I audition for the role of Ophelia.
Ophelia might be 18. She might be 25. We don’t know. We know she’s young and pretty. I’m 27 and fairly pretty. I’m not young.
The director says he won’t cast someone who “looks” older than 25. I know this means he won’t cast someone who looks older than he thinks 25-year-olds look like.
The truth is, your face when you’re 27 is the same face as when you’re 25. The truth is, your face when you’re 25 is usually the same as when you’re 23. It changes sometime in the night when you’re 21.
Your face when you’re 20 is your face when you’re 18 is usually very close to your face when you’re 16. But when you audition for a 16-year-old when you’re 16, you lose the role to someone who’s 25.
You realize that all of those teenagers you watched in movies growing up were adults. They needed to be beautiful. They needed to be desired. Not awkward, growing, acne, baby fat cheeks.
That’s why you never looked like them. You wanted so badly to look like them.
Now 27 is too old for 25 and you spent your life waiting to look old enough to look young until you’re too old to look your age.
I lie. He can’t tell whether I’m 23-25-27 or whatever age at which a woman is disqualified.
I get the role. I meet the actor playing Hamlet. He’s 45. I meet the actress playing Hamlet’s mother, and she’s 30.
God forbid a woman looks like she was born before she gave birth.
Imagine if she looked like a mother.
Would Ophelia like to be a mother?
Would she have to look like one? With stretch marks and tired eyes from late nights nursing her baby?
Would she have to grow up?
Luckily for Ophelia, she drowns before she gets the chance.
Luckily for me, I still look young enough for the audience to care.
Ophelia and I leave behind a perfect corpse. And happily, because who leaves flowers at a grave with crows feet and smiles lines?
The play is a tragedy, so we don’t smile much, anyway. Luckily.
The people will cry because I’m worthy enough to die,
and happy Ophelia will never become too old to play herself.
—
Ophelia— a somewhat lazy poem I recently found buried in my notes app.
20K notes
·
View notes
You know what’s astonishing about Katara? She grew up in a world without bending.
It’s not surprising that Sokka calls her bending ‘magic water’ in the first episode. It might as well have been magic to them at that point; they had never seen it in practice until they meet Aang.
So not only did Katara not have any teachers, she didn’t have any kind of guidance, no visual aids, no idea of how bending is supposed to look or work. The first time she ever sees actual waterbending movements is when she steals the waterbending scroll from the pirates. The first time she meets another waterbender is when she reaches the North Pole, where within weeks she outmasters pretty much everyone and goes on to teach the Avatar.
Everything she does is so incredibly impressive, and yet I can’t help but feel the most proud of her when she catches a fish on that little boat.
10K notes
·
View notes
so judging by how astonished people are by it every time we explain it to anybody, it seems like my wife and I might really be onto something here
during the pandemic, we invented something we call "astronaut time."
when it's astronaut time, it's like we are two astronauts wearing the big helmets, moving around the station on totally separate tasks. one of us is outside the space station and one of us is inside the space station. our radios do not work and we have no way of communicating with each other. we might see each other through the lil porthole windows, but we ignore each other because we both have different things to do.
"astronaut time" is how we get total privacy when we live in the same apartment. I will pretend you don't exist. You will pretend I don't exist. we have a nonverbal, zero-contact signal for when astronaut time is over (usually "I'll draw a smiley-face on the whiteboard in the kitchen when I'm done"). No talking, stay out of each other's line of sight, we are actively avoiding each other, unless you are currently experiencing a medical emergency goodbye.
it has been. a godsend. imagine living with your partner and being able to close every single tab in your brain related to social interaction. no fear of being interrupted by a "hey, quick question--" or "sorry to bother you, but do you know where the scissors are?" or "did you want something to eat, too?" Once or twice a month, we look at each other lovingly, hold hands, and say "baby I think I need some astronaut time tonight," and the other person goes "okay cool. bye! have a nice night!" and nobody's feelings are hurt and we both go and have a lovely evening completely by ourselves.
like idk it's a small thing but it's made our lives so much nicer, so if you and your partner/roommate are both people who sometimes need total privacy in order to recharge, maybe try it
95K notes
·
View notes
100 trans/genderqueer musicians
Bands
Against Me! (rock, folk punk) (x)
The Oozes (punk) (x)
The Hirs Collective (metal, grindcore) (x)
GEL (hardcore punk) (x)
Urn (hardcore punk) (x)
The Black Dresses (noise pop, hardcore hyperpop) (x)
Party Ghost (rock) (x)
Lagrimas (hardcore punk, scream punk) (x)
Doll Skin (rock) (x)
Dazey and the Scouts (rock, indie) (x)
G.L.O.S.S. (hardcore punk) (x)
Dog Park Dissidents (punk rock) (x)
She/Her/hers (rock) (x)
Deli Girls (hardcore electronic) (x)
Dream Nails (punk rock) (x)
Sarah and the Safe Word (rock, dark cabaret) (x)
Pinkie Promise (punk rock) (x)
B. Fraser (emo) (x)
Newgrounds Death Rugby (emo) (x)
Scowl (hardcore punk) (x)
Feminazgul (black metal) (x)
Sports Bra (dream pop, light rock) (x)
Club Sofa (indie pop) (x)
The Cost ov Living (grindcore, harsh noise) (x)
Kuromy (punk) (x)
The Sonder Bombs (indie, pop) (x)
Lidocaine (rock) (x)
I'm letting unseen forces take the wheel (cybergrind) (x)
Gum Disease (punk) (x)
Cam Girl (rock, trash rock) (x)
Gully Boys (grunge pop) (x)
Arcadia Grey (sparkle punk) (x)
Schmekel (folk punk) (x)
Destructo Disk (punk rock) (x)
User Unauthorized (hardcore punk) (x)
The Spook School (indie pop) (x)
Pinkshift (emo) (x)
Glass Beach (emo) (x)
Butch Baby (light rock) (x)
VIAL (indie punk) (x)
Sister Wife Sex Strike (folk punk) (x)
homewrecker. (metal, hardcore punk) (x)
Mega Mango (indie rock) (x)
Keep For Cheap (prarie rock) (x)
Steam Powered Giraffe (cabaret, steampunk) (x)
Thotcrime (grindcore, cybergrind) (x)
Whirlybird (indie pop) (x)
Kampsport (hardcore punk) (x)
Um Jennifer? (alt-rock, punk) (x)
Scarlet Demore (alt-rock) (x)
HappyHappy (folk, folk-punk) (x)
Queen Zee (punk) (x)
Grumpy Plum (slop pop) (x)
Cheap Perfume (punk) (x)
Pollyanna (power-pop, rock) (x)
Ballista (metalcore) (x)
Faetooth (fairy doom, metal) (x)
Lacerated (death metal) (x)
Fortuna Malvada (hardcore punk) (x)
Peach Rings (bedroom power-pop) (x)
Solo Artists
Laura Jane Grace (rock, folk punk) (x)
Left at London (pop) (x)
ZAND (pop, ugly pop) (x)
Ada Rook (hardcore electronic) (x)
Ms. White (pop) (x)
Rett Madison (indie, folk) (x)
Murder Person for Hire (folk) (x)
Backxwash (rap, industrial hip hop) (x)
LustSickPuppy (electronic, rap) (x)
Babylungs (electronic, rap) (x)
Human Kitten (folk punk) (x)
Harley Poe (folk punk) (x)
Ewy (emo, folk punk) (x)
Averstaskta (instrumental) (x)
Andie Schoen (indie) (x)
Elliot Lee (dark pop, electronic rock) (x)
Urias (hip hop, ballroom) (x)
Twink Obliterator* (cybergrind) (x)
Rio Romeo (cabaret punk, indie) (x)
Knife Girl (art pop, indie) (x)
Alexander James Adams (folk) (x)
Starmaxx (pop) (x)
Sofya Wang (pop, alt-R&B) (x)
Boy Jr (indie/alt pop) (x)
Medusa (revenge pop, hip-hop) (x)
Mal Blum (singer-songwriter, folk) (x)
Gina Young (riot grrrl) (x)
Petra Fiyd (indie pop) (x)
awfultune (bedroom pop) (x)
Quinn Hills (alternative pop) (x)
Femtanyl (electronic) (x)
Vivivivivi (electronic, glitchcore) (x)
Lilac Boy (glitchcore) (x)
Rosie Tucker (indie rock) (x)
Ryan Cassata (singer-songwriter) (x)
Pain Chain (noise, synth) (x)
In Love With A Ghost (electronic, lo-fi) (x)
Alice Longyu Gao (hyperpop) (x)
Prophetic Nightmares (ambient synthwave) (x)
Saint Wellesley (indie folk) (x)
15K notes
·
View notes