Defining the Problem
I can’t forgive you. Even if I could,
You wouldn’t pardon me for seeing through you.
And yet I cannot cure myself of love
For what I thought you were before I knew you.
0 notes
If Life Is As Short As Our Ancestors Insist It Is, Why Isn’t Everything I Want Already At My Feet
if I make it to heaven, I will ask for all of the small pleasures
I could have had on earth. And I’m sure this will upset
the divine order. I am a simple man. I want, mostly,
a year that will not kill me when it is over.
A hot stove and a wooden porch, bent under
the weight of my people. I was born, and it only got worse
from there. In the dead chill of a doctor’s office,
I am told what to cut back on and what to add more of.
None of this sounds like living. I sit in a running
car under a bath of orange light and eat the fried chicken
that I promised my love I would stray from
for the sake of my heart and its blood
labor. Still, there is something about the way a grease
stain begins small and then tiptoes its way along
the fabric of my pants. Here, finally, a country
worth living in. One that falls thick from whatever
it is we love so much that we can’t stop letting it kill
us. If we must die, let it be inside here. If we must.
1 note
·
View note
Dedication
It’s true I never write, but I would gladly die with you.
Gladly lower myself down alone with you into the enormous mouth
that waits, beyond youth, beyond every instant of ecstasy, remember:
before battle we would do each other’s makeup, comb each other’s
hair out
saying we are unconquerable, we are terrible and splendid—
the mouth waiting, patiently waiting. And I will meet you there
again
beyond bleeding thorns, the endless dilation, the fire that alters
nothing;
I am there already past snowy clouds, balding moss, dim
swarm of stars even we can step over, it is easier this time, I promise—
I am already waiting in your personal heaven, here is my hand,
I will help you across. I would gladly die with you still,
although I never write
from this gray institution. See
they are so busy trying to cure me,
I’m condemned—sorry, I have been given the job
of vacuuming the desert forever, well, no more than eight hours
a day.
And it’s really just about a thousand miles of cafeteria;
a large one in any event. With its miniature plastic knives,
its tuna salad and Saran-Wrapped genitalia will somebody
please
get me out of here, sorry. I am happy to say that
every method, massive pharmaceuticals, art therapy
and edifying films as well as others I would prefer
not to mention—I mean, every single technique
known to the mouth—sorry!—to our most kindly
compassionate science is being employed
to restore me to normal well-being
and cheerful stability. I go on vacuuming
toward a small diamond light burning
off in the distance. Remember
me. Do you
remember me?
In the night’s windowless darkness
when I am lying cold and numb
and no one’s fiddling with the lock, or
shining flashlights in my eyes,
although I never write, secretly
I long to die with you,
does that count?
0 notes
Your Night Is of Lilac
The night sits wherever you are. Your night
is of lilac. Every now and then a gesture escapes
from the beam of your dimples, breaks the wineglass
and lights up the starlight. And your night is your shadow—
a fairy-tale piece of land to make our dreams
equal. I am not a traveler or a dweller
in your lilac night, I am he who was one day
me. Whenever night grew in you I guessed
the heart’s rank between two grades: neither
the self accepts, nor the soul accepts. But in our bodies
a heaven and an earth embrace. And all of you
is your night ... radiant night like planet ink. Night
is the covenant of night, crawling in my body
anesthetized like a fox’s sleepiness. Night diffusing a mystery
that illuminates my language, whenever it is clearer
I become more fearful of a tomorrow in the fist. Night
staring at itself safe and assured in its
endlessness, nothing celebrates it except its mirror
and the ancient shepherd songs in a summer of emperors
who get sick on love. Night that flourished in its Jahili poetry
on the whims of Imru’ el-Qyss and others,
and widened for the dreamers the milk path to a hungry
moon in the remoteness of speech ...
0 notes
A Palestinian boy, whose house was destroyed in the summer of 2014, lies on a tree in the Johar al-Deek neighbourhood in central Gaza City on May 7, 2015. (Mohammad Abed/AFP/Getty Images)
2K notes
·
View notes
Before I Was a Gazan
I was a boy
and my homework was missing,
paper with numbers on it,
stacked and lined,
I was looking for my piece of paper,
proud of this plus that, then multiplied,
not remembering if I had left it
on the table after showing to my uncle
or the shelf after combing my hair
but it was still somewhere
and I was going to find it and turn it in,
make my teacher happy,
make her say my name to the whole class,
before everything got subtracted
in a minute
even my uncle
even my teacher
even the best math student and his baby sister
who couldn’t talk yet.
And now I would do anything
for a problem I could solve.
0 notes
Forfeiting My Mystique
It is pretty to be sweet
and full of pardon like
a flower perfuming the
hands that shred it, but
all piety leads to a single
point: the same paradise
where dead lab rats go.
If you live small you’ll
be resurrected with the
small, a whole planet
of minor gods simpering
in the weeds. I don’t know
anyone who would kill
anyone for me. As boys
my brother and I
would play love, me
drawing stars on
the soles of his feet,
him tickling my back.
Then we’d play harm,
him cataloging my sins
to the air, me throwing
him into furniture.
The algorithms for living
have always been
delicious and hollow,
like a beetle husk in a
spider’s paw. Hafez said
fear is the cheapest room
in a house, that we ought
to live in better
conditions. I would
happily trade all my
knowing for plusher
carpet, higher ceilings.
Some nights I force
my brain to dream me
Persian by listening
to old home movies
as I fall asleep. In the
mornings I open my eyes
and spoil the séance. Am I
forfeiting my mystique?
All bodies become sicker
bodies. This is a kind of object
permanence, a curse bent
around our scalps resembling
grace only at the tattered
edges. It’s so unsettling
to feel anything but good.
I wish I was only as cruel as
the first time I noticed
I was cruel, waving my tiny
shadow over a pond to scare
the copper minnows.
Rockabye, now I lay me
down, et cetera. The world
is what accumulates —
the mouth full of meat,
the earth full of meat.
My grandfather
taught his parrot
the ninety-nine holy
names of God. Al-Muzil:
The Humiliator. Al-Waarith:
The Heir. Once, after
my grandfather had been
dead for a year, I woke
from a dream (I was a
sultan guzzling flies
from a crystal boot) with
his walking cane deep
in my mouth. I kept sucking
until I fell back asleep.
There are only two bones
in the throat, and that’s if you
count the clavicle. This
seems unsafe, overdelicate,
like I ought to ask for
a third. As if anyone
living would offer.
Corporeal friends are
spiritual enemies, said
Blake, probably gardening
in the nude. Today I’m trying
to scowl more, mismatch
my lingerie. Nobody
seems bothered enough.
Some saints spent their
whole childhoods biting
their teachers’ hands and
sprinkling salt into spider-
webs, only to be redeemed
by a fluke shock
of grace just before
death. May I feather
into such a swan soon.
The Book of Things
Not to Touch gets longer
every day: on one
page, the handsome puppy
bred only for service. On
the next, my mother’s
face. It’s not even enough
to keep my hands to myself —
there’s a whole chapter
about the parts of me
that could get me
into trouble. In Farsi,
we say jaya shomah khallee
when a beloved is absent
from our table — literally:
your place is empty.
I don’t know why I waste
my time with the imprecision
of saying anything else,
like using a hacksaw
to slice a strawberry when
I have a razor in my
pocket. To the extent I am
necessary at all, I am
necessary like a roadside deer —
a thing to drive past, to catch
the white of, something
to make a person pause,
say, look, a deer.
1 note
·
View note
I don’t like heaviness […] It seems often to amount to complete self-absorption […] I think one can be cheerful AND profound! – or, how to be grim without groaning [...] It may amount to a kind of "good manners," I'm not sure. The good artist assumes a certain amount of sensitivity in his audience and doesn’t attempt to flay himself to get sympathy or understanding
Elizabeth Bishop, from a letter to Anne Stevenson, 8 January 1964
7 notes
·
View notes
I’ve Been Thinking about Love Again
Those who live to have it and
those who live to give it.
Of course there are those for whom both are true,
but never in the same measure.
Those who have it to give are
like cardinals in the snow. So easy
and beautifully lit. Some
are rabbits. Hard to see
except for those who would prey upon them:
all that softness and quaking and blood.
Those who want it
cannot be satisfied. Eagle-eyed and such talons,
any furred thing will do. So easy
to rip out a heart when it is throbbing so hard.
I wander out into the winter.
I know what I am.
4 notes
·
View notes
[the darkness is spreading earlier and earlier]
the darkness is spreading earlier and earlier. I have stopped looking for myself in pictures. I ask my therapist: if I cannot see my hands how will anyone know to love me. he tells me that it is best to not speak of what happens at night. I do not speak in winter. I watch the news. I think about what picture they would use if I died. it is a miracle babies are born at all. I think a baby is what happens when you get tired of leaving notes on someone’s nightstand before they wake up. if men could carry babies we would watch childbirth on ESPN. we would place bets on it. the world is on fire again but I’m not alone this time. I just want to touch someone who thinks of me while their coffee cools. I just want to kiss a mouth that has grown my name inside. I just want to make good use of all this nighttime. instead I make lists of everything outside that can kill me. the organic market next door is at the top. how much is too much to ask for nourishment. take what is left of my hands. give them back when the sun comes.
1 note
·
View note
The Loneliest Job in the World
As soon as you begin to ask the question, Who loves me?
you are completely screwed, because
the next question is How Much?
and then it is hundreds of hours later,
and you are still hunched over
your flowcharts and abacus,
trying to decide if you have gotten enough.
This is the loneliest job in the world:
to be an accountant of the heart.
It is late at night. You are by yourself,
and all around you, you can hear
the sounds of people moving
in and out of love,
pushing the turnstiles, putting
their coins in the slots,
paying the price which is asked,
which constantly changes.
No one knows why.
4 notes
·
View notes
Immortality
In Sleeping Beauty’s castle
the clock strikes one hundred years
and the girl in the tower returns to the
world.
So do the servants in the kitchen,
who don’t even rub their eyes.
The cook’s right hand, lifted
an exact century ago,
completes its downward arc
to the kitchen boy’s left ear;
the boy’s tensed vocal cords
finally let go
the trapped, enduring whimper,
and the fly, arrested mid-plunge
above the strawberry pie,
fulfills its abiding mission
and dives into the sweet, red glaze.
As a child I had a book
with a picture of that scene.
I was too young to notice
how fear persists, and how
the anger that causes fear persists,
that its trajectory can’t be changed
or broken, only interrupted.
My attention was on the fly;
that this slight body
with its transparent wings
and lifespan of one human day
still craved its particular share
of sweetness, a century later.
0 notes
Before Your Came
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, of thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
Don’t leave now that you’re here—
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
Translated by Agha Shahid Ali.
0 notes
Done Playing Hard to Get
There’s more than one way to read that fist of hers.
It might be a defensive gesture—like carrying on
an entire conversation with your arms crossed—
but it might mean something else completely.
Maybe she’s got a tiny apple in there—keeping it warm
so you can eat it later, baked in the oven of her body.
Or maybe a single pearl found at the edge of some ballroom
her parents dragged her to when she was ten.
Her dress itched her knees so she crawled
in the shadows, stumbling upon this pale eye
escaped from some rich woman’s neck.
She grabbed it, kept it secret until now, until your face,
your body, your special way of looking directly at her
when you speak. And she’s about to reveal it to you
if you’ll just calm down and reach out
to take both of her hands in yours.
2 notes
·
View notes
Her
I had been told about her.
How she would always, always.
How she would never, never.
I'd watched and listened
but I still fell for her,
how she always, always.
How she never, never.
In the small brave night,
her lips, butterfly moments.
I tried to catch her and she laughed
a loud laugh that cracked me in two,
but then I had been told about her,
how she would always, always.
How she would never, never
We two listened to the wind.
We two galloped a pace.
We two, up and away, away, away.
And now she's gone,
like she said she would go.
But then I had been told about her -
how she would always, always.
0 notes
All You Who Sleep Tonight
All you who sleep tonight
Far from the ones you love,
No hand to left or right
And emptiness above -
Know that you aren't alone
The whole world shares your tears,
Some for two nights or one,
And some for all their years.
0 notes