RENÉ MAGRITTE / “LA MÉDITATION” / 1936
[oil on canvas | 50 x 65 cm.]
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Rachel Harrison
Legendary Red, 2021
Wood, steel, polystyrene, cement, cardboard, chicken wire, wool blanket, acrylic, and Rice Chex cereal box
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two 2014 Japanese stamps from a series on fruits and vegetables
[id: two postage stamps, both with detailed illustrations of fruits. the left depicts five cherries while the right depicts a single peach. end id]
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“DESIGN: BACK COVER of L’EVANGILE DE NOTRE SEIGNEUR JESUS-CHRIST SELON SAINT PIERRE”
CARLOS SCHWABE // 1895
[watercolor over graphite with partial gilding; partially outlined with pen and black ink | 34.3 × 26 cm.]
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Opening on November 11. Jimmy DeSana: Submission.
Jimmy DeSana reintroduced the body and sexuality into the conceptual photographic practices of the late 1960s and early 1970s, helping to elevate the medium within the contemporary art world.
In what will be the first museum survey of DeSana’s work, this exhibition will feature more than two hundred works, which trace a career that bridged mail-art networks, New York’s 1970s punk and No Wave subcultures, the illuminating image-play of the “Pictures Generation,” and the various artistic and affective responses to the beginning of the HIV/AIDS epidemic.
Learn more about this upcoming exhibition at the link below. #JimmyDeSanaBkM
🔗 https://bit.ly/39I63qC
📷 Jimmy DeSana (American, 1949–1990). Marker Cones, 1982. Chromogenic print, 21 ¾ × 26 in. (55.3 × 66 cm). Courtesy of the Estate of Jimmy DeSana. © Estate of Jimmy DeSana
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“THE GOOD MOTHER” (DETAIL)
from THE WOVEN CHILD
LOUISE BOURGEOIS // 2003
[fabric, thread, stainless steel, wood & glass | 109.2 x 45.7 x 38.1 cm.]
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