Adam Cruces, Shadow from the Forest, 2023, Ghillie suit, plastic skeleton, curtains, curtain rod, 184 x 143 x 36 cm
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Roberto de Pinto, Basalto, Encaust, oil and pastel on canvas, 135 x 90 cm, 2022.
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Roberto De Pinto, I baffi (delicato definirsi), Encaust, oil and pastel on canvas, 180 x 135 cm, 2022.
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Le merendine di quand'ero bambino non torneranno più! I pomeriggi di Maggio! Mamma! Mia madre non tornerà più! Il brodo di pollo quand'ero malato, gli ultimi giorni di scuola prima delle vacanze...
Palombella Rossa, Nanni Moretti (1989)
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Flier for Tiny Events by Poets at Longview Country Club (annex to Max's Kansas City), NYC, November 17, 1968.
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John Giorno Machine Readings Stop, Fischbach Gallery, New York City, NY, October 27, 1966
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William S. Burroughs with a claw-hand glove in front of Giorno's Life Is a Killer poem painting at the Bunker, New York City, September 1989.
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Handbag shop window, 1966. From the Budapest Municipal Photography Company archive.
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John Giorno giving a reading at St. Mark’s Church, New York, April 28, 1974. Photo: © Gianfranco Mantegna
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From: John Giorno, Archive of Dial-A-Poem, 1968/2012 [MoMA, New York, NY. © 2022 John Giorno]
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John Giorno, Zona non profit art space, Firenze, 1974/1985
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La Monte Young with Tony Conrad, John Cale, Marian Zazeela *** Invitation to 1964 Performance of ‘The Tortoise Recalling the Drone…’ by the Theater of Eternal Music. Designed by Marian Zazeela.
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Hans Haacke. The Invisible Hand of the Market, 2009.
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Yoshitomo Nara: Untitled sketch (2011) ballpoint pen on paper
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