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amycvdh · 2 days
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Homme libre, toujours tu chériras la mer !
| instagram | behance | ello |
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amycvdh · 2 days
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good morning
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amycvdh · 3 days
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me
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i think about this comic at least once a week
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amycvdh · 3 days
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Fountain Of The Gorgon
in Nemi, Italy
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amycvdh · 4 days
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The 70's were different.
Al Green at Soul Train
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amycvdh · 6 days
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French poster for Bringing Up Baby (1938) translated as "The Impossible Mr. Baby” (via BlueSky)
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amycvdh · 6 days
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Electricity, Photo by Hannes Kilian, 1963
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amycvdh · 8 days
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oh this is nothing that chewing my leg off like an animal stuck in a trap cant solve
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amycvdh · 8 days
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On it, boss
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amycvdh · 8 days
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Robert Mangold Four Squares Within a Square #3 1974 acrylic and pencil on canvas support: 78 x 78 inches (198.12 x 198.12 cm) Buffalo AKG Art Museum
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amycvdh · 8 days
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Philippe Foré, Par tous les temps les trains roulant (All Weather Train Weather) poster, 1972.
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amycvdh · 8 days
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TSUDA Seifu(津田青楓 Japanese, 1880-1978)
from Uzuragoromo(うづら衣), published by Yamada Unsodo, 1903, collection of Scott Johnson. image ©︎Reiko Takahashi via
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amycvdh · 8 days
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“The Milkmaid” (2022) by Awodiya Toluwani
"As much a subject of the work as his portraits, each canvas is covered in relief marks that imitate scars, or tribal marks, historically common to several indigenous cultures in Africa. When European colonial governments began to condemn and criminalize the practice, it declined or disappeared altogether. But for some, continuing the tradition meant performing an act of resistance.
Toluwani’s paintings are created on this textured “skin,” layering empowered portraits and atmospheric scenes over the dark legacy of colonialism and human enslavement.” (via this is colossal)
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amycvdh · 8 days
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model: Meta Tshishishimbi
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Imraan Christian, Meta, 2023
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amycvdh · 8 days
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The Function of Colour in Factories, Schools & Hospitals (1930) (via kottke)
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amycvdh · 8 days
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Cats are like water by ICONEO (you can find it on etsy)
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amycvdh · 8 days
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mood
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