William Hogarth (1697-1764), Tailpiece or the Bathos, 1764, engraving.
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Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects.
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Albert Krüger (1858-1910), Arnold Böcklin's self-portrait with Death, 1899, wood engraving.
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Aesthethos
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Firma Mors, illustration by Otto Leitz for Jugend Magazine no. 40 (1903).
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General Mors, illustration by Hans Anetsberger (1870-1942) for Jugend Magazine no. 25 (1904).
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Odilon Redon (1840-1916), And his name that sat on him was Death (Et celui qui etait monte dessus se nonmait la Mort) from the series Apocalypse of Saint John (Apocalypse de Saint-Jean par Odilon Redon), 1899, lithograph.
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Engraving by Gustave Doré (1832-1883) illustrating Canto XVI of Divine Comedy, Inferno, by Dante Alighieri.
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As Dante and Virgil prepare to leave Circle Seven, they are met by the fearsome figure of Geryon, Monster of Fraud. Virgil arranges for Geryon to fly them down to Circle Eight. He climbs onto the monster’s back and instructs Dante to do the same.
Then he called out: “Now, Geryon, we are ready:
bear well in mind that his is living weight
and make your circles wide and your flight steady.”
As a small ship slides from a beaching or its pier,
backward, backward — so that monster slippedback from the rim.
And when he had drawn clear
he swung about, and stretching out his tail
he worked it like an eel, and with his paws
he gathered in the air, while I turned pale.
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Henry Weston Keen (1899-1935), Skull Crowned with Snakes and Flowers, The Duchess of Malfi, 1930s, pen and ink, and wash. Metropolitan Museum of Art
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Gustav Klimt (1862-1918):
1. Judith I (Judith and the Head of Holofernes),
2. Judith II (Salome).
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Gustav Klimt (1862-1918), Medicine, 1900-1907.
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The Klimt University of Vienna Ceiling Paintings, also known as the Faculty Paintings, were a series of paintings made by Gustav Klimt for the ceiling of the University of Vienna's Great Hall between the years of 1900-1907.
In 1894, Klimt was commissioned to paint the ceiling. Upon presenting his paintings, Philosophy, Medicine and Jurisprudence, Klimt came under attack for 'pornography' and 'perverted excess' in the paintings. None of the paintings would go on display in the University.
In May 1945, it is contended that all three paintings were destroyed when retreating SS forces set fire to the building they were housed in. However, this is unverified.
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Aesthethos
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Edgard Maxence (1871-1954), Devant le lutrin, 1912.
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A dragon devouring the companions of Cadmus by Hendrick Goltzius (1558-1617) after Cornelis Corneliszoon van Haarlem (1562-1638), 1588, engraving.
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William Blake (1757-1827), The Book of Job: Pl. 16, Thou hast fulfilled the judgment of the wicked, 1825, engraving.
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