed to win here?
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garlique · 3 days
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do you have time to talk about our lord and saviour? (Aaron paul in drag)
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garlique · 4 days
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I untied her. I guess you're not as persuasive as you thought.
SCREAM (2022) dir. matt bettinelli-olpin and tyler gillett
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garlique · 4 days
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“After a performance, I came out into the lobby where a middle-aged Dutch woman was waiting to see me. She politely inquired, “What is Hans doing now?” I responded, “Who do you mean by Hans?” “Hans Buruma, my husband,” she said. As she explained it, Hans Buruma was once in charge of mail delivery at the Amsterdam Central Post Office. Three years before, he had attended Heretics (Jashumon), a guest production from Tokyo presented by my theatre troupe at the Mickery Theater. Just after the play began, two men masked in black leaped down into the audience area, grabbed her husband by the arms, and forcibly dragged him up onto the stage. Once onstage, Hans was dressed in a costume and made up, and before he knew it, he had become a character in the play. At least two times during the course of the play, she clearly saw her husband joining other characters who together pulled the ropes. He seemed to be enjoying himself. But when the play was over, Hans never returned to his seat in the audience. The wife waited for two hours, then went to the dressing room, but the members of the company had already returned to the hotel. That night, Hans failed to come home. After two more nights, he still hadn’t returned. By then, the company had left Holland and moved on to West Germany. She thought he had joined the company, that “they hired Hans for his acting skill.” She thought, “My husband is in the play.” Now. after three years had passed, she was pleading with me, “Please give me back my husband.” I had to tell her that I had never heard this story before. Neither I nor anyone in the company knew a middle-aged Dutchman named Hans Buruma. There was no evidence indicating that such a person had been with us during the past three years. When I told her that I didn’t know him, she was on the verge of tears. “Then where is Hans?” she asked. Three years ago–one middle-aged male post-office delivery worker evaporated into our play. In this case, we cannot distinguish where the drama ends and reality begins.”
— Shuji Terayama, The Labyrinth and the Dead Sea: My Theatre, translated by Carol Sorgenfried in Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji
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garlique · 4 days
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will never forget the psych episode where shawn & juliet are about to leave for a couples retreat and gus came to see them off (bc ofc he did) and juliet asks “are you guys going to be ok going to days without each other?”, shawn throws up the call me sign, and all by myself plays while gus stands alone in the parking lot. spoiler — they could NOT go two (2) whole days without each other
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